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-Hello, from West Wales. I'm Cerys Matthews. -And I'm Gyles Brandreth. | 0:00:02 | 0:00:05 | |
This is the best of Britain as seen on The One Show. | 0:00:05 | 0:00:08 | |
# One | 0:00:10 | 0:00:11 | |
# One | 0:00:11 | 0:00:13 | |
# One | 0:00:13 | 0:00:15 | |
# One. # | 0:00:17 | 0:00:19 | |
Croeso i rifyn arbennig o'r One Show o Ardd Fotaneg Genedlaethol Cymru, Sir Gar. | 0:00:20 | 0:00:25 | |
Welcome to this special edition of The One Show, coming to you | 0:00:25 | 0:00:29 | |
from the dazzling National Botanic Garden of Wales, near Carmarthen. | 0:00:29 | 0:00:33 | |
We're going to be celebrating our favourite films, | 0:00:33 | 0:00:36 | |
those fertile stories so lovingly tendered | 0:00:36 | 0:00:38 | |
and deserving of a chance to bloom again. | 0:00:38 | 0:00:41 | |
See what we have sprouting for you tonight. | 0:00:41 | 0:00:43 | |
Hankies at the ready for the extraordinary | 0:00:45 | 0:00:47 | |
story of Christian the lion, London's coolest cat. | 0:00:47 | 0:00:51 | |
Here he is up in the flat, you see. | 0:00:51 | 0:00:53 | |
-My gosh. I mean, he was a lion. -Yeah. | 0:00:53 | 0:00:56 | |
-Were people right to be a bit wary? -They were right to be wary. | 0:00:56 | 0:01:00 | |
Craig-y-Nos Castle. | 0:01:00 | 0:01:01 | |
Welsh tuberculosis survivors return to the sanatorium which once | 0:01:01 | 0:01:05 | |
chilled them to the bone... | 0:01:05 | 0:01:07 | |
This is what the children lay in, | 0:01:07 | 0:01:10 | |
not just for five minutes or ten minutes, | 0:01:10 | 0:01:12 | |
but all day, every day, for a year at a time. | 0:01:12 | 0:01:16 | |
Plus, Britain's new love affair with hot tubs. What's all the fuss about? | 0:01:16 | 0:01:22 | |
It does involve men and certainly no football or cars. | 0:01:22 | 0:01:24 | |
..and the day of aphids. | 0:01:24 | 0:01:27 | |
George McGavin psychs out the gardener's enemy. | 0:01:27 | 0:01:30 | |
It's one of these. | 0:01:31 | 0:01:33 | |
But first, where better to introduce a film about The Green, Green Grass Of Home | 0:01:35 | 0:01:39 | |
than in a Welsh garden that boasts 8,000 plant varieties? | 0:01:39 | 0:01:45 | |
It's absolutely perfect. | 0:01:45 | 0:01:46 | |
So, yeah, this next film is when I catch up with my friend, | 0:01:46 | 0:01:49 | |
Tom Jones, and take a closer look at a country song which became | 0:01:49 | 0:01:52 | |
a global hit for him. | 0:01:52 | 0:01:54 | |
# The old home town looks the same... # | 0:01:54 | 0:01:58 | |
In 1966, a fresh-faced lad from the Valleys released a quirky | 0:01:58 | 0:02:02 | |
country song which went on to become a number one hit all over the world. | 0:02:02 | 0:02:06 | |
Called The Green, Green Grass Of Home, | 0:02:06 | 0:02:09 | |
people naturally assumed it was about his home town in Pontypridd. | 0:02:09 | 0:02:13 | |
# Down the road I look | 0:02:13 | 0:02:16 | |
# And there runs Mary... # | 0:02:16 | 0:02:19 | |
"Down the road," he said, "and there comes Mary." | 0:02:19 | 0:02:21 | |
Well, it might be a coincidence, but my wife's name was Mary. | 0:02:21 | 0:02:25 | |
# Of that old oak tree... # | 0:02:25 | 0:02:28 | |
The tree in the woods over there, | 0:02:28 | 0:02:31 | |
and that's where, more or less, The Green, Green Grass came out of that tree. | 0:02:31 | 0:02:36 | |
# The green, green grass of home. # | 0:02:36 | 0:02:40 | |
So the definitive pop song about Wales? Well, not quite. | 0:02:40 | 0:02:44 | |
Home, of course, depends on where the heart is. | 0:02:44 | 0:02:47 | |
The song was actually written in Nashville, Tennessee, | 0:02:47 | 0:02:50 | |
by Claude "Curly" Putman, and has been covered by over 100 artists. | 0:02:50 | 0:02:55 | |
'To explain the song's worldwide popularity, | 0:02:55 | 0:02:59 | |
'I've got a date with a musical legend.' | 0:02:59 | 0:03:01 | |
-Good to see you. -Good to see you. -Come and have a seat right there. | 0:03:01 | 0:03:05 | |
'It was a smash hit for Tom Jones, but I'm taking him back in time | 0:03:05 | 0:03:09 | |
'to a version which inspired him to record the song in the first place.' | 0:03:09 | 0:03:13 | |
-I bought this album, and I'm going to play you this song on it. -OK. | 0:03:13 | 0:03:18 | |
And you're going to recognise it. | 0:03:18 | 0:03:19 | |
I hope so. SHE LAUGHS | 0:03:19 | 0:03:21 | |
-RECORD PLAYS -# They'll all come to meet me | 0:03:22 | 0:03:26 | |
# Arms a-reaching | 0:03:26 | 0:03:29 | |
# Smiling sweetly | 0:03:29 | 0:03:31 | |
# It's good to touch... # | 0:03:31 | 0:03:34 | |
-So, where were you when you first heard that song? -In New York. | 0:03:34 | 0:03:39 | |
I was doing an Ed Sullivan Show in 1965. | 0:03:39 | 0:03:44 | |
I went in this Colony record shop. It was a famous record shop. | 0:03:44 | 0:03:48 | |
So I asked, did they have anything new by Jerry Lee Lewis? | 0:03:48 | 0:03:50 | |
Because I had always been a Jerry Lee fan since Whole Lotta Shakin'. | 0:03:50 | 0:03:54 | |
And they said, "Well, he's made a country album." | 0:03:54 | 0:03:57 | |
-Which figures, because he's from Louisiana, isn't he? -Yeah, exactly. | 0:03:57 | 0:04:00 | |
# Yes, they'll all come to meet me | 0:04:00 | 0:04:05 | |
# Arms a-reaching | 0:04:06 | 0:04:09 | |
# Smiling sweetly... # | 0:04:09 | 0:04:12 | |
So I bought it and I took it back to the hotel, | 0:04:12 | 0:04:14 | |
and I played it and thought, "This is great, this is great." | 0:04:14 | 0:04:17 | |
And a lot of the songs I knew. | 0:04:17 | 0:04:18 | |
But when the Green, Green Grass Of Home came up, | 0:04:18 | 0:04:20 | |
I had never heard that song before. | 0:04:20 | 0:04:23 | |
I thought, "My God, what a great song." It's different. | 0:04:23 | 0:04:26 | |
-And new. -Why different? What made it so different? | 0:04:26 | 0:04:30 | |
-A lot of songs, they say the names of cities. -Yeah. | 0:04:30 | 0:04:34 | |
But the Green, Green Grass Of Home doesn't. | 0:04:34 | 0:04:36 | |
The more I thought about it, I thought, you know, | 0:04:36 | 0:04:39 | |
what a great idea, because we all have a green, green grass of home. | 0:04:39 | 0:04:42 | |
# The green, green grass of home. # | 0:04:42 | 0:04:46 | |
The thing that got me about it, because when you listen to it, | 0:04:46 | 0:04:49 | |
you just think you're singing about the green, green grass of home. | 0:04:49 | 0:04:52 | |
And then in the middle section, it says, "Then I awake | 0:04:52 | 0:04:54 | |
"and look around me at four grey walls that surround me." | 0:04:54 | 0:04:57 | |
-So he's in prison? -Yeah. | 0:04:57 | 0:04:59 | |
-And people don't really clock that sometimes, do they? -No! | 0:04:59 | 0:05:02 | |
I thought, my God, that's unbelievable, that this | 0:05:02 | 0:05:05 | |
man was only thinking about it and he's going to get hung. | 0:05:05 | 0:05:08 | |
So I did it on the TV show. | 0:05:08 | 0:05:10 | |
I used to have a 30-minute TV show, and I did it on there, | 0:05:10 | 0:05:14 | |
-you know, inside a jail. -Yeah. | 0:05:14 | 0:05:16 | |
But you don't know I'm inside the jail until the camera pulls back. | 0:05:16 | 0:05:18 | |
'And there I am.' | 0:05:18 | 0:05:20 | |
# And there's a sad old padre Arm-in-arm... # | 0:05:20 | 0:05:23 | |
'And it had a big effect. | 0:05:23 | 0:05:25 | |
'People were asking, "What was that song when you were in jail?"' | 0:05:25 | 0:05:28 | |
It makes it even deeper, though, doesn't it? | 0:05:28 | 0:05:30 | |
People identify with it on a deep level | 0:05:30 | 0:05:33 | |
not just as a sugary, sentimental song, it's much deeper. | 0:05:33 | 0:05:36 | |
-The soldiers of the Vietnam War loved it as well, didn't they? -Yes. | 0:05:36 | 0:05:39 | |
-Elvis loved it. -Elvis loved it. | 0:05:39 | 0:05:42 | |
I think he was kicking himself that he didn't pick up on it earlier, | 0:05:42 | 0:05:45 | |
so, thank God, it became my song. | 0:05:45 | 0:05:47 | |
# Down the road I look | 0:05:49 | 0:05:51 | |
# And there runs Mary... # | 0:05:51 | 0:05:54 | |
'Happily for us, Tom's version did get there first, and when you're | 0:05:54 | 0:05:58 | |
'in the same room as "The Voice" and a guitar, you've got to, really.' | 0:05:58 | 0:06:02 | |
-BOTH: -# ..Grass of home | 0:06:02 | 0:06:04 | |
# Yes, they'll all come to meet me | 0:06:05 | 0:06:10 | |
# Arms a-reaching | 0:06:10 | 0:06:12 | |
# Smiling sweetly | 0:06:12 | 0:06:14 | |
# It's good to touch | 0:06:14 | 0:06:16 | |
# The green, green grass of home. # | 0:06:16 | 0:06:25 | |
Well, that's lovely. | 0:06:27 | 0:06:28 | |
What a great song. Really unusual, that song. Did you like that? | 0:06:30 | 0:06:33 | |
I do like that, and I like Tom Jones. | 0:06:33 | 0:06:35 | |
And you, of course, have some sung a duet with the legendary Tom Jones. | 0:06:35 | 0:06:38 | |
-What's the man really like? -He's gorgeous, a great singer, | 0:06:38 | 0:06:42 | |
a great music collector, not such a keen gardener. | 0:06:42 | 0:06:44 | |
Ah, that's the difference between him and Harry Secombe. | 0:06:44 | 0:06:48 | |
Harry Secombe taught me all that I know about gardening, | 0:06:48 | 0:06:51 | |
which isn't a great deal. | 0:06:51 | 0:06:52 | |
-But he never gave me a gardening hat, and you've got one for me, haven't you? -I do. | 0:06:52 | 0:06:56 | |
You promised me a gardening hat. | 0:06:56 | 0:06:58 | |
-You call this a hat?! -SHE LAUGHS | 0:06:59 | 0:07:01 | |
What is this, a druid's crown? I'm not surprised you're walking off! | 0:07:01 | 0:07:06 | |
She's walking off because she's frightened of the aphids. | 0:07:06 | 0:07:08 | |
Beware of the aphids. | 0:07:08 | 0:07:10 | |
George McGavin, our colleague, will show you why. | 0:07:10 | 0:07:13 | |
We don't associate Britain with plagues, | 0:07:16 | 0:07:18 | |
but in living memory, we have been under attack... | 0:07:18 | 0:07:22 | |
from massive swarms of marauding insects. | 0:07:22 | 0:07:25 | |
1979, the opening of an oil rig, and emergency services had to step in. | 0:07:25 | 0:07:31 | |
But this wasn't a one-off. | 0:07:31 | 0:07:33 | |
In 2011, even Wimbledon was besieged. FLIES BUZZ | 0:07:33 | 0:07:37 | |
And what is this monster? | 0:07:37 | 0:07:39 | |
Well, it's one of these - the common or garden greenfly, or aphid. | 0:07:39 | 0:07:44 | |
Singularly, they aren't that frightening a prospect, | 0:07:44 | 0:07:47 | |
but each one is a prodigious breeder, giving birth to young | 0:07:47 | 0:07:51 | |
who are themselves already pregnant with another generation inside them. | 0:07:51 | 0:07:57 | |
This sparks an exponential process that one scientist has | 0:07:57 | 0:08:00 | |
calculated could, over the course of just one year, | 0:08:00 | 0:08:04 | |
result in enough ravenous bugs to cover the earth 150 kilometres deep. | 0:08:04 | 0:08:10 | |
Now you have cause for concern. | 0:08:10 | 0:08:12 | |
Traditionally, the people you think of as most fearing | 0:08:12 | 0:08:15 | |
the aphid would be rose gardeners. | 0:08:15 | 0:08:17 | |
So just imagine being responsible for 14,000 individual plants. | 0:08:17 | 0:08:23 | |
'Andy Godley is the head gardener at the Royal Rose Society.' | 0:08:23 | 0:08:28 | |
Now I imagine you're not a great fan of aphids, are you? | 0:08:28 | 0:08:31 | |
The trouble with aphids is, one day you can have one aphid, the next day you've two or three. | 0:08:31 | 0:08:35 | |
Within a week, you can have a biblical population of aphids. | 0:08:35 | 0:08:38 | |
What do they actually do to the rose? | 0:08:38 | 0:08:40 | |
What injury can they cause a rose bush? | 0:08:40 | 0:08:42 | |
They suck all the sap, they cause new buds to be deformed, | 0:08:42 | 0:08:45 | |
they cause the leaves to be deformed. | 0:08:45 | 0:08:47 | |
They can be bad news for roses. | 0:08:47 | 0:08:49 | |
And not just roses. | 0:08:49 | 0:08:51 | |
In a normal year, most gardeners will be troubled by aphids, | 0:08:51 | 0:08:54 | |
but in a plague year, everyone has serious cause for concern. | 0:08:54 | 0:08:59 | |
It's not just the fact that aphids suck sap that harms crops, is it? | 0:08:59 | 0:09:04 | |
No, it isn't. In fact, much worse than that, they are extremely | 0:09:04 | 0:09:08 | |
efficient at pumping viruses into plants | 0:09:08 | 0:09:10 | |
that can be quite devastating. | 0:09:10 | 0:09:12 | |
So, potentially, | 0:09:12 | 0:09:13 | |
how much could you lose in this field through aphid-borne virus disease? | 0:09:13 | 0:09:18 | |
In a worst-case scenario, you could lose 60% of it. | 0:09:18 | 0:09:21 | |
60% of this yield could potentially go? | 0:09:21 | 0:09:23 | |
In the worst case, it could potentially go. | 0:09:23 | 0:09:25 | |
Dr Richard Harrington and has calculated that a bad aphid year | 0:09:25 | 0:09:29 | |
could cost agriculture up to £100 million. | 0:09:29 | 0:09:32 | |
Luckily, Richard and his team are on constant watch for aphid invasion and | 0:09:34 | 0:09:38 | |
employ an early-warning system of 15 of these 12-metre vacuum traps | 0:09:38 | 0:09:44 | |
that are whirring away across the country | 0:09:44 | 0:09:47 | |
to protect our crops against this airborne threat. | 0:09:47 | 0:09:50 | |
From Inverness to Exeter, | 0:09:50 | 0:09:53 | |
this is Britain's last line of defence from airborne invasion. | 0:09:53 | 0:09:57 | |
This is basically just an upside-down vacuum. | 0:09:57 | 0:10:00 | |
-That's exactly what it is, yeah. -VACUUM WHIRS | 0:10:00 | 0:10:02 | |
-That's better. -Whoo! | 0:10:02 | 0:10:04 | |
So, all the insects get sucked down that tube and then end up in this... | 0:10:04 | 0:10:07 | |
-They do, that's right. -..in this bottle here? -Yes, that's right. | 0:10:07 | 0:10:09 | |
Right, well, there's all sorts of stuff in there - | 0:10:09 | 0:10:12 | |
midges, flies, beetles, spiders, and, of course, aphids - | 0:10:12 | 0:10:16 | |
and somebody has the job | 0:10:16 | 0:10:17 | |
of wading through all that | 0:10:17 | 0:10:19 | |
and finding out exactly | 0:10:19 | 0:10:20 | |
what's in there. | 0:10:20 | 0:10:21 | |
That's correct. Great fun. | 0:10:21 | 0:10:22 | |
-Rather you than me. -Thank you. | 0:10:22 | 0:10:24 | |
Of the 600 native aphid species in Britain, | 0:10:26 | 0:10:29 | |
only around 30 have the potential to carry dangerous crop viruses. | 0:10:29 | 0:10:34 | |
And it's these that Richard and his team are counting | 0:10:34 | 0:10:38 | |
and recording every day. | 0:10:38 | 0:10:39 | |
Now, what is the real practical value of this work? | 0:10:40 | 0:10:43 | |
By giving farmers warnings as to where and when they're likely | 0:10:43 | 0:10:47 | |
to be a problem, then they only need to spray | 0:10:47 | 0:10:50 | |
if there's likely to be a problem in their particular area. | 0:10:50 | 0:10:53 | |
'Richard and his team's research also point to | 0:10:53 | 0:10:56 | |
'when we might next expect an aphid plague like in 1979 and 2011. | 0:10:56 | 0:11:03 | |
'Both those years were preceded by a cold winter... | 0:11:03 | 0:11:06 | |
'..and followed by a dry summer.' | 0:11:09 | 0:11:11 | |
So there we have it, the aphid - | 0:11:11 | 0:11:13 | |
a prodigious breeder reviled by gardeners | 0:11:13 | 0:11:16 | |
and likely to invade whenever next we have a long, hot summer. | 0:11:16 | 0:11:20 | |
Unlike this year's exceptionally wet one. | 0:11:20 | 0:11:23 | |
HE EXHALES SHARPLY | 0:11:25 | 0:11:26 | |
And thankfully, continually monitored by a team of scientists and | 0:11:26 | 0:11:30 | |
their early-warning system, keeping the nation safe from invasion. | 0:11:30 | 0:11:34 | |
That film really bugged me, Gyles. | 0:11:38 | 0:11:40 | |
I have a man who's good enough to deal with your problems. | 0:11:40 | 0:11:43 | |
He's Simon Goodenough, and he's the head gardener | 0:11:43 | 0:11:46 | |
here at the National Botanical Garden of Wales. | 0:11:46 | 0:11:48 | |
-Aphids do bug you, don't they? -They do, and they are horrible things. | 0:11:48 | 0:11:52 | |
If you have an infestation, you cannot get rid of them easily. | 0:11:52 | 0:11:56 | |
But you've managed to. Not totally, cos there's some here, aren't there? | 0:11:56 | 0:11:59 | |
Yes, there are few, but this isn't a bad year for aphids, luckily. | 0:11:59 | 0:12:02 | |
But for every one of those aphids, within a week, you've got 50 | 0:12:02 | 0:12:06 | |
from one and then within a month, you've got six million. | 0:12:06 | 0:12:10 | |
-Six million?! -In a month. -Oh, my goodness! That's incredible. | 0:12:10 | 0:12:14 | |
-What a statistic! -They're worse than rabbits! | 0:12:14 | 0:12:17 | |
And if there was an aphid infestation today, | 0:12:17 | 0:12:20 | |
what would it do to a garden like this? | 0:12:20 | 0:12:22 | |
Well, in the vegetable plot, it's a disaster because it reduces all of your productivity, | 0:12:22 | 0:12:26 | |
it stops things from flowering properly, so fruits don't set and you've got to do something about it. | 0:12:26 | 0:12:31 | |
What would you do? Would you turn to chemicals? | 0:12:31 | 0:12:33 | |
I'd rather not, we believe in being as organic as possible, | 0:12:33 | 0:12:36 | |
so we actually use the old washing-up-liquid method - spraying | 0:12:36 | 0:12:40 | |
with soapy water is a really good way to cut down your numbers. | 0:12:40 | 0:12:43 | |
That and actually getting the things between your fingers and squashing them. | 0:12:43 | 0:12:47 | |
-You are an aphid murderer! -Oh, I am! Yes! -And are you proud of that? | 0:12:47 | 0:12:51 | |
-Very! -Because it's necessary. -It's absolutely necessary if we want to eat. | 0:12:51 | 0:12:56 | |
But as it is, you've just got a handful of aphids | 0:12:56 | 0:12:58 | |
-and everything in the garden is looking lovely. -Thank you. | 0:12:58 | 0:13:02 | |
People should come to Carmarthen to see it. Hurry down to Carmarthen while the stocks last! | 0:13:02 | 0:13:07 | |
I saw some stocks in another of the gardens! That's rather good. | 0:13:07 | 0:13:10 | |
-Truly wasted. Wasted. -It looks absolutely lovely. | 0:13:10 | 0:13:13 | |
Thank you very much, Simon. | 0:13:13 | 0:13:15 | |
My pleasure. | 0:13:15 | 0:13:17 | |
Now, back in the 1950s, | 0:13:17 | 0:13:18 | |
tuberculosis was still a serious problem here in the UK and the | 0:13:18 | 0:13:22 | |
treatment administered to children was daunting to say the least. | 0:13:22 | 0:13:26 | |
Here's Ruth Goodman to take up the story. | 0:13:26 | 0:13:28 | |
Today, Craig-y-Nos Castle is a hotel in the picturesque | 0:13:30 | 0:13:34 | |
Welsh Brecon Beacons, but it was once a tuberculosis sanatorium. | 0:13:34 | 0:13:38 | |
Between 1922 and 1959, hundreds of children | 0:13:41 | 0:13:44 | |
and teenagers were treated here and today, some of them have returned. | 0:13:44 | 0:13:49 | |
And The One Show has invited them to share their memories | 0:13:49 | 0:13:52 | |
and to discuss a time when the medical establishment was | 0:13:52 | 0:13:56 | |
going to quite extreme measures to fight a truly terrible disease. | 0:13:56 | 0:14:01 | |
'With no cure for TB at the time, centuries old | 0:14:01 | 0:14:04 | |
'treatments like exposure to cold, fresh air were the only option. | 0:14:04 | 0:14:09 | |
'At Craig Y Nos, many children were actually made to live | 0:14:09 | 0:14:12 | |
'outdoors on a balcony, sometimes for years on end.' | 0:14:12 | 0:14:16 | |
-This is where the balconies were, is it? -Girls were at the top. | 0:14:16 | 0:14:19 | |
-Girls were along that window, there. -The second one up. | 0:14:19 | 0:14:22 | |
-And the boys were here. -I was three years up there. -Three years? -Yes. | 0:14:22 | 0:14:26 | |
I was told I was coming for a fortnight | 0:14:26 | 0:14:28 | |
and I was here for 17 months. | 0:14:28 | 0:14:30 | |
The idea of you being out in all weathers, rain and snow, wind, | 0:14:30 | 0:14:34 | |
-the lot. -My mother came up one winter's day and made me | 0:14:34 | 0:14:39 | |
put a vest on and Sister came out and gave her a row. | 0:14:39 | 0:14:43 | |
And I had to take it off. | 0:14:43 | 0:14:45 | |
Exposure to the cold wasn't the only treatment. | 0:14:45 | 0:14:48 | |
Immobilisation was also common. | 0:14:48 | 0:14:51 | |
And to ensure children didn't move, | 0:14:51 | 0:14:53 | |
they were sometimes placed in plaster beds - | 0:14:53 | 0:14:56 | |
rigid casts of their bodies that kept them still on their backs | 0:14:56 | 0:15:00 | |
for years. | 0:15:00 | 0:15:01 | |
This is the cast, or plaster bed, that many of the patients speak of. | 0:15:01 | 0:15:05 | |
It was moulded from a child's body and once it had been moulded, | 0:15:05 | 0:15:10 | |
this is what the children lay in. | 0:15:10 | 0:15:12 | |
Not just for five minutes or ten minutes, | 0:15:12 | 0:15:15 | |
but all day, every day, for a year at a time. | 0:15:15 | 0:15:19 | |
This one was made for a three-year-old. | 0:15:19 | 0:15:22 | |
'Not all of Craig Y Nos is open to the hotel's guests. | 0:15:22 | 0:15:25 | |
'Some floors have been preserved almost | 0:15:25 | 0:15:28 | |
'exactly as they were in the sanatorium days.' | 0:15:28 | 0:15:32 | |
-So three along here? -Three there, one there. -I was here. | 0:15:32 | 0:15:35 | |
-Right next to the window? -In front of the window, yes. | 0:15:35 | 0:15:38 | |
Dr Hubbard used to come out of the lift, | 0:15:38 | 0:15:41 | |
come up along the corridor and just stand there and say, "Lie down!" | 0:15:41 | 0:15:47 | |
Separation from parents and siblings was often the most difficult | 0:15:47 | 0:15:50 | |
part of being in the sanatorium. | 0:15:50 | 0:15:52 | |
With parents only able to visit once a month, | 0:15:52 | 0:15:55 | |
many of the children felt cut off. | 0:15:55 | 0:15:57 | |
I missed the place I grew up because it was by the sea, | 0:15:57 | 0:16:00 | |
so missed the sea. I missed my dog. | 0:16:00 | 0:16:03 | |
So when I told my mother this, she was coming back up again, | 0:16:03 | 0:16:06 | |
she told me to look out of the window, that window there. | 0:16:06 | 0:16:09 | |
And standing by the fountain was my uncle, holding the dog | 0:16:09 | 0:16:13 | |
and I had a whistle for him. I whistled and he recognised it. | 0:16:13 | 0:16:16 | |
And then later on, she opened her bag and she took a bottle out | 0:16:16 | 0:16:20 | |
and she said, "Smell that." She'd brought me a bottle of seawater. | 0:16:20 | 0:16:24 | |
So she couldn't do anything else, really. | 0:16:24 | 0:16:26 | |
That was the way, I suppose, she tried to help me. | 0:16:26 | 0:16:29 | |
But the children weren't neglected here. | 0:16:29 | 0:16:33 | |
Nurses like Glenys Jones became their surrogate family. | 0:16:33 | 0:16:36 | |
Today, she's returned with them. | 0:16:36 | 0:16:38 | |
-I was here for almost 40 years. -Good gracious! | 0:16:38 | 0:16:41 | |
-What was it like, nursing these children? -Plenty of fun. | 0:16:41 | 0:16:45 | |
It was hard, mind. Especially during visiting. | 0:16:45 | 0:16:48 | |
They never had visitors, only once a month. | 0:16:48 | 0:16:50 | |
And then, of course, they didn't know their relatives, | 0:16:50 | 0:16:53 | |
-they didn't know their parents at all. -And how cold was it for the nurses? | 0:16:53 | 0:16:57 | |
Oh, it was bitterly cold. But you weren't allowed to wear a cardigan in the ward, | 0:16:57 | 0:17:01 | |
only on the veranda. | 0:17:01 | 0:17:02 | |
Isolation from their families | 0:17:02 | 0:17:04 | |
and the sometimes incredibly harsh treatments were difficult, | 0:17:04 | 0:17:09 | |
but for many TB survivors, going home after years in the sanatorium | 0:17:09 | 0:17:14 | |
was the biggest challenge of all. | 0:17:14 | 0:17:16 | |
My friends had moved on and I hadn't. I was still seven, going home, after three years. | 0:17:16 | 0:17:20 | |
I was seven coming in and seven going home. My friends were saying, "I don't want to play with that." | 0:17:20 | 0:17:25 | |
I was playing with my dolls! "No, we don't play with dolls at our age!" | 0:17:25 | 0:17:28 | |
My mother was more concerned about how the parents would take | 0:17:28 | 0:17:32 | |
to me going back and playing with their children. She said to me, "Don't tell anyone you've had TB. | 0:17:32 | 0:17:38 | |
"Just say it wasn't TB, it was a bad chest complaint." | 0:17:38 | 0:17:43 | |
I tell people now I had TB because I'm quite proud of it now! | 0:17:43 | 0:17:48 | |
My scars, isn't it? My medals! | 0:17:48 | 0:17:50 | |
The story of tuberculosis is one of history's more harrowing tales, | 0:17:52 | 0:17:57 | |
but I can honestly say that the children of Craig Y Nos are some | 0:17:57 | 0:18:02 | |
of the bravest and most inspiring people that I have ever met. | 0:18:02 | 0:18:06 | |
-What an incredible film that was. -Yeah, that's the reality of tuberculosis. | 0:18:08 | 0:18:12 | |
Do you remember when you were at school, you had those BCG vaccinations? | 0:18:12 | 0:18:15 | |
I do remember. I've still got the marks from mine. | 0:18:15 | 0:18:19 | |
-We're so lucky now that it's been kept at bay. -We are. We're blessed. | 0:18:19 | 0:18:22 | |
-I've got a film now that I hope will make you feel quite good. -OK. | 0:18:22 | 0:18:25 | |
This is a film that when we first showed on the One Show, Alex Jones, in the studio, shed a tear or two? | 0:18:25 | 0:18:31 | |
-Really? -Yes. Live on TV. | 0:18:31 | 0:18:33 | |
So hankies at the ready, this is one of my films that may make you | 0:18:33 | 0:18:37 | |
weep, but today, for the right reasons. | 0:18:37 | 0:18:41 | |
The '60s were exciting times. | 0:18:44 | 0:18:46 | |
The days before tedious stuff like the Dangerous Wild Animals Act | 0:18:46 | 0:18:50 | |
of 1976. | 0:18:50 | 0:18:52 | |
And if you fancied buying yourself a lion, there was nothing to stop you. | 0:18:52 | 0:18:57 | |
You simply popped down to the shops. | 0:18:57 | 0:19:00 | |
'In 1969, Harrods was offering a lion cub as the ultimate Christmas present.' | 0:19:00 | 0:19:06 | |
You could not resist loving this animal. | 0:19:06 | 0:19:09 | |
We just looked at it and thought, "My heavens! We've got to do something about this." | 0:19:09 | 0:19:12 | |
'Stumping up the equivalent of £4,000, John Rendall | 0:19:12 | 0:19:16 | |
'and Ace Bourke bought the Harrods lion. | 0:19:16 | 0:19:19 | |
'Naming him Christian, they took him home to SophistoCat, | 0:19:19 | 0:19:22 | |
'a London furniture shop. | 0:19:22 | 0:19:24 | |
'It's still trading, but in new premises.' | 0:19:24 | 0:19:27 | |
Seriously, it was in a shop like this, amidst all the furniture. | 0:19:27 | 0:19:32 | |
Literally, the lion, the sofa and the wardrobe! | 0:19:32 | 0:19:35 | |
That is exactly right. This was Christian's jungle. | 0:19:35 | 0:19:38 | |
And he used to sneak around between all the chairs, stalking people. | 0:19:38 | 0:19:42 | |
-There he is. -Here he was... -This is your Christian gallery here. | 0:19:42 | 0:19:47 | |
-Sitting on the stairs. -What did the customers make of him? | 0:19:47 | 0:19:50 | |
-They loved it. -How old is he in this picture? | 0:19:50 | 0:19:52 | |
-He's about eight months old there. -And obviously, he looks as if he was happy to be handled. | 0:19:52 | 0:19:57 | |
Yes, he had complete trust in us. | 0:19:57 | 0:19:59 | |
It's impossible to assess what Christian thought we were. | 0:19:59 | 0:20:03 | |
All he knew was that we just loved him unconditionally. | 0:20:03 | 0:20:06 | |
-And here he is up in the flat. You see. -My gosh! He is a lion. | 0:20:06 | 0:20:11 | |
Were people right to be a bit wary? | 0:20:11 | 0:20:14 | |
They were right to be wary, but he never attacked anybody. | 0:20:14 | 0:20:17 | |
How wonderful! And this is before the age of health and safety, so there was nobody | 0:20:17 | 0:20:21 | |
-coming along to the shop and saying, "You can't do that, mate." -Absolutely not. | 0:20:21 | 0:20:27 | |
'Christian became the focus of John and Ace's lives, but the | 0:20:27 | 0:20:30 | |
'growing lion needed space, which was in short supply on the King's Road.' | 0:20:30 | 0:20:35 | |
So this is where you would come. It's a graveyard. | 0:20:35 | 0:20:37 | |
It's a graveyard and a perfect safe walled garden for him to come | 0:20:37 | 0:20:42 | |
and play football. | 0:20:42 | 0:20:43 | |
And you persuaded the vicar to let you bring a lion in your car. | 0:20:43 | 0:20:48 | |
He was a marvellous man. He was an animal lover. | 0:20:48 | 0:20:51 | |
He said, "Of course you can bring your lion here." | 0:20:51 | 0:20:54 | |
And did you have a pooper scooper? | 0:20:54 | 0:20:57 | |
-No! I'm afraid not. -Standards were different in the 1960s. | 0:20:57 | 0:21:01 | |
Very different, yes. But it was a scooper shovel! | 0:21:01 | 0:21:05 | |
-It's amazing, a lion running free in West London. -I know. | 0:21:05 | 0:21:09 | |
Despite their close bond, | 0:21:12 | 0:21:13 | |
John and Ace knew Christian couldn't stay in London much longer. | 0:21:13 | 0:21:17 | |
But putting him back into captivity would be betrayal. | 0:21:17 | 0:21:21 | |
It was quite distressing as to what was going to happen to him. | 0:21:21 | 0:21:26 | |
And so I was quite please when Bill Travers walked into the shop, | 0:21:26 | 0:21:30 | |
looking for a desk, and I thought, "Ah, I know who you are. | 0:21:30 | 0:21:35 | |
"I've got something to show you!" | 0:21:35 | 0:21:37 | |
Bill Travers and Virginia McKenna, stars of the hit film Born Free, | 0:21:37 | 0:21:41 | |
instantly joined Christian's fan club. | 0:21:41 | 0:21:44 | |
That moment was absolutely wonderful | 0:21:44 | 0:21:47 | |
and I thought as I looked at him that he | 0:21:47 | 0:21:51 | |
was one of the most beautiful young lions that I had ever seen. | 0:21:51 | 0:21:55 | |
There was just something about him. | 0:21:55 | 0:21:57 | |
With Bill's help, the Harrods lion was given a chance of freedom. | 0:21:57 | 0:22:01 | |
He was flown to Kenya, where conservationist George Adamson | 0:22:01 | 0:22:04 | |
attempted to integrate him into the wild. | 0:22:04 | 0:22:08 | |
I felt confident that Christian would have a fulfilled life | 0:22:08 | 0:22:11 | |
in the wild for however long or short that might be. | 0:22:11 | 0:22:17 | |
Even if it was a year, it would be better than a lifetime in a zoo. | 0:22:17 | 0:22:21 | |
Christian had left a massive gap in John and Ace's lives. | 0:22:22 | 0:22:26 | |
A year later, they flew to Kenya with a cameraman, hoping to film him. | 0:22:26 | 0:22:30 | |
But the lion was wild now and potentially dangerous. | 0:22:30 | 0:22:34 | |
Had he forgotten his human friends? | 0:22:34 | 0:22:36 | |
You can see him thinking it through. Is it them? Is it them? | 0:22:38 | 0:22:41 | |
And that is when he started to run. | 0:22:41 | 0:22:44 | |
When he actually jumped into our arms and was rubbing against us, | 0:22:55 | 0:22:59 | |
that was an extraordinary feeling, this huge animal now. | 0:22:59 | 0:23:04 | |
It was an unique privilege to be there. | 0:23:04 | 0:23:08 | |
The sheer just excitement that he hadn't forgotten us. | 0:23:08 | 0:23:12 | |
It's remarkable that a lion from Harrods should manage to | 0:23:13 | 0:23:17 | |
adapt to the wilds of Africa. | 0:23:17 | 0:23:19 | |
John and Ace will never forget the cub they released into freedom. | 0:23:19 | 0:23:24 | |
But what's more remarkable is that Christian didn't forget them. | 0:23:24 | 0:23:28 | |
What did you make of that, Cerys? | 0:23:36 | 0:23:37 | |
I thought it was mad to think you could buy | 0:23:37 | 0:23:40 | |
a lion in a shop in the 1960s. Absolutely mad. | 0:23:40 | 0:23:43 | |
You could buy amazing things in shops in the 1960s. | 0:23:43 | 0:23:46 | |
I bought this hat in 1967. It's my favourite. | 0:23:46 | 0:23:49 | |
It's very dapper, but you're not going to need it cos we're going to look at hot tubs now. | 0:23:49 | 0:23:53 | |
-Hot tubs?! -Yes, hot tubs. They used to be the domain of the international playboys | 0:23:53 | 0:23:57 | |
and the footballers, but not any more. Did you know that over 150,000 people have bought themselves | 0:23:57 | 0:24:02 | |
-a hot tub? -I'm going to watch this. My way. | 0:24:02 | 0:24:06 | |
We purchased the hot tub two Christmases ago. | 0:24:08 | 0:24:11 | |
We thought it would be a nice idea to have something that | 0:24:11 | 0:24:14 | |
involved family and friends. | 0:24:14 | 0:24:15 | |
My son does his studying in the hot tub for A-levels. | 0:24:15 | 0:24:18 | |
He attempts to float his exercise books on the bodyboard. | 0:24:18 | 0:24:22 | |
I don't think a lot of studying happens, | 0:24:22 | 0:24:24 | |
but he's got a fabulous tan. | 0:24:24 | 0:24:27 | |
I've a regular group that come on a Thursday, ladies only. | 0:24:27 | 0:24:31 | |
We like to discuss things that happen in the village. | 0:24:31 | 0:24:35 | |
And yes, generally, it does involve men | 0:24:35 | 0:24:37 | |
and certainly no football or cars. | 0:24:37 | 0:24:40 | |
My husband and I and the two children, 16 and 18, | 0:24:40 | 0:24:43 | |
to watch a movie, we have to set it up onto the laptop. | 0:24:43 | 0:24:47 | |
The most arguments happen as to what movie we're actually going to watch. | 0:24:47 | 0:24:50 | |
What could be two hours sitting in the hot tub | 0:24:50 | 0:24:53 | |
turns into five-hour arguments about whether it's action, adventure or a romcom. | 0:24:53 | 0:24:58 | |
As all women, I am partial to a gadget and a novelty game. | 0:24:58 | 0:25:02 | |
I bought a floating backgammon and numerous ducks. Ducks that light up. | 0:25:02 | 0:25:07 | |
We've even started playing duck jenga cos we have that many. | 0:25:07 | 0:25:11 | |
I first bought a hot tub six years ago. | 0:25:14 | 0:25:18 | |
Sadly, two years ago, I lost my wife to breast cancer. | 0:25:18 | 0:25:22 | |
And I kept the hot tub going, I got in it every day, like we used to. | 0:25:22 | 0:25:27 | |
I get my little toys out. | 0:25:27 | 0:25:30 | |
I've got a speedboat, a little electronic jetski. | 0:25:30 | 0:25:34 | |
I have a submarine. | 0:25:34 | 0:25:35 | |
Lovely. We first got in the habit of the hot tubs when we were skiing in America. | 0:25:38 | 0:25:43 | |
She always wanted it to snow in this country | 0:25:43 | 0:25:45 | |
while we were in the hot tub and it never really happened. | 0:25:45 | 0:25:50 | |
Just before she passed away, | 0:25:50 | 0:25:52 | |
I had this idea to go off and I bought a snow machine | 0:25:52 | 0:25:55 | |
and I set it up the night before and this | 0:25:55 | 0:25:59 | |
noise in the quiet of the night just started humming away | 0:25:59 | 0:26:02 | |
and she woke me up and said, "What's that noise?" | 0:26:02 | 0:26:05 | |
I said, "Why don't you go and have a look?" | 0:26:05 | 0:26:10 | |
When she looked out of the window, all the garden was covered in snow. | 0:26:10 | 0:26:14 | |
There was snow falling down. | 0:26:14 | 0:26:16 | |
And needless to say, Christmas morning, | 0:26:16 | 0:26:19 | |
we were sat in the hot tub, with snow falling. | 0:26:19 | 0:26:22 | |
Got the hot tub about a year ago. | 0:26:31 | 0:26:33 | |
No matter what the weather, we will be out here first thing | 0:26:33 | 0:26:37 | |
in the morning before breakfast with a cup of tea. | 0:26:37 | 0:26:41 | |
-We have the iPad in the hot tub. -Well, you use it. | 0:26:41 | 0:26:44 | |
It's really good cos I have an app that tracks planes. | 0:26:44 | 0:26:49 | |
-You can tell me what's going on and where they are. -He gets very excited. | 0:26:49 | 0:26:54 | |
I also have another app that plots the night sky. | 0:26:54 | 0:26:57 | |
We have increased our knowledge of the stars and the other night, | 0:26:57 | 0:27:00 | |
we were sitting here and I saw what we can describe as a yellow | 0:27:00 | 0:27:06 | |
-cylinder shape just hanging in the sky. -Your brain takes over. Ooh! | 0:27:06 | 0:27:12 | |
We are being invaded by aliens. And we're in the hot tub | 0:27:12 | 0:27:16 | |
and we're probably the only people on Earth that know we're doomed. | 0:27:16 | 0:27:20 | |
What we thought was an alien was a street light. | 0:27:20 | 0:27:24 | |
And once we'd realised what it was, we felt incredibly foolish. | 0:27:24 | 0:27:28 | |
-Maybe that's what hot tubs do to your brain. I'm not quite sure. -Pickles them! | 0:27:30 | 0:27:34 | |
Have you ever had a hot tub, Cerys? | 0:27:38 | 0:27:41 | |
I have once, on top of a roof in LA, Sunset Boulevard. | 0:27:41 | 0:27:45 | |
I often think that it's in the cold countries it's best, in the snow. | 0:27:45 | 0:27:48 | |
Hark at you! I once actually enjoyed a cold shower in Swansea. | 0:27:48 | 0:27:52 | |
-That's more my style. Hot tubs are not my scene. -Don't knock it, though, until you've tried it. | 0:27:52 | 0:27:57 | |
I am not knocking anything. After a glorious day like today, how could you? | 0:27:57 | 0:28:00 | |
You know what I'm going to say? Hats off to the National Botanic Garden of Wales. | 0:28:00 | 0:28:05 | |
-It's absolutely blooming marvellous here. -It is. | 0:28:05 | 0:28:07 | |
-How do I say goodbye in Welsh? -Hwyl fawr. -Who? -Hwyl fawr. -Hwyl. -Fawr. | 0:28:07 | 0:28:13 | |
-Hwyl fawt, everybody. Hwyl fawt. I got it right, didn't I? Yay! -R-r-r. | 0:28:13 | 0:28:18 | |
-Hwyl Fawr. -Hwyl fawr. Hwyl fawr. -Yes. Hwyl fawr. | 0:28:18 | 0:28:21 | |
Goodbye, ladies and gentlemen. Goodbye. | 0:28:21 | 0:28:24 | |
Subtitles by Red Bee Media Ltd | 0:28:24 | 0:28:26 |