Browse content similar to A Man Called Ove, Despicable Me 3, Risk. Check below for episodes and series from the same categories and more!
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hip problem. We will also hear about a change in cricket licensing and | :00:00. | :00:00. | |
tae kwon do in Korea. That is coming up at 6:30pm. Now it is time for the | :00:00. | :00:00. | |
Film Review. Hello and welcome to | :00:07. | :00:20. | |
the Film Review on BBC News. To take us through this week's | :00:21. | :00:23. | |
cinema releases is Mark Kermode. A mixed bag this week. We have a | :00:24. | :00:38. | |
portrait of a grumpy old man. We have Despicable Me three, the | :00:39. | :00:47. | |
minions are back. And Risk. Lots to talk about but my most important | :00:48. | :00:51. | |
role this week is to get the pronunciation right. | :00:52. | :01:02. | |
This is a film that will make you feel and his sympathy for all the | :01:03. | :01:10. | |
people in your life. The tag line is, you will love him as much a fee | :01:11. | :01:16. | |
hates you. He wants to end his life but it keeps being distracted by his | :01:17. | :01:21. | |
neighbours to keep breaking the housing association rules, of which | :01:22. | :01:25. | |
he is a stickler for keeping two. When a new family moves and he is | :01:26. | :01:31. | |
furious about their presence, their annoyance, then being there. | :01:32. | :01:42. | |
However, his wife says that behind that he starts to break down his | :01:43. | :01:46. | |
resistance and she gets him to teach her to drive. Here's a clip. Hello. | :01:47. | :02:45. | |
A fantastic look of exasperation on his face. He has a brilliant face. | :02:46. | :02:54. | |
Did you ever see the 100-year-old man who climbed out the window and | :02:55. | :03:00. | |
disappeared? No. As shackled with that film because of the humour, and | :03:01. | :03:07. | |
I never fell in with it. It looks like that kind of film but then we | :03:08. | :03:13. | |
start to learn about his life story, young romance, childhood trauma, his | :03:14. | :03:17. | |
relationship with his wife which is idyllic but faces tragedy, and you | :03:18. | :03:24. | |
start to understand how he got to where he is and it is seat and | :03:25. | :03:27. | |
sentimental. There is an ongoing argument about whether bobbles or | :03:28. | :03:35. | |
saps are the ideal cast. House leaders. Entire friendships follow | :03:36. | :03:38. | |
tour that these arguments but you start to see as a three-dimensional | :03:39. | :03:47. | |
character. He has a strong moral compass and has been made better. | :03:48. | :03:53. | |
Inside that is the person he used to be. I went in not thinking I would | :03:54. | :04:00. | |
go for it, but I laughed and cried. Like any movie that makes me cry | :04:01. | :04:05. | |
because it means that you believe in the characters. I really liked it. | :04:06. | :04:10. | |
Despite the tag line, you will love him as much as he hates you, it was | :04:11. | :04:18. | |
easy to fall in with. A third of any film really. Does the world need | :04:19. | :04:24. | |
this? Whether we need Despicable Me three is another thing. I find them | :04:25. | :04:32. | |
funny. They are running out of plots and they had to bring a character in | :04:33. | :04:36. | |
to make it work, but you see the minions before the titles and one | :04:37. | :04:40. | |
pulls out a far gone and it made me laugh. I giggled like an idiot for | :04:41. | :04:46. | |
the rest of the film because I think that the minions are funny. The | :04:47. | :04:54. | |
verbal staff is funny and they are perfect slapstick creations, they | :04:55. | :04:57. | |
remind me of what was funny about old silent cinema. There is a new | :04:58. | :05:09. | |
super villain but for me I just find the minions funny. I laughed all the | :05:10. | :05:17. | |
way through. Even though I knew that I shouldn't, I did. You are allowed | :05:18. | :05:25. | |
to do that. I am so interested in Risk. Her last film about Edward | :05:26. | :05:33. | |
Snowden was brilliant. She was in the hotel room when the revelations | :05:34. | :05:39. | |
were made. He came across as shy in that documentary. This is one about | :05:40. | :05:46. | |
Julian Assange, who does not come across as shy. The film is | :05:47. | :05:53. | |
conflicted about its subject. It began as a film about some under | :05:54. | :05:58. | |
film makers seem to admire, but that changes. The portrait we get is some | :05:59. | :06:05. | |
under this last is a stick, controlling, self obsessed, and has | :06:06. | :06:10. | |
no self-awareness. Here is a clip in which Julian Assange and his | :06:11. | :06:13. | |
associate are trying to call Hillary Clinton on the phone. This is an | :06:14. | :06:24. | |
emergency. You are the emergency line and it will take a while? OK. | :06:25. | :06:30. | |
Do you want to do that now and I will wait. He would like to speak to | :06:31. | :06:42. | |
her about that. OK, let me start by giving you my phone number. | :06:43. | :06:55. | |
Details including an unredacted cables such to go on the Internet. I | :06:56. | :07:01. | |
do not understand why you do not see the urgency in this. Who is he? | :07:02. | :07:13. | |
Hello, this is Julian Assange. Read do not have a problem, you have a | :07:14. | :07:18. | |
problem. That is the tone of the film. The story is well now and, | :07:19. | :07:28. | |
what is strange about this film is that it is very fragmented, it is | :07:29. | :07:35. | |
not as good as her previous film. You can tell that it is a film in | :07:36. | :07:42. | |
which the film-maker's relationship change during it. When the film was | :07:43. | :07:47. | |
first seen about a year ago, the film-makers said the Julian Assange | :07:48. | :07:52. | |
demanded changes and got lawyers involved, which he did not have the | :07:53. | :07:56. | |
right to do. She has made the film that she wanted. There is an irony | :07:57. | :08:03. | |
in someone who is releasing information wanting to control it. | :08:04. | :08:09. | |
We have seen this before another documentaries and in the drama, the | :08:10. | :08:18. | |
Fifth Estate. You get an inside view, but it is fragmented and | :08:19. | :08:22. | |
frustrated because even when they are talking about the election you | :08:23. | :08:26. | |
want the film to be more focused. It feels like it is falling apart. | :08:27. | :08:31. | |
Julian Assange has said that the film will do his reputation no good | :08:32. | :08:38. | |
and I think that he is right. Which some people may take as a | :08:39. | :08:42. | |
recommendation in itself. It is interesting, also that it was made | :08:43. | :08:47. | |
by a woman. What is your best out this week? Okja. It is basically as | :08:48. | :09:03. | |
story about a girl in Korea who is moved to America to keep Aptech | :09:04. | :09:10. | |
safety issue raised. It is a film about where food comes from and how | :09:11. | :09:14. | |
capitalism hides behind the caring face. The film uses brilliant CGI to | :09:15. | :09:22. | |
bring a giant pink to life, it is so terrible and strange and I liked it. | :09:23. | :09:29. | |
-- a giant pink. It is very cinematic. It is thought promoting, | :09:30. | :09:35. | |
it is not vegetarian propaganda but it will give you food for thought. I | :09:36. | :09:40. | |
like that phrase, vegetarian propaganda. What about DVDs? He'll | :09:41. | :09:55. | |
The Living was a small release. It is a story about a young man he was | :09:56. | :10:02. | |
involved in an accident and his heart is used for a transplant to | :10:03. | :10:07. | |
save someone else, to heal the living. It is a film about the | :10:08. | :10:12. | |
miracle of medicine but it is more than that, it is about life and | :10:13. | :10:17. | |
death, it is about transcendence, it takes poetic wonders and two strange | :10:18. | :10:22. | |
areas. It is very underplayed and does not feel like it is | :10:23. | :10:26. | |
manipulating your emotions that I was overwhelmed by it. Everyone I | :10:27. | :10:32. | |
know who has seen it has loved that. I am looking forward to that. Thank | :10:33. | :10:38. | |
you very much. We will see you next week. | :10:39. | :10:38. | |
A quick reminder before we go that you'll find more film news | :10:39. | :10:41. | |
and reviews from across the BBC online at bbc.co.uk/mark kermode. | :10:42. | :10:46. | |
And you can find all our previous programmes on the BBC iPlayer. | :10:47. | :10:50. |