Browse content similar to Episode 11. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome to the one show, best of Britain with Carrie Grant and Dom | :00:56. | :01:01. | |
Littlewood. We are giving you a chance to see more of our favourite | :01:01. | :01:11. | |
:01:11. | :01:15. | ||
Today, we are coming from the not quite so sunny Dorset, but it is | :01:15. | :01:20. | |
still beautiful. I remember from my lessons at school, that a rock face | :01:20. | :01:26. | |
over there, 150 million years old. There are 95 miles of Jurassic | :01:26. | :01:30. | |
coastline here. There is something I didn't know about you. You are a | :01:30. | :01:34. | |
keen sailor. Not half, I have sailed the British Virgin Islands, | :01:34. | :01:40. | |
the Greek islands and even can be Islands. Was it on a pedalo? That | :01:40. | :01:45. | |
hurts. We are going to see more on this coast line over the next year. | :01:45. | :01:50. | |
We are. Weymouth and Portland National Sailing Academy is hosting | :01:50. | :01:55. | |
the Olympics on these very seas. We are going to see some of the best | :01:55. | :01:58. | |
sailors in the world around here. It is all about the call of the | :01:58. | :02:03. | |
ocean. Can you hear that? I can. Miranda Krestovnikoff made some | :02:03. | :02:13. | |
:02:13. | :02:14. | ||
We all love the sound of the seaside, crashing waves, boat horns | :02:14. | :02:21. | |
and children playing with their buckets and spades. But one place | :02:21. | :02:25. | |
where the sound is often unnoticed and unheard is right beneath our | :02:25. | :02:34. | |
very feet. Forget lounging around, for me, the best thing to do is to | :02:34. | :02:39. | |
go scouting around in rock pools in search of wildlife. What does it | :02:39. | :02:44. | |
sound like inside a rock pool? We need sound recordist extraordinary | :02:44. | :02:50. | |
Chris Watson, and his arsenal of underwater sound equipment. Hello. | :02:50. | :02:56. | |
You have all of your bits and bobs. Loads of stuff, yeah. Excellent. I | :02:56. | :02:59. | |
have found you a pretty rock pool. How are we going to record the | :03:00. | :03:04. | |
sounds? I have some special underwater microphones which can | :03:04. | :03:08. | |
explore all sorts of nooks and crannies, and maybe follow | :03:08. | :03:18. | |
:03:18. | :03:24. | ||
There is so much there. That is incredible. This is constant | :03:24. | :03:31. | |
chattering, chirping, scraping. Almost like a little coffee morning | :03:31. | :03:35. | |
going on, constantly chattering to each other. Did you hear that | :03:35. | :03:40. | |
squeak? Yeah. I would love to know what that was. It must be the | :03:40. | :03:43. | |
frustration, that you can't see the animal, you're just recording the | :03:43. | :03:49. | |
noise. It is. I like that sense of exploration and investigation about | :03:49. | :03:54. | |
it. You are right, what we can use to track individual animals is this | :03:54. | :04:02. | |
much smaller hydrophones, mounted on this bit of wire. You can | :04:02. | :04:06. | |
actually delve into some of these hidden spaces. We have some hermit | :04:07. | :04:12. | |
crabs. If you can get the sound of them scuttling around. Yes, a sort | :04:12. | :04:18. | |
of mechanical movement. It is brilliant. Some limpets or | :04:18. | :04:28. | |
:04:28. | :04:28. | ||
something? Excellent. There is a sort of... A raspy sound. Yeah, it | :04:28. | :04:38. | |
:04:38. | :04:43. | ||
Limpets might appear quite static, but this speeded-up film shows they | :04:43. | :04:46. | |
are continuously on the move, scraping algae from the rocks with | :04:46. | :04:56. | |
:04:56. | :04:56. | ||
their tooth tongue, called a radula, and jostling for the best position. | :04:56. | :05:03. | |
-- toothed tongue. Limpid snoring, I have never recorded that! | :05:03. | :05:11. | |
have the best job! -- limpets snoring. Listening to animals doing | :05:11. | :05:15. | |
weird and wonderful things. Not least, that mysterious squeaking | :05:15. | :05:25. | |
:05:25. | :05:27. | ||
sound from earlier. Wow. What was that? It is that squeak again. | :05:27. | :05:34. | |
you think that is shrimp? There is a shrimp very close by. It is | :05:34. | :05:40. | |
almost investigating the hydrophones. It is an amazing sound, | :05:41. | :05:48. | |
have never heard that. A little squeal. It has got a birdsong | :05:48. | :05:54. | |
quality to it. I am fascinated by that. It is thought that these | :05:54. | :05:58. | |
clicks and squeaks are made when the troops are feeding, possibly by | :05:58. | :06:03. | |
their incredibly long antennae, a bit like a violin. Why they do it | :06:03. | :06:07. | |
is not so clear. The weird and wonderful sounds picked up in the | :06:07. | :06:14. | |
rock pool are still a bit of a mystery. One thing, however, is | :06:14. | :06:20. | |
certain. All these noises will be drowned out on a daily basis by the | :06:20. | :06:30. | |
:06:30. | :06:31. | ||
That is a sound you will not be finding in north London. What? | :06:31. | :06:36. | |
waves crashing on the beach, the wind in your hair. Yeah. I want the | :06:36. | :06:40. | |
sound of the coffee machine, the aroma of coffee, I want a latte. | :06:40. | :06:46. | |
am with you on that, I could kill a blueberry muffin. The one show cent | :06:46. | :06:51. | |
asked to thaw set. It is stunning, it is gorgeous. Let's make the most | :06:51. | :06:55. | |
of it. We are doing what every schoolboy and schoolgirl does when | :06:55. | :07:03. | |
we go to the beach, we are going crabbing. That is a cockle. No, it | :07:03. | :07:09. | |
is a periwinkle. They call that bit a toenail. When it gets scared, it | :07:10. | :07:13. | |
closes it down and retains the water. So when the tide goes out, | :07:13. | :07:20. | |
it always has a bit to drink from four to I have this one. That is | :07:20. | :07:25. | |
eight shore crab. If you flip this over, you see that triangle, it | :07:25. | :07:30. | |
Shoji it is a male. If you get one of the lighter, smaller ones, that | :07:30. | :07:35. | |
is a female. Underneath, there is no triangle. That is where she | :07:35. | :07:38. | |
carries her eggs and protects them, like every good mother would. | :07:38. | :07:43. | |
do you know this stuff? This morning, when you were doing your | :07:43. | :07:47. | |
hair for an hour or so... A bit longer than yours! I found this | :07:48. | :07:53. | |
book. And there you have it. just read it. It says, they are | :07:53. | :07:57. | |
tough little blighters. They have to be, the tide brings them up in | :07:57. | :08:02. | |
the morning, and takes them back out to safety at night. The vast | :08:02. | :08:12. | |
:08:12. | :08:12. | ||
expanse of the ocean really does It has been called one of the most | :08:12. | :08:18. | |
audacious achievements of the Second World War. An engineering | :08:18. | :08:23. | |
solution that would be the backbone of allied operations after D-Day. I | :08:23. | :08:27. | |
am in the English Channel, just off the coast of Dungeness in Kent. | :08:27. | :08:32. | |
This is where Operation Pluto took place. It stands for pipeline under | :08:32. | :08:36. | |
the ocean. It was a way of getting fuel from England to the armies in | :08:37. | :08:42. | |
France. It was our secret weapon and hugely important of winning | :08:42. | :08:47. | |
World War II. The Normandy landings put thousands of allied vehicles | :08:47. | :08:53. | |
into France. Without fuel, they would be useless. Lord Mountbatten, | :08:53. | :08:57. | |
chief of combined operations, commissioned the audacious plan. | :08:57. | :09:02. | |
Four pipelines to run from the Isle of Wight to share Bourke, and 17 | :09:03. | :09:08. | |
more from Dungeness to Boulogne. Is this the remnants of one of the | :09:08. | :09:13. | |
pipes? This is the remnants of part of Pluto. It was a feeder pipe | :09:14. | :09:18. | |
which would have run from the fuel supply over there, and connected to | :09:18. | :09:22. | |
Pluto proper over there. Certainly pointing in the right direction. | :09:22. | :09:27. | |
But it is. Were they are two different systems? There were. We | :09:27. | :09:34. | |
had this chap, the Hayes cable. It is essentially a three Ince led the | :09:34. | :09:39. | |
sheath, heavily armoured with a variety of things. The other thing | :09:39. | :09:47. | |
was equally ingenious, the flexible steel pipe. It was round around | :09:47. | :09:52. | |
these massive cotton reels, the conundrums towed across the Channel. | :09:52. | :09:56. | |
The 40 ft conundrums became one of the most extraordinary images of | :09:56. | :10:04. | |
the war, as they are unwound the pipes across the Channel. In June | :10:04. | :10:14. | |
:10:14. | :10:15. | ||
1944, tugboat stroked the trial -- Fred Gilleard was on board but | :10:15. | :10:20. | |
he had no idea of the significance of this operation. Nobody told us a | :10:20. | :10:25. | |
thing. We had to tow it across and leave it. What did you know what's | :10:25. | :10:29. | |
going on? We knew the second front was starting but we didn't know it | :10:29. | :10:34. | |
was getting petrol across. Did the enemy tried to stop you? Not going, | :10:34. | :10:41. | |
but when we were in port, they were bombing all night. I was thinking, | :10:41. | :10:45. | |
let's get the hell out of here. We couldn't go until the captain was | :10:45. | :10:54. | |
ready. Vital to the operation were 21 pumping stations, disguised as | :10:54. | :10:59. | |
everything from houses to ice-cream parlours, to avoid attack. Secrecy | :10:59. | :11:03. | |
was a key part of Operation Pluto, which is why this looks like a | :11:04. | :11:07. | |
normal house but was in fact one of the pumping stations used to get | :11:07. | :11:11. | |
the fuel under the Channel. Was this house purpose-built to look | :11:11. | :11:16. | |
like a house but was a pumping station? It is a typical Art Deco | :11:16. | :11:21. | |
house that was built in the 1930s. My original deeds showed as a | :11:21. | :11:26. | |
completely private house until 1943, when the MoD took it over, | :11:26. | :11:29. | |
commandeered the three houses. is when they were built or being | :11:29. | :11:35. | |
renovated? When they have been taken over in about 42 off 43. | :11:35. | :11:41. | |
signs are there that showed what it was used for? There are a few hints. | :11:41. | :11:46. | |
All of the windowsills are roughly two ft thick. The walls are between | :11:46. | :11:51. | |
24 or 25 inches, reinforced with concrete, steel. Glass prove top, | :11:51. | :11:58. | |
glass prove all round. Four months after D-Day, when the pipelines | :11:58. | :12:03. | |
were finally ready, these remarkable pumping stations would | :12:03. | :12:07. | |
deliver a million gallons of fuel a day across the channel through 500 | :12:07. | :12:12. | |
miles of pipeline, fuelling the allied forces as they pushed into | :12:12. | :12:18. | |
Germany. Once it had come on stream, it was extremely effective. | :12:18. | :12:22. | |
underpinned the Allied advance through Hitler's Fortress Europe. | :12:22. | :12:27. | |
shan't forget it in a hurry. I am pretty proud but plenty of others | :12:27. | :12:32. | |
would have done it, I suppose. Winston Churchill said operation p | :12:32. | :12:38. | |
to float its -- operation Pluto was distinguished by originality, and | :12:38. | :12:43. | |
crowned with complete success. He said that creative energy help to | :12:43. | :12:53. | |
:12:53. | :12:56. | ||
What a great film, but Pluto wasn't the only amazing operational feet | :12:56. | :13:00. | |
of the Second World War. We have come to the Bovington Tank Museum. | :13:00. | :13:05. | |
They have loads of military practice across this coast. In 1943, | :13:05. | :13:09. | |
there was a new piece of equipment they needed to test, the Sherman | :13:09. | :13:19. | |
:13:19. | :13:19. | ||
That tank had a huge effect on a tiny village down the coast. The | :13:19. | :13:24. | |
MoD turned to the villagers and said, for your safety, we are | :13:24. | :13:27. | |
firing these tanks and we recommend evacuating the whole village. But | :13:27. | :13:31. | |
don't worry, at the end of the war, we will give you back your house is. | :13:32. | :13:37. | |
But the war finished and they didn't give their house is back. | :13:37. | :13:44. | |
What happened to the village? still there, it is still evacuated. | :13:44. | :13:48. | |
You can even see the kids' names above the clothes pegs. It is | :13:48. | :13:55. | |
spooky. It is spooky. The best way to see it would be from the air. | :13:55. | :13:59. | |
Our one show a photographer is going to tell us all about aerial | :13:59. | :14:09. | |
:14:09. | :14:17. | ||
It was here at Shaw House in Newbury that an eccentric Victorian | :14:17. | :14:21. | |
vicar took off on a pioneering balloon flight. But the Reverend | :14:21. | :14:26. | |
John Mackenzie Bacon did more than just blessings and ballooning. He | :14:26. | :14:31. | |
was an inventor, an academic, an astronomer, he experimented in | :14:31. | :14:36. | |
acoustics, dabbled in the a cold and was an adventurous aeronaut, | :14:36. | :14:46. | |
:14:46. | :14:50. | ||
but what fascinates me most is that It seems he spent as much time with | :14:50. | :14:55. | |
his scientific pursuits as with his parishioners, particularly | :14:55. | :15:00. | |
photography and aeronautics. think he saw ballooning as an | :15:00. | :15:03. | |
opportunity for making scientific measurements. He was an excellent | :15:03. | :15:10. | |
photographer. He saw the advantages of the balloon as a way of | :15:10. | :15:13. | |
gathering information for the military. Yeah. He also saw, for | :15:13. | :15:18. | |
instance, the advantage of taking pictures of the seabed from a | :15:18. | :15:22. | |
balloon. A remarkable man. A great man indeed. In order to get up into | :15:22. | :15:26. | |
the air, he took advantage of another Victorian innovation. He | :15:26. | :15:31. | |
used the local gas works to pump up his balloons. It really was | :15:32. | :15:38. | |
classically Victorian that a man like Bacon should take a major | :15:38. | :15:44. | |
technological invention like gas storage and put it to an eccement | :15:44. | :15:49. | |
Rick use which explains why one of the first aerial photographs were | :15:49. | :15:54. | |
of the Newbury gas works. In those days, there were no satellites so | :15:54. | :15:58. | |
the best aerial view you could get was from the top of St Paul's or, | :15:58. | :16:04. | |
well, a mountain. Thanks to another Bacon invention, the hot air burner, | :16:04. | :16:13. | |
there is no need to tap the town gas anymore. | :16:13. | :16:18. | |
And the One Show balloon is the perfect way to replicate his trail- | :16:18. | :16:28. | |
:16:28. | :16:34. | ||
blazing adventures over Newbury. It's amazing how quickly it feels | :16:34. | :16:39. | |
much smaller than it looks! Oh, my God. It's essentially a picnic | :16:40. | :16:43. | |
basket. I can't imagine anyone would have seen the world from this | :16:43. | :16:47. | |
perspective before. Nobody has because in the 19th century, | :16:47. | :16:51. | |
photography was in its infancy, so he was a real pioneer, and he was | :16:51. | :17:01. | |
:17:01. | :17:02. | ||
easily the first British aerial The old gasometer where Bacon used | :17:02. | :17:06. | |
to pump up his balloons is still there, but much of the urban | :17:07. | :17:11. | |
landscape has changed since the late 19th century. A hundred years | :17:11. | :17:16. | |
ago pictures like these were giving people a new vision of the world. | :17:16. | :17:19. | |
Bacon was a pioneer of aerial photography, but he was also | :17:19. | :17:24. | |
establishing a really valuable historic record. | :17:24. | :17:29. | |
So he would have had a few bumpy touchdowns. Oh, yes. Gas balloons | :17:29. | :17:33. | |
are very much less controllable than hot air balloons. An example | :17:33. | :17:37. | |
is this wonderful picture where he land having flown all night from | :17:37. | :17:41. | |
Newbury Gasworks he ended up in Wales a mile from the sea. That's | :17:41. | :17:48. | |
his daughter, Gertrude. A huge oak tree stopped them. She broke her | :17:48. | :17:55. | |
arm. He cut his head. So hence the miserable look on his face - please | :17:55. | :17:59. | |
make that my last balloon fight, but we're going to be fine. Yes. | :17:59. | :18:03. | |
Touch down - you. Never know where you're going to land. Was this | :18:03. | :18:08. | |
going to be one of those landings? The winds were forcing us on to the | :18:08. | :18:11. | |
local driving range. It's coming down quite quickly, | :18:11. | :18:16. | |
isn't it? It looks like we may hit that cross. That's a very big cross, | :18:16. | :18:20. | |
very close to... I think we might just miss it. | :18:20. | :18:27. | |
Oh, it's close! It's close! We're over. We're over. We're over. I | :18:27. | :18:31. | |
think we're going to hit the ground fairly hard, though, so hold onto | :18:31. | :18:41. | |
:18:41. | :18:45. | ||
thing for dear life. Wonderful. Landing, a hot air balloon is | :18:45. | :18:51. | |
definitely the most exciting part of a flight, and it does make you | :18:51. | :18:54. | |
appreciate the combination of British eccentricity and the | :18:54. | :18:57. | |
pioneering spirit that gave us our first amazing views of Britain from | :18:57. | :19:03. | |
the air. When I went on one of those hot air balloons, every time | :19:03. | :19:08. | |
the guy put on the flames into the balloon, it burned my head. Don't | :19:08. | :19:12. | |
laugh, Carrie! Here we are on the Lulworth estate. Look at these | :19:12. | :19:16. | |
chalk hills. Aren't they amazing? On those are particular plants and | :19:16. | :19:20. | |
grasss that attract butterflies. I remember as kids we used to see | :19:20. | :19:27. | |
tonnes. These days, take my daughters out, don't see any. | :19:27. | :19:34. | |
That's because of the decline and the conservation. This is my | :19:34. | :19:40. | |
favourite one, the Chalkill Blue. What would be your favourite? | :19:40. | :19:46. | |
would have to be one with red in it. Say no more. See that one? The | :19:46. | :19:51. | |
Skipper, it was named after the place we're standing on. That is | :19:51. | :19:58. | |
not the only butterfly under threat. Mike Dilger went to spot one of the | :19:58. | :20:02. | |
creatures we love with a smile on his face. Mike Dilger with a smile | :20:02. | :20:12. | |
:20:12. | :20:14. | ||
on his face? No, you doughnut, the creature. | :20:14. | :20:18. | |
Living along this remarkable landscape are amazing creatures, a | :20:18. | :20:22. | |
pod of bottle-nosed dolphins. Since the oil boom began, there's always | :20:22. | :20:29. | |
been the potential for conflict. Now there is a proposal to carry | :20:29. | :20:33. | |
out new oil gands exploration underneath the sea in the Murray | :20:33. | :20:37. | |
Firth. That's brought that relationship into sharp focus again. | :20:37. | :20:42. | |
We're much wiser than we were about how underwater sounds can affect | :20:42. | :20:49. | |
dolphins. So I am off with Sarah from the Whale and Dolphin | :20:49. | :20:57. | |
Conservation Society to see and I thought I saw something splash | :20:57. | :21:01. | |
out of the water. It might have been just a wave. Maybe I was being | :21:01. | :21:07. | |
a bit overexcited. Oh, no, that was. Here we go. Oh, a blow hole blowing | :21:07. | :21:12. | |
there - fantastic. That might be a mum and calf. Oh, this is so | :21:12. | :21:16. | |
exciting. Hopefully, they'll come and see us rather than us going to | :21:16. | :21:20. | |
see them, which would be the best thing of all. Oh, they're close! | :21:20. | :21:30. | |
:21:30. | :21:36. | ||
And they're coming this way. Look at that! Watching these | :21:36. | :21:39. | |
dolphins showing off is truly breathtaking, but to learn more | :21:39. | :21:47. | |
about them, we need to listen to them as well. Simon, our sound | :21:47. | :21:50. | |
recorder, has put a hydraphone into the water because we're hoping to | :21:50. | :21:55. | |
record some of the sounds the dolphins are making. Absolutely. | :21:55. | :22:01. | |
They're incredible animals. They spend all of their life under the | :22:01. | :22:06. | |
water, so their acoustic sense is important for them. To find out | :22:06. | :22:11. | |
just how important these sounds are, it's back to base. | :22:11. | :22:16. | |
Sounds like a baby crying. So presumably, they're using these | :22:16. | :22:20. | |
bizarre calls just to chat to each other. It's a form of communication, | :22:20. | :22:24. | |
so to keep in contact with each other maybe, just making sure they | :22:24. | :22:30. | |
know where each other are. It's all speculation, of course. | :22:30. | :22:35. | |
Communication is one thing. But I understand they also... Absolutely. | :22:35. | :22:43. | |
What they're doing then is foraging for food. | :22:43. | :22:48. | |
Clearly, the dolphin's world is dominated by sound, and anything | :22:48. | :22:53. | |
that interferes with their ability to pick up sound waves could | :22:53. | :23:00. | |
interfere with them. Oil and gas exploration is very noisy. Sarah | :23:00. | :23:06. | |
place me the sound as the dolphins would hear it. It's very explosive. | :23:06. | :23:12. | |
It It could damage their hearing? At close range, it could. One of | :23:12. | :23:19. | |
the other things we expect to see is stress and the separation of | :23:19. | :23:25. | |
mother and calf. While we patently still need fuel, maintaining our | :23:25. | :23:29. | |
relationship with these delicate dolphins is critical if we're to | :23:29. | :23:33. | |
ensure their survival in this part of Scotland. In the meantime, I've | :23:33. | :23:42. | |
got one more chance to enjoy a final spectacle. If you're really | :23:42. | :23:47. | |
lucky, you might see - there's one now, in fact. Look at that! Ten, 20 | :23:47. | :23:54. | |
metres away, maybe. Here we go. Lovely. Oh, you have to wow! | :23:54. | :23:57. | |
LAUGHTER It's all down to me. There we go. | :23:57. | :23:59. | |
Look. That's absolutely brilliant. I love that! | :23:59. | :24:09. | |
:24:09. | :24:10. | ||
No, can't see any. I don't think you're going to get dolphins around | :24:10. | :24:14. | |
here. No, I know but I tell you what, these coves could tell a tale | :24:14. | :24:24. | |
or two. If you could come down here one night in the late 18th century | :24:24. | :24:28. | |
you could find a smuggler with a bag of contraband rum or brandy. | :24:28. | :24:37. | |
And they'd say to you -- you'd say to them, "I happen to believe you | :24:37. | :24:40. | |
are carrying illicit loot in your sack and that you intend to sell it | :24:40. | :24:45. | |
without a licence. What have you got to say to your customers?" | :24:46. | :24:50. | |
sound like that? I have had enough of driving on | :24:50. | :24:55. | |
motorways so I have turned off for a pootpoot -- pootle on the roads, | :24:55. | :25:00. | |
but as usual I am on the lookout for buildings that cause a double- | :25:00. | :25:05. | |
take. This one is a corker. It's just over there. Like most | :25:05. | :25:08. | |
delievers drive past it I am wondering what on earth it is. It | :25:08. | :25:15. | |
looks like a house, but it's floating above the tree tops. The | :25:15. | :25:18. | |
building is in Suffolk. I have been told a clue to its strange | :25:18. | :25:25. | |
appearance might be found in the village. Thorpeness was the | :25:25. | :25:35. | |
personal visual of one man, Stuart Ogilvie. His grandson Glenn still | :25:35. | :25:41. | |
lives here. To create the village was a huge project. He wanted to | :25:41. | :25:44. | |
create a holiday village where there was something for everyone. | :25:44. | :25:51. | |
Was it meant to be a fantasy village? Great father was an | :25:51. | :25:55. | |
aspiring playwright. He became friends with Jan Barry. That is | :25:55. | :26:00. | |
known as Barry's walk. You have the crocodile, Wendy's house, Peter | :26:00. | :26:04. | |
Pan's property and everything else. There is a real Peter Pan feel to | :26:04. | :26:08. | |
the scenes in his movies, showing a paradise for children on holiday | :26:08. | :26:15. | |
here in the 1930s. The artificially-created lake was | :26:15. | :26:18. | |
deliberately shallow so the children could have fun on the | :26:18. | :26:28. | |
:26:28. | :26:30. | ||
water without their parents Wow. Hello. | :26:30. | :26:36. | |
The current owner of the building is Sylvia. It was a water tower. It | :26:36. | :26:43. | |
supplied Thorpeness with water, and Glenn Stuart Ogilvie, who wanted | :26:43. | :26:48. | |
something that fitted in with the fantasy feeling of Thorpeness - he | :26:48. | :26:51. | |
didn't want some ugly water tank, so he decided to build a house | :26:52. | :26:56. | |
around it, which he called his gazebo. I am desperate to have a | :26:56. | :27:00. | |
look inside. Can we go and have a look? With pleasure. Welcome. | :27:00. | :27:04. | |
When a mains water supply arrived in the village, the tank and the | :27:04. | :27:10. | |
windmill, used as a pump, became redundant. The tank was used just | :27:10. | :27:14. | |
for storage until Sylvia made the house a home with lots and lots of | :27:14. | :27:19. | |
stairs. How many flights are there? Ten. So come on. | :27:19. | :27:24. | |
You're nearly there, but it's worth the climb. Wow. What an amazing | :27:24. | :27:30. | |
room. It is, isn't it? This is where the water tank was held? | :27:30. | :27:35. | |
50,000 gallons of water. It was still here when we bought it in '76. | :27:35. | :27:40. | |
Then we took it out in '79. In my garage I have the biggest bull | :27:40. | :27:43. |