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from Gujarat. For me, the UK meant London or Manchester or Birmingham. | :00:07. | :00:11. | |
That is all I knew about Britain. I didn't know that something like | :00:11. | :00:15. | |
Pontypool existed. On arrival they often found it was very difficult | :00:15. | :00:18. | |
and pretty impossible to get posts in prestigious areas, and so would | :00:18. | :00:21. | |
end up where the job vacancies were, which were often in general | :00:21. | :00:31. | |
practice in deprived rural areas. It is a culture shock because | :00:31. | :00:33. | |
things were totally different. People lived differently and talked | :00:33. | :00:35. | |
differently. Were there any words that you particularly struggled | :00:35. | :00:39. | |
with? There is a place near here that was very difficult for me to | :00:39. | :00:43. | |
pronounce and even spell - Pontnewynydd. It was not unbearably | :00:43. | :00:48. | |
cold, but what struck me first was how grey it was. There was no | :00:48. | :00:51. | |
sunshine, as back in India everything has plenty of light and | :00:51. | :00:56. | |
houses of all colours. I grew up as a vegetarian and the only | :00:56. | :00:59. | |
vegetarian food I got in hospital was a couple of lettuce leaves, | :00:59. | :01:04. | |
couple of tomatoes, and a little bit of cheese. But the differences | :01:04. | :01:07. | |
went much deeper than the food and the weather. This heavily | :01:07. | :01:10. | |
industrialised region had some of the poorest health in the country | :01:10. | :01:13. | |
and the doctors were faced with a range of diseases they had rarely | :01:13. | :01:17. | |
encountered before. When I worked in India, in those days it was | :01:17. | :01:26. | |
mostly infectious diseases. Diseases from malnutrition. We came | :01:26. | :01:30. | |
across smallpox, TB, typhoid, malaria. Here it was all chest | :01:30. | :01:33. | |
diseases, heart disease and high blood pressure and even some | :01:33. | :01:38. | |
cancers which were very rare back in India. I had to learn all those | :01:38. | :01:44. | |
things all over again, and then start treating them as I went along. | :01:44. | :01:47. | |
And some of the local people still remember their first encounter with | :01:47. | :01:51. | |
an Indian doctor. Well, I suppose it was exciting in one way because | :01:51. | :01:55. | |
it was somebody different. Everybody was a bit nosy and wanted | :01:55. | :02:01. | |
to meet him. People started coming to see you, telling you of their | :02:01. | :02:05. | |
dark secrets. Then you knew that they were treating you as someone | :02:05. | :02:11. | |
whom they trusted. And who they felt would give them the right | :02:11. | :02:18. | |
advice. That is when I felt that I had arrived. These doctors from | :02:18. | :02:20. | |
India really contributed in a very significant way to the development | :02:20. | :02:25. | |
of the NHS. I think it is quite fair to say that the NHS would not | :02:25. | :02:29. | |
be what it is today without the contribution. Do you consider | :02:29. | :02:35. | |
yourself to be Indian or Welsh? associate with my friends here, I | :02:35. | :02:39. | |
am completely Welsh. I certainly don't consider myself Indian as | :02:39. | :02:44. | |
such, though of course you never lose the feeling. When I am in | :02:44. | :02:54. | |
:02:54. | :02:55. | ||
India I am an Indian but when I am Surely this is the best way to | :02:55. | :02:58. | |
travel? It is absolutely beautiful out here. I love it. 40 minutes | :02:58. | :03:04. | |
west of Barry, and you know what? There is nobody else around. This | :03:05. | :03:08. | |
must be one of Britain's best kept secrets. Not for long. We have | :03:08. | :03:13. | |
blown it now. Yes, we have let the cat out of the bag. Very much so. | :03:13. | :03:16. | |
Time to head north to a more crowded beach, Blackpool in fact, | :03:16. | :03:22. | |
with the story of how thousands of airmen ended up there. Here is Dan | :03:22. | :03:31. | |
This is Blackpool international airport. Our launching pad for | :03:31. | :03:36. | |
holidaymakers but in the past a vital part of the nation's defences. | :03:36. | :03:40. | |
70 years ago this would have been a very different scene. Runways and | :03:41. | :03:43. | |
hangers would have been teeming with military aircraft because this | :03:43. | :03:46. | |
was an RAF base, and one that played a crucial role in World War | :03:46. | :03:52. | |
II. In fact, the whole town was transformed by war. Holidaymakers | :03:52. | :03:57. | |
still came, but shared the beach with thousands of trainee aircrew. | :03:57. | :04:00. | |
This famous resort was turned into RAF Blackpool, a vital centre for | :04:00. | :04:05. | |
training the airmen that were taking the war to Hitler. Russell | :04:05. | :04:07. | |
Brown is an aircraft archaeologist with a particular fascination for | :04:07. | :04:14. | |
Blackpool's largely forgotten role in the war. Blackpool turned out to | :04:14. | :04:17. | |
be the biggest RAF train station throughout the Second World War. | :04:17. | :04:20. | |
Three quarters of a million blokes do their basic training in | :04:20. | :04:26. | |
Blackpool. What would Blackpool have looked and sounded like in | :04:26. | :04:29. | |
those years? It would have been absolutely heaving with airmen. | :04:29. | :04:31. | |
Where would they have stayed during their training? Boarding houses, | :04:31. | :04:35. | |
guest houses, hotels all over Blackpool. Wartime planners chose | :04:35. | :04:38. | |
Blackpool to be the biggest RAF training centre because there was | :04:38. | :04:45. | |
plenty of comfortable accommodation. But there were still dangers. These | :04:45. | :04:48. | |
archives contain the story of a terrible accident when two RAF | :04:48. | :04:50. | |
aeroplanes collided directly over the heads of thousands of | :04:50. | :04:56. | |
holidaymakers, on one of the busiest days of the year. The best | :04:56. | :05:01. | |
way to get a clear picture of what actually happened is from the air. | :05:01. | :05:05. | |
We need to head straight to Blackpool's busiest area. The | :05:05. | :05:07. | |
aeroplanes collided close to the seafront and some of its main | :05:07. | :05:13. | |
attractions, then as now, the central pier and the tower. What | :05:13. | :05:16. | |
happened in August 1941, three fighter trainers flying in close | :05:16. | :05:19. | |
formation and at the end of the exercise they broke up to head back | :05:19. | :05:24. | |
to base. Unfortunately, a reconnaissance aeroplane was flying | :05:24. | :05:29. | |
underneath them. What happened next was captured by a seafront | :05:29. | :05:39. | |
:05:39. | :05:40. | ||
photographer. As one of the fighters went into a dive, it hit | :05:40. | :05:42. | |
the reconnaissance plane and both aircraft crashed to the ground. The | :05:42. | :05:45. | |
fighter demolished a house in the centre of Blackpool. The crew were | :05:45. | :05:48. | |
killed, but the occupants were lucky and survived. One of the | :05:48. | :05:51. | |
training aircraft smashed the tail off the buffer, and the tail | :05:51. | :05:56. | |
crashed into the sea here. The main part of the aircraft hurtled to | :05:56. | :05:59. | |
earth and plunged into the ground right there, where that car park is, | :05:59. | :06:03. | |
next to the tower. The problem is that back then it was not a car | :06:03. | :06:06. | |
park, it was Blackpool station and it was crowded with thousands of | :06:06. | :06:09. | |
people, many of them holidaymakers coming to escape the horrors of war | :06:09. | :06:13. | |
in the rest of the UK. Eight-year- old Percy Featherstone was one of | :06:13. | :06:18. | |
those holidaymakers. He was in the station ticket hall with his mother | :06:18. | :06:23. | |
when the aeroplane crashed into it. The sound was horrendous. As it | :06:23. | :06:25. | |
ripped through the roof, the metal tearing, it hits the ground, | :06:25. | :06:33. | |
exploded, and blasted aviation fuel all over the place. That ignited | :06:33. | :06:43. | |
:06:43. | :06:45. | ||
and there was a sheet of flame all round us. I couldn't feel the blast. | :06:45. | :06:48. | |
It is amazing how vividly you seem to remember it. It is something I | :06:49. | :06:51. | |
could never forget. I can bring back the feelings, the smells, in | :06:52. | :06:58. | |
my own mind, any time at all. Some things fade away, but things like | :06:58. | :07:03. | |
that, they just stay with you for ever. Altogether, 18 people were | :07:03. | :07:09. | |
killed including the aircrew and 39 were injured. There is very little | :07:09. | :07:11. | |
left to reveal that this accident ever happened, and where once there | :07:11. | :07:16. | |
were platforms is now car park. Where the ticket office once stood, | :07:16. | :07:21. | |
is an amusement arcade. Blackpool's vital role in the war, and the toll | :07:21. | :07:28. | |
it took, are now largely forgotten. Thank you, Dan. If you are thinking | :07:28. | :07:32. | |
to yourself, I am having a terrible sense of deja vu, that is because | :07:32. | :07:35. | |
this is Marco's cafe. Yes, Marco's cafe where Stacey Shipman worked in | :07:35. | :07:45. | |
:07:45. | :07:48. | ||
Gavin And Stacey. Have I mentioned Yes, sir, can I help you? I'd like | :07:48. | :07:51. | |
some drinks, please. Lots of cans, and a smooch, full smooch and a | :07:51. | :07:57. | |
cuddle. She doesn't work here any more, but Marco from Marco's cafe | :07:57. | :08:03. | |
does. And he is here. This is the actual market. What was it like | :08:03. | :08:06. | |
when the spaceship that is Gavin And Stacey descended on you here in | :08:06. | :08:11. | |
Barry Island? It was bizarre. It was absolutely bizarre. When they | :08:11. | :08:14. | |
arrived on Barry Island, I knew this would be big. I knew it would | :08:14. | :08:18. | |
be big for Barry Island, and Barry, and put Barry Island on the global | :08:18. | :08:22. | |
map. Everybody knows where Barry Island is now. Were you prepared to | :08:22. | :08:30. | |
become known as Marco all over the world? No. I wasn't. You quite like | :08:30. | :08:36. | |
it? I love it, actually! Being modest! Where do you come from? | :08:36. | :08:40. | |
Where is your family from? Marco was not a typically Welsh name. | :08:40. | :08:43. | |
family originate in a little market town in Italy in the province of | :08:43. | :08:50. | |
Parma, famous for Parmesan cheese and prosciutto. There is a massive, | :08:50. | :08:54. | |
massive Italian Welsh community from that area of Italy. Yes, there | :08:54. | :08:58. | |
is. Could you imagine, God forbid, if the Italians had never come to | :08:58. | :09:02. | |
Wales? What would it be like? would be an ice cream desert here. | :09:02. | :09:05. | |
You have to have an talian involved in manufacturing ice cream in my | :09:05. | :09:13. | |
opinion. You do. We have some of your cakes here. Only one set of | :09:13. | :09:19. | |
cakes is a Welsh cake. I would like you to work out which one it is. | :09:19. | :09:24. | |
it the one with the strawberry on it? I am afraid you have got it | :09:24. | :09:34. | |
:09:34. | :09:34. | ||
wrong. If I am not mistaken, this is a Welsh cake. That is. While we | :09:34. | :09:37. | |
enjoy these, please enjoy the film I made about a secret cake club, | :09:37. | :09:43. | |
which starts now. Somewhere near Leeds, Mike Wallace is not just | :09:43. | :09:47. | |
baking a cake. He is getting ready for the latest meeting of the | :09:47. | :09:51. | |
secret society. We'll make cakes and we try not to make the same one | :09:51. | :09:56. | |
as other people. But to find out where the event is being held is | :09:56. | :10:03. | |
quite cool. It is that secretive, planned as an aspect of it. -- clan | :10:03. | :10:07. | |
this time. This mild-mannered systems administrator is an | :10:07. | :10:12. | |
unlikely candidate for a double life. But I have followed in to the | :10:12. | :10:20. | |
latest secret cake Club gathering. Location? Upstairs, art gallery, | :10:20. | :10:26. | |
restaurant area. And there they are. It is a simple idea. You bake a | :10:27. | :10:31. | |
cake, you bring it along, you eat other people's cakes, and then you | :10:31. | :10:35. | |
take some home. It is spreading like butter cream on a warm night. | :10:36. | :10:41. | |
There is even a branch in Barcelona. And as if cake is not exciting | :10:41. | :10:45. | |
enough, there is the added attraction of secret locations. | :10:45. | :10:53. | |
This has got an element of hidden secret things. It makes it just | :10:53. | :11:02. | |
that little bit more edgy. Lynn Hill founded the first cake club a | :11:02. | :11:07. | |
year ago and has changed is the venue each time to keep the club | :11:07. | :11:11. | |
from going stale. I like to have the mystique from hidden places, | :11:11. | :11:16. | |
and I usually tell the guests and bakers read the event is just a few | :11:16. | :11:25. | |
hours beforehand. It could be a few days beforehand. It are about fun. | :11:25. | :11:30. | |
It is all about meeting people. Cake bakers across the UK soon | :11:30. | :11:37. | |
wanted a slice of the action and the advice on how to set up their | :11:37. | :11:46. | |
own clubs. There are now 30 clubs in the country and new members | :11:46. | :11:52. | |
simply register on their website to hot up with their local branch. | :11:52. | :11:55. | |
Cake people are friendly people. They go out of their way to spend | :11:55. | :11:59. | |
hours making something to share with other people. Like any good | :11:59. | :12:08. | |
spy ring, this cake rain has stricter rules. No tarts, Brownies, | :12:08. | :12:13. | |
cupcakes, pies or muffins. Just proper, big, cake. What would you | :12:13. | :12:19. | |
do if I walked in here with a tart? No. That is not allowed. It has to | :12:19. | :12:24. | |
be all about cake. What about a repeat offender who carried on | :12:24. | :12:28. | |
bringing in pies? If somebody did turn up with pies, because we are a | :12:28. | :12:32. | |
friendly community, I would welcome them with open arms. We would have | :12:32. | :12:42. | |
:12:42. | :12:46. | ||
tasted, and we would convert them. Now, it's time for the slightly | :12:46. | :12:50. | |
subversive baking circle to pack up and blend back in with the rest of | :12:50. | :12:54. | |
the population. See, secret cake societies - if I hadn't brought | :12:54. | :12:57. | |
them to your attention you'd never know. Don't worry, I'm monitoring | :12:57. | :13:07. | |
the situation very closely. Great film. It had to happen sooner or | :13:07. | :13:10. | |
later. Time for some vital statistics about Barry. Such as, | :13:10. | :13:16. | |
did you know it has a tidal range of 15 metres, the second highest in | :13:16. | :13:21. | |
the world? Whitmore Bay here has almost exactly the same dimensions | :13:21. | :13:25. | |
as Bondi in Sydney Australia and the climate's virtually the same. | :13:26. | :13:30. | |
Enough. Our competitive bird man, Mike, is bursting to tell you all | :13:30. | :13:37. | |
about his bittern. It's the best of bittern. Spring - it's the time of | :13:37. | :13:45. | |
year when the birds are at their noisiest. Which is the loudest bird | :13:45. | :13:52. | |
of all? The reed beds here in Suffolk hold the answer. Just | :13:52. | :13:56. | |
before dawn, the males begin their mating call, which sounds something | :13:56. | :14:06. | |
:14:06. | :14:08. | ||
like this. It's the bittern. Once you've heard one booming you'll | :14:08. | :14:13. | |
never forget it. It's a bird so rare and secretive that people | :14:13. | :14:23. | |
:14:23. | :14:25. | ||
agonise to see it. That's why these shots are just so special. In a TV | :14:25. | :14:28. | |
first we've caught something unique, something not even David | :14:28. | :14:35. | |
Attenborough has seen. For that, you'll have to wait. The bittern | :14:35. | :14:42. | |
became very close to being extinct in Britain recently? That's right. | :14:42. | :14:49. | |
In the early 1990s only eleven here. What did you do to turn it around? | :14:49. | :14:53. | |
There was a recognition that the reed beds were drying out and they | :14:53. | :14:58. | |
were becoming less favourable, so there's been a lot of work to make | :14:58. | :15:02. | |
reed beds wetter and the population's turned around as a | :15:02. | :15:08. | |
consequence. There are now known to be 82 booming males nationally. Ten | :15:08. | :15:18. | |
here at Minsmere. It's an elusive one? It is. It tends to skulk away | :15:18. | :15:22. | |
and very hard to see. Basically, that plumage is designed to help | :15:22. | :15:28. | |
camouflage them in the reed bed. it's difficult for us to see one, | :15:28. | :15:31. | |
then it's likely other bitterns can't see it either and that's the | :15:31. | :15:36. | |
reason for the boom. That's to let females far and wide know where it | :15:36. | :15:44. | |
is. We had one deep, booming bird that was here for many years that | :15:44. | :15:50. | |
got the nickname Barry White. He was king. Reed bed basically. | :15:50. | :15:54. | |
are more Barry White than Bee Gee. Absolutely. There is the low | :15:54. | :15:57. | |
frequency that helps the sound to cary through the beds, so you can | :15:57. | :16:03. | |
hear it up to three miles away. You've been here for how long? | :16:03. | :16:05. | |
Five-and-a-half years and I've not been unfortunate enough to witness | :16:05. | :16:12. | |
one booming. All this talk of booming bitterns is making me | :16:12. | :16:22. | |
:16:22. | :16:33. | ||
hungry to hear one. The best time for that is at dawn. It's just one | :16:33. | :16:38. | |
of the most amazing noises in the natural world. That's not hyperbole, | :16:38. | :16:42. | |
is it? There's nothing quite like it. You won't hear a sound like | :16:42. | :16:46. | |
that from another bird in Britain. We are so close, maybe 50 metres, | :16:46. | :16:52. | |
you can hear it starting off. What is going on? We are not entirely | :16:52. | :16:59. | |
sure in terms of how they boom, but it's always referred to as gulping | :16:59. | :17:04. | |
to give out the deep sound. It's called infrasound and it's also | :17:04. | :17:07. | |
used by lions and elephants to communicate across the African | :17:07. | :17:15. | |
plains. Now, for our TV first. These are our cameraman's | :17:15. | :17:25. | |
:17:25. | :17:28. | ||
extraordinary images of how the bittern booms. Booming marvellous! | :17:28. | :17:32. | |
That's worse than best of bittern. I think it's better. Watch your | :17:32. | :17:39. | |
step. I am. The stones were supposedly laid because a love- | :17:39. | :17:43. | |
stricken girl couldn't reach her paramour on this side. Lovely and | :17:43. | :17:47. | |
Roman take, but if they were that keen on each other it's quite | :17:47. | :17:51. | |
shallow. She could have waded across and got her feet wet. | :17:51. | :17:56. | |
However, Gavin, now he lived in Essex and he had to get all the way | :17:56. | :18:01. | |
around the M25, South Mimms can be murder. That is love. Yes. But that | :18:01. | :18:09. | |
wasn't the 13th century, pre M4 corridor. Here's some more amazing | :18:09. | :18:19. | |
:18:19. | :18:20. | ||
sounds from the One Show Box. Wildlife sound recordist, Chris | :18:20. | :18:23. | |
Watson, is a world leader in his field, providing extraordinary | :18:23. | :18:28. | |
sounds for some of the best-loved nature programmes. It's tricky | :18:28. | :18:32. | |
stuff and one of his more challenging tasks has been to find | :18:32. | :18:35. | |
sounds to match the increasingly close shots captured by today's | :18:36. | :18:43. | |
cameras. Just listen to Chris's recordings of these vul tours in | :18:43. | :18:53. | |
:18:53. | :18:59. | ||
Africa. -- vul tours in Africa. The way he works was pioneered in his | :18:59. | :19:04. | |
garden here. What are you up to here? I have the carcass of a | :19:04. | :19:08. | |
chicken. I am fixing two microphones in the hope it will | :19:08. | :19:14. | |
attract down the birds. Our first customer to the carcass is a black | :19:14. | :19:24. | |
:19:24. | :19:26. | ||
bird. Blackbird. The sound as he's peeking at the carcass. Duff, Duff, | :19:26. | :19:35. | |
that's on the bone. We all love the sound of the seaside crashing waves, | :19:35. | :19:38. | |
boat horns and children playing with buckets and spades, but what | :19:38. | :19:45. | |
does it sound like inside a rock pool? How will reregard the sounds? | :19:45. | :19:50. | |
-- record the sounds? I have some special underwater microphones | :19:50. | :19:57. | |
which can explore all the nooks and crannies and maybe follow something. | :19:57. | :20:01. | |
There's so much there. Incredible. This is constant chattering and | :20:01. | :20:08. | |
chirping and scraping. It's almost like it's a little coffee morning | :20:08. | :20:15. | |
going on. There is a sort of a raspy sound. Limpets snoring, I've | :20:15. | :20:25. | |
:20:25. | :20:28. | ||
never recorded that. Oh, wow! was that? I think that's a shrimp. | :20:28. | :20:35. | |
There is one very close by. It's got a birdsong call to it. | :20:35. | :20:42. | |
Fascinated by that. It's a fantastic tree. It's like something | :20:42. | :20:45. | |
out of Lord of the Rings. What are you hoping to get from this? It's | :20:45. | :20:50. | |
an old oak and we can hear the birdsong in and around, but I'm | :20:50. | :20:55. | |
interested in getting inside the tree and hear the secret sounds | :20:55. | :21:01. | |
from within. How will we hear the insects? I can't hear anything. | :21:01. | :21:05. | |
It's full of activity and life and I've got the special contact | :21:05. | :21:08. | |
microphones, which pick up sound in a different way by picking up the | :21:08. | :21:18. | |
:21:18. | :21:22. | ||
vibrations. That makes my skin crawl. It's like lots of insects | :21:22. | :21:32. | |
walking all over you. You have some on the outside too? Yeah. From what | :21:32. | :21:36. | |
we are hearing from within the dead wood, it would be interesting to | :21:36. | :21:40. | |
put some on the bark of the tree, on the outside, just to see what's | :21:40. | :21:47. | |
happening there. It sounds just like a raging torrent. If you | :21:47. | :21:52. | |
listen very carefully through the am beeient noise of the tree, | :21:52. | :22:01. | |
you'll here -- ambient noise of the tree, you'll here a popping sound. | :22:01. | :22:06. | |
That is the sound of the sap It's been drawn out of the ground. It's | :22:06. | :22:14. | |
the sound of the life of the tree. It's you, in here. Yes. You know | :22:14. | :22:23. | |
what it is? It's Stacey's mate Nessa's change booth. What do you | :22:23. | :22:33. | |
:22:33. | :22:35. | ||
want? �5 worth of pennies Yes. -- pennies? Yes. What do you want that | :22:35. | :22:39. | |
for? It's Giles, he's run out again. Oophs, you've caught me at it. | :22:39. | :22:46. | |
Naughty, but nice! Where did the What The Butler Saw machine come | :22:46. | :22:52. | |
from, and as if you didn't know, what was its appeal? This machine | :22:52. | :23:02. | |
:23:02. | :23:03. | ||
is called a muet scope. The technique was invected over -- mute | :23:03. | :23:08. | |
scope. The technique was invented over 100 years ago. The business | :23:08. | :23:16. | |
was almost killed off by the dawn of early cinema. What saved it? | :23:16. | :23:20. | |
Sauce, of course. Some bright spark realised the public would go on | :23:21. | :23:23. | |
paying if they can see something in the machine they didn't dare show | :23:24. | :23:32. | |
in the cinema. The favourite was cheeky films of scantily dressed | :23:32. | :23:39. | |
women. This fuelled such a boom in peep shows in the 1920s they become | :23:39. | :23:42. | |
a regular end-of-the-pier attraction for the next 40 years. | :23:42. | :23:46. | |
They were based on the simple idea of a butler peeking through a | :23:46. | :23:53. | |
keyhole. If you want to see one today you'll have to come to a | :23:53. | :23:57. | |
penny arcade museum, like this one on Brighton's seafront. It's owned | :23:57. | :24:03. | |
by Gerry. He's a collector. This is a lovely looking machine. How old | :24:03. | :24:09. | |
is it? About 110 years old. It would have been made somewhere | :24:09. | :24:14. | |
between 1898 and 1901. How exactly does it work? It works on the flick | :24:14. | :24:17. | |
book principle, where the pictures were arranged around a reel like | :24:17. | :24:25. | |
this. When the reel is inside the machine, the player turns the | :24:25. | :24:29. | |
handle and it will revolve like that. Wonderful. There are how many | :24:29. | :24:34. | |
of these pictures here? About 850. Individual shots. Rather like the | :24:34. | :24:41. | |
stills from a film. The early films are innocent. You have to remember, | :24:41. | :24:46. | |
this was late Victorian era, so even the sight of an ankle would | :24:46. | :24:53. | |
have been risque. Turn crank to the right. OK. Oh, this is quite | :24:53. | :25:00. | |
exciting. Oh, oh,. This is a him and her one. Oh, oh, oh. The Dance | :25:00. | :25:06. | |
of the Seven Veils. This is it. Well, actually it's about nine at | :25:06. | :25:15. | |
the moment. And that's it? That's all you get? You only paid a penny! | :25:15. | :25:23. | |
Maybe there's something better on the other side! In the 1960s | :25:23. | :25:27. | |
newfangled fruit machines finally elbowed What The Butler Saw off the | :25:27. | :25:35. | |
pier, but still they hold their fascination. Gentlemen, I have | :25:35. | :25:38. | |
entertainment to offer you. Are you intrigued? This will make your hat | :25:39. | :25:44. | |
lift off. Will it get any ruder? Interesting thing is, this lady is | :25:45. | :25:52. | |
actually your great grandmother! Grandma! Now I know how it works | :25:52. | :25:59. | |
and what the audience is after, I'm going to make a What The Butler Saw | :25:59. | :26:06. | |
film of my own. All I need is a video camera and roladex and an | :26:06. | :26:16. | |
:26:16. | :26:32. | ||
And that's entertainment! Thank you Giles. That's it. That's what's | :26:32. | :26:36. |