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best Tom Roper picked himself up to take the match in straight sets. Li | :00:00. | :00:00. | |
Na also knocked out. Hello and welcome to The Film Review | :00:00. | :00:19. | |
on BBC News. To take us through this week's | :00:20. | :00:21. | |
cinema releases is Mark Kermode. We have Cold in July, which as a | :00:22. | :00:42. | |
thriller set in Texas. Walking on Sunshine, and The Golden Dream, an | :00:43. | :00:53. | |
extraordinary drama from people making the journey from Guatemala to | :00:54. | :01:08. | |
the United States. Cold in July stars Michael to. `` macro three | :01:09. | :01:19. | |
Hall. He discharges Egon and somebody is killed. The next thing | :01:20. | :01:24. | |
that he knows, and ex`convict is after him. He thinks that everything | :01:25. | :01:28. | |
is timing very bad. Did he say anything to you | :01:29. | :01:37. | |
at the school? So what do you want | :01:38. | :01:39. | |
me to do here Rich? In broad daylight, in front | :01:40. | :01:45. | |
of witnesses, and did nothing. Unofficially, I'll have a car stop | :01:46. | :01:56. | |
by your house every couple He's probably just | :01:57. | :02:11. | |
trying to scare you. This is happening in the 1980s. The | :02:12. | :02:34. | |
soundtrack has a synthesiser soundtrack. It is before the digital | :02:35. | :02:40. | |
age. They have a mobile phone the size of the belief case. All of the | :02:41. | :02:50. | |
actors are put to be in different films, it changes John Ross. `` | :02:51. | :03:06. | |
genre. It sort of mutates into early 1970s value. An organ legend movie. | :03:07. | :03:12. | |
You think you know which register you are in and then it changes. To | :03:13. | :03:18. | |
some extent, when you have tension, it can be undercut because the film | :03:19. | :03:25. | |
becomes slightly comedic. However, all of that is in the novel. The | :03:26. | :03:33. | |
film is made by a rate and director who understand the genre. They | :03:34. | :03:40. | |
understand it. They are walking from within. The few like people who | :03:41. | :03:47. | |
really understand these films. How to work with the elements. A few are | :03:48. | :04:00. | |
somebody who likes horror movies, you will see the references. It is | :04:01. | :04:07. | |
involving, engaging. It is not perfect by any means but what I | :04:08. | :04:10. | |
write is that it is nice to see if somewhat less made by people whom of | :04:11. | :04:17. | |
the material. That's meaty clock my weekend so I may not have time for | :04:18. | :04:25. | |
Walking on Sunshine... You have to admire the treasonous. They have at | :04:26. | :04:29. | |
him to reproduce the man on the formula. `` Mamma Mia formula. At | :04:30. | :04:44. | |
the very beginning, we see a customs officer and she says it is for a | :04:45. | :04:53. | |
holiday. Your toes start to coral. `` curl. It does not have the | :04:54. | :05:05. | |
longevity of Mamma Mia. Our lot of it as French market but also Kent of | :05:06. | :05:12. | |
cute. It is come replete with Icarus. In some places, it is not | :05:13. | :05:18. | |
very well done about this sort of want to carry on. To be grumpy about | :05:19. | :05:26. | |
it would be an field. It is no masterpiece. I don't think so. The | :05:27. | :05:41. | |
Golden Dream? The actor served his apprenticeship watching with Kim | :05:42. | :05:47. | |
Roach. He is going through Guatemala City. He wants to go to America. | :05:48. | :05:54. | |
They are really young, the protagonist. They have to sleep | :05:55. | :06:02. | |
rough. They are picked on. Televised. `` Terrorised. | :06:03. | :07:07. | |
You can see from that that the film addresses video toff subject matter | :07:08. | :07:16. | |
is. The most important thing is that it brings with compassion. You can | :07:17. | :07:30. | |
begin to get to know the characters. It has authenticity. The director of | :07:31. | :07:35. | |
interviews, all of the stories are inspired by things that have | :07:36. | :07:40. | |
happened to people. As is always the case with Ken Loache, he is | :07:41. | :07:53. | |
interested in people and politics. It is beautifully played. Very | :07:54. | :08:03. | |
effectively short. Although not as some stuff that is tough to watch, | :08:04. | :08:07. | |
in the end it is warm and compassionate. The characters have | :08:08. | :08:15. | |
to make their way, it is bleak, harsh and unforgiving. Exceptional. | :08:16. | :08:25. | |
Camille Claudel is your Best of the week? For me, the centre of the film | :08:26. | :08:34. | |
is her performance. She is at the top of her game. It is often to do | :08:35. | :08:41. | |
with her facial expressions. Traffic portrait. It is worth it for her | :08:42. | :08:54. | |
performance alone. And your DVD is... 'If...' this explains what | :08:55. | :09:07. | |
some teenagers think about at some point in the least. The assistant | :09:08. | :09:19. | |
director did not too badly. The music, that is about it? Nothing | :09:20. | :09:30. | |
else for me to say apart from a design on BluRay! We all saw it when | :09:31. | :09:37. | |
we were younger. It changed our lives. Do not try this at home. More | :09:38. | :09:54. | |
on the website. Thank you for watching. Goodbye. | :09:55. | :10:15. | |
Good evening. We have seen some intense downpours. Some | :10:16. | :10:16. |