Browse content similar to Triple 9, Bone Tomahawk, The Finest Hours. Check below for episodes and series from the same categories and more!
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89. A 63-year-old man has died in a suspected gas explosion that | :00:00. | :00:00. | |
destroyed a house in North Yorkshire. | :00:00. | :00:15. | |
Hello and welcome to The Film Review on BBC News. | :00:16. | :00:21. | |
To take us through this week's cinema releases is Jason Solomons. | :00:22. | :00:24. | |
This week we are on the mean streets of Atlanta for Triple 9 after a | :00:25. | :00:38. | |
heist goes wrong. Kurt Russell rides out into new tour a true for the | :00:39. | :00:44. | |
western, and Tomahawk, a Cabot movie needs a cannibal slasher genre. And | :00:45. | :00:51. | |
they are going to need a bigger boat, the perfect storm, a lifeboat | :00:52. | :00:54. | |
rescues an oil tanker in the Disney disaster movie, The Finest Hours. | :00:55. | :01:01. | |
Triple 9, all the things that I like in a movie, I hope you like it. A | :01:02. | :01:07. | |
lot of people in it. London buses, you think, look at all the people. | :01:08. | :01:12. | |
Star-studded cast, for what I call a trashy gangster kind of cop thriller | :01:13. | :01:18. | |
type stuff. I like this type of stuff. We see ignoring the telly | :01:19. | :01:22. | |
things like True Detective Rudy Harrelson and he crops appear. Do | :01:23. | :01:30. | |
you know for Triple 9 is? It is when an officer is down and the police | :01:31. | :01:35. | |
piloting and all the police in the area rushed towards that. A very | :01:36. | :01:41. | |
good time to commit another crime because there are no policemen over | :01:42. | :01:44. | |
to look at that other crime, they are after the perpetrator, that is | :01:45. | :01:48. | |
what happens, a way to clean up their gangster heist that goes | :01:49. | :01:52. | |
wrong. Led by Kate Winslet, the Mafia boss behind it all. So... Now | :01:53. | :01:58. | |
all of that is out of the way... Vesely would like to know how things | :01:59. | :02:11. | |
are progressing? Tell him we have got to make it work. This is | :02:12. | :02:16. | |
fantastic. Yes. A lot of worry in that little scene, | :02:17. | :02:28. | |
isn't there? Kate Winslet, as we have never seen her before. Kristin | :02:29. | :02:35. | |
Scott Thomas, when she did Only God Forgives think she became a blonde, | :02:36. | :02:41. | |
buxom killer. I don't think it works for Kate Winslet, she strangles the | :02:42. | :02:45. | |
Russian accent. We are not sure what her role in all of this, she leads | :02:46. | :02:50. | |
the way in organising the corrupt cops and gangsters to search for | :02:51. | :02:53. | |
these chips hidden some work and they have to make a destruction | :02:54. | :02:58. | |
using the Triple 9 code to fill an officer played by Casey Affleck, an | :02:59. | :03:02. | |
officer who always does either book when everyone is doing at naughty. | :03:03. | :03:07. | |
Some brilliant set pieces, directed by John Philpott, who did a great | :03:08. | :03:14. | |
job with The Proposition. Outlaws Or What Interests Him And We Have That | :03:15. | :03:19. | |
Here. Very Stiff, The Opening Sequence With The Heist, It's Very | :03:20. | :03:23. | |
Slick, Meretricious Scenes Set In Strip Clubs Be No Reason Because | :03:24. | :03:29. | |
That's Four Clubs Seem To Go. There are brilliant action sequences in | :03:30. | :03:35. | |
the ghetto. They shelter from shoot outs, the mayhem is brilliantly | :03:36. | :03:40. | |
captured. A very sort of Saturday night, Friday night movie after some | :03:41. | :03:45. | |
beer. You can say this is kind of a hackneyed genre, that is the danger | :03:46. | :03:49. | |
but frankly, if there is enough action sequences, a little bit of | :03:50. | :03:53. | |
drummer and a high-scoring wrong, it sounds brilliant. It's no classic. | :03:54. | :04:02. | |
It's a kind of low, slow burn. Bone Tomahawk, a western, horror, | :04:03. | :04:05. | |
cannibal mash up? Sounds like a comedy? A western is the one genre | :04:06. | :04:11. | |
you should never mash up with anything else. Cowboys versus aliens | :04:12. | :04:17. | |
showed that. It doesn't work at all. This one doors, quite extraordinary, | :04:18. | :04:20. | |
the sort of thing that Tarantino might have dashed off in the | :04:21. | :04:23. | |
intermission. Kurt Russell turns up here. The sheriff, everyone | :04:24. | :04:32. | |
congregating in the saloon, and the pretty wife of Doctor disappears and | :04:33. | :04:38. | |
the only trace they have is an arrow, and one of the local Indians | :04:39. | :04:42. | |
comes in and says, the troglodytes have got her. Like The Searchers the | :04:43. | :04:47. | |
posse saddles up and rides out to get her back, on the going into the | :04:48. | :04:52. | |
tour a treat for these terrifying, brutal killers lurk. -- territory. A | :04:53. | :05:01. | |
bit like Tarantino and... There is the drunken pianist, the barmen | :05:02. | :05:05. | |
sliding down, all the cliched western stuff and they go out for | :05:06. | :05:09. | |
the riding I'd stuff and it becomes this brutal survivalist, revenant | :05:10. | :05:13. | |
but with killer slasher cannibal Indians. I think people... I haven't | :05:14. | :05:21. | |
seen it... It sounds slightly preposterous. But it has its tongue | :05:22. | :05:27. | |
in cheek until that time is ripped out. Right... And a bit gruesome at | :05:28. | :05:32. | |
the end? Very... Without giving too much away? Bone Tomahawk... They | :05:33. | :05:37. | |
make their weapons out of human bones. They are as sharp as Hells | :05:38. | :05:42. | |
teeth! Ride... Moving on... The Finest Hours. A very different movie | :05:43. | :05:51. | |
indeed. Bone Tomahawk is 18, this is down as a wholesome, old-fashioned | :05:52. | :05:55. | |
Disney picture about a rescue in the 1950s, still known as the most | :05:56. | :05:58. | |
airing small boat rescued in the history of the US lifeguard. Who | :05:59. | :06:04. | |
knew? Chris Pine has to say about to rescue a stricken oil tanker which | :06:05. | :06:10. | |
in the high seas has been cleft into by a wave and half of it is left | :06:11. | :06:15. | |
drifting onto the rocks. Casey Affleck, Bishop's captain can save | :06:16. | :06:16. | |
them. You are going to kill us! You are | :06:17. | :06:51. | |
going to kill us! The boat is in pieces. It's gone... Enough! That | :06:52. | :06:58. | |
boat is too small for these seas. And this chip... It will be sunk by | :06:59. | :07:04. | |
nightfall. Every fella here wants to live, the only way that happens is | :07:05. | :07:12. | |
if we wrong or drown. Right, there is a problem to be solved. Who will | :07:13. | :07:17. | |
save them? I didn't know that half a ship could drift, that is one | :07:18. | :07:21. | |
thing... Does that work, but apparently it can. There is a lot of | :07:22. | :07:26. | |
shouting, a lot of waves, but the effects are superb. I remember | :07:27. | :07:30. | |
Wolfgang Petersen took it to another level with George Clooney when he | :07:31. | :07:36. | |
did The Perfect Storm. Boat trying to get through the waves is well | :07:37. | :07:40. | |
done, exciting, you have this wholesome, Disney, 50s America going | :07:41. | :07:46. | |
on, the girls back home pining for their men, the brave men who have | :07:47. | :07:49. | |
gone out to sea. One of them is played by Holliday Grainger, whose | :07:50. | :07:55. | |
name sounds like a 50s matinee itself. She does very well, as the | :07:56. | :08:00. | |
girl waiting back home to try and hope are a man can make it. It is a | :08:01. | :08:04. | |
very daring rescue, done very Dering Lines. I have to say, I rather | :08:05. | :08:08. | |
enjoyed it, I thought there were moments that had me on the edge of | :08:09. | :08:11. | |
my seat, and moments when I thought... Wallowing in 50s | :08:12. | :08:16. | |
Americana. It's amazing how many films or around at the moment but do | :08:17. | :08:21. | |
precisely that, wallow in 50s Americana, Brooklyn, Carol... Both | :08:22. | :08:26. | |
very different films but there is something about the 50s... It was | :08:27. | :08:30. | |
the heyday of the cinema. People used to go to the cinema in droves | :08:31. | :08:34. | |
and they appealed to the romance of going to the movies by using the | :08:35. | :08:37. | |
romantic era of movie-going. Disaster movies... That is what it | :08:38. | :08:43. | |
captures, we are in a new century, don't forget, it's trying to hook a | :08:44. | :08:46. | |
new generation onto the romance. A final thought... The idea that I | :08:47. | :08:51. | |
always thought, to be in a lifeboat crew, when you know that people are | :08:52. | :08:55. | |
in trouble, because you shouldn't be going out there is quite | :08:56. | :08:59. | |
extraordinary. But they have to, that is their job. It's all about | :09:00. | :09:02. | |
Judy and the job and proving something, even though you have a | :09:03. | :09:07. | |
sweetheart back home, you have to go through the waves. It does it very | :09:08. | :09:10. | |
well, it is what it is but I thought did rather well, that than it looks, | :09:11. | :09:16. | |
in fact, and it sounds. We are going to disagree about your best movie. A | :09:17. | :09:20. | |
Bigger Splash, Ralph Fiennes and Tilda Swinton on a holiday from | :09:21. | :09:26. | |
hell. Is this because you had a holiday interruption? No, I think | :09:27. | :09:29. | |
Ralph Fiennes is wonderful, I have slight reservations about Tilda | :09:30. | :09:33. | |
Swinton and I have seen her with this director before and I | :09:34. | :09:39. | |
thought... I am bored, I am bored... I liked it a lot. She doesn't speak | :09:40. | :09:45. | |
on this. She is mute. I knew you liked it, I've called what she said. | :09:46. | :09:48. | |
It was a time of my life and be personal reasons I was all that | :09:49. | :09:53. | |
affords, I didn't want to say anything. Hello... She is one of | :09:54. | :09:57. | |
those actors, you trust what is on the screen, not offered, she can get | :09:58. | :10:02. | |
a bit lobby about the whole thing. It was her idea, she this rock star | :10:03. | :10:06. | |
who is in retreat cause of her voice, she is taking the summer off | :10:07. | :10:10. | |
not to sing because of a throat operation, her idea, the director | :10:11. | :10:14. | |
said, here is the script, she said, I think I should do it mute and he | :10:15. | :10:19. | |
said OK. I think it works, she plays it down and Ralph Fiennes plays it | :10:20. | :10:25. | |
big, it's one of those... The David Hockney type... The ripples | :10:26. | :10:28. | |
extending and there is something, nasty, looking at the bottom. We | :10:29. | :10:32. | |
believe it to the viewers. DVD? Spectre. They are auctioning off the | :10:33. | :10:41. | |
Aston Martin. In celebration... The James Bond movie, Daniel Craig, his | :10:42. | :10:46. | |
last James Bond? He looks tired. He dolls, a bit. What did you think? | :10:47. | :10:52. | |
You have to go and see James Bond movies, it's an event. You have got | :10:53. | :10:57. | |
to complete the set. I thought it was be minors. You have to have seen | :10:58. | :11:01. | |
the other Bond movies to get it because it dances through all of | :11:02. | :11:05. | |
them, the moves from Roger emerge easiness, Sean Connery match owners, | :11:06. | :11:08. | |
Timothy Dalton kind of seriousness... I think it has all | :11:09. | :11:15. | |
the Bond movies in one. Definitely worth seeing, especially for the | :11:16. | :11:18. | |
opening sequence and the DVD, you can go through the theme tune for | :11:19. | :11:23. | |
double speed and miss it. If you can work out what the villain is doing | :11:24. | :11:27. | |
the Llanelli, you are a better man than me. He is quite good. But I | :11:28. | :11:32. | |
think it looks like a mad dentist. It is worth watching. Definitely. | :11:33. | :11:39. | |
Good afternoon. A cloudy afternoon for some of us, starting off crisp | :11:40. | :11:58. | |
and | :11:59. | :12:00. |