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Welcome to The One Show: The Best of Britain, with our resident | :00:12. | :00:17. | |
farmer Kate Beavan... And Matt Allwright, with another chance to | :00:17. | :00:27. | |
:00:27. | :00:32. | ||
see some of our favourite One Show We are in Scotland at one of the | :00:32. | :00:36. | |
country's most important and largest castles, Stirling Castle. | :00:36. | :00:43. | |
There has been bloody battles here, Kings ground, Segers on 15 separate | :00:43. | :00:47. | |
occasions. Within sight of here, one of the most important battles | :00:47. | :00:53. | |
and the country, Bannockburn, was fought in 1314. Robert the Bruce's | :00:53. | :00:58. | |
army defeated the English. result is still being celebrated in | :00:58. | :01:03. | |
some parts because it freed them from 10 years of English rule. Even | :01:03. | :01:07. | |
when they were not fighting for power and glory, they were fighting | :01:07. | :01:16. | |
for fun, as Dan Snow found out. 600 years ago, Justin was the | :01:16. | :01:22. | |
greatest spectator sport. One of the top jousting venues was at | :01:22. | :01:27. | |
Cheapside. Behind St Paul's Cathedral in London. Nowadays, this | :01:27. | :01:32. | |
area is full of City traders, but back then people would buy gold, | :01:32. | :01:38. | |
silver, milk, poultry and honey. And they would watch their sporting | :01:38. | :01:42. | |
heroes. The jousting happened at the top of Cheapside. It was just | :01:42. | :01:48. | |
open fields them. There just was not just for show. Knights were | :01:48. | :01:53. | |
soldiers and jousting was a chance to practise battle skills. | :01:53. | :02:00. | |
In Wiltshire, one man knows all about it. Alan teaches people how | :02:00. | :02:03. | |
to just four events all over the country and will try to teach me | :02:03. | :02:10. | |
now. The these are your weapons. This is a late 15th century sword | :02:10. | :02:14. | |
which can be used on horseback to try to find the gap in your | :02:14. | :02:20. | |
opponent's armour. But the primary weapon was the lance. If one of | :02:20. | :02:25. | |
these hits you full in the chest... You would really know about it. | :02:25. | :02:30. | |
Let's go and meet your most important weapon. | :02:30. | :02:35. | |
This horse is the most experienced of jousting horses, he will look | :02:35. | :02:41. | |
out for you but he will really come alive out there. He is one aim in | :02:41. | :02:48. | |
life is to just, the Red Rum of the jousting circuit. Medieval Unites | :02:48. | :02:52. | |
fought on horseback. They were elite warriors selected from noble | :02:52. | :02:56. | |
families. They started training at about seven years old and it would | :02:56. | :03:02. | |
take about 10 years to master the skills. I have got two days! | :03:02. | :03:06. | |
The first thing I will learn is how to use the thought, and this is my | :03:06. | :03:14. | |
enemy. -- how to use the thought. I have to hit both cabbages - time to | :03:14. | :03:24. | |
:03:24. | :03:24. | ||
make coleslaw! First cabbage, thoroughly eradicated. | :03:24. | :03:31. | |
Good! The got them! Now time to move onto the next step, trying to | :03:31. | :03:37. | |
hit my target. If you don't get through there quickly, you are | :03:37. | :03:42. | |
likely to where that bag of rocks on the back of your head. | :03:42. | :03:52. | |
:03:52. | :03:55. | ||
appreciate the back of rocks! It is tough to control. | :03:55. | :04:01. | |
I am shattered, but it is not over yet. Nine we move onto the next | :04:01. | :04:08. | |
stage, you being hit with a lance. -- now we move onto the next stage. | :04:08. | :04:14. | |
I need a full suit of armour first. This barrier dividing the jousting | :04:14. | :04:20. | |
area in half is called the tilt rail, and it is to stop Allah and I | :04:20. | :04:25. | |
crashing into each other. But he will have a lance and he will hit | :04:25. | :04:31. | |
me right there. -- it is to stop Allah hitting the. Our speed will | :04:31. | :04:41. | |
:04:41. | :04:57. | ||
You can really feel that. The armour gives you a lot of | :04:57. | :05:03. | |
protection. This is the ultimate individual sport. You can see a | :05:03. | :05:08. | |
crazy guy charging at you, screaming. I hope you are enjoying | :05:08. | :05:14. | |
yourself. When I am good enough, I will break some lances on you! | :05:14. | :05:19. | |
I was told the Health and Safety form for the BBC Four that was 34 | :05:19. | :05:24. | |
pages. Amazing, but not surprising. It has got it all, high-speed horse | :05:24. | :05:30. | |
riding, pointy sticks, but luckily Dan Snow is invincible. What do you | :05:30. | :05:36. | |
think of this place? Amazing. great hall, where they had all the | :05:36. | :05:40. | |
parties, banquets and feasts. On the menu was always lots of wine | :05:40. | :05:46. | |
and lots of meat. Wild boar in particular was so popular that by | :05:46. | :05:52. | |
the 1600s it had been hunted to extinction. Now boar are back, and | :05:52. | :05:59. | |
The One Show sent me to see if I could find any wild boar. | :05:59. | :06:03. | |
Another busy day on the farm in Wales. There are many mouths to | :06:03. | :06:09. | |
feed. Of all the animals on the farm, it is the pigs that on my | :06:09. | :06:14. | |
absolute favourite. It is said that pigs are one of the | :06:14. | :06:17. | |
top 10 most intelligent animals on the planet, and I can vouch for | :06:17. | :06:22. | |
that. They are some of the most interesting and comical characters. | :06:22. | :06:27. | |
At the moment, our pigs have the run of the sheep shed while we were, | :06:27. | :06:31. | |
outdoor enclosure, which we want it just right. What I would like to do | :06:31. | :06:38. | |
is get out there and see how pigs live in the wild. | :06:38. | :06:43. | |
All our domestic pigs originate from a common ancestor. The wild | :06:43. | :06:50. | |
boar. Once widespread throughout Britain, they were hunted so | :06:50. | :06:53. | |
furiously for their meat that by the 13th century they became | :06:53. | :06:59. | |
extinct. But now they are back. Some years | :06:59. | :07:04. | |
ago, a few wild boar escaped from captivity and established healthy | :07:04. | :07:10. | |
populations in forests around the country. | :07:10. | :07:13. | |
Here in Cumbria, Peter manages a herd of wild boar with in the | :07:13. | :07:19. | |
woodland of his farm. You have had your wild boar for about 20 years. | :07:19. | :07:24. | |
Legend has it they can be quite ferocious. Have you had problems? | :07:24. | :07:29. | |
The male is particularly aggressive. If he is cornered, and also when | :07:29. | :07:33. | |
looking after his Hurd and his territory. | :07:34. | :07:38. | |
With daily checks on his boar, Peter has a rough idea of where | :07:38. | :07:44. | |
they may be foraging. Here we go. Finding a couple of fresh | :07:44. | :07:47. | |
footprints is always a good sign, and there is something even more | :07:47. | :07:55. | |
exciting further on. This is a typical wild boar NEST. | :07:55. | :08:01. | |
She will hollow this out, this is where she has her babies. Amazing. | :08:01. | :08:04. | |
It is the same at home, because before they have the piglets the | :08:04. | :08:09. | |
females will gather around and make a nest. The instinct is still | :08:09. | :08:15. | |
baffled stop it is nature's way of looking after them. They are so | :08:15. | :08:25. | |
:08:25. | :08:25. | ||
clever. -- the instinct is so -- is still there. They are so clever. | :08:25. | :08:31. | |
This has to be a wallow. I would even be tempted myself! They | :08:31. | :08:37. | |
literally dig out water, roll, clean themselves and then move on, | :08:37. | :08:42. | |
they rub off on the trees. Pigs can overheat very easily and they can't | :08:42. | :08:47. | |
sweat, they don't have sweat glands. There is no such thing as sweating | :08:47. | :08:52. | |
like a pig! That is a silly saying, you can't sweat like a pig. | :08:52. | :08:58. | |
As if to prove the point, a huge male boar comes into the wallow for | :08:58. | :09:08. | |
:09:08. | :09:22. | ||
a much-needed cool down. They are grunting. | :09:22. | :09:25. | |
Although the males are very territorial, the females seemed | :09:25. | :09:29. | |
fairly relaxed in our company. We just have to be careful not to come | :09:29. | :09:34. | |
between them and their babies. They are absolutely gorgeous. | :09:34. | :09:38. | |
are about three or four weeks old, some of them down there were only | :09:38. | :09:45. | |
bone a week ago. And their stripes. The humbug! They are like little | :09:45. | :09:52. | |
humbugs, they are absolutely beautiful. | :09:52. | :09:56. | |
Like the piglets back home, they will be settling for the first few | :09:56. | :10:00. | |
weeks until their snouts are strong enough to dig up the roots and | :10:00. | :10:05. | |
acorns which wild pigs love. This has made my day, it has been | :10:05. | :10:10. | |
brilliant. For me, personally, when I go home to the enclosure, I can | :10:10. | :10:15. | |
look at it. I know I am on the right lines, it has reassured me. | :10:15. | :10:20. | |
Pigs need company, scratching posts, a wallow, all these needs we have | :10:20. | :10:25. | |
actually got outside for them on the farm and it has been such a | :10:25. | :10:35. | |
:10:35. | :10:35. | ||
You are a legend, you are one of the few people to have seen a wild | :10:35. | :10:42. | |
boar in the UK and not be over 400 years old. I am not 400 years old, | :10:42. | :10:45. | |
but 400 years ago in these woods, they would have been full of wild | :10:45. | :10:50. | |
boar. You could have picked off a couple with a crossbow, lunch, | :10:50. | :10:55. | |
brilliant! But they would have made a mess of these beautiful gardens. | :10:55. | :11:01. | |
Are there any interesting fact you can tell me? For any you should say | :11:01. | :11:11. | |
:11:11. | :11:14. | ||
Watching entertainments, and playing games such as bowls... | :11:14. | :11:19. | |
certainly seemed to lead a grand life, but they did not have John | :11:19. | :11:29. | |
:11:29. | :11:35. | ||
Sergeant honour or Mo! This is the Harley Davidson of | :11:35. | :11:43. | |
lawnmowers. 22 horsepower, maximum speed eight miles an hour, nor to | :11:43. | :11:47. | |
28... Well, to be honest, about 10 minutes if I include the time spent | :11:47. | :11:53. | |
looking for the key. But on these wheels of fury I am going to be | :11:53. | :11:58. | |
going across Britain, finding out why we are so passionate about | :11:58. | :12:04. | |
lawns. The journey of 1000 MOTs begins | :12:04. | :12:09. | |
with a single step, and I am going to Wigan to see some of the best | :12:09. | :12:15. | |
kept grass in the country. Bill Seddon is the kind of man with two | :12:15. | :12:19. | |
identical lawnmowers just in case one breaks down, and while his wife | :12:19. | :12:27. | |
takes care of the flowers, he cuts the grass almost every day. | :12:27. | :12:34. | |
Hello. These are fantastic lawns. like them. And I think a lot of | :12:34. | :12:39. | |
other people do as well. When you see a week on the lawn, what is | :12:39. | :12:46. | |
your feeling? -- a week on the lawn. It does not last long, I dig them | :12:46. | :12:52. | |
out. Really? Can we see one? don't think there are many around | :12:52. | :12:58. | |
here at the moment. What are you looking for? Daisies? You won't | :12:58. | :13:05. | |
find many. Here we are, this is a bit, I think. If it was on my lawn, | :13:05. | :13:09. | |
I would let it go, what is wrong with leaving it? It spreads | :13:09. | :13:15. | |
everywhere. I think it is OK. Because most of it has been taken | :13:15. | :13:22. | |
out. Aren't you being picky? It is the way I am. It is an obsession? | :13:22. | :13:29. | |
Yes. Bill's lawn is so lush that coach | :13:29. | :13:39. | |
:13:39. | :13:45. | ||
Hello, Barbara. What about Bill and his obsession? What does that will | :13:45. | :13:49. | |
mean? It means he spends an awful lot of time on his lawn, probably | :13:49. | :13:55. | |
more care for that than me, but he gets the results! Have you ever | :13:55. | :14:00. | |
thought you ought to mow the lawn? I retired earlier than Bill, I cut | :14:00. | :14:03. | |
the grass to a try to help him but he always did it again afterwards. | :14:03. | :14:10. | |
I gave up. Bill has got grass to cut, so I | :14:10. | :14:20. | |
:14:20. | :14:22. | ||
fired up the lawn mower and headed for Chatsworth House in Derbyshire. | :14:22. | :14:26. | |
I have come to a lawn heaven. This fantastic setting was created more | :14:26. | :14:33. | |
than 200 years ago by the great landscape gardener Capability Brown. | :14:33. | :14:36. | |
He did more than anyone else in history to promote the idea of the | :14:36. | :14:46. | |
:14:46. | :14:52. | ||
Now, this is a very special lawn. It is. It is the work originally of | :14:52. | :14:58. | |
Capability Brown. That is right. How much do you mess around with | :14:58. | :15:05. | |
it? We let it do its own thing. We let the weed and the mosque grow. | :15:05. | :15:09. | |
We have everything growing on this lawn. When you see someone with a | :15:09. | :15:14. | |
pair of scissors cutting the lawn and get it perfect, you think they | :15:14. | :15:19. | |
are mad. Yes. I would like to ask a favour. What I would like to do is | :15:19. | :15:24. | |
to use this lawn mower on this lawn. I want to mow one of the great | :15:24. | :15:31. | |
lawns of England. You are welcome to give it a go. Can I really? | :15:31. | :15:41. | |
:15:41. | :15:48. | ||
The Salisbury lawn is said to be the oldest authentic lawn in | :15:48. | :15:53. | |
Britain, originally trained by grazing deer. They gave way to the | :15:53. | :15:57. | |
scythes, and now, over 100 years later, John Sergeant, the lawn | :15:58. | :16:07. | |
:16:08. | :16:11. | ||
It's wonderful, isn't it. It's an amazing way to look at a lawn. This | :16:11. | :16:14. | |
is perfection, but not the manicured a special perfection. | :16:14. | :16:19. | |
That is what you can learn from the upper classes. When it comes to | :16:19. | :16:26. | |
lawns, relax. What I like about castles is that | :16:26. | :16:29. | |
it all happens here. You have intrigue and treachery and | :16:30. | :16:35. | |
beheading, but you also have love and multiple marriage. So romantic. | :16:35. | :16:39. | |
Mary Queen of Scots fell in love here and nursed her cousin back to | :16:39. | :16:43. | |
health and then they got married soon after. Most of the people who | :16:43. | :16:47. | |
live too would have had no choice. They would have been earmarked for | :16:47. | :16:50. | |
each other as infants and grown-up and married the person they were | :16:50. | :16:55. | |
told to marry, because that was the way it was and they had no choice. | :16:55. | :17:00. | |
Not very romantic. There was one famous royal who was having none of | :17:00. | :17:03. | |
that and as Gyles Brandreth reports, he had an unusual approach to | :17:03. | :17:09. | |
dating and mating. These days, searching for a | :17:09. | :17:13. | |
soulmate can be easy. Simply log on to a dating agency and checkout | :17:13. | :17:19. | |
thousands of photos worldwide. But back in the 16th century, long- | :17:19. | :17:23. | |
distance love was a whole different ball-game. Photography had not been | :17:23. | :17:27. | |
invented, travel was painfully slow, so sizing up international talent | :17:27. | :17:31. | |
was quite a headache, especially if you were Henry the eighth and you | :17:31. | :17:37. | |
had six wives to get through. In his search for wife number four, | :17:37. | :17:41. | |
Henry got round the logistical problems by employing Hans Holbein, | :17:41. | :17:45. | |
the brilliant German artist, who painted this classic of the King | :17:45. | :17:50. | |
posing in a generous codpiece. Henry loved Holbein's work, and | :17:50. | :17:55. | |
sent him around Europe to paint true-to-life portraits of eligible | :17:55. | :18:04. | |
brides for him, dimples, warts and all. In 1538, Holbein visit to | :18:04. | :18:09. | |
Brussels to draw Christina of Denmark. He had just three hours to | :18:09. | :18:12. | |
capture the 16-year-old's likeness and was under strict instructions | :18:12. | :18:19. | |
not to exaggerate her beauty. Described as one of the finest | :18:19. | :18:23. | |
female portraits ever painted, the finished product now hangs in | :18:24. | :18:28. | |
London's National Gallery. What, for you, is the essence of Holbein | :18:28. | :18:33. | |
as a painter? I think his portraits particularly are so incredibly | :18:33. | :18:36. | |
vivid you think the people could jump out of the portraits and they | :18:36. | :18:41. | |
would be like people you see today and know very well. Here we | :18:41. | :18:44. | |
recognise Christina of Denmark, also known as Christina of Milan. | :18:44. | :18:49. | |
These were painted so that Henry could see if he fancied the subject. | :18:49. | :18:52. | |
And Henry was very concerned that he could see as much of them as | :18:52. | :18:56. | |
possible. He was trying to marry somebody who would give him a son, | :18:56. | :19:01. | |
so he wanted somebody who was absolutely in the best of health. | :19:01. | :19:06. | |
So the full length was quite important. Could we describe her as | :19:06. | :19:12. | |
sexy? She looks so demure, but she has beautiful full lips. I think it | :19:12. | :19:17. | |
is meant to be a seductive painting. Contrasting with the glimpses of | :19:17. | :19:22. | |
flesh, Christina is clothed in black satin. But she was actually | :19:22. | :19:26. | |
dressed in mourning because she had already been married, aged 11, to | :19:26. | :19:32. | |
the Duke of Milan, who died before they had even met. Holbein was | :19:32. | :19:36. | |
clearly impressed by Christine and left the background plane, to focus | :19:36. | :19:46. | |
on her beauty. This looks so modern. Compared to those portraits over | :19:46. | :19:49. | |
there, same period. They look virtually medieval, and this looks | :19:50. | :19:55. | |
as if it could be a modern picture. Yes, I think Holbein was in many | :19:55. | :19:59. | |
ways a precursor of modern art, in that he did not use the amount of | :19:59. | :20:04. | |
gilding that you see on portraits like that. It doesn't have the flat | :20:04. | :20:08. | |
effect, the stylised effect. He is trying to show you a real person in | :20:08. | :20:15. | |
a real space. When Holbein brought his sketch back to court, it was | :20:15. | :20:18. | |
love at first sight. Although he had only seen her picture, Henry | :20:18. | :20:22. | |
proposed marriage and ordered celebratory music to be played all | :20:23. | :20:28. | |
day. But, for some reason, Christina was not keen on the | :20:28. | :20:33. | |
middle aged, obese, wife killing monarch. She rejected his kind | :20:33. | :20:37. | |
offer with the wise words, "If I had two heads, I would be very | :20:37. | :20:43. | |
happy to put one at the disposal of the King of England". Undeterred, | :20:43. | :20:47. | |
Holbein continued his romantic mission, painting four more women, | :20:47. | :20:51. | |
including Anne of Cleves, who Henry did marry, and divorce six months | :20:51. | :20:58. | |
later. Holbein's legacy of lifelike portraits has earned him the title | :20:58. | :21:03. | |
cameraman of Tudor history. And as for Christina, well, Henry kept her | :21:03. | :21:07. | |
portrait on display for the rest of his life. It seems that even after | :21:07. | :21:17. | |
:21:17. | :21:21. | ||
six wives, he could never forget Christina was not the only woman to | :21:21. | :21:31. | |
:21:31. | :21:31. | ||
get away from Henry. Really? This is the bed chamber of Mary. Henry | :21:31. | :21:37. | |
also proposed to her, but she quite wisely said no because she did not | :21:37. | :21:42. | |
want her head chopped off. He also tried to hook up his son, Edward, | :21:42. | :21:46. | |
with her daughter Mary Queen of Scots. What are they like, Tudor's? | :21:46. | :21:54. | |
Filthy! Badgers. Yeah, badgers. They haven't actually given us a | :21:54. | :21:57. | |
way to get into this next film about badgers. Can you think of | :21:57. | :22:02. | |
anything? Look, can you see that, a badger walking past the window. I | :22:02. | :22:12. | |
:22:12. | :22:12. | ||
am sure of it. I think that was a They may be our biggest carnivores, | :22:12. | :22:16. | |
but badgers can be tricky animals to watch. They are incredibly wary | :22:16. | :22:19. | |
and they only venture out at night, so you will need plenty of patience | :22:19. | :22:23. | |
if you want to see them in the wild. But it's absolutely worth it, | :22:23. | :22:27. | |
because finding am watching badgers has given me some of my most | :22:27. | :22:32. | |
amazing wildlife moment. -- finding and watching them. Just remember, | :22:32. | :22:39. | |
if you are going on to private land, get permission first. This is | :22:39. | :22:46. | |
classic badger country, full of soft banks and rolling woodland. As | :22:46. | :22:50. | |
luck would have it, badgers don't tidy up after themselves, and they | :22:50. | :22:53. | |
are really strong, so when they push through fences like this, they | :22:53. | :22:58. | |
leave behind Classic tell-tale signs. There we have it, a course | :22:58. | :23:02. | |
badger hair. That would suggest its path is somewhere around here, | :23:02. | :23:10. | |
leading off just up there. Now that we are on the trail, the next thing | :23:10. | :23:17. | |
I am looking for his prints. Badger pores are distinct, but that does | :23:17. | :23:22. | |
not necessarily make them easy to find. They have five toes we just | :23:22. | :23:25. | |
set up with a kidney-shaped at the bottom and four toes in a line at | :23:25. | :23:28. | |
the top and a fifth at the side. But this is the tricky one. It is | :23:29. | :23:34. | |
not always easy to spot the fifth tow. If you happen across a strange | :23:34. | :23:38. | |
man from the local badger group like Mike, you have pretty much | :23:38. | :23:43. | |
struck gold. He monitors all of the badger setts in this area. One way | :23:43. | :23:48. | |
to check if a badger is at home or not is to lay sand across betrayal. | :23:48. | :23:54. | |
Good and bad news. What have we got? The bad news is a lot of fox | :23:54. | :24:03. | |
activity. But those are diamond- shaped pause. Crucially, we have a | :24:03. | :24:07. | |
badger print. You have a heel, and then four of the five toes in | :24:07. | :24:12. | |
almost a straight line, absolutely typical of a badger print. They did | :24:12. | :24:17. | |
not retract their claws, do they? No, they hold them up off the | :24:17. | :24:21. | |
ground, except when they need them for digging or going over slippery | :24:21. | :24:25. | |
banks. That is a fantastic signed and it means there is an active | :24:25. | :24:29. | |
badger sett. We should come back later and try to see them. Badger | :24:29. | :24:35. | |
setts can be enormous, with up to half a mile of Tunnels and two | :24:35. | :24:39. | |
dozen entrances. But there is usually one preferred way in. | :24:39. | :24:45. | |
Fantastic! This is the badger set here. It is a perfect example, and | :24:46. | :24:50. | |
really established. This is just one hole in the complex. If we are | :24:50. | :24:53. | |
hoping to see badgers tonight, we had better retire to a safe | :24:54. | :25:00. | |
distance. Badgers have an incredibly powerful | :25:00. | :25:04. | |
sense of smell. You must make sure you are sitting downwind from them. | :25:04. | :25:07. | |
There are couple of ways of checking. You could light a match, | :25:07. | :25:11. | |
or blow a puff of powder into the wind, to see which way it is | :25:11. | :25:15. | |
blowing. We are all right because we are downwind from the badger | :25:15. | :25:19. | |
sett. Another thing, make sure you have had a pee because you could be | :25:19. | :25:29. | |
:25:29. | :25:29. | ||
in for a very long wait. A very, very long wait. If you're really | :25:29. | :25:39. | |
:25:39. | :25:48. | ||
We have just seen two juveniles come out of the badger sett that | :25:48. | :25:51. | |
takes some tentative steps into the night. They are pretty nervous so | :25:51. | :26:01. | |
:26:01. | :26:04. | ||
they will not stray too far from There is something almost too | :26:04. | :26:10. | |
exotic about badgers to be British. They have black and white stripes | :26:10. | :26:15. | |
so they do not blend with the muted colours of the British countryside. | :26:15. | :26:21. | |
But actually they are British. They are in our gardens and our | :26:21. | :26:31. | |
:26:31. | :26:41. | ||
woodlands, and that does give you a I could have sworn I saw that | :26:41. | :26:45. | |
badger out here. He must have gone. But we can stay here until we see | :26:45. | :26:51. | |
another one. Yeah, sure we stay here? OK. Unfortunately they have | :26:51. | :26:55. | |
to leave because the time is up. We will say goodbye to you from | :26:55. | :27:00. | |
beautiful Stirling Castle. See you again. Goodbye. | :27:00. | :27:05. | |
Next week on the One Show, best of Britain. Dom Littlewood and Carrie | :27:05. | :27:09. | |
Grant set sail around the Jurassic Coast and stop off to be -- to meet | :27:10. | :27:15. | |
some of the locals. What are we doing? What Every schoolboy and | :27:15. | :27:20. | |
schoolgirl does, going crabbing. The wind In the Willows, Gyles | :27:20. | :27:24. | |
Brandreth discovers the place that inspired the novel. We have found | :27:24. | :27:32. |