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Welcome to The One Show: Best of Britain. With Alison Craig. | 0:00:02 | 0:00:04 | |
And Mike Dilger. | 0:00:04 | 0:00:05 | |
With another chance to see some of our favourite One Show films. | 0:00:05 | 0:00:10 | |
Today, we are in the place that claims to be both the sunniest | 0:00:21 | 0:00:24 | |
and driest in the whole of the UK. | 0:00:24 | 0:00:26 | |
Hence waterproofs head to toe. | 0:00:26 | 0:00:29 | |
-We're not in Torquay. -No, we're not. | 0:00:29 | 0:00:31 | |
It's a university town, whose seat of learning is 600 years old. | 0:00:31 | 0:00:35 | |
-It's not Oxford and it's not Cambridge. -It certainly isn't. | 0:00:35 | 0:00:38 | |
It also has the oldest golf course in the world. | 0:00:38 | 0:00:42 | |
We are in St Andrews, one of my favourite places in Scotland, | 0:00:42 | 0:00:45 | |
where, frankly, everything's ancient! | 0:00:45 | 0:00:48 | |
-No offence, Mike! -None taken! | 0:00:48 | 0:00:50 | |
On tonight's show, we go back to prehistoric times, | 0:00:50 | 0:00:53 | |
with Ruth Goodman, who unearthed a lost civilisation in Orkney! | 0:00:53 | 0:00:58 | |
There is a burial of two ladies under that bed. | 0:00:58 | 0:01:02 | |
Not only that, but the door here can be controlled from the outside. | 0:01:02 | 0:01:06 | |
So, you could actually be closed in this house. | 0:01:06 | 0:01:10 | |
This might be some form of cult house | 0:01:10 | 0:01:11 | |
or a place where dangerous things happen. | 0:01:11 | 0:01:14 | |
And Miranda heads to the Cairngorms, | 0:01:14 | 0:01:16 | |
on the trail of the majestic Golden Eagle. | 0:01:16 | 0:01:20 | |
-He looks like he's claimed your eyrie. -I think he has! -He looks comfortable there. | 0:01:20 | 0:01:23 | |
And don't miss Londoner Danny Baker's moving and hilarious journey | 0:01:23 | 0:01:28 | |
back to his childhood home. As long as someone lets him in! | 0:01:28 | 0:01:31 | |
There you go. My very first flat. | 0:01:31 | 0:01:34 | |
11 Debnams Road, right next to the stairs and the rubbish chute. | 0:01:34 | 0:01:37 | |
When we used to play football in this actual square, all the neighbours, | 0:01:37 | 0:01:41 | |
when it got dark, would turn on their bathroom lights to give us flood lights. | 0:01:41 | 0:01:44 | |
But first, John Sergeant remembers a remarkable family business | 0:01:44 | 0:01:48 | |
who have kept the light shining in the dark | 0:01:48 | 0:01:51 | |
for the last 200 years. | 0:01:51 | 0:01:53 | |
The rugged Scottish coastline has inspired countless | 0:01:57 | 0:02:00 | |
tales of high drama. | 0:02:00 | 0:02:02 | |
Many dreamt up by the author of Treasure Island, | 0:02:02 | 0:02:05 | |
Robert Louis Stevenson. | 0:02:05 | 0:02:06 | |
But members of Stevenson's family, | 0:02:06 | 0:02:08 | |
including his father, | 0:02:08 | 0:02:10 | |
did more than dream of this coastline. | 0:02:10 | 0:02:12 | |
They transformed it, | 0:02:12 | 0:02:14 | |
building more than 200 lighthouses. | 0:02:14 | 0:02:16 | |
"When I smell saltwater", he wrote, | 0:02:19 | 0:02:21 | |
"I know that I am not far | 0:02:21 | 0:02:23 | |
"from one of the works of my ancestors. | 0:02:23 | 0:02:25 | |
"When the lights come out at sundown | 0:02:25 | 0:02:27 | |
"along the shores of Scotland, I am proud to think | 0:02:27 | 0:02:30 | |
"they burn more brightly | 0:02:30 | 0:02:32 | |
"for the genius of my father." | 0:02:32 | 0:02:34 | |
They were an extraordinarily ingenious family. | 0:02:34 | 0:02:38 | |
No matter how inaccessible a site was, | 0:02:38 | 0:02:40 | |
if a lighthouse was needed, | 0:02:40 | 0:02:42 | |
they built it. | 0:02:42 | 0:02:43 | |
I'm on my way to see one of their earliest lighthouses, | 0:02:43 | 0:02:46 | |
on Isle of May in the Firth of Forth. | 0:02:46 | 0:02:49 | |
With me is Dr Robert Prescott from St Andrews University. | 0:02:49 | 0:02:53 | |
He has charted the introduction of lighthouses | 0:02:53 | 0:02:55 | |
along this treacherous coast. | 0:02:55 | 0:02:57 | |
So, how many wrecks do we know that there were | 0:02:57 | 0:02:59 | |
around the Scottish coast? | 0:02:59 | 0:03:01 | |
Around the Scottish coast, it would be many thousands. | 0:03:01 | 0:03:03 | |
So, lighthouses were brought in, | 0:03:03 | 0:03:05 | |
was that to save life, or was it to save cargo? | 0:03:05 | 0:03:08 | |
I think it's always a question of lives and property. | 0:03:08 | 0:03:12 | |
It's the two things together. A vessel that has a crew of 30, maybe, | 0:03:12 | 0:03:16 | |
would have hundreds of pounds of cargo on board. | 0:03:16 | 0:03:18 | |
Lighthouse building really took off in 1808, | 0:03:22 | 0:03:25 | |
when Robert Louis Stevenson's grandfather, also called Robert, | 0:03:25 | 0:03:29 | |
became engineer and chief executive of the Northern Lighthouse Board. | 0:03:29 | 0:03:34 | |
The Isle of May lighthouse is one of his earliest | 0:03:34 | 0:03:37 | |
and it's a masterpiece. | 0:03:37 | 0:03:39 | |
He had space, most rock towers are built on very skimpy pieces of rock | 0:03:39 | 0:03:43 | |
that are perhaps covered by the high tide, | 0:03:43 | 0:03:45 | |
but here he had the room and the space to spread himself. | 0:03:45 | 0:03:49 | |
I don't think there's another lighthouse like this anywhere in Britain. | 0:03:49 | 0:03:53 | |
Not quite so grand. It's like a country house, really, isn't it? | 0:03:53 | 0:03:56 | |
How much of a pioneer was Robert Stevenson? | 0:03:56 | 0:03:58 | |
Well, he was a very considerable pioneer. | 0:03:58 | 0:04:01 | |
No-one prior to him would have dreamed | 0:04:01 | 0:04:03 | |
of trying to put a light tower on the Bell Rock. | 0:04:03 | 0:04:06 | |
A rock that is submerged most of the time | 0:04:06 | 0:04:10 | |
and just appears for an hour or two at low tide | 0:04:10 | 0:04:13 | |
and is in the fiercest and most exposed locations. | 0:04:13 | 0:04:15 | |
So, the ability to build a tower | 0:04:15 | 0:04:17 | |
that's strong enough to cope with those situations, he perfected it. | 0:04:17 | 0:04:20 | |
Robert Stevenson retired in 1842. | 0:04:20 | 0:04:23 | |
Then, there were three more generations of Stevensons | 0:04:23 | 0:04:27 | |
working in the Scottish lighthouse industry. | 0:04:27 | 0:04:29 | |
It wasn't until 1938 | 0:04:29 | 0:04:32 | |
that the last Stevenson finally retired as chief engineer. | 0:04:32 | 0:04:36 | |
It's an amazing record. | 0:04:36 | 0:04:38 | |
Wherever you go round the Scottish coast, | 0:04:41 | 0:04:43 | |
you're not far from a Stevenson lighthouse. | 0:04:43 | 0:04:46 | |
Bob McIntosh has visited most of them. | 0:04:46 | 0:04:50 | |
He built 200 lighthouses around the coast of Scotland, 100 like Scurdie Ness here | 0:04:50 | 0:04:55 | |
and 100 smaller lights. | 0:04:55 | 0:04:57 | |
It's something which the mariners around the coast of Scotland | 0:04:57 | 0:05:00 | |
have been very grateful for. | 0:05:00 | 0:05:01 | |
These lighthouses have stood the test of time. | 0:05:01 | 0:05:04 | |
Most are still in use, but with modern technology. | 0:05:04 | 0:05:08 | |
-When was this built? -This lighthouse was built in 1870. | 0:05:08 | 0:05:12 | |
And no lift, so we've got to go all the way up, haven't we, on the stairs? | 0:05:12 | 0:05:15 | |
-Yes, there's 170 steps right to the top. -170? -Mm. | 0:05:15 | 0:05:20 | |
The Stevenson lighthouses are impressive structures. | 0:05:20 | 0:05:24 | |
They've endured decades of storms, fierce winds and heavy seas, | 0:05:24 | 0:05:28 | |
and remarkably, they're all still standing. | 0:05:28 | 0:05:31 | |
It's a real tribute to the men who built them. | 0:05:31 | 0:05:34 | |
Right, well, here we are at the top of the lighthouse, | 0:05:34 | 0:05:36 | |
and this is the light, isn't it? | 0:05:36 | 0:05:38 | |
Yeah, this is the modern technology, with the car headlight-type lenses. | 0:05:38 | 0:05:43 | |
We have three levels, which gives us the equivalent of three flashes. | 0:05:43 | 0:05:47 | |
We've used the original structure with some minor modification inside | 0:05:47 | 0:05:52 | |
and the modern technology gives us a better, brighter light. | 0:05:52 | 0:05:55 | |
But otherwise, the structure of the lighthouse is exactly the same | 0:05:55 | 0:05:59 | |
-as it was at the end of the 19th century. -Exactly, yes. | 0:05:59 | 0:06:02 | |
The lighthouse Stevenson's were remarkable men. | 0:06:02 | 0:06:06 | |
Their ideas spread worldwide and they became legendary figures. | 0:06:06 | 0:06:10 | |
These Stevenson lighthouses are not just marvels of the Victorian age. | 0:06:10 | 0:06:14 | |
Here in the 21st-century, they still stand looking magnificent and proud | 0:06:14 | 0:06:20 | |
and long may they do so. | 0:06:20 | 0:06:23 | |
Well, St Andrews doesn't have a lighthouse, | 0:06:25 | 0:06:28 | |
but at 108 feet, Saint Rule's tower is still a pretty steep climb. | 0:06:28 | 0:06:31 | |
It is. It's part of St Andrews' Cathedral, | 0:06:31 | 0:06:34 | |
and from the very top you get a panoramic view of what's beyond. | 0:06:34 | 0:06:37 | |
It's lovely - we've got the North Sea down here. | 0:06:37 | 0:06:39 | |
Across here we've got St Andrews itself and then, | 0:06:39 | 0:06:42 | |
follow us over here, we've got the hills and countryside and beyond, | 0:06:42 | 0:06:45 | |
and by my reckoning, | 0:06:45 | 0:06:47 | |
you could see the Cairngorms National Park from up here. | 0:06:47 | 0:06:50 | |
Well, if we had the Hubble telescope that is, | 0:06:50 | 0:06:52 | |
but that's exactly where we're heading next with Miranda, | 0:06:52 | 0:06:56 | |
who went to meet a conservation hero | 0:06:56 | 0:06:58 | |
who is keeping tabs on our precious golden eagles. | 0:06:58 | 0:07:01 | |
The golden eagle is Britain's most iconic raptor. | 0:07:01 | 0:07:04 | |
But our relationship with this majestic bird | 0:07:04 | 0:07:08 | |
has been a rocky one in the past. | 0:07:08 | 0:07:10 | |
Persecuted for taking livestock, | 0:07:10 | 0:07:12 | |
the population collapsed in the mid-19th century | 0:07:12 | 0:07:15 | |
and they were entirely wiped out in England and Wales. | 0:07:15 | 0:07:18 | |
Nowadays we're very good at protecting adult nest sites, | 0:07:18 | 0:07:22 | |
but how do we safeguard the young birds | 0:07:22 | 0:07:25 | |
when they have no fixed territories of their own? | 0:07:25 | 0:07:27 | |
Until couple of years ago, we had no idea of where | 0:07:27 | 0:07:31 | |
or how far they ranged, but all that's begun to change. | 0:07:31 | 0:07:34 | |
Roy Dennis has been working with Scotland's | 0:07:34 | 0:07:37 | |
400-plus breeding pairs of golden eagles since the 1980s. | 0:07:37 | 0:07:42 | |
He started tagging birds on the Glen Feshie estate | 0:07:42 | 0:07:45 | |
in the Cairngorms two years ago. | 0:07:45 | 0:07:47 | |
The first chick he tagged was Alma. | 0:07:47 | 0:07:49 | |
Last year he also tagged a chick on the eastern side of the Cairngorms called Tom. | 0:07:49 | 0:07:54 | |
So this is the heart of the project, basically. | 0:07:54 | 0:07:56 | |
This is the satellite tag that goes on the back of the eagle. | 0:07:56 | 0:07:59 | |
-It's incredibly light, isn't it? -Mm. | 0:07:59 | 0:08:01 | |
They're 70g and every hour it works out where the eagle is, | 0:08:01 | 0:08:05 | |
if it's flying, how fast it's flying, | 0:08:05 | 0:08:08 | |
the direction it's flying and the altitude. | 0:08:08 | 0:08:10 | |
From this, we know where Tom was last night. | 0:08:10 | 0:08:13 | |
Yeah, I can be certain that I can show you the wood where Tom is | 0:08:13 | 0:08:16 | |
and we could probably... We may even find the tree he was sitting in. | 0:08:16 | 0:08:20 | |
-OK, let's go. -OK. | 0:08:20 | 0:08:23 | |
Many Highland estates are overgrazed by red deer, | 0:08:24 | 0:08:28 | |
but at Glen Feshie their numbers have been kept low | 0:08:28 | 0:08:31 | |
so heather, trees and shrubs are flourishing. | 0:08:31 | 0:08:33 | |
So, too, are mountain hare and grouse, | 0:08:33 | 0:08:36 | |
which attract young eagles looking for food. | 0:08:36 | 0:08:39 | |
See on the hilltop there, that, kind of, patchwork of heather? | 0:08:39 | 0:08:42 | |
That's where John and his colleagues are burning heather. | 0:08:42 | 0:08:46 | |
Some of the heather is old heather where the grouse nest, | 0:08:46 | 0:08:49 | |
and some is new where the grouse feeds. | 0:08:49 | 0:08:52 | |
We've gone as far as we can in the Land Rover, | 0:08:52 | 0:08:55 | |
so now we have to head to the bottom of the wood on foot | 0:08:55 | 0:08:58 | |
trying to find any sign of Tom. | 0:08:58 | 0:09:00 | |
We are looking for a bare branch or a broken tree. | 0:09:00 | 0:09:04 | |
-They like a nice vantage point, do they? -Yes. | 0:09:06 | 0:09:08 | |
Right, we've just seen some bird poo so we've stopped to have a look. | 0:09:08 | 0:09:12 | |
The bird that does do droppings like that is a bird called the goshawk. | 0:09:12 | 0:09:16 | |
But that's projected quite a long way! | 0:09:16 | 0:09:18 | |
-It's not your average pigeon, is it? -No, no, no. That's a bird of prey. | 0:09:18 | 0:09:22 | |
Right on target, Roy spots a bare branch. | 0:09:25 | 0:09:27 | |
It's an eagle roost and one he hasn't seen before. | 0:09:27 | 0:09:30 | |
So that's where he was? That's where Tom was last night, roosting? | 0:09:30 | 0:09:35 | |
We can see the marks on the tree where his talons have... | 0:09:35 | 0:09:38 | |
Hang on, Roy has found something over there. Let's join him. | 0:09:38 | 0:09:41 | |
I reckon this is a grouse that's been eaten by an eagle. | 0:09:41 | 0:09:44 | |
And what on earth is that? | 0:09:44 | 0:09:47 | |
That is the gizzard of the grouse where it chews up the vegetation. | 0:09:48 | 0:09:52 | |
So, you've got the grouse's last meal there | 0:09:52 | 0:09:54 | |
and then the eagle's last meal here. | 0:09:54 | 0:09:57 | |
Tom's next satellite readings | 0:09:57 | 0:09:59 | |
would show us he was only two miles to the south | 0:09:59 | 0:10:02 | |
while we were picking over his leftovers. | 0:10:02 | 0:10:04 | |
Day by day, eagle satellite data is building up the evidence needed | 0:10:05 | 0:10:09 | |
to show landowners they can manage their estates | 0:10:09 | 0:10:11 | |
for wildlife as well as game. | 0:10:11 | 0:10:14 | |
And in a neighbouring valley, children at the Alvie primary school | 0:10:14 | 0:10:17 | |
have also been using Roy's satellite data | 0:10:17 | 0:10:21 | |
to follow Tom and Alma on a website. | 0:10:21 | 0:10:23 | |
We've been learning what its habits are. | 0:10:23 | 0:10:26 | |
We've gone on field trips to find stuff. | 0:10:26 | 0:10:29 | |
It's, like, amazing to see a real golden eagle. | 0:10:29 | 0:10:31 | |
The children have built a golden eagle nest, or eyrie, | 0:10:31 | 0:10:35 | |
with Roy Dennis and Highland Council Ranger Duncan McDonald | 0:10:35 | 0:10:38 | |
who's given them the very rare chance to come face-to-face with an adult bird. | 0:10:38 | 0:10:42 | |
-Quince looks like he's claimed your eyrie then. -I think he has. | 0:10:42 | 0:10:45 | |
He looks very comfortable there. | 0:10:45 | 0:10:47 | |
These kids have obviously got very passionate | 0:10:47 | 0:10:50 | |
about the two eagles, Tom and Alma. | 0:10:50 | 0:10:52 | |
Having Roy's website there to be able to track them | 0:10:52 | 0:10:55 | |
on a day-to-day basis has really brought these eagles alive | 0:10:55 | 0:10:59 | |
to the children and they've thoroughly engaged with that. | 0:10:59 | 0:11:02 | |
It's been hugely successful. | 0:11:02 | 0:11:05 | |
Roy's satellite tagging project | 0:11:05 | 0:11:07 | |
has found a way to help connect the landowners and communities | 0:11:07 | 0:11:12 | |
with a magnificent animal that is normally so shy of human contact. | 0:11:12 | 0:11:17 | |
Well, that was back in 2009 and since that film was made | 0:11:17 | 0:11:22 | |
Alma, the two-year-old golden eagle, was tragically found dead. | 0:11:22 | 0:11:25 | |
She had been deliberately poisoned and to date, no arrests have been made. | 0:11:25 | 0:11:30 | |
Tom, the other golden eagle, went missing last year | 0:11:30 | 0:11:33 | |
and unfortunately there has been no sign of him since, | 0:11:33 | 0:11:36 | |
but the good news is there are now 11 eagles with satellite tags | 0:11:36 | 0:11:40 | |
and Roy has been amazed by the huge distances some of these birds are covering. | 0:11:40 | 0:11:44 | |
Roy is also optimistic that the project | 0:11:44 | 0:11:46 | |
is helping people to understand how this magnificent bird lives | 0:11:46 | 0:11:50 | |
and he believes this is helping the battle to protect them. | 0:11:50 | 0:11:53 | |
Now, although St Andrews Castle is a ruin, | 0:11:56 | 0:11:59 | |
there is still a place here fit for a king, albeit a future one. | 0:11:59 | 0:12:03 | |
Yes, this is the street and indeed the house | 0:12:03 | 0:12:05 | |
where Prince William and Kate shacked up together | 0:12:05 | 0:12:08 | |
whilst they were at university. | 0:12:08 | 0:12:10 | |
It's surprisingly low-key and understated, isn't it? | 0:12:10 | 0:12:13 | |
Which is precisely why I bought this. | 0:12:13 | 0:12:15 | |
-I think we should mark the spot. -Go for it. | 0:12:15 | 0:12:18 | |
Somewhere else that deserves a blue plaque is the childhood home | 0:12:18 | 0:12:22 | |
of the legendary broadcaster Danny Baker, | 0:12:22 | 0:12:24 | |
although they'll have to be quick | 0:12:24 | 0:12:26 | |
because by all accounts it's not going to be there much longer. | 0:12:26 | 0:12:29 | |
I'm Danny Baker and I'm going back to the street where I used to live. | 0:12:33 | 0:12:36 | |
It's been abandoned, sealed off and boarded up for years now. | 0:12:40 | 0:12:44 | |
But today I've been allowed special access. | 0:12:45 | 0:12:48 | |
There you go. Very first flat. 11 Debnams Road. | 0:12:51 | 0:12:54 | |
Right next to the stairs and the rubbish chute. | 0:12:54 | 0:12:56 | |
When we used to play football in this actual square, | 0:12:56 | 0:12:59 | |
all the neighbours, when it got dark, | 0:12:59 | 0:13:01 | |
would turn on their bathroom lights to give us floodlights. | 0:13:01 | 0:13:04 | |
Yeah, I've still got it. I've still got it. | 0:13:12 | 0:13:15 | |
Incredibly, I left school at 14 and I went to work in a record shop. | 0:13:20 | 0:13:25 | |
You know, I was pretty liberal with the stock | 0:13:25 | 0:13:28 | |
and there was a stack of them in my bedroom, | 0:13:28 | 0:13:31 | |
but my albums started to make the front room ceiling | 0:13:31 | 0:13:33 | |
actually bend a bit like this. It was a sturdy old flat, so it shows you how many records I had. | 0:13:33 | 0:13:38 | |
The kids who lived on the higher floors, | 0:13:40 | 0:13:42 | |
if the ice cream man came round or anything else | 0:13:42 | 0:13:44 | |
this is what they would yell, "Mu-u-um. Mu-u-um." | 0:13:44 | 0:13:47 | |
And suppose it's, I don't know, Jimmy Knight, | 0:13:47 | 0:13:49 | |
"Jimmy Knight's mu-u-um," to identify them from all the other mums, | 0:13:49 | 0:13:52 | |
and she used to come out, "What do you want?" Looking down. | 0:13:52 | 0:13:55 | |
"Ice cream man's here," "Wait there," | 0:13:55 | 0:13:56 | |
go in, get money, put it in paper, a bit of newspaper, | 0:13:56 | 0:13:59 | |
and drop it over the balcony - donk - into the square. | 0:13:59 | 0:14:01 | |
And then you'd pick that up and go and get the thing, | 0:14:01 | 0:14:03 | |
but you had to identify, "Mu-u-m! "Eddie Gregory's mu-u-um!" | 0:14:03 | 0:14:08 | |
I didn't have to. We lived on the ground floor. | 0:14:08 | 0:14:10 | |
There was no numbers 1 to 10 Debnams Road. It started at 11. | 0:14:18 | 0:14:21 | |
Odd numbers all the way through, and we were the very first one | 0:14:21 | 0:14:24 | |
and we backed on to the railway. | 0:14:24 | 0:14:26 | |
I don't remember hearing it. You just simply filtered it out. | 0:14:26 | 0:14:29 | |
It's like coming down here today - | 0:14:29 | 0:14:31 | |
there's a load of noise, but I can't hear it. | 0:14:31 | 0:14:34 | |
I come round here and I just can't hear it. | 0:14:34 | 0:14:36 | |
We had a dog. He was a black mongrel called, imaginatively, Blackie. | 0:14:43 | 0:14:47 | |
We used to come, open the letterbox and say, "Come on, boy," | 0:14:47 | 0:14:49 | |
and he used to walk up, put his paw on the thing | 0:14:49 | 0:14:51 | |
and then walk backwards and let us in the house. | 0:14:51 | 0:14:53 | |
He'd run around the estate and when he came back, | 0:14:53 | 0:14:56 | |
he would knock at the door. Knock. Knock, knock. | 0:14:56 | 0:14:59 | |
Sit with his paws up, just knocking the letterbox with his nose. | 0:14:59 | 0:15:01 | |
We thought nothing of this at the time. | 0:15:01 | 0:15:03 | |
Nobody believes us now, but our dog was a genius. | 0:15:03 | 0:15:06 | |
My dad was a docker. He used to bring home quite a lot of stuff out the docks, actually. | 0:15:08 | 0:15:12 | |
One of the things they exported was shoes. | 0:15:12 | 0:15:14 | |
And so much stuff was disappearing that eventually | 0:15:14 | 0:15:16 | |
they decided to export left shoes out of London | 0:15:16 | 0:15:18 | |
and the right shoes out of Liverpool so they couldn't get pairs. | 0:15:18 | 0:15:21 | |
That's absolutely true! | 0:15:21 | 0:15:22 | |
Whatever moderate level of fame I reached, it will never reach my old man. | 0:15:23 | 0:15:26 | |
We used to go down the road and somebody would go, honk, honk, "Oi, oi!" | 0:15:26 | 0:15:29 | |
It wouldn't be for me - it would always be my old man. They called him Spud. | 0:15:29 | 0:15:33 | |
He was an extraordinary, very funny, very, very larger-than-life, | 0:15:33 | 0:15:37 | |
and very physical, my old man. | 0:15:37 | 0:15:39 | |
My mum worked in a chocolate factory like Willy Wonka. | 0:15:40 | 0:15:43 | |
And I remember - and this sounds like a fetish - | 0:15:43 | 0:15:45 | |
I used to get her Doctor Scholl sandal and smell the sole of it | 0:15:45 | 0:15:48 | |
because it smelled so terrific of all this chocolate, | 0:15:48 | 0:15:51 | |
and I can remember sitting smelling this and, "What are you...? | 0:15:51 | 0:15:54 | |
"Don't do that with my bleeding shoe. Give us it back." | 0:15:54 | 0:15:57 | |
Can you notice this slight reddening in my cheeks? | 0:15:59 | 0:16:03 | |
The stairs were popular for courting couples. | 0:16:03 | 0:16:07 | |
And, uh, I did OK. | 0:16:07 | 0:16:10 | |
I'm not nostalgic about it at all. | 0:16:13 | 0:16:15 | |
I think we had the best of it, they should knock it down. | 0:16:15 | 0:16:18 | |
It's an old ruin, but while it's physically here | 0:16:18 | 0:16:22 | |
it wouldn't surprise me to hear someone come bursting out | 0:16:22 | 0:16:24 | |
from these steel shutters going, "Mu-u-um! Mu-u-um!" | 0:16:24 | 0:16:27 | |
# You haven't looked at me | 0:16:32 | 0:16:34 | |
# That way in years | 0:16:34 | 0:16:39 | |
# But I'm still here. # | 0:16:39 | 0:16:47 | |
Danny Baker, a man who certainly has a way with words. | 0:16:48 | 0:16:52 | |
Now, Alison, it's only rained a little bit today, | 0:16:52 | 0:16:55 | |
but we haven't exactly seen a lot of sun either. | 0:16:55 | 0:16:57 | |
Stop moaning, Mike. | 0:16:57 | 0:16:59 | |
Do you not realise you're on the West Sands beach, | 0:16:59 | 0:17:01 | |
iconic for the opening scenes of Chariots Of Fire? | 0:17:01 | 0:17:04 | |
Ah, yes. Team GB training for the 1924 Paris Olympics | 0:17:04 | 0:17:09 | |
running barefoot on the sand to the sounds of Vangelis. | 0:17:09 | 0:17:13 | |
MUSIC: "Chariots Of Fire" by Vangelis | 0:17:13 | 0:17:15 | |
Yes, it's all coming back now. | 0:17:20 | 0:17:22 | |
Well, speaking of the Olympics, you know the Olympic torch | 0:17:22 | 0:17:25 | |
is in the middle of its epic journey right through every nook and cranny in the country | 0:17:25 | 0:17:29 | |
and it's already been through St Andrews. | 0:17:29 | 0:17:32 | |
But as British Para-Olympian Ade Adepitan reports, | 0:17:32 | 0:17:35 | |
the last time the Olympics were held here the message of peace and unity | 0:17:35 | 0:17:38 | |
had an extra special meaning. | 0:17:38 | 0:17:40 | |
In 1948, as the torch arrived in Britain, | 0:17:45 | 0:17:49 | |
it marked the unification of European nations | 0:17:49 | 0:17:51 | |
after the turmoil of World War II. | 0:17:51 | 0:17:53 | |
All through the night the flame was carried by relays of Englishmen, | 0:17:54 | 0:17:58 | |
and by Thursday morning, still accompanied by television newsreel, | 0:17:58 | 0:18:01 | |
it had reached the outskirts of London. | 0:18:01 | 0:18:04 | |
The 178 British athletes that completed the 364-mile torch relay race | 0:18:04 | 0:18:09 | |
from Dover to Wembley for the opening ceremony | 0:18:09 | 0:18:12 | |
and then down to Torquay for the sailing regatta | 0:18:12 | 0:18:15 | |
were everyday village men. In fact, they were just a fortunate few | 0:18:15 | 0:18:19 | |
that were picked from local athletics clubs. | 0:18:19 | 0:18:21 | |
'One of those men was Frank Verge.' | 0:18:23 | 0:18:26 | |
The committee decided to put on an eight-mile race | 0:18:26 | 0:18:29 | |
and the winner was to carry this. | 0:18:29 | 0:18:31 | |
So where are we exactly, Frank? | 0:18:31 | 0:18:33 | |
This is where my leg started and it went for two miles | 0:18:33 | 0:18:37 | |
through Borough Green to the Cob Tree in Ightham. | 0:18:37 | 0:18:40 | |
We were allowed six minutes for a mile. | 0:18:40 | 0:18:42 | |
It was 4.05 in the morning | 0:18:42 | 0:18:46 | |
and the flame appeared in the distance | 0:18:46 | 0:18:50 | |
and it came towards us and we exchanged the flame | 0:18:50 | 0:18:53 | |
and then I was on my way. | 0:18:53 | 0:18:56 | |
We've got 12 minutes to do this in, Frank. Are you ready? | 0:18:57 | 0:19:00 | |
-Yeah, I'm ready. You'll beat me in that. -THEY LAUGH | 0:19:00 | 0:19:04 | |
How did you feel when you got to the end? | 0:19:04 | 0:19:06 | |
I was right on top of the world. | 0:19:06 | 0:19:08 | |
And then I handed the flame over, which was quite happy, | 0:19:08 | 0:19:12 | |
and I must confess I felt almost lonely for a little while. | 0:19:12 | 0:19:17 | |
But after that, I never saw any of them again. | 0:19:17 | 0:19:21 | |
Never heard of them again. | 0:19:21 | 0:19:23 | |
Austin Playfoot ran the Surrey leg from Merrow to Guildford. | 0:19:25 | 0:19:30 | |
When I carried this, | 0:19:30 | 0:19:31 | |
the course into Guildford was absolutely lined with people | 0:19:31 | 0:19:35 | |
on both sides with cars parked, and people even were standing on their cars cheering | 0:19:35 | 0:19:40 | |
and it was terrific. And people were asking me to sign autographs. | 0:19:40 | 0:19:43 | |
"Crikey, they want my name?" | 0:19:43 | 0:19:47 | |
Where did you start your run from...? | 0:19:47 | 0:19:49 | |
-Right under the sign of the Horse And Groom. -Superb. | 0:19:49 | 0:19:51 | |
Well, shall we get going? We've got 30 seconds to make up, haven't we? | 0:19:51 | 0:19:54 | |
-Well, 1.9 miles. We better get going now, yeah. -THEY LAUGH | 0:19:54 | 0:19:58 | |
Now, the guy you passed the torch on to. | 0:20:01 | 0:20:03 | |
Did you get to talk to him at all? | 0:20:03 | 0:20:05 | |
Not really, because there were so many people | 0:20:05 | 0:20:07 | |
jostling and pushing and shoving | 0:20:07 | 0:20:10 | |
and the moment he lit his torch, he was away. | 0:20:10 | 0:20:13 | |
How important was carrying the Olympic torch for you in your life? | 0:20:13 | 0:20:17 | |
Yeah, I think that stands as a highlight for my career, yeah. For my life, yeah. | 0:20:17 | 0:20:23 | |
It seems both Austin and Frank's experience was common. | 0:20:23 | 0:20:27 | |
Many of the runners had never met each other... | 0:20:27 | 0:20:30 | |
until now. | 0:20:30 | 0:20:32 | |
-Hello there. -Hello. -My name's Frank. Frank Verge. | 0:20:32 | 0:20:36 | |
My name's Austin Playfoot. | 0:20:36 | 0:20:38 | |
Ah, hello. | 0:20:38 | 0:20:41 | |
Touche. | 0:20:41 | 0:20:42 | |
Good afternoon. I'm John Barrett from Deal in Kent. | 0:20:42 | 0:20:45 | |
-Oh, here's another one. -Good heavens. | 0:20:45 | 0:20:48 | |
I was running on the leg from Wembley to Torquay. | 0:20:48 | 0:20:52 | |
Why don't we put all our torches in the middle | 0:20:52 | 0:20:54 | |
and simulate relighting them again? | 0:20:54 | 0:20:57 | |
Yes, why not? | 0:20:57 | 0:20:59 | |
Yeah, it's a great feeling. | 0:20:59 | 0:21:01 | |
It's a unique situation. Absolutely fabulous. | 0:21:01 | 0:21:04 | |
And we'll never be able to do it again. | 0:21:04 | 0:21:06 | |
Well, I'm hoping next year. Come on. | 0:21:06 | 0:21:08 | |
THEY LAUGH | 0:21:08 | 0:21:11 | |
I can't quite believe I'm playing here | 0:21:11 | 0:21:13 | |
and walking over the Swilcan Bridge. | 0:21:13 | 0:21:16 | |
This is the old course at St Andrews and, Alison, | 0:21:16 | 0:21:18 | |
probably the world's most famous 18th hole. | 0:21:18 | 0:21:22 | |
I would think so, and actually it's a public course. | 0:21:22 | 0:21:25 | |
There are seven links courses in St Andrews and you don't need to be a member to play. | 0:21:25 | 0:21:28 | |
You do need to be organised - you can't just pitch up and play. | 0:21:28 | 0:21:31 | |
-You have to book quite well in advance. -Oh, of course you do. | 0:21:31 | 0:21:34 | |
And that's because of an ancient charter that dictated | 0:21:34 | 0:21:36 | |
the townsfolk could play golf on the links | 0:21:36 | 0:21:39 | |
and it proved so popular that James II in 1457 | 0:21:39 | 0:21:43 | |
had to ban the game because it was diverting | 0:21:43 | 0:21:47 | |
too much attention away from archery. | 0:21:47 | 0:21:50 | |
Good shot, sir. | 0:21:50 | 0:21:52 | |
Well, we're joined by Alasdair McDougall who's 15 years of age | 0:21:52 | 0:21:55 | |
and is a member of St Andrews here, and he plays with a handicap of two. | 0:21:55 | 0:21:58 | |
Now, for those of you that don't know golf, that, frankly, | 0:21:58 | 0:22:01 | |
is absolutely astonishing. What's it like being a member here? | 0:22:01 | 0:22:04 | |
Oh, to play in St Andrews is just phenomenal. | 0:22:04 | 0:22:06 | |
We've got great facilities here, | 0:22:06 | 0:22:08 | |
the opportunity we have is just unreal. | 0:22:08 | 0:22:10 | |
The support we get from the coaches is just amazing. | 0:22:10 | 0:22:14 | |
It's a great opportunity to become the best golfer you can, just to have fun. | 0:22:14 | 0:22:18 | |
-Best score? -Best score here? One over, I think. | 0:22:18 | 0:22:21 | |
-73? -Phenomenal. | 0:22:21 | 0:22:24 | |
So, looking at the golf stars of today, who's your icon? | 0:22:24 | 0:22:27 | |
-Who do you want to be? -Well, I'd like to say Tiger Woods. | 0:22:27 | 0:22:29 | |
I think he's a great guy, but my parents, my grandparents, | 0:22:29 | 0:22:32 | |
really just don't like him, so I have to say Luke Donald. | 0:22:32 | 0:22:37 | |
-Keep everybody happy. -Keep everybody happy. | 0:22:37 | 0:22:39 | |
I'm more of a Rory McIlroy man myself. | 0:22:39 | 0:22:42 | |
One thing I've always wanted to know is why there are 18 holes in golf. | 0:22:42 | 0:22:45 | |
Well, around St Andrews there used to be 22 holes - | 0:22:45 | 0:22:49 | |
11 out and 11 in - and the first four holes, they were too short, | 0:22:49 | 0:22:53 | |
so they decided to cut them down to two holes | 0:22:53 | 0:22:55 | |
and then it had to be equal front nine, equal back nine, | 0:22:55 | 0:22:58 | |
so they decided to cut the last four holes to two | 0:22:58 | 0:23:02 | |
so that takes four off of 22 for 18 holes. | 0:23:02 | 0:23:04 | |
And there we go, and, of course, where Saint Andrew's leads, | 0:23:04 | 0:23:07 | |
every other golf club in the world follows. | 0:23:07 | 0:23:09 | |
Absolutely, and from the Royal And Ancient, | 0:23:09 | 0:23:11 | |
we're going to head up to Orkney where Ruth Goodman | 0:23:11 | 0:23:14 | |
has found a settlement that's six centuries older than Stonehenge. | 0:23:14 | 0:23:19 | |
The idea of lost civilisations conjures up images | 0:23:22 | 0:23:25 | |
of abandoned ruins like the Valley Of The Kings or Pompeii. | 0:23:25 | 0:23:30 | |
But what many people don't realise is that we have one of our own | 0:23:30 | 0:23:34 | |
that could rival anything in the world, | 0:23:34 | 0:23:36 | |
here off the tip of mainland Britain. | 0:23:36 | 0:23:38 | |
Hidden on the Orkney Islands for almost 5,000 years | 0:23:40 | 0:23:44 | |
it was dramatically brought to light during a violent storm in 1850, | 0:23:44 | 0:23:48 | |
which ripped open the hill it had lain buried in. | 0:23:48 | 0:23:50 | |
Very little is known about the people who built it | 0:23:50 | 0:23:53 | |
six centuries before Stonehenge was erected, | 0:23:53 | 0:23:58 | |
but we do know Skara Brae is Europe's most intact Stone Age village | 0:23:58 | 0:24:03 | |
and an invaluable insight into a long-lost Britain. | 0:24:03 | 0:24:07 | |
Because of the lack of timber on the islands, | 0:24:07 | 0:24:09 | |
everything had to be built from stone, | 0:24:09 | 0:24:11 | |
which is why so much survives today. | 0:24:11 | 0:24:14 | |
But Stone Age most certainly does not mean "caveman". | 0:24:14 | 0:24:19 | |
This was a sophisticated society, with the village built over | 0:24:19 | 0:24:23 | |
a system of drains more than 3,000 years before the Romans | 0:24:23 | 0:24:26 | |
were supposed to have brought plumbing to Britain, | 0:24:26 | 0:24:29 | |
and all the houses are built to the same plan. | 0:24:29 | 0:24:32 | |
The focus of the house is the hearth that sits in the centre. | 0:24:32 | 0:24:35 | |
There's the dresser, which is the most prominent feature, really, | 0:24:35 | 0:24:38 | |
that you see as soon as you come in the door. | 0:24:38 | 0:24:40 | |
And then these beds, possibly? | 0:24:40 | 0:24:42 | |
That's right, you could get quite a lot of people, actually, | 0:24:42 | 0:24:45 | |
in this space, couldn't you? | 0:24:45 | 0:24:47 | |
This sort of space is actually much better | 0:24:47 | 0:24:50 | |
than many of the Victorian working-class houses I've been in. | 0:24:50 | 0:24:53 | |
How many of these houses were there in the village? | 0:24:53 | 0:24:55 | |
There's probably about half a dozen contemporary | 0:24:55 | 0:24:58 | |
in the village that we have excavated. | 0:24:58 | 0:25:00 | |
The Skara Brae village is actually bigger out towards the back | 0:25:00 | 0:25:03 | |
and we don't know how much we've lost to the sea at the front. | 0:25:03 | 0:25:08 | |
House seven is the most intact. | 0:25:08 | 0:25:11 | |
It's normally off-limits to the public, | 0:25:11 | 0:25:13 | |
but we've been granted special permission by Historic Scotland to film inside. | 0:25:13 | 0:25:18 | |
But this is no ordinary house. | 0:25:18 | 0:25:21 | |
There is a burial of two ladies under that bed. | 0:25:21 | 0:25:25 | |
Not only that, but the door here can be controlled from the outside | 0:25:25 | 0:25:31 | |
so you could actually be closed in this house. | 0:25:31 | 0:25:33 | |
And we've no real idea quite what this house was used for? | 0:25:33 | 0:25:37 | |
This might be some form of cult house | 0:25:37 | 0:25:39 | |
or a place where dangerous things happened. | 0:25:39 | 0:25:41 | |
Perhaps it is a house for menstruation | 0:25:41 | 0:25:43 | |
or for women to come after childbirth. | 0:25:43 | 0:25:46 | |
So it's real proof that this is a really complicated culture. | 0:25:46 | 0:25:50 | |
You do get the feeling that you wouldn't be wanting to step out of line in this society. | 0:25:50 | 0:25:54 | |
The Orkney Islands may seem remote to southerners, | 0:25:54 | 0:25:57 | |
but in Neolithic times this was a major hub for sea traffic. | 0:25:57 | 0:26:02 | |
Also, the soil here is very fertile | 0:26:02 | 0:26:05 | |
and is still highly valued for its lush cattle grazing today. | 0:26:05 | 0:26:08 | |
But rising sea levels and increased coastal erosion | 0:26:09 | 0:26:13 | |
is threatening Orkney's archaeological treasures. | 0:26:13 | 0:26:15 | |
When it was first built, Skara Brae was over a mile from the sea | 0:26:17 | 0:26:21 | |
and all this we can see in front of us was fields | 0:26:21 | 0:26:24 | |
and then reed beds and marshes going out to the loch. | 0:26:24 | 0:26:27 | |
But in the 1920s, half of this house here fell into the sea | 0:26:27 | 0:26:33 | |
and this seawall had to be put up | 0:26:33 | 0:26:34 | |
to try and protect the rest of the village. | 0:26:34 | 0:26:37 | |
But erosion beyond the wall continues unabated. | 0:26:37 | 0:26:41 | |
Every site is unique. | 0:26:41 | 0:26:42 | |
It's a permanent loss, you can't recreate it. | 0:26:42 | 0:26:46 | |
A quarter of tourists that come say they come because of the archaeology. | 0:26:46 | 0:26:49 | |
This is a support for a rural economy | 0:26:49 | 0:26:52 | |
and we have to look after it. | 0:26:52 | 0:26:54 | |
There's a saying that if you scratch Orkney it bleeds archaeology. | 0:26:54 | 0:26:58 | |
On the nearby island of Rousay, | 0:26:58 | 0:27:00 | |
Steve Dockrill and his team are desperately recording | 0:27:00 | 0:27:03 | |
what's left of yet another recently revealed settlement. | 0:27:03 | 0:27:08 | |
It dates to the Iron Age, and we know from a sample that we took, | 0:27:08 | 0:27:11 | |
we've got a date from round about 0 to 100 AD. | 0:27:11 | 0:27:15 | |
And right over on the other side | 0:27:15 | 0:27:17 | |
we've got the remains of a Norse hall | 0:27:17 | 0:27:21 | |
so that gives us a date round about 1100. | 0:27:21 | 0:27:24 | |
So we've got about 1,000 years of history all, sort of, stacked up? | 0:27:24 | 0:27:28 | |
And the sea, presumably, is taking it away? | 0:27:28 | 0:27:30 | |
The sea's taken an enormous amount of the site away. | 0:27:30 | 0:27:33 | |
Possibly next year, this may not be here. | 0:27:33 | 0:27:35 | |
The Orkney Islands are home | 0:27:35 | 0:27:37 | |
to some of the world's greatest ancient monuments, | 0:27:37 | 0:27:41 | |
yet every year more and more is being lost to the sea, | 0:27:41 | 0:27:45 | |
much without ever being officially recorded. | 0:27:45 | 0:27:48 | |
And should it carry on unchecked... For more reasons than one, | 0:27:48 | 0:27:52 | |
that'll be a price that the Orcadian's can't afford to pay. | 0:27:52 | 0:27:55 | |
Thanks, Ruth. And part of St Andrews has also ended up in the sea | 0:27:58 | 0:28:02 | |
and the pier behind was built out of the ruins of the cathedral | 0:28:02 | 0:28:05 | |
just on top of the hill. | 0:28:05 | 0:28:07 | |
Well, the pier walk is one of the oldest traditions here | 0:28:07 | 0:28:10 | |
and on a Sunday it's a sea of red as the university students | 0:28:10 | 0:28:13 | |
put on their scarlet gowns and walk up and down the pier. | 0:28:13 | 0:28:17 | |
And they say no-one leaves St Andrews without doing | 0:28:17 | 0:28:19 | |
the pier walk at least once. So, Alison, I think we've got time. | 0:28:19 | 0:28:23 | |
-Shall we? -Why not? Until next time. Bye-bye. -Cheerio. | 0:28:23 | 0:28:29 |