Browse content similar to Guardians of the Galaxy Vol 2, The Promise, Lady Macbeth. Check below for episodes and series from the same categories and more!
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miles from here, that is all coming up with me, it that fact, but now it | :00:00. | :00:00. | |
is time for the film review. Hello and welcome to | :00:00. | :00:18. | |
The Film Review on BBC News. To take us through this week's | :00:19. | :00:21. | |
cinema releases is Jason Solomons. Long weekend, a visit to the cinema | :00:22. | :00:37. | |
is on the agenda for many families, and they can climb aboard a | :00:38. | :00:42. | |
spaceship and the like. The Buddies Mechanic the Canada Excel back. A | :00:43. | :00:45. | |
talking raccoon is back from volume two. The terrible atrocities of the | :00:46. | :00:52. | |
Armenian genocide in the First World War era Turkey are on the agenda in | :00:53. | :01:01. | |
The Promise, getting big screen love treatment, and Lady Macbeth, a | :01:02. | :01:05. | |
low-budget British cello that has nothing to do with Shakespeare. I | :01:06. | :01:12. | |
was only cinema at the weekend and I saw the trailer for Guardians Of The | :01:13. | :01:16. | |
Galaxy: Vol 2. Even watching the trailer, I felt I let was bombarded | :01:17. | :01:20. | |
with this while of noise and furious and funny little creatures. That | :01:21. | :01:25. | |
sums it up. Boot we'll move on. LAUGHTER | :01:26. | :01:27. | |
If you saw the first one, you'll know that it is about... There a | :01:28. | :01:33. | |
talking raccoon, a talking tree. That he has now been cut down to a | :01:34. | :01:37. | |
tiny tree which is very cute stop there with me on this. I don't know | :01:38. | :01:44. | |
what they do, they save the galaxy from something, although the raccoon | :01:45. | :01:48. | |
who is voiced by Bradley Cooper steal some staff which means that | :01:49. | :01:51. | |
half of the galaxy is after them in a flash Gordon style chase. As we | :01:52. | :01:57. | |
join the action now, they are being chased by hordes of golden aliens. | :01:58. | :02:07. | |
This is weird, because a sovereign fleet approaching from the rear. | :02:08. | :02:10. | |
Probably because Rocket still some of their batteries. Gray Dude! | :02:11. | :02:16. | |
Right. I don't know why they are after us. What a mystery. | :02:17. | :02:27. | |
will you thinking! That your defence! Mother I am teaching her a | :02:28. | :02:37. | |
lesson! I didn't realise your motivation was on tourism. It is a | :02:38. | :02:41. | |
shame that the sovereign has mistaken joint ventures. Exactly. I | :02:42. | :02:51. | |
was means casting! Can you say this will have to be survived this | :02:52. | :02:57. | |
battle. The raccoon looks quite cute. You can call him a puppy or a | :02:58. | :03:01. | |
triangle says Panda. It is a film about banter and insult and not much | :03:02. | :03:05. | |
else. I kind of enjoyed it in a kind of lobotomised carapace. It doesn't | :03:06. | :03:10. | |
really go anywhere. There is a plot about Chris Pratted category defined | :03:11. | :03:16. | |
his father played by Kurt Russell who delivers a beeline like he is | :03:17. | :03:20. | |
looking in the bathroom mirror. They happily explode this guy because he | :03:21. | :03:24. | |
is a planet really and... It really makes no sense. It is kind of a | :03:25. | :03:27. | |
pity, because that had that it would be a much better superhero movie | :03:28. | :03:32. | |
than normal. The colours are good, Zoe Saldana and the other guy who is | :03:33. | :03:38. | |
a Benjamin Thing type person, there's a lot to look at. Eventually | :03:39. | :03:45. | |
it has a poprock album cover Luke. It doesn't really go anywhere, and I | :03:46. | :03:49. | |
feel that plot this is leaves you feeling lost. You are, you're not | :03:50. | :03:54. | |
selling it to me. I better stop saying that. Is that who it is aimed | :03:55. | :04:01. | |
at? It is not going to convert people who didn't see the first one. | :04:02. | :04:05. | |
If you did like the present, there is nothing here that footbridge of | :04:06. | :04:09. | |
it, it feels like it is treading water into volume three. It is | :04:10. | :04:16. | |
inevitable. Makarova leave me with that thought. Shall we move on? This | :04:17. | :04:25. | |
is a change of pace, this is The Promise which stars Christian Bale | :04:26. | :04:28. | |
and Oscar Isaac and Charlotte Le Bon. This is set against the | :04:29. | :04:35. | |
terrible atrocities of the Armenian genocide, which took place in 1940 | :04:36. | :04:43. | |
that I19 14, 19 15. Yet to be acknowledged as a genocide. It has | :04:44. | :04:46. | |
never had a big-screen treatment, only a few times been dealt with in | :04:47. | :04:49. | |
popular culture. Here it is really front and centre in what is a kind | :04:50. | :04:55. | |
of love, war-torn epic with this love triangle. Christian Bale, at | :04:56. | :04:59. | |
Oscar as a comic Charlotte Le Bon, they try to stay together doing the | :05:00. | :05:02. | |
terrors of this walk where Armenians are being turfed out of villages, | :05:03. | :05:06. | |
ethnically cleansed. They are being turfed out of villages, ethnically | :05:07. | :05:08. | |
cleansed. They have moved away my the Turks are joining with the | :05:09. | :05:11. | |
Germans and there's more. It becomes a sort of uneasy mix of terrible | :05:12. | :05:14. | |
tragedy with this kind of beating heart love story. Is that the | :05:15. | :05:19. | |
director trying to inform is all about history? History that he | :05:20. | :05:22. | |
clearly feels we should know more about by using that as a love story | :05:23. | :05:29. | |
backdrop? That is a sort of thing be seen in Second World War movies, | :05:30. | :05:33. | |
countless times. But here, I didn't really know about the Armenian | :05:34. | :05:37. | |
genocide and am not alone with this. And I don't really know much more | :05:38. | :05:40. | |
about it having seen the film, which I think is a pity, because that is | :05:41. | :05:44. | |
relevant is important. There are some terrible things that went on to | :05:45. | :05:50. | |
the Armenian population, populate that the concentration camps, which | :05:51. | :05:53. | |
foreshadow holocaust troops that we seek. These are very interesting | :05:54. | :06:02. | |
kind of foreshadowing is. It is partly interesting to the point when | :06:03. | :06:04. | |
a love story didn't interest me at all, I wanted to find out what was | :06:05. | :06:07. | |
happening to the Armenians. But you need that love story to give you | :06:08. | :06:11. | |
entry into the story. They played very well, Oscar Isaac is a good, so | :06:12. | :06:14. | |
it's Christian Bale has a gruff news reporter, and Charlotte Le Bon lacks | :06:15. | :06:19. | |
a bit of star power in the middle of it. It is very well intentioned. But | :06:20. | :06:24. | |
I don't think it is going to be the monument that the Armenian genocide | :06:25. | :06:28. | |
deserves in terms of cinema. Let's move on to a film I think a lot of | :06:29. | :06:34. | |
people are talking about. Lady Macbeth, not to do with the | :06:35. | :06:39. | |
Shakespeare play. Not really, but she is a lady Macbeth style | :06:40. | :06:44. | |
character. This is played by British actors Florence Pugh, this is her | :06:45. | :06:51. | |
second major role and she completely devours this role. It is like | :06:52. | :06:56. | |
watching someone blossom on screen. She is terrific. She plays a woman | :06:57. | :06:59. | |
called Catherine who is sold to a wealthy mine owning family up north | :07:00. | :07:04. | |
and becomes a wife, imprisoned in this terrible house which creaks and | :07:05. | :07:08. | |
cracks and the wind billows through. The husband goes away. She is left | :07:09. | :07:13. | |
with the house to herself and get drunk on power and takes a fancy to | :07:14. | :07:17. | |
herself as Lady of the manner and takes a fancy to Sebastian the | :07:18. | :07:21. | |
stable boy. They have a torrid affair and here they are. Did you do | :07:22. | :07:33. | |
without me? Husbands and wives, they kiss like that. Gray LAUGHTER | :07:34. | :07:54. | |
She would speak. You know I shall not be parted from | :07:55. | :07:58. | |
your life, Sebastian. To hell and high water, I will follow you. Julie | :07:59. | :08:05. | |
Cross. Gray to the grave, to the sky. I would rather stop you | :08:06. | :08:18. | |
breathing... Florence Pugh as you say a lot of people talk about her, | :08:19. | :08:22. | |
she was only 19 when that was filmed. It is the director was like | :08:23. | :08:27. | |
debut as well. Yes, he has an opera director, and the story has been | :08:28. | :08:30. | |
made into an opera before. It was banned by Stalin because that would | :08:31. | :08:38. | |
have that I feared that... They read our mind. The way that she does it | :08:39. | :08:44. | |
in this film it is about a good idea, Russia has a terrible | :08:45. | :08:49. | |
consequence for her thirst. We admire and love her, but yet | :08:50. | :08:53. | |
terribly complex and weight is laid is brilliant. I think this is one of | :08:54. | :08:56. | |
the best bit is debuts I have seen in ages, and you think it is a | :08:57. | :09:00. | |
costume drama, it really subverts all those tropes. It is stark and | :09:01. | :09:06. | |
lean and kind of frightening and macabre row. It has a fairly mixed | :09:07. | :09:12. | |
cast with two black characters which bring another shade of class and | :09:13. | :09:15. | |
race to that period drama. I think it is a superb film, five stars from | :09:16. | :09:20. | |
me. Fantastic. There is thereby back onto. And one to my shame I have not | :09:21. | :09:28. | |
been able to see but I'm dying to see. This is an Oscar-winning domain | :09:29. | :09:33. | |
-- documentary God I am not Johnny Grow. You can find it on streaming | :09:34. | :09:37. | |
channel somewhere. It examines race in America through the eyes of a | :09:38. | :09:41. | |
forgotten activist James Baldwin who is a poet, and jazz era writer and | :09:42. | :09:47. | |
author. An extraordinary figure whose blood front and centre of | :09:48. | :09:51. | |
this, an examination of the civil rights movement to him, but it is an | :09:52. | :09:55. | |
angry and powerful film. I can't forget it. I'm surprised it didn't | :09:56. | :09:59. | |
win the Best picture at the Oscars. It is voiced by Samuel L Jackson | :10:00. | :10:03. | |
doing James Bond report back now that animation. I think is one of | :10:04. | :10:07. | |
the best things he has done. The DVD, have you picked is just on the? | :10:08. | :10:12. | |
Your choice is reminding me how old I am, normally it is something that | :10:13. | :10:15. | |
is after the last few months. Now you've taken us back to the 1980s. | :10:16. | :10:20. | |
Letter to Brezhnev, which is like me delving into my albums and coming | :10:21. | :10:27. | |
out with that. It is very much a soundtrack album, and from that era. | :10:28. | :10:31. | |
It is a film that everyone went to see, two girls Liverpool on a night | :10:32. | :10:35. | |
out and falling in love with two Russian sailors. The actors have | :10:36. | :10:43. | |
gone on to bigger things. It has got Brodsky beat in it as well. It was | :10:44. | :10:50. | |
about working-class Thatcher era Britain. It was a rebellious film. | :10:51. | :10:53. | |
But it was also bleak in that classic big way was up and restore | :10:54. | :10:58. | |
them put on Blu-ray, I wonder if the great will still hold to it, but I | :10:59. | :11:01. | |
think it is a real snapshot of Britain that might have been | :11:02. | :11:05. | |
forgotten. A lost classic film, but one person as you hear the name, you | :11:06. | :11:10. | |
are reminded of it. It is a cult classic from the British archives | :11:11. | :11:13. | |
and I'm delighted it is out for a new generation to discover. Ghosh | :11:14. | :11:19. | |
thank you, Jason. You can come again. Thank you Ray Mutch and | :11:20. | :11:22. | |
enjoyed your bank holiday viewing. That is it for this weeked Phil | :11:23. | :11:28. | |
Review. Enjoy your cinema going and we'll see you next time. | :11:29. | :11:41. | |
There has been quite a lot of cloud today, he is an illustration for | :11:42. | :11:46. | |
your offer early on in the | :11:47. | :11:48. |