Browse content similar to Paddington 2, The Florida Project, Professor Marston and the Wonder Women. Check below for episodes and series from the same categories and more!
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story of British cyclist Vicky
Barnes on the comeback trail after a | 0:00:00 | 0:00:03 | |
life-threatening crash. That is all
on Sportsday at 6:30pm but now it is | 0:00:03 | 0:00:06 | |
time for the Film Review. | 0:00:06 | 0:00:09 | |
Hello and welcome to
The Film Review on BBC News. | 0:00:19 | 0:00:23 | |
To take us through this week's
cinema releases is Mark Kermode. | 0:00:23 | 0:00:26 | |
So Mark, what do we have this week? | 0:00:26 | 0:00:31 | |
A very interesting week. We have
Paddington 2 which you cannot have | 0:00:31 | 0:00:36 | |
missed the adverts for. We have the
Florida project, a new film by Sean | 0:00:36 | 0:00:42 | |
Baker. And Professor Marston and the
wonder women -- Professor Marston | 0:00:42 | 0:00:47 | |
And The Wonder Women. Soap
Paddington 2, what a great British | 0:00:47 | 0:00:54 | |
cast. The first Paddington was
really lovely and charming. It | 0:00:54 | 0:00:59 | |
really surprised everybody. I went
into Paddington 2 thinking it cannot | 0:00:59 | 0:01:03 | |
live up to it. It does. The story is
Paddington wants to buy a present | 0:01:03 | 0:01:09 | |
for his aunt Lucy's birthday. There
is a pop-up book of London but it is | 0:01:09 | 0:01:13 | |
really expensive and he cannot
afford it. The book business in and | 0:01:13 | 0:01:18 | |
the finger or poor of suspicion
points at Paddington. Next thing is | 0:01:18 | 0:01:23 | |
he is wrongly behind bars. Here is a
clip. | 0:01:23 | 0:01:28 | |
In the past month these three
shadowy individuals have all been | 0:01:28 | 0:01:33 | |
seen snooping around London
landmarks. Green map the >> | 0:01:33 | 0:01:38 | |
de do you think they are using the
pop-up book? Maybe I should have a | 0:01:43 | 0:01:48 | |
look. This is my friend Knuckle. The
professor, squeaky Pete, mad jog the | 0:01:48 | 0:02:01 | |
memory dog, Jeffrey Wilcox and
Charlie Rumble. It is so wonderful | 0:02:01 | 0:02:08 | |
to meet you all. It is a relief that
Paddington has made such sweet | 0:02:08 | 0:02:14 | |
friends. Would you excuse us for a
moment. What are you doing? Talking | 0:02:14 | 0:02:21 | |
to the nice men. We cannot trust
these men. Look at them, talk about | 0:02:21 | 0:02:27 | |
a rogues gallery, hideous. As for
that bearded baboon, he has not got | 0:02:27 | 0:02:35 | |
two brain cells to rub together. We
can still hear you, Mr Brown. That | 0:02:35 | 0:02:40 | |
was the light you turned off. The
microphone has the sign microphone | 0:02:40 | 0:02:49 | |
next to it.
You laughed four times in that clip! | 0:02:49 | 0:02:54 | |
Before we went on a you said is it
just a family film to sort of | 0:02:54 | 0:02:59 | |
implied that... The thing is making
a family film is real hard. It made | 0:02:59 | 0:03:05 | |
me laugh and I am 54. It will make
kids laugh. Ben Whishaw's voice is | 0:03:05 | 0:03:12 | |
perfect. There is a mixture of
childish and old beyond the years. | 0:03:12 | 0:03:17 | |
There are lots of slapstick
sequences. Paddington is trying to | 0:03:17 | 0:03:21 | |
raise money for the book. There is a
scene in the barbers were it all | 0:03:21 | 0:03:27 | |
goes hideously wrong. Their action
sequences where Paddington is in | 0:03:27 | 0:03:31 | |
peril. You don't notice the
interaction between the CGI and the | 0:03:31 | 0:03:36 | |
physical world. It was not until the
end of the film where I thought they | 0:03:36 | 0:03:39 | |
blended it really well. I think
making a really good family film is | 0:03:39 | 0:03:44 | |
Rulli hard and I thought this was
really charming. The fact it was the | 0:03:44 | 0:03:48 | |
second one I expected the law of
diminishing returns to kick him, it | 0:03:48 | 0:03:52 | |
didn't. The bit where you see the
different characters coming in... I | 0:03:52 | 0:03:56 | |
think it is really, really funny. I
think you would really like it. I | 0:03:56 | 0:04:01 | |
suppose what I meant was it is a
film you would take the kids to but | 0:04:01 | 0:04:05 | |
if you are not taking the kids? Go
on your own. After the first film so | 0:04:05 | 0:04:10 | |
many people said I don't have kids
but I want to see Paddington, is it | 0:04:10 | 0:04:16 | |
fine? Yes, believe me, the cinema
will be full. It is for all ages and | 0:04:16 | 0:04:21 | |
I think anyone with a heart and soul
can enjoy it. | 0:04:21 | 0:04:25 | |
Looking forward to it. The Florida
project, rather different. Tipped | 0:04:25 | 0:04:30 | |
for Oscars? I love this. The name
comes from the name that Walt Disney | 0:04:30 | 0:04:35 | |
developed his community of tomorrow
in Florida which then became what | 0:04:35 | 0:04:39 | |
Disney World. It is a community of
people living in more rundown motels | 0:04:39 | 0:04:45 | |
beyond the boundary of the theme
park. It is essentially people | 0:04:45 | 0:04:48 | |
living on the poverty line. All the
purple paint in the world cannot | 0:04:48 | 0:04:53 | |
hide the fact they are living in the
red. The central character is moony | 0:04:53 | 0:04:58 | |
he runs riot while her mother has a
struggles to make ends meet. The | 0:04:58 | 0:05:04 | |
manager is played by Willem Dafoe.
This film portrays a harsh world of | 0:05:04 | 0:05:11 | |
economic reality is that you see it
from the kids eyes. It was shot on a | 0:05:11 | 0:05:16 | |
combination of digital and 35 mil.
It looks beautiful because you see | 0:05:16 | 0:05:21 | |
the wonder that the kids see. You
see the strange buildings, the | 0:05:21 | 0:05:26 | |
orange Orange world, the strange
wizard of souvenir shop. Also the | 0:05:26 | 0:05:32 | |
weird grass and trees and cows which
you don't expect right next to the | 0:05:32 | 0:05:36 | |
concrete jungle. You get right into
the lives of these people. It is the | 0:05:36 | 0:05:42 | |
idea that the kids are living in
poverty in hard circumstances but | 0:05:42 | 0:05:45 | |
you are seeing the world through
their eyes. There is hardship. There | 0:05:45 | 0:05:49 | |
are real tears in this but as a
portrayal of an innocent view of the | 0:05:49 | 0:05:54 | |
world, it is also very streetwise
and sassy, it is terrific. He never | 0:05:54 | 0:06:00 | |
feels like a tourist in this
environment. I thought it was | 0:06:00 | 0:06:05 | |
touching and moving. It will make
you laugh. Starts with Celebration | 0:06:05 | 0:06:14 | |
by Kool and the gang. This is a team
unity of today and it has its feet | 0:06:14 | 0:06:22 | |
in the ground but its head in the
air. | 0:06:22 | 0:06:25 | |
Film three is really intriguing,
Professor Marston And The Wonder | 0:06:25 | 0:06:31 | |
Women. It is all about the creator
of the comic book character Wonder | 0:06:31 | 0:06:36 | |
Woman. Now writer and director
Angela Robbins goes back to the | 0:06:36 | 0:06:40 | |
creation of the character. We have
the Professor of the title played by | 0:06:40 | 0:06:44 | |
Luke Evans. We have his smarter,
sharper wife brilliantly played by | 0:06:44 | 0:06:49 | |
Rebecca Hall and Belle Heathcote's
all of Berne. They invent the lie | 0:06:49 | 0:06:56 | |
detector, they start a nonconformist
family unit and they come up with | 0:06:56 | 0:07:01 | |
the strange, book character who will
go on to make millions. Here is a | 0:07:01 | 0:07:05 | |
look -- Olive Byrne.
This is perfect. I will inject my | 0:07:05 | 0:07:13 | |
ideas right into the thumping heart
of America. I will get a real artist | 0:07:13 | 0:07:18 | |
to draw it properly. She is an
Amazon princess who lives on an | 0:07:18 | 0:07:23 | |
island of all women. Paradise
Island. And a man crashes onto the | 0:07:23 | 0:07:32 | |
island. And she wears a burlesque
outfit. It is athletic. And she | 0:07:32 | 0:07:41 | |
wears a silver bracelet. It deflect
bullets. We love you so much but | 0:07:41 | 0:07:46 | |
nobody, and I say this with all the
compassionate truth in my heart, | 0:07:46 | 0:07:51 | |
nobody will ever publish this.
The story flips backwards and | 0:07:51 | 0:07:56 | |
forwards. It starts with the
investigation of the comic strip and | 0:07:56 | 0:08:02 | |
they saved is all full of spanking
and perversion and bondage, explain | 0:08:02 | 0:08:06 | |
yourself. The rest of the film looks
back at where this character came | 0:08:06 | 0:08:11 | |
from, about the alternative family
unit, about the way these people | 0:08:11 | 0:08:16 | |
become involved in role-playing and
S&M. He is a psychologist who thinks | 0:08:16 | 0:08:21 | |
everything comes down to dominance,
submission and compliance. The women | 0:08:21 | 0:08:26 | |
take him with a pinch of salt. But
it becomes a portrait of tolerance | 0:08:26 | 0:08:33 | |
in intolerant times. At one point
Rebecca Hall says we cannot be in | 0:08:33 | 0:08:37 | |
love because the world would let us.
He says we have to be what we want | 0:08:37 | 0:08:41 | |
to be. It is a film about
alternative lifestyles. It is a film | 0:08:41 | 0:08:46 | |
about tolerance, it is funny and
charming. I did not know any of this | 0:08:46 | 0:08:50 | |
stuff at all. It makes a very
interesting double bill with Wonder | 0:08:50 | 0:08:53 | |
Woman who has become such a huge box
office success. I thought it was | 0:08:53 | 0:08:58 | |
really good and I really enjoyed it.
It has | 0:08:58 | 0:09:10 | |
been a really good week, you can
tell. It is, you love everything. | 0:09:11 | 0:09:14 | |
Best out at the moment? Killing of
the sacred dear. It starts out as a | 0:09:14 | 0:09:17 | |
comedy and then turns really
sinister. -- Killing Of A Sacred | 0:09:17 | 0:09:21 | |
Deer. It starts being strange and
off-kilter and then it moves into | 0:09:21 | 0:09:28 | |
horror film territory. I have to
say, it is not for everyone. It is a | 0:09:28 | 0:09:33 | |
Marmite film. I really liked it. I
felt really uncomfortable all the | 0:09:33 | 0:09:38 | |
way through. I could not quite the
measure of it. And like Mother, I | 0:09:38 | 0:09:43 | |
thought it was really well done. It
has haunted me and stayed with me. | 0:09:43 | 0:09:49 | |
OK! I do think you have convinced
anyone with that! Best DVD? | 0:09:49 | 0:09:57 | |
Sorcerer. 40 years ago this film
tanked. This is a remake of Wages of | 0:09:57 | 0:10:04 | |
Kay fear. It came back to cinemas
and is still playing in some | 0:10:04 | 0:10:08 | |
cinemas. It is gruelling, muscular,
visceral, really tense. It is a | 0:10:08 | 0:10:14 | |
story about trucks filled with very
volatile nitroglycerin being driven | 0:10:14 | 0:10:19 | |
across treacherous terrain. It has a
celebrated rope bridge sequence. It | 0:10:19 | 0:10:25 | |
has a score by Tangerine Dream. 40
years ago it opened head-to-head | 0:10:25 | 0:10:31 | |
with Star Wars and Star Wars one.
People wanted to see light sabres | 0:10:31 | 0:10:35 | |
and rocket ships and all that stuff.
This was a really tough movie. 40 | 0:10:35 | 0:10:47 | |
years later it is recognised as the
masterpiece it always was. It is a | 0:10:47 | 0:10:50 | |
work of art. I guarantee you you
will be gripped from beginning to | 0:10:50 | 0:10:52 | |
end. You had me at a score by
Tangerine Dream! Mark, thank you | 0:10:52 | 0:11:01 | |
very much. | 0:11:01 | 0:11:03 | |
A quick reminder before we go that
you'll find more film news | 0:11:03 | 0:11:06 | |
and reviews from across the BBC
online at bbc.co.uk/mark kermode. | 0:11:06 | 0:11:08 | |
And you can find all our previous
programmes on the BBC iPlayer. | 0:11:08 | 0:11:14 | |
That is it for this week. Thank you
for watching. Goodbye from us. | 0:11:14 | 0:11:20 |