Browse content similar to 15/08/2014. Check below for episodes and series from the same categories and more!
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against India. We will bind up the action from the European athletics | :00:00. | :00:00. | |
championship in syrup. `` roundup. On sports day at 630. `` in Z?rich. | :00:00. | :00:13. | |
Now time for the film review. Hello and welcome to The Film Review | :00:14. | :00:19. | |
on BBC News. To take us through this week's | :00:20. | :00:27. | |
cinema releases is Jason Solomons. This week neighbours versus | :00:28. | :00:38. | |
Twilight, Robert Pattinson and Guy Pearce star in the river. The | :00:39. | :00:49. | |
outback of Australia. Then we look at, we do the time walk again, the | :00:50. | :00:54. | |
expendables three. Some new blood, and they will split. Can Simon Pegg | :00:55. | :01:01. | |
and Rosamond Pike find true happiness in Hector and the search | :01:02. | :01:07. | |
for happiness? Let's kick off with the rover and Guy Pearce making a | :01:08. | :01:11. | |
very long journey. The film is set in the outback in Australia. He | :01:12. | :01:16. | |
cannot tell if they are post`apocalyptic or last week or in | :01:17. | :01:20. | |
the near future. Mad Max is a kind of template. The film is called the | :01:21. | :01:26. | |
rover and it is set ten years after the collapse. I don't know what the | :01:27. | :01:30. | |
collapse is. England's middle order? It could be anything. There are long | :01:31. | :01:36. | |
straight roads, someone has stolen Guy Pearce's car, he wanted back, he | :01:37. | :01:41. | |
finds Robert Pattinson who says it is his brother 's car, so he takes | :01:42. | :01:46. | |
Robert Pattinson hostage and they chased the car in a car along a long | :01:47. | :01:49. | |
road occasionally having people shooting at them. Tell me where your | :01:50. | :02:01. | |
brother is. He's gone south, a long way from here. I'm just going to get | :02:02. | :02:17. | |
your T`shirt. Get up, we're leaving. That's what the lady says usually. | :02:18. | :02:19. | |
Get up. What was that sound? There is a car | :02:20. | :02:42. | |
coming. What car? I don't know. That is two cars. How long until they | :02:43. | :02:51. | |
here? And then it may be. Who is it? Get your rifle. Do you know them? Go | :02:52. | :02:58. | |
and get your rifle. I'm sensing some intensity. Yes, it is dropping and | :02:59. | :03:05. | |
mysterious and atmospheric. The director 's debut was a brilliant | :03:06. | :03:09. | |
Melbourne crime family drama called animal kingdom which is one of the | :03:10. | :03:13. | |
best debuts of this century so far. This is as follow`up, is its | :03:14. | :03:18. | |
difficult second album syndrome? Much greatness on display, a great | :03:19. | :03:23. | |
feel for the outback and the mountains. These to the sized score | :03:24. | :03:28. | |
we heard is excellent and airy. Guy Pearce is amazing. Robert Pattinson | :03:29. | :03:33. | |
isn't too bad either. `` it is eerie. It is like Steinbeck, mice | :03:34. | :03:38. | |
and men, and Lenny and George relationship. Robert Pattinson is a | :03:39. | :03:42. | |
bit overcooked. I'm not sure why he's American and what he's doing in | :03:43. | :03:45. | |
the outback. It starts off quite well then it keeps going and going | :03:46. | :03:51. | |
and driving and driving with that existential and Stephen Spielberg | :03:52. | :03:54. | |
does so well with two cars facing off against each other. Then it | :03:55. | :03:58. | |
leads somewhere, I don't want a spoiler but the ending is such a let | :03:59. | :04:02. | |
down it casts a pall over all of the good work done before. Then you | :04:03. | :04:06. | |
say, that is where they were going? I don't want to ruin it by the end | :04:07. | :04:10. | |
is not as good as it should've been. Guy Pearce has been on film | :04:11. | :04:15. | |
driving around Australia in the past, in Priscilla Queen of the | :04:16. | :04:18. | |
desert. This is clearly not Queen of the Desert. There are no frills. But | :04:19. | :04:25. | |
Guy Pearce is very good. I enjoyed the film, I was left with a great | :04:26. | :04:29. | |
frustration at the end, I found let down. You wanted a better ending. | :04:30. | :04:36. | |
Maybe we could do one. `` I felt. The expendables three. I don't know | :04:37. | :04:44. | |
if this has an ending. The ending is indistinguishable from the | :04:45. | :04:46. | |
beginning. Lots of old people who were in films in the 80s were some | :04:47. | :04:50. | |
new people blowing some stuff up. That is what they do, they blow | :04:51. | :04:53. | |
building up, run to another building, blow it up, come home, | :04:54. | :04:59. | |
make a bit, then go away again. There's a sort of story, Sylvester | :05:00. | :05:03. | |
Stallone and his group of action cronies, Jason stated who for some | :05:04. | :05:07. | |
reason is with the old guys but he is actually quite young. `` Jason | :05:08. | :05:21. | |
Statham. They recruit Mel Gibson and Wesley Snipes. I think it is | :05:22. | :05:24. | |
believed the only party is allowed in Hollywood, Mel Gibson, an evil | :05:25. | :05:30. | |
madman. `` part he is allowed. They go around the world recruiting some | :05:31. | :05:35. | |
new people to reboot the expendables franchise and then everyone blow | :05:36. | :05:37. | |
some more stuff up and they all go home. This can work if they don't | :05:38. | :05:42. | |
take themselves too seriously. That is the problem, I thought the first | :05:43. | :05:47. | |
one was rather fun. Statham Held his own rather well. In the second one | :05:48. | :05:51. | |
it was loopy" amusing. This is rather grim. It is a trial basis | :05:52. | :05:56. | |
difficult but there are bullets flying everywhere. I was shocked it | :05:57. | :06:00. | |
was a 12 A, it's one of the most violent things I've seen all year. | :06:01. | :06:08. | |
`` it is 12 A. You expect it to be funny, they don't really do that. I | :06:09. | :06:13. | |
think they got tired of it and they couldn't find any decent jokes to | :06:14. | :06:17. | |
say about having exploded 150 people in the port of Mogadishu. But I'm | :06:18. | :06:22. | |
sure there will be an expendables four. Hector and the search for | :06:23. | :06:27. | |
happiness. Tell us more. Simon Pegg who specialises in playing British | :06:28. | :06:30. | |
nerds from Shaun of the dead all the way to run Fat boy run and is last | :06:31. | :06:34. | |
year 's other worlds and, diminishing returns for this kind of | :06:35. | :06:39. | |
character. `` the world 's end. He plays a psychiatrist in a flat in | :06:40. | :06:43. | |
London and his girlfriend is played by was meant Pike. He decides he | :06:44. | :06:46. | |
doesn't know enough about anything and teeny to go around the world. `` | :06:47. | :06:52. | |
Rosamond. He dresses up like an idiot. That and needs to go around | :06:53. | :07:02. | |
the world. Can I please get the champagne from first class at | :07:03. | :07:06. | |
least? A decent one. This is an decent? Would you like a down or | :07:07. | :07:13. | |
memory foam pillow? Did you order a pillow? I forget, did I? I will have | :07:14. | :07:18. | |
two steal your bag. Of course, please do. Sorry, I'll get it. This | :07:19. | :07:27. | |
is like twister, though you've won. Oh, that's sweet. Oh look at that. | :07:28. | :07:55. | |
It's a gift from my other half, she snuck it into my bag and I didn't | :07:56. | :08:05. | |
know. Fill these pages. I will. I might have moved back into economy. | :08:06. | :08:10. | |
Who goes onto a plain like that with a rucksack and all of that jangly | :08:11. | :08:15. | |
stuff? `` a plane. It might be funny but no one really does that so it's | :08:16. | :08:19. | |
not truly funny. If you did that he would be chopped off the plane. No | :08:20. | :08:24. | |
one dresses like feeling. `` chocked. Rosamond Pike wouldn't go | :08:25. | :08:27. | |
out with someone dressed like that. `` chocked. He goes around the world | :08:28. | :08:36. | |
filling the book with doodles which appear on the screen sometimes, | :08:37. | :08:40. | |
making observations about what makes people happy. Then he goes to meet | :08:41. | :08:45. | |
Buddhist monks, he goes to Africa where everyone is either a dancing | :08:46. | :08:48. | |
villager who wants to have fun with him, or a kidnapping warlord. It is | :08:49. | :08:53. | |
kind of borderline racist in its idiocy. It casually sexist and | :08:54. | :09:01. | |
silly. The logic presumably is if you're psychiatrist and you go on a | :09:02. | :09:04. | |
search for happiness it helps you treat your patience. He says I don't | :09:05. | :09:09. | |
know enough to treat the patients but he doesn't really, he clocks up | :09:10. | :09:13. | |
lots of air miles but goes on hardly any journeys. I was fed up with him | :09:14. | :09:17. | |
quite early on, I found it very difficult film to stomach and I | :09:18. | :09:22. | |
think many people will too. Even though Simon Pegg is immensely | :09:23. | :09:25. | |
likeable he's not fully getting the character. I went ask if he finds | :09:26. | :09:29. | |
happiness because it might spoil the end, but I don't get the impression | :09:30. | :09:33. | |
that matters. What is the favourite one you would like to pick out? The | :09:34. | :09:37. | |
one I hope we can still find because I talked about it last week is a | :09:38. | :09:41. | |
film which is an Argentinian film about a Nazi doctor. I may have | :09:42. | :09:48. | |
given it away last week. He is on the run in | :09:49. | :09:49. | |
given it away last week. He is on the Patagonia and it is seen through | :09:50. | :09:52. | |
the eyes of the 12`year`old girl he starts treating. I found this | :09:53. | :09:56. | |
immensely exciting, thrilling and scary. Its images live on in my mind | :09:57. | :10:01. | |
in my nightmares ever since. You look in your notebook at this doctor | :10:02. | :10:05. | |
and you realise the experiment he's been doing in the 1940s in house | :10:06. | :10:09. | |
which have followed him here to Patagonia in the 1960s. `` house in | :10:10. | :10:18. | |
concentration camps. You feel that it probably did happen. The DVD, | :10:19. | :10:23. | |
that you can pick up very soon, what have I chosen? Calvary. Brendan | :10:24. | :10:32. | |
Gleeson. Giving probably, this year 's first Oscar nominating tight | :10:33. | :10:35. | |
performance. He plays a country Priest in Ireland, someone says they | :10:36. | :10:40. | |
will kill him. `` type. Which of the villages is it? He goes round trying | :10:41. | :10:44. | |
to square himself with his own morality with God. It is funny and | :10:45. | :10:49. | |
deeply moving and religious. A strange mix, but the humour is the | :10:50. | :10:56. | |
cover. Thank you for joining us. A quick reminder before we go you will | :10:57. | :11:00. | |
find more film news and reviews from across the BBC online including our | :11:01. | :11:06. | |
previous shows slash film. That is it for this week. Thank you for | :11:07. | :11:09. | |
watching and goodbye. Good evening, most of you have got | :11:10. | :11:26. | |
away with a drier day`to`day than the past few but there are still a | :11:27. | :11:29. | |
few showers, the odd heavy one today. Drifting off the Pennines | :11:30. | :11:34. | |
into the Midlands, out of East Wales. Quite a few just across parts | :11:35. | :11:41. | |
of Surrey, Sussex and Kent. The drift of those are southwards and | :11:42. | :11:42. |