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Welcome to the Film Review. To take us through this week's releases, | :00:28. | :00:34. | |
Jason Solomons. We'd go off to Sonny Greece, for the sunshine and | :00:34. | :00:39. | |
the last in the series. We pick up with one of Cinema's longest | :00:39. | :00:49. | |
ongoing romance has. -- romances. The then we go back to Manchester | :00:49. | :00:57. | |
of the 1990s, to view it through the Stone Roses' tinted spectacles. | :00:57. | :01:07. | |
:01:07. | :01:10. | ||
Finally, Crown -- can Brad Pitt save the world from zombies? Before | :01:10. | :01:15. | |
Midnight is your first choice. is. Richard Lynch lake began one of | :01:15. | :01:21. | |
cinema's longest, most drawn-out trilogies. -- Richard Linklater. It | :01:21. | :01:25. | |
started in Before Sunrise. They wander around Vienna, walking, | :01:25. | :01:32. | |
talking, falling in love. They were in their 20s. In 2004, they picked | :01:32. | :01:37. | |
up in their 30s. They talked around Paris and fell in love. Did they or | :01:38. | :01:42. | |
didn't they? We do not know. We pick up 20 years on from the | :01:42. | :01:47. | |
beginning in Before Midnight. We are in Greece. They are walking and | :01:47. | :01:57. | |
:01:57. | :02:01. | ||
We could spend another of the years to get there. What would you like | :02:01. | :02:06. | |
to change? That is another one of your can't win questions. I am not | :02:06. | :02:12. | |
answering that. What do you mean? There is nothing you want to change | :02:12. | :02:21. | |
about me? I am perfect? It would be for you to stop trying to change me. | :02:21. | :02:27. | |
I am on to you. I know how you work. You think? I know everything about | :02:27. | :02:35. | |
you. I know you better than I know anybody else on the planet. Right | :02:35. | :02:44. | |
now? This is great, I feel close to you. But sometimes I do not know. I | :02:44. | :02:48. | |
feel you are breathing helium and not oxygen. What makes you say | :02:49. | :02:54. | |
that? That is a joke.If we are ever going to truly know one | :02:55. | :02:58. | |
another, we have to get to know ourselves better first. | :02:58. | :03:04. | |
Greece looks nice. A very nice. I am an English | :03:04. | :03:09. | |
teacher in school when we did Romeo and Juliet, and he said the trouble | :03:09. | :03:15. | |
is, everybody is my cues you to everybody else's Romeo and Juliet. | :03:15. | :03:20. | |
It is very much, nothing happens. If you accept that all life is | :03:20. | :03:26. | |
there. One walks with one's partner, one IT is with one's partner over | :03:26. | :03:32. | |
the stupidest things. Is that interesting? Do we get enough of | :03:32. | :03:38. | |
this at home? Do we need to see other people argue about the things | :03:38. | :03:43. | |
that we argue about? I think with the skill of this, we do. You had | :03:43. | :03:47. | |
become invested. You foist your own feelings on to the mirror of the | :03:47. | :03:53. | |
screen. You think, I had done that before, I am with her, I am with | :03:53. | :04:00. | |
him. Do not ID back, that is going to send him or her off. There is an | :04:00. | :04:04. | |
amazing week creation of reality. Some of my favourite movies I'd | :04:04. | :04:08. | |
just that simple, people walking around amazing places, talking and | :04:08. | :04:14. | |
falling in love. Do you think many people will be walking around and | :04:14. | :04:19. | |
be it woman says, let's go and see that, and the bloke goes, let's go | :04:19. | :04:25. | |
see World War Z. There is enough bloke in this. He is quite blowy | :04:25. | :04:31. | |
Gish. We can argue about it for hours. -- quite a bloke. | :04:31. | :04:37. | |
So bike Ireland? The Stone Roses, the British Film Industry, their | :04:37. | :04:40. | |
pension funds had been rather swollen by their tours, but they | :04:40. | :04:45. | |
had been doing festivals as well. They have also had two films made | :04:45. | :04:51. | |
about them. Shane Meadows had a documentary the other week. It was | :04:51. | :04:56. | |
caught Made Of Stone. Spike Island is a new British coming of age | :04:56. | :05:01. | |
comedy about four lads in Manchester trying to get into their | :05:01. | :05:07. | |
heroes' famous dig. It is just outside witness. A less romantic | :05:07. | :05:13. | |
spot one cannot imagine. However, they want to desperately get in to | :05:13. | :05:17. | |
see their idols at work and jump over the fence and get in there and | :05:17. | :05:23. | |
see this mythical concept. I rather like this film. It catches the | :05:23. | :05:28. | |
jades of youth, the kind of fine wine has with one's mates. The film | :05:28. | :05:34. | |
is very good when the boy sat together bantering. Emilia Clarke | :05:34. | :05:40. | |
is in this. She is rather road. It is all about that kind of coming | :05:40. | :05:44. | |
together, having a laugh with your friends. The less successful part | :05:44. | :05:48. | |
is when they try to depend the characters' back stories, give them | :05:48. | :05:56. | |
a sick parent or a brother. A go to the concert, have a laugh, and | :05:56. | :06:04. | |
recreate the 90s. You do not have do like the Stone Roses. You do not | :06:04. | :06:09. | |
have to like them. It is just a mythical concept. You have to live | :06:09. | :06:12. | |
through the 90s and have some friends, and I think a lot of | :06:12. | :06:17. | |
people had done that. The big film of feet week must be | :06:17. | :06:27. | |
:06:27. | :06:28. | ||
World War Z. It seems to be a priggish rubbish title. -- pretty. | :06:28. | :06:35. | |
I still manage to say he's dead. I am sticking with the said. The BBC | :06:35. | :06:38. | |
pronunciation unit had had in camera session... I do not know | :06:38. | :06:45. | |
what they decided. It is based on a novel which I am | :06:45. | :06:54. | |
assuming was called World War Z. It stands for zombie. It is no longer | :06:54. | :07:00. | |
a zebra, but for zombie. Everyone is a zombie. Can Brad Pitt saved | :07:00. | :07:10. | |
:07:10. | :07:20. | ||
us? DSE can. He is a movie star. -- He says you were his best | :07:20. | :07:28. | |
investigator out when you were at the UN. Find whatever he needs to | :07:28. | :07:33. | |
stop unwanted the circumstances to be different. Cannot help you. | :07:33. | :07:38. | |
Cannot leave my family. Take a look around. Each and every one of these | :07:38. | :07:43. | |
people are here because they serve a purpose. There is no room here | :07:43. | :07:47. | |
for non-essential personnel. You want to help your family, let's | :07:47. | :07:52. | |
figure out how we stop this. It is your joy is. | :07:52. | :07:58. | |
I read one review which shed this is the Newsnight of some the films. | :07:58. | :08:03. | |
-- zombie. Shorn of the dead was a great | :08:03. | :08:11. | |
zombie film. How can you recover from a film like that, which | :08:11. | :08:17. | |
pastiches to the genre so well? To make a serious attempt? It is not | :08:17. | :08:23. | |
zombies that are kind of lurching, they are fast, flesh-eating zombies. | :08:23. | :08:27. | |
They are voracious in their appetite. I do not know what is on | :08:27. | :08:34. | |
the members are supposed to do. -- zombie movies. George Romero had it | :08:34. | :08:40. | |
as consumerism but we are owed their that. Brad Pitt is too famous | :08:40. | :08:45. | |
to be eaten by zombies. He's the most famous picture -- person in | :08:45. | :08:51. | |
the picture by miles. This is the only big blockbuster to have its | :08:51. | :08:53. | |
climax in the World Health Organisation headquarters in | :08:53. | :08:59. | |
Cardiff. That is how exciting this film is. I quite enjoyed it. Some | :08:59. | :09:06. | |
of the action sequences are quite good. And Brad Pitt is a fabulous | :09:06. | :09:16. | |
:09:16. | :09:16. | ||
actor. He is it that handsome, call, action movie star. -- cool. Leave | :09:16. | :09:21. | |
these zombies are a bit stupid actually. You want a better class | :09:21. | :09:27. | |
of zombie? I think intelligent zombies would be good. The world | :09:27. | :09:31. | |
has been overrun by this. There are pockets of survivors and they want | :09:32. | :09:37. | |
to get back to their family. It is corny, it is cheesy, it is World | :09:37. | :09:42. | |
War Z. Behind The Candelabra, I have not | :09:42. | :09:45. | |
seen it, but everybody who has seen it Lancet. | :09:45. | :09:52. | |
A good performance by Michael Douglas. A good performance by Matt | :09:52. | :09:57. | |
Damon as well. In the shadow of Liberace. It is a good fun story | :09:57. | :10:02. | |
that has a kind of sadness which is about prosthetics and cocaine and | :10:02. | :10:08. | |
the 70s. You DVD choice, Hitchcock. I loved | :10:08. | :10:12. | |
it. I thought Anthony Hopkins was great in it. Helen Mirren was | :10:12. | :10:17. | |
terrific as his wife. I think it is a great film about | :10:17. | :10:23. | |
making movies. It is about Alfred Hitchcock making Psycho. It is | :10:23. | :10:29. | |
really playful about the movies. He does not really look like Hitchcock, | :10:29. | :10:34. | |
but at the end you believe that he is. It has a playful, Sunday | :10:34. | :10:39. |