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Scotland Yard four years after the theft of a painting worth �21 | :00:05. | :00:12. | |
million in today's money at the National Gallery was a Geordie man, | :00:12. | :00:18. | |
a retired bus driver, Kempton Bunton. He claimed to have | :00:18. | :00:20. | |
travelled to London to see the painting after reading about its | :00:20. | :00:25. | |
purchase for the nation to protect it from a proposed sale to an | :00:25. | :00:29. | |
American collector and decided on impulse to steal the painting the | :00:29. | :00:34. | |
very next day. But what on earth turns a mild- | :00:34. | :00:41. | |
mannered OAP into a master criminal? A Professor from the | :00:41. | :00:46. | |
American university in Rome's studied the Goya theft in detail. | :00:46. | :00:52. | |
He was 6 1 years old, disabled, retired grandfather who weighed 17 | :00:52. | :00:57. | |
stone. How did he pull it off? According to his version of the | :00:58. | :01:01. | |
story which may differ from the reality, he used a former men's | :01:01. | :01:04. | |
lavatory as his point of entry and exit, a ladder from nearby building | :01:04. | :01:09. | |
sites and managed to climb up the ladder 14 feet and enter through | :01:09. | :01:13. | |
the lavatory, grab the painting and go out through the same window. | :01:13. | :01:17. | |
it's just through here? It is. what makes this different from any | :01:17. | :01:20. | |
other art theft? This was distinctive because it | :01:20. | :01:24. | |
coincided with the time when organised crime was becoming | :01:24. | :01:28. | |
interested in art crime and Scotland Yard thought there was a | :01:28. | :01:32. | |
large Mafia behind this theft. But in fact, this was a crime of | :01:32. | :01:34. | |
passion, of political motivation, misguided altruism, because this | :01:34. | :01:40. | |
was not a crime of profit, but about making a point. | :01:40. | :01:42. | |
Kempton Bunton returned to Newcastle having jettisoned the | :01:42. | :01:47. | |
frame on the way and stashed the masterpiece in his wardrobe. The | :01:47. | :01:51. | |
story captivated the nation and became a sensation in the press. | :01:51. | :01:57. | |
An interest that Bunton kept alive by writing ransom notes demanding | :01:57. | :02:00. | |
that a charity of his choosing should be set up with �140,000. The | :02:00. | :02:05. | |
sum the painting had been bought for and an amount he'd calculated | :02:05. | :02:13. | |
would pay for free television licences for pensioners. Colin | :02:13. | :02:18. | |
Ashwell was a trainy bobby on his first beat in Newcastle at the time. | :02:18. | :02:21. | |
We knew he'd been to prison twice for failing to pay his television | :02:21. | :02:26. | |
licence. I thought that he was a misguided eccentric. Stpwh it never | :02:26. | :02:31. | |
crossed your mind he would have stole tn painting? No, never in a | :02:31. | :02:36. | |
hundred years,, I never thought he was capable or thought he'd never | :02:36. | :02:40. | |
had the ingenuity to do such a thing. He hands himself in, what | :02:40. | :02:43. | |
happens then? He was tried a the Old Bailey, they charged him with | :02:43. | :02:49. | |
stealing the Goya and the frame and demanding money with menaces, but | :02:49. | :02:55. | |
as Bunton only meant to borrow it, he couldn't be convicted of theft. | :02:55. | :03:00. | |
The old Act said to steal you had to permanently deprive the owner | :03:00. | :03:04. | |
will have to. Well he didn't, he went to borrow it and give it back | :03:04. | :03:08. | |
when he was satisfied and he was give an nominal sentence of three | :03:08. | :03:11. | |
months for stealing the frame because that was never recovered. | :03:11. | :03:14. | |
Kempton Bunton served his time and retired back into obscurity. But | :03:14. | :03:20. | |
his actions did have a lasting effect. Directly causing the theft | :03:20. | :03:25. | |
Act to be redrafted in 1968 to prevent similar crimes. However, | :03:25. | :03:30. | |
his wish for the over 75s to receive free TV licences wasn't | :03:30. | :03:36. | |
granted until the year 2000, 24 years too late for Britain's most | :03:36. | :03:38. | |
unlikely and idealistic art criminal. | :03:38. | :03:44. | |
He died in 176, almost come plaitly unknown. Except by... The only | :03:45. | :03:48. | |
remaining witness to his unlikely criminal career back in its | :03:48. | :03:55. | |
rightful place where it can still be seen today. | :03:56. | :03:59. | |
Kempton Bunton, the Robin Hood of Tyneside, I suppose you could say, | :03:59. | :04:03. | |
and we are standing near the remains of another local folk hero, | :04:03. | :04:08. | |
Rob Roy. McGregor? Yes. He's supposedly buried over there next | :04:08. | :04:15. | |
to his wife and two sons and he was a wild man in his day, driving the | :04:15. | :04:19. | |
local lairds absolutely mad. But he died with a Royal pardon because he | :04:19. | :04:25. | |
was such an entertaining character. Daniel Defoe wrote the Boag, The | :04:25. | :04:30. | |
Highland Rogue. Jeffly Lendrum was sentenced to 30 months in prison | :04:30. | :04:33. | |
for trying to smuggle falcon eggs out of the country. What's more | :04:33. | :04:40. | |
interesting is what happened to the eggs after he was caught -- Jeffrey | :04:40. | :04:44. | |
Lendrum. The peregrine falcon is the fastest bird on the planet and | :04:44. | :04:49. | |
highly prized on the black market. There are only 1400 breeding pairs | :04:49. | :04:54. | |
in the UK, all of which are protected and if harmed | :04:54. | :04:55. | |
perpetrators face large fines and imprisonment. | :04:55. | :05:01. | |
Convicted egg thief Jeffrey Lendrum, seen here on footage seized from | :05:01. | :05:07. | |
his computer, was bold enough to film himself raiding nests in | :05:07. | :05:11. | |
Canada. He was stopped a at Birmingham Airport trying to | :05:11. | :05:14. | |
smuggle 14 peregrine eggs to Dubai earlier this year. The subsequent | :05:14. | :05:17. | |
investigation uncovered shocking evidence of the scale and ambition | :05:17. | :05:21. | |
of his operation. In the meantime, the police were left with a dilemma | :05:21. | :05:28. | |
- what to do with the eggs. Andy McWilliam from the wildlife | :05:28. | :05:32. | |
crime unit was the officer in charge of the case. | :05:32. | :05:35. | |
Basically, the Counter-Terrorism Unit at Birmingham Airport were | :05:35. | :05:39. | |
alerted to a male that was acting suspiciously at the airport. | :05:39. | :05:42. | |
They've taken him to one side and ultimately during the search they | :05:42. | :05:52. | |
:05:52. | :05:53. | ||
found that he's got birds' eggs strapped to his abdomen, wrapped up | :05:53. | :05:56. | |
with bandages. Realising the eggs could be viable, the customs | :05:56. | :06:00. | |
officials tied them up in socks and placed them on their computer | :06:00. | :06:06. | |
monitors which acted as temporary incubators. We got a local Falconer | :06:06. | :06:11. | |
to test the eggs at the airport and found out that out of the 14 eggs, | :06:11. | :06:15. | |
13 were still viable and contained live chicks. We know they were take | :06:15. | :06:21. | |
none the Rhondda area, South Wales, when I interviewed Mr Lendrum he | :06:21. | :06:26. | |
admitted he targeted four nest sites. How lucrative is this kind | :06:26. | :06:29. | |
of business? We suspect based on the intelligence we've got he was | :06:29. | :06:33. | |
due to make tens of thousands of pounds from this one particular | :06:33. | :06:37. | |
trip. He's a professional, no doubt about it. He knows exactly what | :06:37. | :06:42. | |
he's doing, he's highly organised. I think he's doing a tremendous | :06:42. | :06:47. | |
amount of damage worldwide targeting these valuable birds. | :06:47. | :06:53. | |
The eggs were them taken by a local Falconer who incubated and | :06:53. | :06:57. | |
successfully hatched 11 chicks. We were lucky enough to capture the | :06:57. | :07:07. | |
:07:07. | :07:11. | ||
only footage of the birth of one of But 11 births were not the end of | :07:11. | :07:17. | |
the story. West Midlands Police were then faced with their next | :07:17. | :07:21. | |
problem. In Britain, when birds are taken illegally from the wild, they | :07:21. | :07:26. | |
must wherever possible be released back into the wild. In this case, | :07:26. | :07:29. | |
that means finding peregrine Foster parents to rear them that have | :07:29. | :07:37. | |
enough space in their nests to take the extra chicks. | :07:37. | :07:42. | |
So I'm in Scotland to help James Leonard from the RSPB introduce the | :07:42. | :07:45. | |
first three chicks back into the wild. | :07:45. | :07:51. | |
It's a steep cliff. In this yellow bag, hanging from my | :07:51. | :07:56. | |
belt, I have three ten day old peregrine chicks. Although | :07:56. | :08:00. | |
difficult to access, our nest site is looking good. It contains one | :08:00. | :08:04. | |
chick which hatched at the same time as our orphans. And the | :08:04. | :08:07. | |
location is protected around-the- clock by the Scottish Wildlife | :08:07. | :08:11. | |
Trust. I can see the chick, it's about to | :08:11. | :08:16. | |
have three brothers and sisters. That's the first one. Look at this! | :08:16. | :08:22. | |
A peregrine chick about to start a new life in the Clyde. I'm worried | :08:22. | :08:27. | |
about the smell on my hands. Is that a problem? Not in the case of | :08:27. | :08:31. | |
birds. Peregrines, they actually smell, so not a problem at all. | :08:32. | :08:36. | |
They can't count either, so to them, this is four hungry mouths to feed, | :08:36. | :08:40. | |
hopefully what comes naturally, they'll feed their young. | :08:40. | :08:44. | |
It's been a poor start in life for these three chicks, an | :08:44. | :08:48. | |
extraordinary journey up to here, but they're in a great site, it's a | :08:48. | :08:51. | |
well protected nest, fingers crossed they'll fledge and then who | :08:51. | :08:58. | |
knows where they'll go. Job done! What an absolutely aiz maizing | :08:58. | :09:03. | |
story. We are at the Loch Lomond bird of prey centre with Stuart | :09:03. | :09:09. | |
Robertson, the proprietor. I have a peregrine hybrid here and you have | :09:09. | :09:14. | |
something bigger. You've gone quality and I've gone quantity. | :09:14. | :09:18. | |
What a fantastic bird. It's a beauty. Coming back to my perfectly | :09:18. | :09:24. | |
formed one here, why is it wearing a balaclava? It's a hood. Falcons | :09:24. | :09:28. | |
are very nervous creatures, so to come them down, you put a hood on, | :09:28. | :09:32. | |
they think it's night-time, hoodwinked into thinking it's night. | :09:32. | :09:36. | |
They calm right down, so he's standing this perfectly calm. | :09:36. | :09:40. | |
Now over to this big boy? Yes, we saw in the film that birds are | :09:41. | :09:45. | |
still being taken from the wild but also from sanctuarys and you've had | :09:45. | :09:53. | |
a problem yourself here? Yes, I had hawks stolen nine weeks ago. Hawks | :09:53. | :09:57. | |
are easily targeted, they don't require any rings or paperwork and | :09:57. | :10:03. | |
they've been purely stolen for money. Alison, you have some | :10:03. | :10:12. | |
expensive feathers here? From a grumpy old bird to a grumpy old man, | :10:12. | :10:19. | |
Arthur Smith. There are some things that make him smile. | :10:19. | :10:22. | |
Tonight, I'm expecting to sleep sweetly because I'm staying in the | :10:23. | :10:26. | |
house where some of the world's favourite bedtime stories were | :10:26. | :10:31. | |
written. Once upon a time, there were three | :10:31. | :10:36. | |
little kittens, and their names were... This is Hill Top, the Lake | :10:36. | :10:39. | |
District home of Beatrix Potter, the author and illustrator of the | :10:39. | :10:49. | |
:10:49. | :10:50. | ||
tales of Peter Rabbit, Tom Kitten and many more. | :10:50. | :10:54. | |
Beatrix first visited the Lake District on family holidays with | :10:54. | :11:01. | |
her parents. She fell in love with the place. Her career began with | :11:01. | :11:04. | |
letters written from the Lake District holidays, illustrated with | :11:04. | :11:08. | |
her beautiful sketches and sent to the children of family friends. | :11:08. | :11:14. | |
She used some of these later in her first book which she fought hard to | :11:14. | :11:20. | |
get published. It was an immediate success. It was called The Tale of | :11:20. | :11:26. | |
Peter Rabbit. Peter, who was very naughty, ran straightaway to Mr | :11:26. | :11:33. | |
McGregor's garden and squeezed under the gate. But her parents did | :11:33. | :11:39. | |
not approve of her enterprise. Beatrix came from a very wealthy | :11:39. | :11:43. | |
background, very well-to-do family. Her father was a barrister and | :11:43. | :11:48. | |
Beatrix was brought up, as would befit a Victorian gentleman's | :11:48. | :11:52. | |
daughter and daughters of respectable families did not go | :11:52. | :11:56. | |
into "trade". Things became even frostier when Beatrix grew close to | :11:56. | :12:02. | |
one of her publishers, Norman Warm. Beatrix was still very much in the | :12:02. | :12:07. | |
control of her parents and her parents didn't like Norman at all. | :12:07. | :12:12. | |
Also, they had wanted Beatrix to be available to look after them in | :12:12. | :12:16. | |
their old age. Her parents finally agreed to the | :12:16. | :12:21. | |
marriage, but sadly, Norman died before it could ever take place. | :12:21. | :12:26. | |
But book sales and a small inheritance meant Beatrix could now | :12:26. | :12:36. | |
:12:36. | :12:40. | ||
afford Hill Top, a working farm in This is where Beatrix wrote. | :12:40. | :12:45. | |
Writing out of her desk and gaidsing out for inspiration. It | :12:45. | :12:50. | |
sounds romantic, but actually, beet Rick was a canny woman. She was one | :12:50. | :12:57. | |
of of the first writers to recognise the possibilities of | :12:57. | :13:03. | |
mench dice. That finally allowed her the independence she craved. To | :13:03. | :13:08. | |
allow her independence in farming and conservation and settling into | :13:08. | :13:17. | |
local life she found love again. She started working together with | :13:17. | :13:23. | |
William Hellis. They became friendly and when he proposed, they | :13:23. | :13:29. | |
got married. They married late, she was 47, he | :13:29. | :13:34. | |
was 42, but they enjoyed 30 years together. I'm sleeping down stairs, | :13:34. | :13:39. | |
Beatrix would have spent a lot of time in this part of the house. She | :13:39. | :13:44. | |
loved animals, but she was a farmer and she would not have been adverse | :13:44. | :13:50. | |
to a touch of lamb hotpot for the summer. Some of the walls are four | :13:50. | :13:54. | |
feet thick and there were queer noises inside of them, as if there | :13:54. | :13:59. | |
were a secret staircase. This is a dark, cold house. | :13:59. | :14:04. | |
You can hear scratchings, but they are just from benign friends of | :14:04. | :14:11. | |
Samuel Whiskers. That was not the warmest night I | :14:11. | :14:17. | |
have ever spent. I did have a nightmare involving a Mr McGregor, | :14:17. | :14:23. | |
but I realise what a remarkable woman, Beatrix Potter was. She led | :14:24. | :14:28. | |
a very restrictive life, tied to her parents, quite old fashioned. | :14:28. | :14:33. | |
Yet in sheer ambition in dedication in getting published she created | :14:33. | :14:37. | |
her own life and her own wealth which was very modern indeed. She | :14:37. | :14:43. | |
left quite a legacy, including more than 4,000 acres given to the | :14:43. | :14:47. | |
National Trust to presthearve beautiful landscape, but best of | :14:47. | :14:52. | |
all, she left 23 tales that more than 100 years later are still read | :14:52. | :14:57. | |
and loved by children all over the world. Not bad for a late bloomer. | :14:57. | :15:02. | |
You know this is also 100 years old and still going strong. It is the | :15:02. | :15:07. | |
SS Sir Walter Scot. It is thought to be the UK's first green | :15:07. | :15:10. | |
passenger vessel, running on used cooking oil. | :15:10. | :15:15. | |
You can see wee puffs of steam. That is just as well as this is | :15:15. | :15:18. | |
Loch Lomond, that is where the majority of Glasgow's drinking | :15:18. | :15:22. | |
water comes from. Talking of which, do you remember | :15:22. | :15:29. | |
the band Wet Wet Wet? Yes, Marty Pellow and the boys. They had a | :15:29. | :15:34. | |
number one hit that went around my head for months and months. | :15:34. | :15:40. | |
That is the one, but it is also one of the most success songs of all | :15:40. | :15:48. | |
time. Carrie Grant went to find out the story behind its success. You | :15:48. | :15:53. | |
will recognise this, the soundtrack to the 1990s. | :15:53. | :16:01. | |
# I feel it in my fingers # I feel it in my toes. # The song | :16:01. | :16:07. | |
by Wet Wet Wet, played in Four Weddings and a Funeral, stayed at | :16:08. | :16:14. | |
number one, longer than any The Beatles song ever did. So, guess | :16:14. | :16:22. | |
what entitled the song Feel It In My Fingers? Well, it was Sunday | :16:22. | :16:27. | |
lunch. It was written by Reg Presley from and over in Hampshire. | :16:28. | :16:37. | |
:16:38. | :16:41. | ||
In the 1960s, he had found fame his band the Troggs, he was famous for | :16:41. | :16:45. | |
a song called Oscar Wilde. I was doing my song. There was a | :16:45. | :16:51. | |
painter there. He didn't know how I was. Then this DJ went, I thought, | :16:51. | :16:58. | |
wild thing. I thought, if that song ain't number one next week, I will | :16:58. | :17:04. | |
eat my brush. He asked me if I liked it. I said, yeah, then I was | :17:04. | :17:10. | |
off. That was it. # Wild thing, I think you move me | :17:10. | :17:16. | |
# But I want to know for sure. # Wildthing wild was a number one hit, | :17:16. | :17:20. | |
including in America. It happened so fast. Somebody said | :17:20. | :17:25. | |
what was it like being a number one. I said it was like walking on the | :17:25. | :17:31. | |
Moon for the first time it is so new so, good. Despite the success, | :17:31. | :17:36. | |
the Troggs remained at heart, down to earth country boys. For Reg it | :17:36. | :17:41. | |
was coming back to the routes after weeks away touring that inspired | :17:41. | :17:46. | |
his most enduring hit. We got back on Sunday. Sunday in | :17:46. | :17:50. | |
England is lovely. You smell the roast dinner. My daughter was four | :17:50. | :17:56. | |
years old, running around. The television was on. I heard the Joy, | :17:56. | :18:00. | |
a Salvation Army band. They were doing their bit with the tambourine, | :18:00. | :18:04. | |
about love, love, love. It left me with this thing | :18:04. | :18:12. | |
# I feel it in my fingers # I feel it in my toes... # I got | :18:12. | :18:17. | |
the bass out and tapped around tonne. It felt right. | :18:17. | :18:21. | |
The feeling, the mood that you were in, everything was right. I phoned | :18:21. | :18:29. | |
Chris. I was like, "Chris, I think you ought to come around here, I | :18:29. | :18:35. | |
think I have got the next hit." Sing it to me like you would have | :18:35. | :18:39. | |
sung it. # I feel it in my fingers | :18:39. | :18:49. | |
:18:49. | :18:51. | ||
# I feel it in my toes # Love is all around me | :18:51. | :18:58. | |
# And so the feeling grows # And of course, Reg was dead right about | :18:58. | :19:02. | |
the song. It was an international favourite three times over, first | :19:02. | :19:10. | |
for the Troggs, then for REM and then Reg received in the early | :19:10. | :19:17. | |
1990s, an unexpected demo. I was drinking a cup of tea, and | :19:17. | :19:23. | |
their chords, their stoil, wow! The tea went all over the room! As soon | :19:23. | :19:28. | |
as he opened his mouth and sung it, I thought, yes! | :19:28. | :19:34. | |
# I feel it in my fingers. # When you bring a song into the world it | :19:34. | :19:39. | |
is like having a child. They ask if they can do it, but I say yes, only | :19:39. | :19:44. | |
if they look after it. The song won three Ivor Novella but | :19:44. | :19:50. | |
after 15 weeks firmly at number one, it was withdrawn from the sales, | :19:50. | :19:54. | |
simply to give other records a chance! It would have been the | :19:54. | :19:58. | |
biggest single ever. I would have loved to have done it. | :19:58. | :20:02. | |
15 weeks is still pretty good?! is great. | :20:02. | :20:07. | |
You were going for the record! sort of feeds you that song. | :20:08. | :20:15. | |
I just wonder if I will be there with it in 20 years' time. I won't | :20:16. | :20:22. | |
be, but I wonder if it will carry Another thing that stood the test | :20:22. | :20:26. | |
of time is Inch Maghogn Priory, behind us here in the heart of Lake | :20:26. | :20:33. | |
of Menteth. It has been here since the 13th century. Robert Bruce and | :20:33. | :20:38. | |
Mary Queen Of Scots came here to get away from the hustle and bustle | :20:38. | :20:47. | |
of life, but, with a bit more noise, and needing a bit more peace and | :20:47. | :20:50. | |
quiet, the perfect place to send Dom Littlewood. This is a story | :20:50. | :20:53. | |
about what's important in life and what you want from it. A journey | :20:53. | :20:59. | |
that begins with a plane, another plane, a car journey, a ferry, | :20:59. | :21:08. | |
another car journey and a final ferry to Fetlar. The little | :21:08. | :21:16. | |
shetshet shet, closer to Norway than Glasgow! -- closer to the -- | :21:16. | :21:21. | |
the little Shetland island that is closer to Norway than it is to | :21:21. | :21:27. | |
Glasgow. We have come to meet a couple who | :21:27. | :21:32. | |
came and never went home again. I am here four years later to see how | :21:32. | :21:36. | |
they are getting up. You look lovely. You can't complain to wake | :21:36. | :21:42. | |
up to that every day, can you? feel lucky to live here. | :21:42. | :21:50. | |
When the One Show went out, there was less than 50 people living | :21:50. | :21:54. | |
here? Well, lots of people have shown an interest. We are back up | :21:54. | :21:59. | |
to 70 now, so it is looking promising. | :21:59. | :22:04. | |
The island's population is less than a third that it was 100 years | :22:04. | :22:12. | |
ago. It is a way of life that the islanders want to keep going. Isla | :22:12. | :22:16. | |
has been here for many years. That puts her to the left. That | :22:16. | :22:22. | |
puts her to the right. That way! It is not moving! No, she | :22:22. | :22:26. | |
is confused. How long have you been here? 20 years and I love it there | :22:26. | :22:30. | |
is no traffic. Everybody gets about their business. You feel safe here | :22:30. | :22:36. | |
it is a very good place to bring up children. Bob has been delivering | :22:36. | :22:38. | |
letters on the island for over 13 years. | :22:38. | :22:43. | |
How do you feel about the fact that the population of the island has | :22:43. | :22:46. | |
increased? We really needed it. We needed the young folk to come back | :22:46. | :22:50. | |
here. Your rounds are longer? I still | :22:50. | :22:55. | |
have the same amount of hours. I come home from work. | :22:55. | :22:59. | |
I will be doing this only for another month or so, any way, I'm | :22:59. | :23:03. | |
due to retire. Oh, no! It will be the next person | :23:04. | :23:07. | |
that comes along who has to think about newcomers. | :23:07. | :23:14. | |
The new postman is James, who moved his family here to Fetlar from the | :23:14. | :23:19. | |
Cotswolds two years ago. Why did you change your lifestyle? | :23:19. | :23:23. | |
I worked in the construction industry. I was made redundant in | :23:23. | :23:28. | |
two years. I got a map out, I closed my eyes and Fetlar came out. | :23:28. | :23:32. | |
We were in the rat race and wanted to change our lives. I would have | :23:32. | :23:37. | |
been forever thinking what if if we had not made the move. | :23:37. | :23:42. | |
Jade, what do you think of it? love it. Everyone is great. You | :23:42. | :23:46. | |
don't feel like an outer. You don't have a regret to what row | :23:46. | :23:51. | |
have done? No. Not at all. You, Sarah? I miss my family, but | :23:51. | :23:57. | |
still, I would not go back down south. Now a British movie with a | :23:57. | :24:02. | |
�5 million budget is being filmed right here on Fetlar. That could be | :24:02. | :24:08. | |
its chance to put itself on the map. The film is a drama about a remote | :24:08. | :24:13. | |
island life. The producers are here holding auditions for the movie, | :24:13. | :24:16. | |
attracting folk from Fetlar and across the Shetlands. | :24:16. | :24:23. | |
What is the storey about? The story was ready to go, without a location. | :24:23. | :24:27. | |
I was waiting for a plane to Aberdeen. I looked up and there was | :24:27. | :24:32. | |
a BBC programme on. It was the Shetlands. I thought this was where | :24:32. | :24:36. | |
the movie had to be set. It was not long before a few | :24:36. | :24:39. | |
familiar Fetlar faces had to face the panel too. | :24:39. | :24:44. | |
You have gone greater, it suits you. You look the same, you do, you look | :24:44. | :24:48. | |
great. I have had my life put on hold for | :24:48. | :24:54. | |
ten years, it that make these sound bitter, then I am sorry. | :24:54. | :25:02. | |
I'm not going to argue with you! Not as nervus as I thought I might | :25:02. | :25:09. | |
be. Do you think you have it? Optimism! Yes, for sure! Whether I | :25:09. | :25:14. | |
get the part or not is eril vent. This film will be good for the | :25:14. | :25:21. | |
island. Back inside the auditions were | :25:21. | :25:28. | |
hotting up. With one role especially for man's own special | :25:28. | :25:33. | |
friend. What do you have about you that is | :25:33. | :25:41. | |
special? He eats. Eats a lot. the panel had spotted who is top | :25:41. | :25:49. | |
dog here... OK, Byron, you are in! If a dog can get a part, then why | :25:49. | :25:55. | |
not me?! I think they have given you the wrong outfit! Take it in | :25:55. | :25:59. | |
your own time. The lure of money, ambition and | :25:59. | :26:03. | |
success has slowly drained the lifeblood of this island, Fetlar. | :26:03. | :26:09. | |
Although, with the arrival of you good people, that blood will once | :26:10. | :26:14. | |
again course through. Veins of Fetlar. | :26:14. | :26:19. | |
That was terrific. But I won't be needing this, will | :26:19. | :26:22. | |
I? The experience of coming to Fetlar is one that I shall always | :26:22. | :26:27. | |
remember. I have learned to appreciate the tranquility and | :26:27. | :26:31. | |
lifestyle here and you never know, this city boy may well be coming | :26:31. | :26:40. | |
back soon. Thank you very much, Dom. You know | :26:40. | :26:45. | |
I think that I will be looking back here and coming back too. Looking | :26:45. | :26:50. |