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Hello and welcome to the One Show, best of Britain. With legendary | :00:10. | :00:14. | |
street barber, Michael Douglas. wildlife adventurer Miranda | :00:14. | :00:20. | |
Krestovnikoff. This is another chance to see some of our favourite | :00:20. | :00:30. | |
films. Now Michael, I brought you to one | :00:30. | :00:35. | |
of my very favourite places. This is 800 acres of wildlife | :00:35. | :00:40. | |
conservation in Gloucestershire. We're at Slimbridge part of the | :00:40. | :00:45. | |
Wildfowl & Wetlands Trust, home to 200 species of bird. Making all the | :00:45. | :00:50. | |
noise. That will be the flamingos. They normally find flamingos in | :00:50. | :00:55. | |
places like the Caribbean and South America. These are found in Africa. | :00:55. | :00:59. | |
In parts of the wild their habitats are under threat. Slimbridge is | :00:59. | :01:02. | |
really important in their conservation and breeding. They | :01:02. | :01:06. | |
look good, but smell pretty bad. The smell is unbelievable here. | :01:06. | :01:09. | |
They do look pretty, that lovely colour comes naturally in the wild | :01:09. | :01:14. | |
from the food that they eat. Here they have to supplement their diet | :01:14. | :01:19. | |
to keep the pink feathers pink. These things are nests r, they? | :01:19. | :01:23. | |
That's right. You can see an egg on one of the front ones there. In the | :01:23. | :01:28. | |
wild the ground would be too hot for them to lay the eggs on. They | :01:28. | :01:32. | |
build up the nests so it's in a cooler environment. Here they often | :01:32. | :01:38. | |
take the aeing way, incubate it and give it back just in time to hatch. | :01:38. | :01:44. | |
They don't know it's gone though, do they? No, they replace it with a | :01:44. | :01:51. | |
wooden egg. Here are some more animals, not pirching, but prickly. | :01:51. | :01:54. | |
The hedgehog, one of the most iconic characters in our | :01:54. | :01:59. | |
countryside. But this prickly creature snufling about at the | :01:59. | :02:04. | |
bottom of gardens is now on red alert. Numbers are plummeting so | :02:05. | :02:08. | |
fast that without our help, hedgehogs in Britain may well be | :02:08. | :02:14. | |
gone forever. I'm at a wildlife sanctuary in Somerset. I've come to | :02:14. | :02:16. | |
see some of the sick and injured > | :02:16. | :02:17. | |
> hedgehogs that are brought here | :02:17. | :02:18. | |
> > | :02:18. | :02:19. | |
> > | :02:19. | :02:20. | |
This is BBC News, the headlines at This is BBC News, the headlines at | :02:20. | :02:21. | |
This is BBC News, the headlines at every year. Pauline, who runs the | :02:21. | :02:21. | |
This is BBC News, the headlines at 7.00. Guilty of contempt, | :02:21. | :02:21. | |
sanctuary, has | :02:21. | :02:22. | |
This is BBC News, the headlines at 7.00. Guilty of contempt, two | :02:22. | :02:22. | |
sanctuary, has taken | :02:22. | :02:22. | |
sanctuary, has taken in | :02:22. | :02:22. | |
7.00. Guilty of contempt, two tabloids, | :02:22. | :02:23. | |
7.00. Guilty of contempt, two tabloids, the | :02:23. | :02:23. | |
sanctuary, has taken in two | :02:23. | :02:23. | |
sanctuary, has taken in two new | :02:23. | :02:23. | |
7.00. Guilty of contempt, two tabloids, the Sun and | :02:23. | :02:24. | |
7.00. Guilty of contempt, two tabloids, the Sun and Mirror, | :02:24. | :02:24. | |
sanctuary, has taken in two new baby | :02:24. | :02:24. | |
tabloids, the Sun and Mirror, are | :02:24. | :02:24. | |
baby hedgehogs. | :02:24. | :02:24. | |
baby hedgehogs. These | :02:24. | :02:24. | |
tabloids, the Sun and Mirror, are fined | :02:24. | :02:25. | |
baby hedgehogs. These are | :02:25. | :02:25. | |
tabloids, the Sun and Mirror, are fined for | :02:25. | :02:25. | |
baby hedgehogs. These are only | :02:25. | :02:25. | |
baby hedgehogs. These are only about | :02:25. | :02:25. | |
tabloids, the Sun and Mirror, are fined for their | :02:25. | :02:25. | |
about five | :02:25. | :02:25. | |
tabloids, the Sun and Mirror, are fined for their coverage of | :02:25. | :02:25. | |
about five or | :02:25. | :02:26. | |
about five or six | :02:26. | :02:26. | |
about five or six weeks | :02:26. | :02:27. | |
tabloids, the Sun and Mirror, about five or six weeks old. | :02:27. | :02:27. | |
are fined for their coverage of the murder | :02:27. | :02:27. | |
They're really, | :02:27. | :02:28. | |
are fined for their coverage of the murder of | :02:28. | :02:28. | |
are fined for their coverage of the murder of Joanna Yeates. | :02:28. | :02:28. | |
They're really, really | :02:28. | :02:28. | |
They're really, really tiny. | :02:28. | :02:29. | |
are fined for their coverage of the murder of Joanna Yeates. | :02:29. | :02:29. | |
They're really, really tiny. They're | :02:29. | :02:29. | |
are fined for their coverage of the murder of Joanna Yeates. | :02:29. | :02:29. | |
They're beautiful. | :02:29. | :02:29. | |
murder of Joanna Yeates. two | :02:29. | :02:30. | |
murder of Joanna Yeates. two newspapers | :02:30. | :02:30. | |
They're beautiful. Can | :02:30. | :02:30. | |
They're beautiful. Can I | :02:30. | :02:31. | |
murder of Joanna Yeates. two newspapers completely | :02:31. | :02:31. | |
They're beautiful. Can I hold | :02:31. | :02:31. | |
They're beautiful. Can I hold one? | :02:31. | :02:31. | |
murder of Joanna Yeates. two newspapers completely lost | :02:31. | :02:31. | |
murder of Joanna Yeates. two newspapers completely lost the | :02:31. | :02:31. | |
two newspapers completely lost the plot, | :02:32. | :02:32. | |
two newspapers completely lost the plot, they | :02:32. | :02:32. | |
They're beautiful. Can I hold one? They're | :02:32. | :02:32. | |
two newspapers completely lost the plot, they engaged | :02:32. | :02:33. | |
They're doing | :02:33. | :02:33. | |
two newspapers completely lost the plot, they engaged in a | :02:33. | :02:33. | |
two newspapers completely lost the plot, they engaged in a feeding | :02:33. | :02:33. | |
They're doing so | :02:33. | :02:34. | |
They're doing so well, | :02:34. | :02:34. | |
plot, they engaged in a feeding frenzy | :02:34. | :02:34. | |
They're doing so well, aren't | :02:34. | :02:34. | |
They're doing so well, aren't they? | :02:34. | :02:34. | |
plot, they engaged in a feeding frenzy over the | :02:34. | :02:34. | |
They're doing so well, aren't they? That's | :02:34. | :02:35. | |
That's great. | :02:35. | :02:35. | |
plot, they engaged in a feeding frenzy over the new | :02:35. | :02:35. | |
plot, they engaged in a feeding frenzy over the new year | :02:35. | :02:35. | |
plot, they engaged in a feeding frenzy over the new year | :02:35. | :02:39. | |
frenzy over the new year period. Christopher Jefferies, the former | :02:39. | :02:42. | |
landlord of Joanna Yeates, is awarded substantial damages and | :02:42. | :02:47. | |
a public apology from eight newspapers. The first funerals | :02:47. | :02:51. | |
are held for the victims of last week's gun and bomb attacks in | :02:51. | :02:54. | |
Norway in which 77 people were killed. Time is running out | :02:54. | :02:57. | |
Capitol Hill, President Obama appeals to both parties to work | :02:57. | :03:05. | |
together to prevent a US debt default. Also coming up in the next | :03:05. | :03:15. | |
:03:15. | :03:26. | ||
hour, new GGG | :03:26. | :03:30. | |
That's great. In fact, during the last 50 years, we've ripped out | :03:30. | :03:34. | |
enough hedge rows in the UK to fit twice round the circumference of | :03:34. | :03:40. | |
the planet. The effect on wildlife has been devastating, but | :03:40. | :03:44. | |
thankfully hedge rows are now being protected. Shall we pop these back | :03:44. | :03:51. | |
in? It's in a ball! Look at that. dock today. The Daily Mirror and The | :03:51. | :03:51. | |
dock today. The Daily Mirror and The Pauline's aim is to release as many | :03:52. | :03:52. | |
dock today. The Daily Mirror and The Sun were both | :03:52. | :03:52. | |
hedgehogs as | :03:52. | :03:52. | |
hedgehogs as possible | :03:52. | :03:52. | |
hedgehogs as possible back | :03:52. | :03:53. | |
hedgehogs as possible back to where dock today. The Daily Mirror and The | :03:53. | :03:54. | |
dock today. The Daily Mirror and The Sun were both fined for contempt of | :03:54. | :03:54. | |
Sun were both fined for contempt of Sun were both fined for contempt of | :03:54. | :03:55. | |
Sun were both fined for contempt of court for their coverage of the | :03:55. | :03:55. | |
still too | :03:55. | :03:55. | |
still too young, | :03:55. | :03:55. | |
court for their coverage of the arrest | :03:55. | :03:55. | |
still too young, she's | :03:56. | :03:56. | |
court for their coverage of the arrest of | :03:56. | :03:56. | |
still too young, she's got | :03:56. | :03:56. | |
court for their coverage of the arrest of Christopher Jefferies | :03:56. | :03:56. | |
still too young, she's got three | :03:56. | :03:56. | |
still too young, she's got three other | :03:56. | :03:56. | |
court for their coverage of the arrest of Christopher Jefferies in | :03:56. | :03:56. | |
other that's | :03:56. | :03:56. | |
arrest of Christopher Jefferies in December | :03:57. | :03:57. | |
other that's are | :03:57. | :03:57. | |
other that's are ready | :03:57. | :03:57. | |
arrest of Christopher Jefferies in December last | :03:57. | :03:57. | |
other that's are ready to | :03:57. | :03:57. | |
other that's are ready to go. | :03:57. | :03:57. | |
arrest of Christopher Jefferies in December last year. | :03:58. | :03:58. | |
arrest of Christopher Jefferies in December last | :03:58. | :03:58. | |
arrest of Christopher Jefferies in December last year. | :03:58. | :03:59. | |
arrest of Christopher Jefferies in December last year. Mr | :03:59. | :04:00. | |
That's great. In fact, during December last year. Mr Jefferies was | :04:00. | :04:00. | |
They're They're huge. Great big | :04:00. | :04:03. | |
arrested during the hunt for the They're huge. Great big balls there. | :04:03. | :04:03. | |
arrested during the hunt for the killer of | :04:03. | :04:03. | |
A few | :04:03. | :04:03. | |
A few months | :04:03. | :04:03. | |
arrested during the hunt for the killer of the | :04:04. | :04:04. | |
A few months ago | :04:04. | :04:04. | |
arrested during the hunt for the killer of the Bristol | :04:04. | :04:05. | |
A few months ago these | :04:05. | :04:05. | |
A few months ago these hedgehogs | :04:05. | :04:06. | |
A few months ago these hedgehogs were | :04:06. | :04:06. | |
arrested during the hunt for the killer of the Bristol landscape | :04:06. | :04:06. | |
were suffering | :04:06. | :04:07. | |
killer of the Bristol landscape architect | :04:07. | :04:07. | |
killer of the Bristol landscape architect oath. | :04:07. | :04:07. | |
were suffering from | :04:07. | :04:07. | |
killer of the Bristol landscape architect oath. But | :04:07. | :04:07. | |
were suffering from injuries | :04:07. | :04:08. | |
were suffering from injuries from | :04:08. | :04:08. | |
killer of the Bristol landscape architect oath. But later | :04:08. | :04:08. | |
were suffering from injuries from dog | :04:08. | :04:08. | |
dog bites | :04:08. | :04:09. | |
dog bites to | :04:09. | :04:09. | |
architect oath. But later exonerated. | :04:09. | :04:10. | |
architect oath. But later exonerated. Today | :04:10. | :04:10. | |
dog bites to slug | :04:10. | :04:10. | |
dog bites to slug pellet | :04:10. | :04:10. | |
architect oath. But later exonerated. Today he | :04:10. | :04:10. | |
dog bites to slug pellet poisoning. | :04:10. | :04:11. | |
architect oath. But later exonerated. Today he accepted | :04:11. | :04:13. | |
exonerated. Today he accepted substantial | :04:13. | :04:14. | |
exonerated. Today he accepted substantial damages. | :04:14. | :04:14. | |
exonerated. Today he accepted substantial damages. Today, | :04:14. | :04:15. | |
A substantial damages. Today, it was | :04:15. | :04:17. | |
said he was the victim of a hunt. | :04:17. | :04:21. | |
He was the innocent man taken apart by the tabloids, | :04:21. | :04:24. | |
Jefferies was vilified by The Sun and | :04:24. | :04:24. | |
These and the Daily | :04:24. | :04:25. | |
These hedgehogs are and the Daily Mirror, | :04:25. | :04:25. | |
These hedgehogs are going to and the Daily Mirror, that was | :04:25. | :04:26. | |
released released here? | :04:26. | :04:28. | |
and the Daily Mirror, that was the damning judgment from the Lord Chief | :04:28. | :04:29. | |
released here? To Justice | :04:29. | :04:29. | |
gardens Justice today. | :04:29. | :04:30. | |
gardens of barring Justice today. He | :04:30. | :04:30. | |
gardens of barring ton Justice today. He said | :04:30. | :04:30. | |
gardens of barring ton court in Christopher | :04:30. | :04:30. | |
Justice today. He said if Christopher Jefferies had | :04:30. | :04:31. | |
Justice today. He said if Christopher Jefferies had faced | :04:31. | :04:31. | |
Christopher Jefferies had faced trial, | :04:31. | :04:32. | |
Christopher Jefferies had faced trial, these | :04:32. | :04:32. | |
Christopher Jefferies had faced trial, these articles would | :04:32. | :04:33. | |
Somerset. trial, these articles would have | :04:33. | :04:34. | |
created substantial risks to course | :04:34. | :04:35. | |
For For the past couple | :04:35. | :04:36. | |
course of For the past couple of | :04:36. | :04:37. | |
course of justice. The articles were For the past couple of years | :04:37. | :04:38. | |
published as Christopher Jefferies Barrington | :04:38. | :04:39. | |
was under Barrington has rescued | :04:39. | :04:39. | |
was under arrest, and | :04:39. | :04:40. | |
was under arrest, suspected and given them | :04:40. | :04:41. | |
was under arrest, suspected of and given them free range of their | :04:41. | :04:42. | |
was under arrest, suspected of was under arrest, suspected of | :04:42. | :04:43. | |
was under arrest, suspected of murding Joanna Yeates. While he was | :04:43. | :04:44. | |
kitchen gardens. murding Joanna Yeates. While he was | :04:44. | :04:44. | |
murding Joanna Yeates. While he was murding Joanna Yeates. While he was | :04:44. | :04:45. | |
murding Joanna Yeates. While he was There we go little ones, you are | :04:45. | :04:46. | |
murding Joanna Yeates. While he was in custody, his past was dissected, | :04:46. | :04:47. | |
in custody, his past was dissected, in custody, his past was dissected, | :04:47. | :04:48. | |
his behaviour questioned. The Daily his behaviour questioned. The Daily | :04:48. | :04:50. | |
and given them free range of Mirror linked him to an earlier | :04:50. | :04:56. | |
murder and paedophile offences. So great was the concern over these | :04:56. | :04:57. | |
articles that it was the They're not just | :04:57. | :04:57. | |
government's They're not just here | :04:57. | :04:58. | |
government's chief They're not just here to | :04:58. | :04:59. | |
government's chief law officer who themselves, | :04:59. | :04:59. | |
prosecuted themselves, come | :04:59. | :05:00. | |
prosecuted the papers. themselves, come the night | :05:00. | :05:00. | |
prosecuted the papers. got | :05:00. | :05:01. | |
prosecuted the papers. When Mr prosecuted the papers. When Mr | :05:01. | :05:03. | |
got to earn their Jefferies was arrested, these two | :05:03. | :05:07. | |
newspapers completely lost the plot, they just went on a sort of | :05:07. | :05:11. | |
extraordinary frolic of villification of Mr Jefferies, | :05:11. | :05:17. | |
way that was frankly outrageous. Joanna Yeates' disappearance | :05:17. | :05:20. | |
dominated the headlines for over Christmas and new year. | :05:20. | :05:24. | |
neighbour of hers, Vincent Tabak, has admitted killing her, and he is | :05:24. | :05:29. | |
due to face court in the autumn. Today, at the High Court, the Sun | :05:29. | :05:36. | |
was fined �18,000, the Daily Mirror �50,000, and for both the financial | :05:36. | :05:41. | |
penalties did not end there. In separate hearing, they were | :05:41. | :05:42. | |
It's separate hearing, they were among | :05:42. | :05:42. | |
It's a eight | :05:42. | :05:42. | |
It's a real eight newspapers | :05:42. | :05:43. | |
It's a real safe haven eight newspapers who agreed to | :05:43. | :05:43. | |
It's a real safe haven for them eight newspapers who agreed to pay | :05:43. | :05:43. | |
eight newspapers who agreed to pay out | :05:43. | :05:44. | |
eight newspapers who agreed to pay out substantial | :05:44. | :05:44. | |
here N | :05:44. | :05:44. | |
here N our | :05:44. | :05:44. | |
here N our urban | :05:44. | :05:44. | |
eight newspapers who agreed to pay out substantial libel | :05:44. | :05:44. | |
here N our urban gardens | :05:44. | :05:45. | |
eight newspapers who agreed to pay out substantial libel damages | :05:45. | :05:45. | |
here N our urban gardens they're | :05:45. | :05:45. | |
out substantial libel damages to Christopher | :05:45. | :05:45. | |
here N our urban gardens they're not | :05:45. | :05:45. | |
not doing | :05:45. | :05:46. | |
out substantial libel damages to Christopher Jefferies, | :05:46. | :05:46. | |
not doing too | :05:46. | :05:46. | |
out substantial libel damages to Christopher Jefferies, the | :05:46. | :05:46. | |
not doing too well. | :05:46. | :05:47. | |
out substantial libel damages to Christopher Jefferies, the actual | :05:47. | :05:47. | |
not doing too well. We | :05:47. | :05:47. | |
Christopher Jefferies, the actual amount | :05:47. | :05:47. | |
Christopher Jefferies, the actual amount remains | :05:47. | :05:48. | |
not doing too well. We have | :05:48. | :05:48. | |
not doing too well. We have manicured | :05:48. | :05:48. | |
Christopher Jefferies, the actual amount remains private, | :05:48. | :05:48. | |
manicured gardens | :05:48. | :05:49. | |
manicured gardens with | :05:49. | :05:49. | |
amount remains private, all the papers | :05:49. | :05:49. | |
manicured gardens with not | :05:49. | :05:49. | |
manicured gardens with not enough | :05:49. | :05:49. | |
amount remains private, all the papers apologised | :05:49. | :05:49. | |
manicured gardens with not enough rough | :05:49. | :05:49. | |
amount remains private, all the papers apologised to Mr | :05:50. | :05:50. | |
rough bits | :05:50. | :05:50. | |
amount remains private, all the papers apologised to Mr | :05:50. | :05:50. | |
rough bits that | :05:50. | :05:50. | |
amount remains private, all the papers apologised to Mr Jefferies | :05:50. | :05:50. | |
rough bits that the | :05:50. | :05:50. | |
papers apologised to Mr Jefferies who | :05:51. | :05:51. | |
rough bits that the hedgehogs | :05:51. | :05:51. | |
rough bits that the hedgehogs like | :05:51. | :05:51. | |
rough bits that the hedgehogs like to | :05:51. | :05:52. | |
papers apologised to Mr Jefferies who wasn't | :05:52. | :05:52. | |
to thrive | :05:52. | :05:52. | |
to thrive N | :05:52. | :05:52. | |
papers apologised to Mr Jefferies who wasn't in | :05:52. | :05:52. | |
to thrive N That's | :05:52. | :05:52. | |
papers apologised to Mr Jefferies who wasn't in court. | :05:52. | :05:53. | |
to thrive N That's key. | :05:53. | :05:53. | |
papers apologised to Mr Jefferies who wasn't in court. His | :05:53. | :05:53. | |
to thrive N That's key. Here | :05:53. | :05:53. | |
who wasn't in court. His lawyer spoke | :05:53. | :05:53. | |
to thrive N That's key. Here there's | :05:53. | :05:54. | |
there's a | :05:54. | :05:54. | |
there's a bit | :05:54. | :05:54. | |
who wasn't in court. His lawyer spoke for | :05:54. | :05:54. | |
who wasn't in court. His lawyer spoke for him. | :05:54. | :05:55. | |
there's a bit of | :05:55. | :05:55. | |
there's a bit of wilderness. | :05:55. | :05:55. | |
who wasn't in court. His lawyer spoke for him. | :05:55. | :05:55. | |
there's a bit of wilderness. There's | :05:55. | :05:56. | |
spoke for him. Christopher Jefferies | :05:56. | :05:56. | |
spoke for him. Christopher Jefferies is | :05:56. | :05:56. | |
There's the | :05:56. | :05:56. | |
There's the orchards, | :05:56. | :05:56. | |
spoke for him. Christopher Jefferies is the | :05:56. | :05:57. | |
There's the orchards, the | :05:57. | :05:57. | |
There's the orchards, the rough | :05:57. | :05:57. | |
spoke for him. Christopher Jefferies is the latest | :05:57. | :05:57. | |
There's the orchards, the rough areas. | :05:57. | :05:57. | |
spoke for him. Christopher Jefferies is the latest victim of | :05:57. | :05:57. | |
areas. Nice | :05:58. | :05:58. | |
areas. Nice build | :05:58. | :05:58. | |
Jefferies is the latest victim of the | :05:58. | :05:58. | |
areas. Nice build thagz | :05:58. | :05:58. | |
Jefferies is the latest victim of the regular | :05:58. | :05:58. | |
areas. Nice build thagz they | :05:58. | :05:58. | |
areas. Nice build thagz they can | :05:58. | :05:59. | |
areas. Nice build thagz they can perhaps | :05:59. | :05:59. | |
perhaps go | :05:59. | :05:59. | |
Jefferies is the latest victim of the regular witch-hunts | :05:59. | :05:59. | |
perhaps go to | :05:59. | :05:59. | |
perhaps go to in | :05:59. | :06:00. | |
Jefferies is the latest victim of the regular witch-hunts and | :06:00. | :06:00. | |
perhaps go to in the | :06:00. | :06:00. | |
perhaps go to in the winter | :06:00. | :06:00. | |
the regular witch-hunts and character | :06:00. | :06:01. | |
the regular witch-hunts and character assassinations | :06:01. | :06:01. | |
perhaps go to in the winter to | :06:01. | :06:01. | |
perhaps go to in the winter to hibernate. | :06:01. | :06:01. | |
the regular witch-hunts and character assassinations conducted | :06:01. | :06:02. | |
character assassinations conducted by | :06:02. | :06:02. | |
hibernate. It's | :06:02. | :06:02. | |
character assassinations conducted by the | :06:02. | :06:02. | |
hibernate. It's really | :06:02. | :06:02. | |
character assassinations conducted by the worst | :06:02. | :06:02. | |
hibernate. It's really a | :06:03. | :06:03. | |
hibernate. It's really a perfect | :06:03. | :06:03. | |
character assassinations conducted by the worst elements | :06:03. | :06:03. | |
hibernate. It's really a perfect plate | :06:03. | :06:03. | |
character assassinations conducted by the worst elements of | :06:03. | :06:04. | |
plate for | :06:04. | :06:04. | |
character assassinations conducted by the worst elements of the | :06:04. | :06:04. | |
plate for them. | :06:04. | :06:04. | |
character assassinations conducted by the worst elements of the British | :06:04. | :06:04. | |
plate for them. This | :06:04. | :06:04. | |
plate for them. This is | :06:04. | :06:04. | |
by the worst elements of the British tabloid | :06:04. | :06:05. | |
plate for them. This is hedgehog | :06:05. | :06:05. | |
plate for them. This is hedgehog heaven. | :06:05. | :06:05. | |
heaven. I | :06:05. | :06:05. | |
heaven. I think | :06:06. | :06:06. | |
by the worst elements of the British tabloid media, | :06:06. | :06:06. | |
heaven. I think it | :06:06. | :06:06. | |
heaven. I think it is, | :06:06. | :06:06. | |
heaven. I think it is, yeah! | :06:06. | :06:06. | |
by the worst elements of the British tabloid media, many of | :06:06. | :06:06. | |
by the worst elements of the British tabloid media, many of the stories | :06:06. | :06:07. | |
tabloid media, many of the stories published | :06:07. | :06:07. | |
tabloid media, many of the stories published in | :06:07. | :06:08. | |
tabloid media, many of the stories published in these | :06:08. | :06:08. | |
here published in these newspapers | :06:08. | :06:10. | |
designed to monster the heaven. I think it is, yeah! I | :06:10. | :06:11. | |
designed to monster the individual. hedgehogs | :06:11. | :06:12. | |
hedgehogs because they're The | :06:12. | :06:13. | |
flamboyant, The coverage | :06:13. | :06:18. | |
quiet, nocturnal and discreet. It's great that hedgehog friendly | :06:18. | :06:28. | |
:06:28. | :06:28. | ||
they're not lost to Britain forever. Great news for the hedgehogs then! | :06:28. | :06:32. | |
Absolutely. I didn't realise that's why they're called hedgehogs. | :06:32. | :06:37. | |
are the hoggers of the hedge. A bit of steering going on. We're hogging | :06:37. | :06:41. | |
the hedge. Why have you brought me out on the boat? I thought we would | :06:41. | :06:44. | |
take a bit of Time Out and do tranquil little paddle across the | :06:44. | :06:48. | |
river and get close to wildlife. It's very relaxing. Can I go | :06:48. | :06:54. | |
fishing in here? You could, you'd probably get told off. All the | :06:54. | :06:58. | |
wildlife here is protected. We're here to look, but not to disturb. | :06:58. | :07:02. | |
Speaking of looking, if you look very, very carefully and listen | :07:02. | :07:04. | |
carefully, you might see a particular favourite of mine, which | :07:04. | :07:10. | |
is the water vole. Very cute, furry little mammal, but one of the | :07:10. | :07:13. | |
fastest declining mammals in the UK. Favourite food for the American | :07:13. | :07:18. | |
mink that were released from fur farms. But they are doing well here. | :07:18. | :07:23. | |
They've managed this area to make it very attractive for water voles. | :07:23. | :07:27. | |
Will I have seen a water vole before? Did you have wind in the | :07:27. | :07:32. | |
willows read to you as a child? did. The water rat was in fact a | :07:32. | :07:38. | |
water role. Ratty was Voley? Yes, indeed. Can't believe I've been | :07:38. | :07:46. | |
lied to for all these years. "He felt the boat sway lightly | :07:46. | :07:50. | |
under him. It's the only thing said the water rat solemnly. Believe me, | :07:50. | :07:57. | |
my young friend, there is nothing, absolutely nothing, so much worth | :07:57. | :08:03. | |
doing as simply messing about in boats. "I love this book. It's full | :08:03. | :08:08. | |
of wonderful characters, ratty, Mole, Badger and Mr Toad and some | :08:08. | :08:16. | |
of the most evocative lines in all of children's literature. It is the | :08:16. | :08:19. | |
wind in the willows. Kenneth Grahame was inspired by his | :08:19. | :08:22. | |
childhood around the banks of the River Thames in the village of | :08:22. | :08:30. | |
Cookham. The book started out as bedtime | :08:30. | :08:33. | |
stories told by Grahame to his son in this very house. Today is serves | :08:34. | :08:41. | |
as a school. I've come here to find out more from an expert. | :08:41. | :08:46. | |
Cookham is at the heart of wind in the willows. It is. It was a place | :08:46. | :08:49. | |
very important to Kenneth Grahame, who came here as a very young child, | :08:49. | :08:54. | |
age five. He seems to have immersed himself in nature and ran wild in | :08:54. | :08:58. | |
the gardens and countryside and absolutely comes to love Cookham | :08:58. | :09:02. | |
and the area and the river. river bank is near here. Is the | :09:02. | :09:06. | |
Wild Wood near as well? There's quarry wood here near mar low. I | :09:06. | :09:10. | |
think that definitely was an inspiration to Grahame. The wild | :09:10. | :09:16. | |
wood is a scary place for him. The river bank is a place of | :09:16. | :09:21. | |
tranquillity. In the Wild Wood there are weezels. And stoats and | :09:21. | :09:27. | |
it's fearsome. It's a place where he doesn't feel at all secure. "The | :09:27. | :09:31. | |
Wild Wood lay before him, low and threatening. Trees crouched nearer | :09:31. | :09:37. | |
and nicher. They thought he saw a face, a little evil, wedge shaped | :09:37. | :09:43. | |
face. When he turned and confronted it, the thing had vanished." | :09:43. | :09:47. | |
Grahame's locations and characters were made all the more real by his | :09:47. | :09:52. | |
collaboration with illustrator EH Shepherd, giving the now famous | :09:52. | :09:57. | |
likenesses of Mole, Ratty and the rest and the river bank's grandest | :09:57. | :10:03. | |
address Toad Hall. When Shepherd wanted a model for his illustration | :10:03. | :10:10. | |
of Toad Hall Grahame directed him to the banks of the river. | :10:10. | :10:17. | |
And waiting for him here was Maple Durham house a small trip up river. | :10:17. | :10:22. | |
Like Toad Hall, this 17th century mansion is a red brick house with a | :10:22. | :10:26. | |
white portico. Even today you can find the spot where once real life | :10:26. | :10:33. | |
friends would arrive here by boat. "Rounding a bend in the river, they | :10:33. | :10:38. | |
came inside of a handsome dignified old house of mellowed red brick w, | :10:38. | :10:43. | |
well kept lawns reaching down to the water's edge. There's Toad Hall | :10:43. | :10:47. | |
set the rat, one of the nicest houses in these parts, though we | :10:47. | :10:52. | |
never admit as much to Toad." Of course, if this is Toad Hall, | :10:52. | :10:58. | |
there's someone missing. Mr Toad is my favourite character. He is the | :10:58. | :11:01. | |
one everybody remembers, Lord of the manor, larger than life, | :11:01. | :11:06. | |
lovable, but impossible, always getting into scrapes, a creature | :11:06. | :11:11. | |
completely obsessed with his motor car. | :11:11. | :11:15. | |
"The old passion seized on Toad and completely mattered him body and | :11:15. | :11:20. | |
soul. He increased his pace, and as the car devoured the street, he was | :11:20. | :11:25. | |
only conscious that he was Toad once more." | :11:25. | :11:28. | |
In Cookham today cars are common place. It was in Kenneth Grahame's | :11:28. | :11:33. | |
time that the first car came to the village. It was owned by a great- | :11:33. | :11:42. | |
uncle of local man David Ric ra do. -- Ricardo. So your forebearer | :11:42. | :11:47. | |
could be the original Mr Toad? That's true, because local folk | :11:47. | :11:52. | |
lower say that he definitely was. He had a very bright yellow Rolls | :11:52. | :11:57. | |
Royce. A bright yellow Rolls Royce? Yes. I believe it was the only car | :11:57. | :12:01. | |
in the village. Could this be the vehicle we're talking about? Yeah, | :12:01. | :12:05. | |
I think that's a good idea of what the actual car was like. It caused | :12:06. | :12:11. | |
great excitement in the village. The point is that the Colonel was a | :12:11. | :12:15. | |
great character known to Kenneth Grahame. Yes. He was an extrovert | :12:15. | :12:19. | |
character, a bit over the top, but at the end of the day, they really | :12:19. | :12:22. | |
rather loved him. I think what we're saying is that we've found | :12:22. | :12:32. | |
:12:32. | :12:33. | ||
the original Mr Toad. I hope so, yes. Poop, poop. | :12:33. | :12:37. | |
Amazing to think those characters were actually inspired by real | :12:37. | :12:41. | |
people. Yes, amazing. This place itself is really inspiring. It's | :12:41. | :12:46. | |
beautiful. I think so, yeah. It was set up Sir Peter Scott in the 40s, | :12:46. | :12:50. | |
with the aim to inspire people about wildlife. It worked for me. I | :12:50. | :12:54. | |
was here as a student. There are centres like this all over the | :12:54. | :12:57. | |
country. You could take your kids. My kids would love messing about in | :12:57. | :13:01. | |
a boat around all these birds. Where is the closest one to London? | :13:01. | :13:08. | |
There's one in London in Barnes. How do I get there? You could hop | :13:08. | :13:14. | |
on a double-decker bus. Really? Typical, isn't it, you wait and | :13:14. | :13:20. | |
wait, then four come along at once. It wasn't always that way. In the | :13:20. | :13:24. | |
early Twentieth Century you'd be more likely to see a bus pulled by | :13:24. | :13:31. | |
a horse. But operators were looking for something new to boost profits | :13:31. | :13:35. | |
N1910 it arrived the B-Type double- decker. The B-Type looked like a | :13:35. | :13:39. | |
horse-drawn bus. It was the same sort of design, but with the engine | :13:39. | :13:43. | |
plonked down the front. And unlike a tram, it could go anywhere across | :13:44. | :13:50. | |
the town and country at a speed of up to 16mph. 900 B-Types were | :13:50. | :13:54. | |
modified and used during the first world waur to transport troops and | :13:54. | :14:01. | |
as make-shift ambulances. (First World War) | :14:01. | :14:04. | |
The driver's lot was not much changed from the days of horse | :14:04. | :14:08. | |
buses. He was open to everything the weather could throw at him. The | :14:08. | :14:12. | |
best he had was a canvas cover, which he could pull round his neck | :14:12. | :14:16. | |
if the weather was really bad. of course, the people on the open | :14:16. | :14:19. | |
deck above, they're also open to the elements. Yes more than half | :14:20. | :14:23. | |
the capacity of the bus had to travel up top on hard wooden seats, | :14:23. | :14:27. | |
out in the rain and snow and the hail. Again, some of the companies | :14:27. | :14:30. | |
would give them a little protection, by means of canvas that they could | :14:30. | :14:35. | |
draw up around themselves. To win the battle with the trolleybus and | :14:35. | :14:40. | |
electric trams, they had to up their game. The 1930s demanded | :14:40. | :14:43. | |
luxury, and soon the double-decker became a vehicle of glamour for the | :14:43. | :14:53. | |
:14:53. | :14:56. | ||
This is called are tea type one, and is the first of nearly 7000 | :14:56. | :15:00. | |
similar buses that dominated the streets after the Second World War. | :15:00. | :15:04. | |
What were the changes that excited people, in terms of design? There | :15:04. | :15:08. | |
was a lot of attention paid to passenger comfort. It had larger | :15:08. | :15:12. | |
windows, comfortable seats, and the driver was not forgotten either. He | :15:12. | :15:17. | |
had better visibility. We used to remember jumping on the bus and | :15:17. | :15:21. | |
swinging. The British love to their open platform buses but the | :15:21. | :15:26. | |
conductors would not have been happy. The new purpose-built works | :15:26. | :15:30. | |
was working to full capacity, and mass-production line techniques | :15:30. | :15:34. | |
delivered the buses that the country required. A job to be done | :15:34. | :15:38. | |
and a man to do it. The double- decker survived the Second World | :15:38. | :15:44. | |
War, just. But in peacetime there was demand for a new, one size fits | :15:44. | :15:49. | |
all, bus. Enter the Routemaster, the icon of modern bus design. | :15:49. | :15:54. | |
Lighter, more efficient, practical. On the outside, much the same, but | :15:54. | :15:58. | |
in some of the Engineering, radically different. They are very | :15:58. | :16:02. | |
easy to drive. Once you have got into the whip and the length of the | :16:02. | :16:06. | |
bus and you knew it in your mind, you could drive it anywhere. | :16:06. | :16:11. | |
could lean them over at an incredible angle. The skidpan was | :16:11. | :16:15. | |
probably the best example, where they take you round on a bus and | :16:15. | :16:19. | |
then the instructor puts the bus into a skid, so it is actually | :16:19. | :16:23. | |
going round in circles. relationship with double-decker | :16:23. | :16:28. | |
buses was soon firmly established. People did not just like them, they | :16:28. | :16:37. | |
loved them. For John and Jill McLennan, who did their courting on | :16:37. | :16:43. | |
the top deck, it was ding-dong. double-decker buses, it was a great | :16:43. | :16:50. | |
way to meet people. Where would use it? This is our seat. Why was it | :16:50. | :16:55. | |
important to sit in the back? Because you could look down and see | :16:55. | :16:58. | |
the conduct are coming up. When he wasn't coming, you could have a | :16:58. | :17:03. | |
cuddle. The double-decker is not quite what it was. You will be | :17:03. | :17:07. | |
lucky to find a conductor. The law has gone away with the platform at | :17:07. | :17:15. | |
the back. Yet enthusiasts remain keen as ever. Hold tight, please. | :17:15. | :17:18. | |
Of the double-decker has survived. The British love double-deckers so | :17:18. | :17:22. | |
they are being built in increasingly large numbers. They | :17:22. | :17:27. | |
will go on forever? It is a British passion. We enjoy riding on the top | :17:27. | :17:30. | |
and the view that you get from the top deck, so I think the double- | :17:31. | :17:35. | |
decker will last forever. You might not think this is a sensible way to | :17:35. | :17:45. | |
:17:45. | :18:03. | ||
end this story, but if you were me, Never mind those boys with toys, | :18:03. | :18:08. | |
look at the girls. These are up Flo and Ha Ha. Aren't they beautiful. | :18:08. | :18:13. | |
They are hungry. That is feeding time. I have never been this close | :18:13. | :18:18. | |
to wildlife. These are North American otters and they are on | :18:18. | :18:21. | |
show because they are quite showy. British otters, you would not see | :18:21. | :18:27. | |
them for dust, because they are shy and retiring. The British, shy and | :18:27. | :18:33. | |
retiring! It is rare to see otters. Numbers declined massively after | :18:33. | :18:36. | |
the Second World War. They are susceptible to pollution and we | :18:36. | :18:40. | |
used lots of pesticides on our farm land. Now that we have cleaned-up | :18:40. | :18:46. | |
act, they are more of a common sight. Have you ever heard Dan Snow | :18:46. | :18:52. | |
and talking about war? He goes on and on about battles. | :18:52. | :18:56. | |
These days, the Cumbrian port of Whitehaven is a sleepy coastal town. | :18:56. | :19:00. | |
Hard to believe that at one time it was second only to London as the | :19:00. | :19:06. | |
busiest port in Britain. It is also the place where, 230 years ago, the | :19:06. | :19:11. | |
United States of America launched a surprise attack on Britain. On the | :19:11. | :19:17. | |
morning of April 23rd, 1778, there were 200 ships safely moored in | :19:17. | :19:21. | |
this harbour. But heading straight for them was a square rigger from | :19:21. | :19:26. | |
the US Navy, the Ranger. The American War of Independence was | :19:27. | :19:30. | |
ranging, and the ship's captain, John Paul Jones, had been sent to | :19:30. | :19:35. | |
Britain on a special mission. He was to show the British that the | :19:35. | :19:39. | |
Americans were a force to be reckoned with. The plan was to burn | :19:39. | :19:44. | |
every ship in Whitehaven Harbour and strike fear into the hearts of | :19:44. | :19:47. | |
the British people. Carrying a couple of lanterns to set fire to | :19:47. | :19:52. | |
the ships, Jones and 30 of his men climbed into longboats and wrote | :19:52. | :19:59. | |
two miles to shore. This is a good speed, guys. As soon as they came | :19:59. | :20:03. | |
ashore, the sailors are ready to set fire to the ships, while Jones | :20:03. | :20:06. | |
led a small group that way, to where the cannons were. He wanted | :20:06. | :20:11. | |
to spike them and put them out of action. But setting fire to the | :20:11. | :20:14. | |
ships did not go so well. The lanterns went out on some of the | :20:14. | :20:19. | |
CRU even went and got drunk. They seem like quite a mutinous bunch. | :20:19. | :20:23. | |
The people he recruited thought they were going to go and catch a | :20:23. | :20:27. | |
lots of ships and get lots of loot. They were not expecting to invade | :20:27. | :20:31. | |
the country. So half the crew seemed to be in the pub and the | :20:31. | :20:33. | |
other half were having trouble setting fire to the ship. That | :20:33. | :20:39. | |
about sums it up, except for one factor. One of the crew had also | :20:39. | :20:44. | |
nipped into the town, while nobody was looking, and alerted the folk | :20:44. | :20:48. | |
of Whitehaven. So Jones decided, prudently, to make a retreat. | :20:48. | :20:53. | |
Basically, they ran for it. So far it was not exactly the success | :20:53. | :20:57. | |
Jones had been hoping for. But he was not the kind of guy to give up | :20:57. | :21:03. | |
easily. It was time for Plan B. Later that same morning, he sailed | :21:04. | :21:07. | |
round the coast to Dumfriesshire. He knew the area because he had | :21:07. | :21:12. | |
actually been born and raised here. He anchored the Ranger out there | :21:12. | :21:16. | |
and he and about a dozen men rode in and landed on this beach, which | :21:16. | :21:24. | |
people still called John Paul Jones day. His stately home was owned by | :21:24. | :21:28. | |
one of the most important men in the area and his plans to capture | :21:28. | :21:34. | |
him and hold him to ransom. The stately home has long since gone. | :21:34. | :21:40. | |
But living just a stone's throw away, Sir David Dunbar, the great | :21:40. | :21:46. | |
great great great grandson of the Earl. This is the man himself. | :21:46. | :21:50. | |
the plan to kidnap the earl was about to fall apart, too. The earl | :21:50. | :21:54. | |
was away when John Paul Jones and his troops arrived in the garden. | :21:54. | :22:00. | |
He was taking the waters in Buxton. His wife was there and she came to | :22:00. | :22:03. | |
an arrangement with Jones using the family silver. The deal was struck | :22:03. | :22:09. | |
when she would hand over the family silver in exchange for the pirates | :22:09. | :22:14. | |
going away and taking nothing else. They cut their losses and ran. The | :22:14. | :22:17. | |
raid seemed a complete disaster. But when the papers got hold of the | :22:17. | :22:21. | |
story, they gave it a tabloid spin that left the British public | :22:21. | :22:25. | |
terrifying of an American invasion. Jones had achieved what he had set | :22:25. | :22:29. | |
out to do after all. But the stolen silver troubled him and a few years | :22:29. | :22:35. | |
later he gave it back. This teapot is the one that has been returned | :22:35. | :22:39. | |
and has been in the family ever since. How funny growing up with | :22:39. | :22:44. | |
such an heirloom. Do you remember it being out in common usage? | :22:44. | :22:48. | |
it used to sit on the sideboard in my grandfather's house and it was | :22:48. | :22:52. | |
used for tea every afternoon. It makes a very good cup of tea, too. | :22:52. | :22:56. | |
Over here, Jones and his adventures are largely forgotten, but in | :22:56. | :23:01. | |
America it is a different story. There, he is revered as an all- | :23:01. | :23:05. | |
American hero. What are these? I have to introduce | :23:06. | :23:09. | |
you to another of my firm favourites. These are Hawaiian | :23:09. | :23:15. | |
geese, and they are part of a flagship successful breeding | :23:15. | :23:19. | |
programme here at Slimbridge. In the 1950s there were only 30 of | :23:19. | :23:23. | |
these left in the wild and Slimbridge got involved in breeding | :23:23. | :23:27. | |
projects. Since then, they have released hundreds into the wild. | :23:27. | :23:33. | |
They are so tame. They do not look like they are from Hawaii. What is | :23:33. | :23:38. | |
a Hawaiian geese supposed to look like? More flamboyant. Are you | :23:38. | :23:44. | |
saying they look boring? A bit boring. Places like this are great | :23:44. | :23:48. | |
to come and feed the birds. Kids can do it, too. What are we feeding | :23:48. | :23:54. | |
them? Just a bit of corn. What a coincidence. | :23:54. | :23:57. | |
Tourists arriving at a beauty spot in Wiltshire is hardly a strange | :23:57. | :24:01. | |
phenomenon, but they had come to Britain to see an unusual summer | :24:01. | :24:07. | |
spectacle - the crop circle. Personally, I believe they are | :24:07. | :24:11. | |
created by people with too much time on their hands, but others | :24:11. | :24:19. | |
have a rather more supernatural explanation. There is no doubt in | :24:19. | :24:25. | |
my mind that we are being sent a message. Hit his mother earth | :24:25. | :24:31. | |
speaking to us. It is not us, it can only be extra-terrestrial. | :24:31. | :24:35. | |
year, nearly 140 crop circles were reported around the globe, and of | :24:35. | :24:41. | |
them, 70 were right here in Wiltshire. And the only way to | :24:41. | :24:45. | |
really appreciate these wonderful creations is to take to the skies. | :24:45. | :24:54. | |
Hello. Good to see you. Joining me, an old friend, Ian Simmons, an | :24:54. | :24:59. | |
expert in all things paranormal. You are not very comfortable in the | :24:59. | :25:04. | |
air, are you? It is not my favourite place. I have dragged to | :25:04. | :25:09. | |
appear to look at crop circles. What are the various explanations | :25:09. | :25:14. | |
for them? There are a bunch of ideas put forward. Initially people | :25:14. | :25:19. | |
said it was a Iain's writing in the fields in strange languages. And | :25:19. | :25:24. | |
then people suggest that it might be earth energies, the earth crying | :25:24. | :25:30. | |
out and sending messages by bending the crops. Fabulous! This is very | :25:30. | :25:34. | |
complicated. What is the story of the history of these things? | :25:34. | :25:40. | |
earliest go back to 1688. Were they crop circles? They are | :25:40. | :25:45. | |
misinterpreted. The pictures of things cutting down and flattening | :25:45. | :25:50. | |
crops have been drawn in a circle. We have no photographs before the | :25:50. | :25:55. | |
1980s. What do you think? evidence is pretty much in favour | :25:55. | :26:00. | |
of people making the things. sceptic inside me feels an | :26:00. | :26:04. | |
experiment coming on. With something as simple as a bit of | :26:04. | :26:08. | |
string, a few Poles, a really long tape measure and a basic | :26:08. | :26:12. | |
understanding of geometry, it is remarkably simple to draw out lines | :26:12. | :26:18. | |
and angles incredibly accurately. Let me show you. We are going to | :26:18. | :26:25. | |
start with our circle, a basic circle. I can create a smaller | :26:25. | :26:33. | |
circle in the middle, say. But also, if I change the anchor 0.2 up here, | :26:33. | :26:39. | |
like this, well, you can create a circle of here. In fact, with a | :26:39. | :26:43. | |
combination of different sized circles and places, the different | :26:43. | :26:48. | |
shapes you can make are limitless. So, easy enough on a board, but how | :26:48. | :26:54. | |
do you do it on 20 acres in the middle of the night? You never see | :26:54. | :27:00. | |
a crop circle that is half finished. I cannot fathom myself doing it. | :27:00. | :27:04. | |
don't think a person or a group of people can do it under those | :27:04. | :27:09. | |
conditions. But John knows exactly how. His circles are with the | :27:09. | :27:14. | |
permission of the farmer because otherwise it is a criminal offence. | :27:14. | :27:18. | |
We are an art collective and I started making circles 20 years ago. | :27:18. | :27:22. | |
We kept getting phone-calls from commercial clients saying, could | :27:22. | :27:28. | |
you make a logo in a field for us? It happened almost by accident. | :27:28. | :27:35. | |
do you flatten the corner? We would use this, which we call a Stomper. | :27:35. | :27:42. | |
This is used to flatten the crop. If you look at a lot of crop | :27:42. | :27:47. | |
circles, you see a lot of lines and rings that tart four ft wide. That | :27:47. | :27:55. | |
is because it is the basic unit of a circle maker, at four feet. We | :27:55. | :27:59. | |
used scale diagrams that we take into the field. On here is all the | :27:59. | :28:04. | |
information you need to make the circle. It has all of the Centre | :28:04. | :28:10. | |
points and everything. So, are all crop circles made by humans? | :28:10. | :28:13. | |
depends who you talk to. But I love the fact that people do believe | :28:13. | :28:18. | |
they are not made by people. As a scientist looking for an | :28:18. | :28:21. | |
explanation, I feel it is perfectly possible for them to have been made | :28:21. | :28:26. | |
by human beings. Yet others remain to be convinced. What we can say | :28:26. | :28:30. | |
with all certainty is that as long as the tour's keep coming, the | :28:30. | :28:34. | |
circles will keep appearing. We have gone full circle as well. | :28:34. | :28:41. |