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against Australia. That is on Sports Day at 6. 30pm. Now on BBC News, | :00:03. | :00:13. | |
:00:13. | :00:51. | ||
Hello and welcome to the programme 1990s to view it through is certain | :00:51. | :00:58. | |
that Stone Roses tinted spectacles. Finally, can Brad Pitt save the | :00:58. | :01:08. | |
:01:08. | :01:22. | ||
choice. This is one of the most longest drawn-out trilogies. They | :01:22. | :01:26. | |
wandered around Vienna falling in love. They were in their 20s then. | :01:26. | :01:31. | |
In 2004, he picked up with them in their 30s in Paris. They had a Will | :01:31. | :01:37. | |
they, won't they romance? They fell in love. Did they or didn't they or | :01:37. | :01:41. | |
doesn't say is the end of that? We don't know. We pick up again nearly | :01:41. | :01:48. | |
20 years on and we are in the Southern Penelope 's increase. -- 11 | :01:48. | :01:58. | |
:01:58. | :02:06. | ||
together. What about me would you change? I'm not answering that. | :02:06. | :02:11. | |
There's not one thing you'd like to change about me? I'm perfect? | :02:11. | :02:15. | |
actually, if I could change one thing about you it would be for you | :02:15. | :02:22. | |
to stop trying to change me. You are a very skilled manipulator. I know | :02:23. | :02:26. | |
how you work. You think?I know everything about you. Let's go | :02:26. | :02:31. | |
through here. I don't think you do actually. No? I know you better than | :02:31. | :02:37. | |
I know anybody else on the planet. Right now, this is great, I feel | :02:37. | :02:43. | |
close to you but sometimes don't know, I feel like you are breathing | :02:43. | :02:46. | |
helium and I'm breathing oxygen. What makes you say that? And just | :02:46. | :02:52. | |
being myself. That's exactly what I'm talking about. If we were ever | :02:52. | :02:56. | |
going to truly know each other, we would have to get to know ourselves | :02:56. | :03:04. | |
better first. Greece looks nice. I had an English teacher at school | :03:04. | :03:08. | |
when we did Romeo and Juliet. One of the characters and says the trouble | :03:08. | :03:15. | |
is, everyone else is Mercutio. And looking at that, I'm not really | :03:15. | :03:18. | |
bothered. Nothing much happens in this movie | :03:18. | :03:24. | |
except all life is there. One walks and talks with 1's partner, one | :03:24. | :03:32. | |
argues with 1's partners over the stupid list things. Do we need to go | :03:32. | :03:36. | |
to the cinema to see other people arguing about the stuff we argue | :03:36. | :03:41. | |
about it? I think that we do. If you follow the couple over the three | :03:41. | :03:44. | |
films, you have become invested and you foist your own feelings onto | :03:44. | :03:50. | |
them. You think, I've done that before and I'm with her, I'm with | :03:50. | :03:58. | |
him. There are things they say. You know the characters. There is an | :03:58. | :04:01. | |
amazing re-creation of reality through this walking and talking. | :04:02. | :04:06. | |
Some of my famous -- most favourite movies are people just walking | :04:06. | :04:10. | |
around and falling in love. Do you think a lot of people would | :04:10. | :04:15. | |
be walking around tonight and she will be saying let's go and see this | :04:15. | :04:17. | |
and the bloke will say something else? | :04:17. | :04:20. | |
People will come out of this arguing. There is enough bloke in | :04:20. | :04:30. | |
this as well. You made a good case for it. | :04:30. | :04:40. | |
:04:40. | :04:42. | ||
The Stone Roses... Their pension funds have been swollen by their | :04:42. | :04:46. | |
tours and also they had two films out, made about them. Shane Meadows | :04:46. | :04:50. | |
had a documentary the other week about the band getting back | :04:50. | :04:55. | |
together. Spike Island is a new British coming-of-age comedy about | :04:56. | :05:02. | |
four lads in Manchester in 1990, getting to their heroes famous gate | :05:02. | :05:12. | |
:05:12. | :05:13. | ||
near Widnes. They went to desperately get in to see their | :05:14. | :05:17. | |
idols and jump over the fence and get in. They want to see this | :05:17. | :05:23. | |
mythical gig. I rather like this film. They capture the japes of | :05:24. | :05:28. | |
youth, the fund that one has with 1's mates. The film is good when the | :05:28. | :05:38. | |
:05:38. | :05:39. | ||
boys are together, and their banter is good. It is all about the coming | :05:39. | :05:42. | |
together and having a laugh with your mates sort of thing. The less | :05:43. | :05:46. | |
successful part of the film is when they try to deepen the characters | :05:47. | :05:51. | |
back stories and give a sick parent or bullying brother. I just want | :05:52. | :05:56. | |
them to go to the gigs, have a laugh and recreate the 90s. | :05:56. | :05:59. | |
Do you have to like the Stone Roses to like this? | :05:59. | :06:07. | |
Not really. The point is they want to see the Stone Roses, not... You | :06:07. | :06:11. | |
have to live through the 90s and had some friends. A lot of people have | :06:11. | :06:15. | |
done that. For many people, the big film this | :06:15. | :06:25. | |
:06:25. | :06:32. | ||
weekend will be World War Z. I am sticking with the pronunciation of | :06:32. | :06:42. | |
:06:42. | :06:47. | ||
zed. Why don't we be British and call it zed? | :06:47. | :06:56. | |
The Z stands for zombie. Everybody is a zombie in this film. The world | :06:56. | :06:59. | |
has been infected. Everyone is eating each other. Can Brad Pitt | :06:59. | :07:07. | |
save us? Yes, he can. He's a movie star. You save anyone. -- he can | :07:07. | :07:17. | |
:07:17. | :07:24. | ||
best investigator in the UN. We will send you in. Help the doctor to find | :07:24. | :07:32. | |
whatever it is he needs. I cannot help you. I can't leave my family. | :07:32. | :07:36. | |
Take a look around you, Mr Lane. Each and every one of these people | :07:36. | :07:40. | |
are here because they serve a purpose. There is no room here for | :07:40. | :07:44. | |
nonessential personnel. You want to help your family? Let's figure out | :07:44. | :07:52. | |
how we stop this. It's your choice. I read one review which says this is | :07:53. | :07:56. | |
the Newsnight of zombie films and I thought is that a compliment? I'm | :07:56. | :08:05. | |
not sure! Shaun of the dead was a great zombie film but this lacks | :08:05. | :08:06. | |
humour. Shaun of the dead is interesting... | :08:06. | :08:16. | |
:08:16. | :08:20. | ||
. What this does do, it's not zombies walking along like that, | :08:21. | :08:24. | |
they are voracious in their appetite. I don't know what zombie | :08:24. | :08:29. | |
movies are supposed to do any more. It has been an allegory for | :08:29. | :08:35. | |
consumerism previously. We are over that now. Brad Pitt seems to be | :08:35. | :08:37. | |
immune from the zombies because he is too famous to be eaten by | :08:37. | :08:44. | |
zombies. There would be no movie without him. Nobody else is famous | :08:44. | :08:54. | |
:08:54. | :09:01. | ||
in this film. I quite enjoyed the film. Brad Pitt, we don't see enough | :09:01. | :09:08. | |
of him. He is a great actor. His handsome, cool movie star. -- he is | :09:08. | :09:18. | |
:09:18. | :09:21. | ||
handsome. The zombies are a little bit stupid in this film. Intelligent | :09:22. | :09:26. | |
zombies would be good. This lot are easy. The fact that the world has | :09:26. | :09:30. | |
been overrun by this is interesting. There are pockets of survivors and | :09:30. | :09:40. | |
:09:40. | :09:42. | ||
they want to get back to their family. | :09:42. | :09:50. | |
Behind the Candelabra... Great performances from Michael Douglas | :09:50. | :09:59. | |
and Matt Damon. The film is a good story that has a sadness that is | :09:59. | :10:02. | |
about prosthetics and cocaine and the 70s, none of those things are | :10:02. | :10:08. | |
good apparently. Your DVD choice, Hitchcock, I love | :10:08. | :10:12. | |
that. I thought Anthony Hopkins was great in it. Helen Mirren is great | :10:12. | :10:15. | |
as well. I thought this was a good little film about making movies. | :10:15. | :10:22. | |
It's about Hitchcock making Psycho in the 60s in Hollywood. It's | :10:22. | :10:28. | |
playful about the movies. He doesn't look like Hitchcock but by the end | :10:28. | :10:31. | |
you believe he is Hitchcock. There is a playful Sunday afternoon | :10:31. | :10:37. | |
matinee feel to this film. I thought it was terrific and fun. | :10:37. | :10:40. | |
And his obsession with the Scarlet Johansson character which was borne | :10:40. | :10:43. |