Browse content similar to 11/07/2014. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
million. We look ahead to Sunday's World Cup final as well. Now, time | :00:00. | :00:00. | |
for the film review. Hello and welcome to The Film Review | :00:00. | :00:16. | |
on BBC News. To take us through this week's | :00:17. | :00:19. | |
cinema releases is Mark Kermode. We have very heard, starring Ellar | :00:20. | :00:38. | |
Coltrane. We have Transformers. We really want is more Transformers in | :00:39. | :00:41. | |
our lives! And we have Begin Again. Barely heard has a nine`year`old boy | :00:42. | :01:07. | |
and ten`year`old boy. We first meet the central character at the age of | :01:08. | :01:11. | |
six and the film is filmed over 12 years. It is a portrait of growing | :01:12. | :01:20. | |
up from boy to adolescent teenager to adulthood. What is extraordinary | :01:21. | :01:28. | |
about it is that it could equally be called parenthood for motherhood or | :01:29. | :01:33. | |
system modal brotherhood. We see the entire family changing. It is tender | :01:34. | :01:38. | |
and a very human portrait of the changes which affect everybody, | :01:39. | :01:43. | |
whether they are young or old, from a director who primarily cares about | :01:44. | :01:52. | |
character. You met him. I met him last month, in fact. | :01:53. | :01:55. | |
Last month, I interviewed the director Richard Linklater and star | :01:56. | :01:58. | |
of the film Ellar Coltrane, and they told me about the challenges of | :01:59. | :02:01. | |
Every year, we had this luxury of talking, next year, we will need to | :02:02. | :02:19. | |
go, and we got to talk about it. This was about filming and thinking. | :02:20. | :02:30. | |
A collaboration. Then you are, eight, nine, ten, did you feel he | :02:31. | :02:33. | |
was listening to what you were saying? Definitely. It's very | :02:34. | :02:41. | |
incidental but there is a lot of me reflected in the director. What most | :02:42. | :02:46. | |
impressed me was the ambition of this film. It's very simple but | :02:47. | :02:53. | |
can't be simple: 12 years to do a project in Hollywood as a lifetime. | :02:54. | :02:57. | |
When you are watching it, you don't think there thinking of the | :02:58. | :03:02. | |
logistics and difficulties. You watch it and it is like dropping in | :03:03. | :03:09. | |
as a family member. This action just happens in place out in front of you | :03:10. | :03:14. | |
and the intimacy you have with these characters, the film is 166 minutes | :03:15. | :03:20. | |
long, that time flies by, but you never think, wow! How hard is that | :03:21. | :03:27. | |
to do? It is not just to do with physically watching the characters | :03:28. | :03:30. | |
change. It's the way the film understands with different periods | :03:31. | :03:41. | |
of people's lives. Particularly, even though as the father, in a way, | :03:42. | :03:47. | |
he is just as Polish as is young son. He grows up as well. The | :03:48. | :03:56. | |
director is extraordinary. The key thing, where tourism is a part of | :03:57. | :04:00. | |
cinema. He appears to look with his characters. The film is really | :04:01. | :04:09. | |
remarkable. I think Transformers is also 166 minutes long. Transformers | :04:10. | :04:17. | |
is exactly the same running time and yet, it feels about 50 times longer. | :04:18. | :04:23. | |
It feels like you could grow an entire new set of teeth. We have | :04:24. | :04:30. | |
Mark Warburg stepping into the central role and then we have got | :04:31. | :04:37. | |
2.75 hours of great big machines hitting each other while the camera | :04:38. | :04:44. | |
looks up the leading lady's skirt and everything explodes really | :04:45. | :04:49. | |
loudly. But sadly, not better. Forgive me, but I am missing the | :04:50. | :04:55. | |
point here. Isn't this just the hamburger in movies? It's the same | :04:56. | :05:01. | |
one, time after time, if you like that kind of thing. He makes the | :05:02. | :05:07. | |
same movie over and over again. Actually, most people don't enjoy | :05:08. | :05:13. | |
it. I have yet to meet someone who says, Transformers two is a | :05:14. | :05:21. | |
masterpiece! The director said, it's great having critics slack my movies | :05:22. | :05:29. | |
of. It's terrible! He's an appalling film`maker. There is another | :05:30. | :05:37. | |
argument that this is the beginning of a new kind of cinema for 3`D. | :05:38. | :05:45. | |
Begin Again. He made a lovely movie once about a busker. A busker, a | :05:46. | :05:52. | |
woman, a Hoover and a song. This is a similar idea. Keira Knightley is a | :05:53. | :06:00. | |
British singer`songwriter in New York. She meets a man who decides | :06:01. | :06:04. | |
she has star potential but she doesn't necessarily want to be | :06:05. | :06:15. | |
snapped up. Here's a clip. I'm in. What? I want to make records. I want | :06:16. | :06:26. | |
to produce them, I want to sign you. Did you see what just happened up | :06:27. | :06:30. | |
there? I don't like music. Who cares if they don't get it? You need to | :06:31. | :06:35. | |
work on your performance a little bit. Are you really ANR man? You | :06:36. | :06:45. | |
look more like a homeless man. That is some song you've got there. Plus, | :06:46. | :06:51. | |
you are beautiful. What is beauty got to do with anything? I just | :06:52. | :06:57. | |
think music is about is, not eyes. And I am not Judy Gyle and. `` | :06:58. | :07:08. | |
Garland. The dialogue is great! I think you're Knightley is pretty | :07:09. | :07:17. | |
terrific. `` Keira Knightley. It's a fairy tale, a fantasy about bucking | :07:18. | :07:24. | |
the music industry. It is a companion piece to the other movie. | :07:25. | :07:32. | |
What it is is moving, charming, sweet natured and I really enjoyed | :07:33. | :07:38. | |
being in their company. In the past, many years ago, I didn't think Keira | :07:39. | :07:43. | |
Knightley was the best actress in the world but I think she is | :07:44. | :07:49. | |
terrific in this. And he looks like a homeless man! It's made with a | :07:50. | :08:04. | |
lotta love and affection. The songs are not quite as good this time but | :08:05. | :08:11. | |
the film is still charming. It is a very warm experience. And I like the | :08:12. | :08:16. | |
characters. The best of the week is not a warm experience. No. It's set | :08:17. | :08:25. | |
in a very particular time, a time of video cassettes and pre`mobile | :08:26. | :08:30. | |
phones. It flips between, one minute a thriller, one minute a horror | :08:31. | :08:38. | |
movie, almost a social satire. Very fine performances by the central | :08:39. | :08:58. | |
cast. Annual DVD of the week. Scarlett Johansson is posing as an | :08:59. | :09:03. | |
alien. It's very ambitious. It is based on a very difficult novel and | :09:04. | :09:07. | |
doesn't always work but what I love about it is the amount of ambition | :09:08. | :09:11. | |
it has, the fact it goes, if I will fail, I will fail on my own terms. | :09:12. | :09:16. | |
Things and are breathtaking, things don't work, but I love the fact that | :09:17. | :09:22. | |
you have Transformers, and the year, a science`fiction movie who is | :09:23. | :09:25. | |
interested in ideas first and foremost, not money. Everybody | :09:26. | :09:29. | |
should see it. A quick reminder before we go that | :09:30. | :09:33. | |
you'll find more film news and reviews from across the BBC online, | :09:34. | :09:36. | |
including all our previous shows. For the last couple of days, we have | :09:37. | :10:00. | |
had weather fronts coming in from the North Sea. This weekend we will | :10:01. | :10:04. | |
flip a coin back to business and as usual and have our weather systems | :10:05. | :10:09. | |
coming in off the Atlantic. Splashes of rain and the potential for some | :10:10. | :10:12. | |
of it to be | :10:13. | :10:13. |