Browse content similar to It Comes at Night, The Midwife, Spider-Man: Homecoming. Check below for episodes and series from the same categories and more!
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be New Zealand bringing you the latest from the Lions camp ahead of | :00:00. | :00:00. | |
the third test. But for now, on BBC News, it is time for the film | :00:07. | :00:07. | |
review. Welcome to The Film Review on BBC | :00:08. | :00:30. | |
News. Taking us through the week was Maximo releases is Mark Kermode. | :00:31. | :00:36. | |
This week we have It Comes At Night, which is a very creepy thriller. The | :00:37. | :00:43. | |
Midwife with Catherine Deneuve and Catherine Frot. And Spider-man: | :00:44. | :00:53. | |
Homecoming. It Comes At Night. I have read enough to know that this | :00:54. | :00:58. | |
is your kind of film, and so not mine. You have two minutes to | :00:59. | :01:04. | |
persuade me. It is not a jump scare horror like the trailers make it | :01:05. | :01:08. | |
look like. If you expect that you will be disappointed. It is a creepy | :01:09. | :01:12. | |
thriller. It is set after the outbreak of one unspecified played | :01:13. | :01:18. | |
like incident which has pretty much done for civilisation. There was a | :01:19. | :01:23. | |
family, mother, father, son living in a remote woodland. The windows | :01:24. | :01:28. | |
are boarded up, there is a corridor with a red door which is the elite | :01:29. | :01:31. | |
access to the outside world. They have to make a decision about | :01:32. | :01:35. | |
whether or not to accept another family into their home. They would | :01:36. | :01:40. | |
bring friendship and food supplies but also brings suspicion and | :01:41. | :01:45. | |
paranoia and desire, and mysterious sleepwalking. Here is a clip. Angela | :01:46. | :01:54. | |
is an grandpa's room. She was having nightmares so I woke up. I was in | :01:55. | :02:00. | |
the back wall, I saw the door open, I heard something. Andrew was their? | :02:01. | :02:07. | |
Yes. Does he sleepwalk? No, it doesn't | :02:08. | :02:37. | |
make any sense. It is all that claustrophobic, is it? You get the | :02:38. | :02:41. | |
sense of people starting to distrust each other and be suspicious of each | :02:42. | :02:48. | |
other. If you think of a film like The Witch that has deep themes, they | :02:49. | :02:52. | |
are creepy but not full of jump scares. They make you feel very | :02:53. | :03:00. | |
worried and uncomfortable. The sound effects and a score work in favour | :03:01. | :03:03. | |
of this film. It was terrific. It occupies a realm between being awake | :03:04. | :03:09. | |
and being asleep. It contracts during certain sequences. Maybe we | :03:10. | :03:15. | |
are, maybe we are not awake or asleep. It is what happens when you | :03:16. | :03:20. | |
lose track of objective reality and you just start to trust your fears. | :03:21. | :03:25. | |
It is like that classic horror movie with a cold hand on the back of the | :03:26. | :03:29. | |
neck. It is not the film the trainers make it look like. They | :03:30. | :03:34. | |
make it look like it is a slam bang horror. If you want something that | :03:35. | :03:39. | |
is going to cause you to lose sleep, you should see it. I think you would | :03:40. | :03:43. | |
not enjoy it but admire it. It is all to do with what is implied | :03:44. | :04:02. | |
rather than what is actually shown. Which is the sort of film that is | :04:03. | :04:10. | |
the most frightening. I hear you, in terms of the skill that went into | :04:11. | :04:17. | |
it. The Midwife is about a friendship between the two main | :04:18. | :04:25. | |
characters. Catherine Deneuve is Beatrice, her father's lover has had | :04:26. | :04:28. | |
a medical diagnosis, suddenly she reappears. What do you want? It | :04:29. | :04:36. | |
turns out maybe she wants friendship, closure, maybe this | :04:37. | :04:40. | |
financial, who knows? These two characters start, one of these | :04:41. | :04:49. | |
characters drinks and gambles. The key distinction between them is that | :04:50. | :04:53. | |
one of them has been involved in bringing children into the world. | :04:54. | :05:00. | |
What I like about this was it has well observed characters. It has | :05:01. | :05:04. | |
people in professions that you actually believe in. I can | :05:05. | :05:10. | |
understand all of those things that happen and I can think that they | :05:11. | :05:19. | |
really have these stories. Has a rather over emphatic and tingling | :05:20. | :05:22. | |
score. It tells you things are moving when you did not need to be | :05:23. | :05:26. | |
taught. It was very or played with some very fine performances. It is | :05:27. | :05:31. | |
understated. For the most part, it allows you to observe the | :05:32. | :05:34. | |
characters. Most important to believe in them. And that is | :05:35. | :05:39. | |
important, to have characters that you can absolutely believe in. And | :05:40. | :05:48. | |
that, oddly enough brings us to Spider-man: Homecoming. We spoke | :05:49. | :05:52. | |
before uploading. I said that this was a low-key character study posing | :05:53. | :06:04. | |
as a superhero movie but this is like Ferris Bueller's Day off with | :06:05. | :06:10. | |
added wedding. He also happens to have the superpowers, and he wants | :06:11. | :06:20. | |
to become an Avenger. What he is desperately trying to do is to punch | :06:21. | :06:26. | |
above his weight, whilst also keeping his identity absolutely | :06:27. | :06:27. | |
secret. Here is a clip. What are you doing in my room? , | :06:28. | :07:16. | |
though. Are you an Avenger? Can keep a secret? This is the craziest thing | :07:17. | :07:27. | |
that has ever happened to me. We are both chuckling. This is Tom Holland, | :07:28. | :07:31. | |
who won the BAFTA award, a rising star. It is doing something | :07:32. | :07:36. | |
different with the character. Since I have been working as a critic this | :07:37. | :07:41. | |
is the third or fourth Spider-Man film and it is, how many times you | :07:42. | :07:46. | |
going to reboot this? They are playing to the adolescent story, the | :07:47. | :07:49. | |
school boy story, the high school story, so there is all the action | :07:50. | :07:54. | |
stuff, web spinning and dealing with criminals, but really what makes it | :07:55. | :07:57. | |
work is the high school stuff, the stuff about wanting to fit in and | :07:58. | :08:02. | |
being awkward, wanting to grow up but not Ashley growing up yet, and | :08:03. | :08:08. | |
what he has actually got to do is hang out in the canteen. I liked it | :08:09. | :08:14. | |
very much. I went in thinking, do we really need to go here, all over | :08:15. | :08:17. | |
again? What this does do something different. He's very good. He's very | :08:18. | :08:23. | |
charming in a very kind of oddball way. Only one false step in the | :08:24. | :08:28. | |
film, there's a lovely sequence which is a direct reference to | :08:29. | :08:33. | |
Ferris Bueller 's Day off, and they make the wrecked reference to it. It | :08:34. | :08:45. | |
sounds good. It sounds different. You have been loving this, this | :08:46. | :08:51. | |
week, as anyone who has been following you on Twitter Baby | :08:52. | :08:55. | |
Driver. It is a car chase movie which is actually a musical. | :08:56. | :09:02. | |
Everything in it is cut to a fantastic selection of pop tunes. | :09:03. | :09:07. | |
The joy of it, for me, is this. It is really brilliant cinema, C on a | :09:08. | :09:12. | |
big screen with a good sound system, it is witty, clever, poignant and | :09:13. | :09:16. | |
nostalgic and it is made by somebody who was going to direct another | :09:17. | :09:22. | |
movie and then walked away because it wasn't a film he wanted it to be. | :09:23. | :09:26. | |
Now he has made exactly the movie he wanted and it is a pleasure to see a | :09:27. | :09:30. | |
director like Edgar Wright saying, this is the film I want to make. I | :09:31. | :09:36. | |
have seen it three times. It is like an American in Paris meets the | :09:37. | :09:39. | |
French connection. I hear you, seat the big screen. That said, a quick | :09:40. | :09:46. | |
thought for anyone not wanting to see on the big screen, what is out | :09:47. | :09:52. | |
on DVD? I mentioned it early on, Logan. It is a film about ageing, | :09:53. | :09:56. | |
about regret, about losing the powers that you once had. It is | :09:57. | :10:04. | |
really well directed. You can do something really interesting with | :10:05. | :10:09. | |
the superhero theme, and as long as we get movies like that and | :10:10. | :10:15. | |
Spider-Man, there will always be new light, people say, haven't we had | :10:16. | :10:18. | |
enough of this? But as long as people keep reinventing it, it will | :10:19. | :10:24. | |
not die out. That is a good week. Yes, but you must go and see It | :10:25. | :10:28. | |
Comes At Night. Get under your skin and you will appreciate it. You are | :10:29. | :10:37. | |
laughing! That said, still lovely to see you, as ever. Mark Kermode, | :10:38. | :10:40. | |
thank you. A reminder that you can find all the film News and reviews | :10:41. | :10:46. | |
online at the usual address. And you can find all of our previous | :10:47. | :10:52. | |
programmes on the BBC iPlayer. That is it this week. Enjoy your cinema | :10:53. | :10:59. | |
going. Those that you are brave enough to go and see! Goodbye. | :11:00. | :11:00. |