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Now on BBC News, it's time for the Film Review. | :00:00. | :00:19. | |
Hello and welcome to The Film Review on BBC News. | :00:20. | :00:22. | |
To take us through this week's cinema releases is Mark Kermode. | :00:23. | :00:27. | |
We have the 20th Century Women, I new film starring Annette Bening. We | :00:28. | :00:41. | |
have the Lego Batman movie, which says what it does on the tin. And | :00:42. | :00:46. | |
Fences, a major awards contender. Let's start with 20th Century Women | :00:47. | :00:58. | |
from Mike Mills. It is an interesting film, set in California. | :00:59. | :01:03. | |
Young boy facing an uncertain adulthood, surrounded by strong | :01:04. | :01:08. | |
women of different ages, who both inspire and also confound, not least | :01:09. | :01:11. | |
his free-spirited mother, brilliantly played by Annette | :01:12. | :01:13. | |
Bening. Here is a clip. Thinking that you know | :01:14. | :01:16. | |
everything that's going on. No, I just think that, you know, | :01:17. | :01:23. | |
having your heart broken is a tremendous way to learn | :01:24. | :01:26. | |
about the world. ..as happy as you thought you'd be | :01:27. | :01:32. | |
when you were my age? You don't ask people | :01:33. | :01:46. | |
questions like that. Wondering if you're happy is a great | :01:47. | :01:51. | |
shortcut to just being depressed. I already love it, just from that. I | :01:52. | :02:14. | |
haven't seen it yet. You are right to do so. It is the horrific film. | :02:15. | :02:20. | |
It has terrific performances, partly because they had time to rehearse I | :02:21. | :02:23. | |
get to know the characters. These are characters you want to spend | :02:24. | :02:30. | |
time in the company. We want to show how their lives work-out. You want | :02:31. | :02:35. | |
to know about their lives. The film has texture, you feel like at any | :02:36. | :02:39. | |
point the camera could go out of the car, out of the house and into the | :02:40. | :02:42. | |
street and the world would be complete around it. It evokes a | :02:43. | :02:48. | |
world that is in many ways, lost. It is back to time that now seem so | :02:49. | :02:53. | |
distant, but the issues it deals with is contemporary. It is not plot | :02:54. | :02:57. | |
driven, it is to do with moments, conversations and relationships. The | :02:58. | :03:02. | |
narrative flips back and forward to some extent. I thought it was | :03:03. | :03:12. | |
terrific. I started watching it, I knew nothing of what to expect, | :03:13. | :03:15. | |
other than it had a great cast. I was drawn into their world and their | :03:16. | :03:18. | |
characters. I loved it, I can't wait to see it again, you will love it. | :03:19. | :03:23. | |
Will it be disparagingly called women's film? I don't know what that | :03:24. | :03:29. | |
means. It used to be a term that was use for popular movies. Because | :03:30. | :03:33. | |
females were the majority of the audiences. What they meant was | :03:34. | :03:37. | |
something would be successful and a blockbuster. I hope it is the case. | :03:38. | :03:41. | |
Anybody could see 20th-century women and get something out of it, it is | :03:42. | :03:42. | |
the rhetoric. Same is true of the Lego Batman | :03:43. | :03:51. | |
movie. Have you seen it? I am afraid I didn't. It was great. It sounded | :03:52. | :03:58. | |
like a stupid idea but it turned out to be very smart and inventive. What | :03:59. | :04:05. | |
age group? All age groups, I am in my 50s and I laughed all the way | :04:06. | :04:10. | |
through. It is about Lego Batman, a narcissist, and he has to learn to | :04:11. | :04:16. | |
have relationships with people, with Robin, his butler, and the Joker, | :04:17. | :04:20. | |
who is desperate for him to admit he is a special billing and they have a | :04:21. | :04:25. | |
special relationship. And what is great, the visuals are terrific, it | :04:26. | :04:30. | |
is incredibly kinetic. I wanted to hold the frame and say stop, there | :04:31. | :04:34. | |
are so many jokes in this one frame, they are going pass so fast. It is | :04:35. | :04:44. | |
great for all ages, it is funny. Loads of exciting stuff happening on | :04:45. | :04:49. | |
the screen. There are jokes about the 60s Batman and the Christopher | :04:50. | :04:54. | |
Nolan Batman. You need to see the Lego Movie, because that is terrific | :04:55. | :04:59. | |
and better than this. I have a busy weekend ahead of me. The Lego Batman | :05:00. | :05:05. | |
movie is tiptop stuff and doesn't let the side down. I am already | :05:06. | :05:07. | |
feeling overwhelmed. Let's talk about Fences. I have seen | :05:08. | :05:21. | |
the film and now I feel I want to see the play. Denzel Washington | :05:22. | :05:29. | |
stars and directs it. Troy is a blue-collar worker and brings home | :05:30. | :05:33. | |
his frustrations from his work, from his life. They all come out in the | :05:34. | :05:38. | |
home encounters. The film has got four Oscar nominations including | :05:39. | :05:41. | |
Best Supporting Actress and here is why. | :05:42. | :05:44. | |
You're not listening to me, I'm trying to explain it | :05:45. | :05:48. | |
It's not easy for me to admit I've been standing | :05:49. | :05:53. | |
I've had 18 years of my life just standing in the same spot as you. | :05:54. | :06:02. | |
Don't you think I've ever wanted other things? | :06:03. | :06:04. | |
Don't you think I had dreams and hopes? | :06:05. | :06:06. | |
Great performances. You have seen the play. So powerful, the play. The | :06:07. | :06:25. | |
film feels very staged. There are plays that have been adapted for the | :06:26. | :06:31. | |
screen and they feel cinematic. This feels like something that has taken | :06:32. | :06:36. | |
the stage play and filmed it. There are slight differences, but it never | :06:37. | :06:41. | |
felt like a cinematic endeavour. It felt like great writing, relevant | :06:42. | :06:45. | |
issues. The horrific, committed performances. But it didn't take | :06:46. | :06:51. | |
flight as a piece of film-making. That is a problem because if you | :06:52. | :06:54. | |
take a stage play away from the stage and put it somewhere else, you | :06:55. | :06:59. | |
have to to do something to it. You really feel you wish you were seeing | :07:00. | :07:04. | |
it live on stage, particularly with the larger speeches. It felt like a | :07:05. | :07:07. | |
theatrical production as opposed to a cinematic production. The | :07:08. | :07:13. | |
screenplay was written by August Wilson before he died, a great | :07:14. | :07:17. | |
playwright. It is different writing for the screen and it is a craft? It | :07:18. | :07:23. | |
is different directing that work for the screen. The classic screen | :07:24. | :07:28. | |
adaptation of plays, they understand the language of cinema. This is | :07:29. | :07:34. | |
clearly a huge reverence from the stage play, and understandably so. I | :07:35. | :07:37. | |
just don't think it is as cinematic as it needs to be. Despite the fact | :07:38. | :07:43. | |
it is great writing, solid performances and great individual | :07:44. | :07:47. | |
moments, but as a piece of cinema, doesn't fly. We are coming up to the | :07:48. | :07:54. | |
BAFTAs, so he might win awards for the acting? My feeling is that is | :07:55. | :07:59. | |
where its heart resides, they are terrific performances. It feels | :08:00. | :08:03. | |
theatrical to me. The best thing out in the cinema at the moment, is Toni | :08:04. | :08:11. | |
Erdman. He is terrific, it sounds unlikely, a three-hour German Black | :08:12. | :08:16. | |
comedy, written and directed and a standout performance about father, | :08:17. | :08:26. | |
daughter estrangement. A father turns up at his daughter's place of | :08:27. | :08:30. | |
work pretending to be a life coach, and she cannot get rid of him. It is | :08:31. | :08:36. | |
funny and poignant. It is about to be remade starring Jack Nicholson. | :08:37. | :08:42. | |
Why? It is perfect as it is, it doesn't need remaking, you will love | :08:43. | :08:47. | |
the original. I have seen the trailer and the trailer itself is | :08:48. | :08:52. | |
interminable. Does it need to be three hours? I am somebody who | :08:53. | :08:56. | |
believes in cutting to the bone, less is more, but in the case of | :08:57. | :09:03. | |
Toni Erdman, I would not take anything out. It is that good. Don't | :09:04. | :09:09. | |
be put off by the trailer. I was. Don't be, it is not a great trailer. | :09:10. | :09:17. | |
OK, only because you have told me. Tell us about the DVD. The Unknown | :09:18. | :09:24. | |
Girl. I young Doctor Who fails to open the door to a potential patient | :09:25. | :09:31. | |
is then found dead. She has a crisis of conscience and try to find out | :09:32. | :09:36. | |
who she is. It was a film, when it was in the cinema, got lukewarm | :09:37. | :09:42. | |
reviews. The best thing about DVDs, you can reassess things that was | :09:43. | :09:47. | |
overlooked the first time. It is a thriller, but it has a humanist | :09:48. | :09:51. | |
heart and is well worth seeing. I don't know it, but that is a good | :09:52. | :09:56. | |
recommendation. Mark, thank you very much indeed. | :09:57. | :10:00. | |
A quick reminder before we go that you'll find more film news | :10:01. | :10:03. | |
and reviews from across the BBC online at bbc.co.uk/markkermode. | :10:04. | :10:06. | |
And you can catch up with our previous programmes | :10:07. | :10:08. | |
And we mentioned the BAFTAs, let's find out who wins what on Sunday. | :10:09. | :10:21. | |
Full coverage from BBC News on the red carpet. | :10:22. | :10:22. | |
It is a perfect weekend for watching a movie because it is going to be | :10:23. | :10:41. | |
cold and miserable. This picture from Northumberland says it all, | :10:42. | :10:44. | |
grey | :10:45. | :10:45. |