Browse content similar to Call Me by Your Name, Thor: Ragnarok, and Breathe. Check below for episodes and series from the same categories and more!
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this weekend's Premier League action
and hear from the Ashes squad before | 0:00:04 | 0:00:04 | |
they go to Australia tomorrow.
That's at 6:30pm but now it's time | 0:00:04 | 0:00:06 | |
for The Film Review. | 0:00:06 | 0:00:17 | |
Hello, and welcome to The Film
Review on BBC News. To take us | 0:00:24 | 0:00:28 | |
through the cinema releases this
week is James King. Good to see you. | 0:00:28 | 0:00:32 | |
You too. What have you been
watching? There is romance among the | 0:00:32 | 0:00:37 | |
Romans in the Italian love story
Call Me By Your Name, and awards | 0:00:37 | 0:00:40 | |
contender that one. The God of
Thunder goes down under. There is a | 0:00:40 | 0:00:46 | |
distinctly Antipodean field to
marvel's film, Thor: Ragnarok. | 0:00:46 | 0:00:54 | |
Claire Foy and Andrew Garfield
battled the odds is in Brief, there | 0:00:54 | 0:00:59 | |
will be tears... -- Breathe. Call Me
By Your Name, I feel like I've seen | 0:00:59 | 0:01:09 | |
the trailer for this ten times, do
the producers think it is an awards | 0:01:09 | 0:01:13 | |
contender? We are heading to award
season, you will hear the same | 0:01:13 | 0:01:17 | |
titles over and over again over the
next few months. I do think this is | 0:01:17 | 0:01:23 | |
one of those. The director is Luca
Guadagnino, arguably the most | 0:01:23 | 0:01:27 | |
stylish and chic correct at the
moment. -- director. Written by | 0:01:27 | 0:01:34 | |
James Ivory, formerly of Merchant
Ivory fame. It was set in northern | 0:01:34 | 0:01:41 | |
Italy in one summer. Elio's father
is an academic and he invites and in | 0:01:41 | 0:01:51 | |
turn over for the summer. Elio falls
in love with the intern. We have | 0:01:51 | 0:02:00 | |
Timothee Chalamet as Elio and Armie
Hammer as the intern. Here we go. | 0:02:00 | 0:02:09 | |
Thank you so much. It's bigger --
you are bigger than your photo! I | 0:02:09 | 0:02:18 | |
couldn't get all of me in the
picture! It's very nice to meet you. | 0:02:18 | 0:02:24 | |
Elio! You must be exhausted... | 0:02:27 | 0:02:35 | |
LAUGHTER | 0:02:41 | 0:02:43 | |
Every single one of these will!
Elio, Oliver, Oliver, Elio. You must | 0:02:48 | 0:02:56 | |
be exhausted! Come, come. Should I
take this to your room? My room... | 0:02:56 | 0:03:03 | |
If I were him... It is set in the
1980s... In Italy come his mother | 0:03:03 | 0:03:10 | |
was French which is why he also
spoke French. Language is an | 0:03:10 | 0:03:14 | |
important part of the film. It's
about this young boy finding out who | 0:03:14 | 0:03:19 | |
he is, and his own personality and
finding his own language. That's why | 0:03:19 | 0:03:23 | |
there are a lot of different
languages going on in the film. I | 0:03:23 | 0:03:27 | |
loved it. It looks gorgeous, it's
mainly set in Lombardi and Lake | 0:03:27 | 0:03:32 | |
Garda year, and it looks fantastic.
It's a young love story, a | 0:03:32 | 0:03:39 | |
coming-of-age story. It's about the
grey areas. It is into cliche movie | 0:03:39 | 0:03:43 | |
Love story where everything seems
neat, but it's about the | 0:03:43 | 0:03:51 | |
complexities of it and growing up.
That's what resonated with me. | 0:03:51 | 0:03:56 | |
Perhaps it meanders a little but
it's about a teenager on their | 0:03:56 | 0:03:59 | |
summer holidays which is when you
meander. I certainly remember | 0:03:59 | 0:04:04 | |
meandering a lot! Got a lot of time
on your hands... There's a big sense | 0:04:04 | 0:04:09 | |
of waiting for things to happen from
it. It was set in the 1980s before | 0:04:09 | 0:04:14 | |
the Internet and mobile phones. You
are in the dark as to what is | 0:04:14 | 0:04:18 | |
happening. You really get that
sense. I thought it was beautiful. | 0:04:18 | 0:04:22 | |
Wonderful, it looks beautiful. Does
Thor look beautiful? It does. It | 0:04:22 | 0:04:29 | |
looks very stylish. It is the third
Chris Hemsworth Thor form. It is | 0:04:29 | 0:04:38 | |
stand alone. There is more comedy in
this one, even though the subtitle, | 0:04:38 | 0:04:44 | |
Ragnarok, relates to the destruction
of Thor's homeland. The success of | 0:04:44 | 0:04:51 | |
the Guardians of the Galaxy
franchise, another Marvel comic book | 0:04:51 | 0:04:57 | |
franchise is cheeky and funny, it
seems that Thor has been given a | 0:04:57 | 0:05:02 | |
Guardians of the Galaxy makeover.
Secondly, I mentioned at the top | 0:05:02 | 0:05:05 | |
about the down under thing. The
director is a guy called Taika | 0:05:05 | 0:05:12 | |
Waititi who has had a lot of success
in New Zealand with his comic | 0:05:12 | 0:05:15 | |
dramas. We did the hunt for the
world people and In the Shadows. He | 0:05:15 | 0:05:23 | |
brings a lovely, deadpan, Antipodean
sensibility to the whole thing, as | 0:05:23 | 0:05:28 | |
well as casting Cate Blanchett and
Carl Levin in there, and Chris | 0:05:28 | 0:05:31 | |
Hemsworth. I love the comedy. It's
really funny and marks it as | 0:05:31 | 0:05:36 | |
different from the others. There
isn't much depth to it or threat to | 0:05:36 | 0:05:40 | |
it, but you will laugh a lot. That's
what people are really picking up | 0:05:40 | 0:05:44 | |
on. And there's a lot to be said on
that. The final selection for this | 0:05:44 | 0:05:50 | |
week is Breathe. Based on the true
story of Robin Cavendish. He was | 0:05:50 | 0:05:55 | |
disabled by polio and this is the
story of how he chose to live as | 0:05:55 | 0:05:58 | |
full a life as possible, often using
unconventional methods, and how he | 0:05:58 | 0:06:03 | |
was supported by his wife, Diana,
throughout. Directed by Andy Serkis, | 0:06:03 | 0:06:09 | |
a directing debut for him, and
Claire Foy and Andrew Garfield star | 0:06:09 | 0:06:14 | |
in this. How do you feel? Much
better. Diana, what happens if there | 0:06:14 | 0:06:27 | |
is a power cut? You are working with
this nifty bit of kit... Look who's | 0:06:27 | 0:06:37 | |
here! Oh, look. There you go. Ooh.
Look, Jonathan. It's daddy. Hello, | 0:06:37 | 0:06:57 | |
Jonathan. Hello, dear boy. A proper
tear-jerker? Absolutely, not so much | 0:06:57 | 0:07:12 | |
tugging on the heartstrings as
yanking on them! You will blub. | 0:07:12 | 0:07:17 | |
There are some funny moments but for
me, mainly in the second half of the | 0:07:17 | 0:07:21 | |
film. It was the funny moments, or
the more peculiar moments that | 0:07:21 | 0:07:27 | |
really resonated. Sometimes it is a
little by the book and predictable, | 0:07:27 | 0:07:32 | |
but inevitably, it will be compared
to The Theory of Everything, the | 0:07:32 | 0:07:36 | |
movie about Steven Hawking from a
few years ago. Maybe it doesn't have | 0:07:36 | 0:07:40 | |
the charisma but behind the camera
we know Andy Serkis is a great actor | 0:07:40 | 0:07:44 | |
and clearly he's a very good
director. From now on after this we | 0:07:44 | 0:07:47 | |
will see him directing as much as
acting. He has a very confident | 0:07:47 | 0:07:51 | |
style. That's an interesting
development. He is a fantastically | 0:07:51 | 0:07:56 | |
versatile actor. It is striking that
he has chosen something that's a | 0:07:56 | 0:08:01 | |
real tear-jerker as his first film?
He said he read the script. It's the | 0:08:01 | 0:08:09 | |
story of his parents. His production
partner is Jonathan Cavendish, but | 0:08:09 | 0:08:11 | |
when Andy Serkis read the script he
said it was the most emotional thing | 0:08:11 | 0:08:14 | |
he had ever read, he had to make it
and it is an emotional watch. Lets | 0:08:14 | 0:08:19 | |
go onto our film of the week. My
goodness, I loved Death of Stalin. | 0:08:19 | 0:08:24 | |
Isn't it clever satire? I loved it,
I watched it and I laughed, a couple | 0:08:24 | 0:08:31 | |
of weeks ago when I saw it and in
the fortnight since, what has really | 0:08:31 | 0:08:35 | |
stayed with me is how chilling the
whole thing is. I absolutely agree. | 0:08:35 | 0:08:41 | |
Of course it is an absurd situation
these people find themselves in | 0:08:41 | 0:08:44 | |
after the Death of Stalin in 1953
but then you see the backstabbing | 0:08:44 | 0:08:50 | |
and the desperate clamouring around
to hold onto some sort of power. And | 0:08:50 | 0:08:55 | |
the things people will do which
affect millions of their citizens in | 0:08:55 | 0:08:57 | |
Russia. And he never lets you forget
that people were taken out of their | 0:08:57 | 0:09:04 | |
bedss in the middle of the night and
thrown into prison, or worse. It's | 0:09:04 | 0:09:09 | |
important to be in the film but it
needs to be done cleverly. You laugh | 0:09:09 | 0:09:13 | |
at the ridiculousness of it but you
go, hang on, there's a dark side to | 0:09:13 | 0:09:17 | |
this which is classic satire. You
can see there are five great people | 0:09:17 | 0:09:24 | |
in the poster behind you but it's an
ensemble cast. They are all | 0:09:24 | 0:09:29 | |
fantastic but Simon Russell Beale
really stood out for me. He plays | 0:09:29 | 0:09:32 | |
the head of security in the secret
police. A chilling performance. He | 0:09:32 | 0:09:36 | |
is great but they all are in it. And
a quick thought on the DVD, for | 0:09:36 | 0:09:42 | |
anyone who doesn't want to head out?
My Cousin Rachel, the thriller set | 0:09:42 | 0:09:49 | |
in Victorian error, all. He suspects
-- Sam Claflin, suspects his cousin | 0:09:49 | 0:09:59 | |
Rachel has killed a mutual relative.
But as well as suspecting her, he is | 0:09:59 | 0:10:05 | |
also seduced by her. He's in an odd
position. We never really know | 0:10:05 | 0:10:09 | |
whether she did it or not. You are
kept guessing by the film. The | 0:10:09 | 0:10:13 | |
Rachel of the title is played by
Rachel Weisz and keeps her cards | 0:10:13 | 0:10:17 | |
close to her chest throughout. It's
a subtle performance and you are | 0:10:17 | 0:10:21 | |
kept guessing. James, it's good to
see you. Thank you for being with | 0:10:21 | 0:10:25 | |
us. That's all from us for this
week. Enjoy your cinema going. | 0:10:25 | 0:10:29 | |
Goodbye! | 0:10:29 | 0:10:35 |