Browse content similar to Mindhorn, Harmonium, Sleepless. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Super League. And news that Novak Djokovic has sacked his entire | :00:00. | :00:00. | |
coaching team. That's on sports day at 10:30pm. And now, does film | :00:00. | :00:00. | |
review. Hello and welcome to the film review | :00:00. | :00:27. | |
on them BBC News to take us through this and are releases as Mark | :00:28. | :00:33. | |
Kermode. This is a big bag this week. We have Mindhorn, in which an | :00:34. | :00:39. | |
80s TV detective plays it for real. We have Harmonium, a Cannes | :00:40. | :00:46. | |
prizewinner. And Jamie Foxx in the thriller Sleepless. Mindhorn I am | :00:47. | :00:53. | |
smiling before I start. I loved Bergerac back in the day. A TV | :00:54. | :00:58. | |
detective on Jersey, you see images from my town and all the third Reich | :00:59. | :01:05. | |
comes back. Mindhorn is a 1980s TV -- all the memories come back. | :01:06. | :01:11. | |
Mindhorn is a 1980s TV detective but is more like Alan Partridge got | :01:12. | :01:17. | |
ready. He played Mindhorn with a bionic lead an outside to see the | :01:18. | :01:22. | |
truth. Julian Barratt plays the actor who plays him. He's now he's | :01:23. | :01:26. | |
washed up, balding, doing adverts. For orthopaedic sock. He's desperate | :01:27. | :01:31. | |
for a job. The Isle of Man police get in touch and say we have a | :01:32. | :01:34. | |
suspected serial killer who will only speak to Mindhorn, the | :01:35. | :01:36. | |
fictional character he believes is real. The police state, and play | :01:37. | :01:42. | |
Mindhorn for us to help us get him. So he thinks, this is a career | :01:43. | :01:46. | |
providing opportunity to make the most. Is a clip. OK, here's a list | :01:47. | :01:54. | |
of prompts, the stick to script. And avoid any of these trigger words. | :01:55. | :01:58. | |
Insane, nonstop, mental. Usual stuff. Is this the phone? That is | :01:59. | :02:01. | |
the phone. Great. The app. Actually, if you could keep it in | :02:02. | :02:26. | |
its cradle. You're laughing all the way through that. What then happened | :02:27. | :02:33. | |
is he thinks this is going to be a massive publicity opportunity but | :02:34. | :02:35. | |
doing the course of that committee meets characters from his old life. | :02:36. | :02:41. | |
Davies is co-starring on-screen butties in love with her. She's now | :02:42. | :02:44. | |
with his stuntman, his duck stuntman. Steve Coogan plays as the | :02:45. | :02:51. | |
spin off character who has become successful and he is jealous. It's | :02:52. | :02:56. | |
interesting, funny in the moments of comedy comes together. You about is | :02:57. | :03:00. | |
terrific, Kenneth Branagh plays himself, Simon Callow plays himself. | :03:01. | :03:07. | |
Not Simon Cowell. There are plenty of laughs all the way through. My | :03:08. | :03:11. | |
only reservation is that sometimes it feels like a 30 minutes get | :03:12. | :03:16. | |
stretched out to 90 minute movie. That said, it's really nice to see | :03:17. | :03:20. | |
the Isle of Man playing the Isle of Man. There are so many movies where | :03:21. | :03:24. | |
the Isle of Man played Ireland in waking Ned, and me and Orson Welles, | :03:25. | :03:30. | |
and Cornwall in Stonebraker. It's nice to see the point being that | :03:31. | :03:33. | |
they are on the Isle of Man. When it's funny, it's funny and the | :03:34. | :03:44. | |
physical comedy works well. If you have that nostalgic thing you are | :03:45. | :03:49. | |
talking about. Things like Bergerac and the $6 million man. Those jokes | :03:50. | :03:55. | |
will work. I thought it was funnier than it was expecting, it's | :03:56. | :03:58. | |
inconsistent but it works when it works. It has a great supporting | :03:59. | :04:02. | |
cast. Andrea is great. The joke is funnier because she is playing it | :04:03. | :04:06. | |
straight, reacting with a straight face. It entertained me even though | :04:07. | :04:11. | |
it's uneven. OK. They could not be more different from Harmonium. This | :04:12. | :04:20. | |
is a Cannes prizewinner. It that has a mysterious stranger who turns up | :04:21. | :04:24. | |
on the door of a family, father, mother and young child. The father | :04:25. | :04:28. | |
recognises him, gives a job and food and lodging, and the wife says, who | :04:29. | :04:33. | |
is he? How do you know him? He says he's an friend. It's evident he's an | :04:34. | :04:38. | |
old friend from eight heart of the husband's pass that the wife doesn't | :04:39. | :04:43. | |
know about it. Slowly, the film reveals its secrets. What I liked | :04:44. | :04:47. | |
about it was it's a movie in which the story is not told through what | :04:48. | :04:50. | |
he will say that through what they do, through their actions, the way | :04:51. | :04:53. | |
they stand and behave. He immediately get to see with this | :04:54. | :04:57. | |
character, he has been possibly in confinement. The journey sleep of | :04:58. | :05:03. | |
the light on, he eats food fast, you know more about these characters | :05:04. | :05:08. | |
than they tell you. The films and moves from something that seems to | :05:09. | :05:13. | |
be understated and low-key to something that is actually quite | :05:14. | :05:18. | |
tragic and dramatic. The change happens almost imperceptibly. It's a | :05:19. | :05:21. | |
film that wrong-footed me several times I didn't know whether it was | :05:22. | :05:27. | |
going, but I found myself gripped. When the big revelations occur, they | :05:28. | :05:31. | |
are also more powerful. It's cold Harmonium because doing it, the | :05:32. | :05:34. | |
young daughter is learning to play the instrument. The stranger | :05:35. | :05:37. | |
actually starts to teach her how to play an instrument, which seems to | :05:38. | :05:42. | |
be partly innocent but also seems oddly threatening. That is pretty | :05:43. | :05:47. | |
much the tone of the whole film. I have read the word leak in relation | :05:48. | :05:51. | |
many times. People have suddenly, it is bleak but it is also very human. | :05:52. | :05:59. | |
It's not just bleak. It's engaging in the way it makes its dramatic | :06:00. | :06:04. | |
punch work even better. That is moved to Sleepless. This is a Jamie | :06:05. | :06:11. | |
Foxx vehicle? What's your take? From a film in which violence is | :06:12. | :06:14. | |
everything to one where noise is everything. Jamie Foxx is a cop who, | :06:15. | :06:19. | |
very early on, we see him get a large staff of drugs with his | :06:20. | :06:22. | |
partner. If you have a large stash of drugs they belonged to somebody. | :06:23. | :06:26. | |
They belong to a casino owner who wants the back and decides he will | :06:27. | :06:31. | |
kidnap Jamie Foxx's sun. Meanwhile, Rachelle Monaghan is a internal | :06:32. | :06:36. | |
affairs agent on the trail of Babcock. Another criminal, all of | :06:37. | :06:44. | |
whom end up in this casino Golding double-crossing, chasing each other | :06:45. | :06:50. | |
and fighting each other. His eclipse. -- here is a clip. | :06:51. | :07:02. | |
RAP MUSIC Stay right there! The Kop's sun, we have him! He will | :07:03. | :07:16. | |
bring the dope. I take? -- OK? No! That's pretty much the tone of the | :07:17. | :07:36. | |
film all the way through. The thing is, that idea of the single | :07:37. | :07:40. | |
location, if you think about a thing like die hard, or snake eyes, maybe | :07:41. | :07:47. | |
this is tapping income but doesn't have the punch or panache of either | :07:48. | :07:51. | |
of those phone. A bunch of people chase each other around a confined | :07:52. | :07:56. | |
space and it's lots of running, jumping, Ponting, shooting. It never | :07:57. | :08:00. | |
engages I dramatic level. There are some good performances in it but you | :08:01. | :08:05. | |
keep thinking, it is OK, I quite like watching this, but it never | :08:06. | :08:08. | |
actually gets under your skin and use, grow its ironic it's cold | :08:09. | :08:14. | |
Sleepless, but does it's not a movie that engages keeps you awake. The | :08:15. | :08:18. | |
whole whole sections on it that you think, yeah, I have been here | :08:19. | :08:21. | |
before. As seen this done better. I'm not particularly gripped this | :08:22. | :08:26. | |
time round. Is it a remake of a French film? Apparently the original | :08:27. | :08:30. | |
is very good. I wonder why films that were made a few years ago need | :08:31. | :08:33. | |
to be remade another language. There is no reason. On that note, let's | :08:34. | :08:41. | |
talk about Lady Macbeth. If there wasn't a general election, I would | :08:42. | :08:44. | |
have seen. I'm looking forward to it. It's really good. Firstly, the | :08:45. | :08:49. | |
director has come out of theatre. I think he made one short film before. | :08:50. | :08:55. | |
This is a really good piece of thin. Fantastic central performance by | :08:56. | :08:58. | |
Florence Pusey will huge. She will clearly be a major star. -- Florence | :08:59. | :09:13. | |
Pugh. The director did Siberian Lady Macbeth, it takes the action to | :09:14. | :09:16. | |
Victorian north-east England and it is a really engaging story with a | :09:17. | :09:23. | |
great central performance and one of those soundscapes that draws you in, | :09:24. | :09:27. | |
tells the story again more through the whistling of the wind and the | :09:28. | :09:30. | |
creaking of the chairs than it does to the dialogue. We would love it. | :09:31. | :09:34. | |
It is worth seeing but see it in this cinema, don't wait for the DVD. | :09:35. | :09:40. | |
OK, good tip. Talking of DVDs, for someone who doesn't have, in this | :09:41. | :09:45. | |
week 's case, a lot of time in our hands, for the Scorsese. I was | :09:46. | :09:48. | |
ambivalent about silence when it came out in the cinema. This is a | :09:49. | :09:53. | |
project that Scorsese wanted to do for decades and decades. Based on | :09:54. | :09:58. | |
the 1966 historical novel on persecution in the 17th century | :09:59. | :10:04. | |
Japan. It is a film made in integrity and honesty. I think | :10:05. | :10:08. | |
doesn't dramatic failings in it, but it looks absolutely beautiful and | :10:09. | :10:13. | |
Liam Neeson, Andrew Garfield, Adam driver are normally the stars but | :10:14. | :10:20. | |
the Japanese car still the show. One of its stars was an Harmonium. Fix | :10:21. | :10:24. | |
either the Japanese stars Perhaps you underestimated at first | :10:25. | :10:33. | |
time round. Although it's often not perfect, it was interesting watching | :10:34. | :10:38. | |
it again and seeing it is deeper and more resonant than first time round. | :10:39. | :10:42. | |
So worth having a go although it is a tough watch. No question, it's a | :10:43. | :10:47. | |
tough watch. Mark, thanks as ever. See you next week, a quick reminder | :10:48. | :10:51. | |
before we doubt that you can find all the film News and reviews from | :10:52. | :10:54. | |
across the BBC online. I'm sure you know the address by now. You'll find | :10:55. | :11:02. | |
all our previous programmes on the BBC I play. That is it for this week | :11:03. | :11:07. | |
from both of us. Thanks for watching, happy cinema going. | :11:08. | :11:07. | |
Goodbye. It's been lovely in western Scotland | :11:08. | :11:23. | |
for days now. Plenty of sunshine and some warmth and we got it again | :11:24. | :11:24. |