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-Hello from the Highlands of Scotland. I'm Lucy Siegle. -And I'm Larry Lamb | 0:00:02 | 0:00:05 | |
and this is the Best Of Britain, as seen on The One Show. | 0:00:05 | 0:00:08 | |
We've come to the enchanting town of Oban, famous for its seafood, | 0:00:20 | 0:00:24 | |
its amphitheatre... | 0:00:24 | 0:00:25 | |
..And a Bonfire Night display which became an unlikely internet | 0:00:25 | 0:00:28 | |
sensation when all the fireworks went off at the same time. | 0:00:28 | 0:00:32 | |
Don't worry. Tonight will be highlights all the way, as we give you another | 0:00:35 | 0:00:39 | |
chance to see some of your favourite One Show films. | 0:00:39 | 0:00:42 | |
Coming up, can you really slide a 1,000 tonne bridge on washing-up liquid? | 0:00:42 | 0:00:47 | |
The 104 metre long bridge was built | 0:00:47 | 0:00:51 | |
120 metres away in that direction. | 0:00:51 | 0:00:55 | |
Plus, a time for romance underneath the Glasgow station clock. | 0:00:55 | 0:00:59 | |
I'm so in love with this guy, I can't deny it any more. | 0:00:59 | 0:01:02 | |
And the mystery of the Luton cat burglar. Angellica Bell has the tale. | 0:01:02 | 0:01:06 | |
He's been bringing unusual items home. | 0:01:06 | 0:01:10 | |
One of his favourites is some underwear. | 0:01:10 | 0:01:12 | |
This is a ladies' thong and a chicken fillet. | 0:01:12 | 0:01:15 | |
-He brought that in? -He brought that in. -That is a bit strange. | 0:01:15 | 0:01:18 | |
Now, here's something really special to start with - | 0:01:20 | 0:01:23 | |
killer whales off the coast of Scotland. | 0:01:23 | 0:01:26 | |
They're incredibly difficult to find, but our wildlife man, | 0:01:26 | 0:01:29 | |
Mike Dilger, he loves a challenge. | 0:01:29 | 0:01:32 | |
When the One Show received news that killer whales had been spotted | 0:01:33 | 0:01:37 | |
close to our shore, we just had to check it out. | 0:01:37 | 0:01:41 | |
You've got the west coast of Scotland over there, we've got | 0:01:41 | 0:01:44 | |
Skye over there and we've got a huge school of common dolphins | 0:01:44 | 0:01:49 | |
joining us on our journey, looking for these killer whales! | 0:01:49 | 0:01:53 | |
We trawled the area with little success. | 0:01:53 | 0:01:56 | |
It's such a hard animal to find, | 0:01:56 | 0:01:58 | |
but eventually, our network of local contacts gave us | 0:01:58 | 0:02:01 | |
the breakthrough we needed. It was all hands on deck! | 0:02:01 | 0:02:05 | |
They're just right ahead. Right ahead! | 0:02:05 | 0:02:08 | |
Yeah. Oh, look at that! Oh, my word! | 0:02:08 | 0:02:11 | |
You're never going to believe this. | 0:02:11 | 0:02:14 | |
We've just spotted killer whales off the front of the boat. | 0:02:14 | 0:02:19 | |
I think I can see three. There's a huge dorsal fin. And one there! | 0:02:19 | 0:02:23 | |
Look at that! It's absolutely huge! | 0:02:23 | 0:02:27 | |
Oh, my word! There's two enormous fins. They've got to be two males. | 0:02:27 | 0:02:33 | |
Oh, that's sensational! | 0:02:33 | 0:02:35 | |
'In fact, there were four individuals.' | 0:02:35 | 0:02:37 | |
Wow! Look at that! | 0:02:45 | 0:02:49 | |
We think this pod of killer whales belong to the west coast community. | 0:02:49 | 0:02:53 | |
It's thought there are nine members in the family | 0:02:53 | 0:02:56 | |
and it's the only known killer whales | 0:02:56 | 0:02:58 | |
that are resident around the whole of the British coast. | 0:02:58 | 0:03:02 | |
Killer whales in Britain is the subject of a lengthy | 0:03:02 | 0:03:05 | |
scientific study. | 0:03:05 | 0:03:07 | |
Of the three distinct groups that visit our shores, | 0:03:07 | 0:03:10 | |
the west coast community is the only one that stays here all year round. | 0:03:10 | 0:03:14 | |
But with just nine individuals | 0:03:14 | 0:03:16 | |
and a home range stretching between the Outer Hebrides | 0:03:16 | 0:03:19 | |
and Galway in the west of Ireland, to find | 0:03:19 | 0:03:23 | |
them at all in this vast ocean area is simply astounding. | 0:03:23 | 0:03:27 | |
Look at that! The most amazing views! | 0:03:27 | 0:03:30 | |
I keep saying it, but look at the size of those dorsal fins. | 0:03:32 | 0:03:36 | |
Bearing in mind, we're only seeing a tiny proportion of the animal. | 0:03:36 | 0:03:40 | |
We can see a little bit of the back and some of the head and the | 0:03:40 | 0:03:43 | |
blowhole, but underneath, certainly those males will be between seven | 0:03:43 | 0:03:47 | |
and eight metres long and will weigh up to five and a half metric tonnes. | 0:03:47 | 0:03:51 | |
That's five and a half tonnes of animal you're looking at. | 0:03:51 | 0:03:55 | |
Sometimes called the wolves of the sea, | 0:03:55 | 0:03:57 | |
these powerful hunters need a lot of food to keep them going. | 0:03:57 | 0:04:01 | |
And in the waters around Scotland, | 0:04:01 | 0:04:03 | |
they could be feeding on a multitude of species. | 0:04:03 | 0:04:06 | |
Working as a pack, their diet includes | 0:04:06 | 0:04:09 | |
everything from porpoises to seal pups, squid and fish. | 0:04:09 | 0:04:13 | |
Oh, it just doesn't get any better than that. | 0:04:13 | 0:04:17 | |
There are two males here, a female and a juvenile. All flanking. | 0:04:17 | 0:04:22 | |
Fantastic! You don't appreciate as well, they're such social animals. | 0:04:22 | 0:04:27 | |
It may be a top hunter, but it's an animal that lives together, | 0:04:27 | 0:04:30 | |
cooperates, hunts together. | 0:04:30 | 0:04:33 | |
What a day! It felt like they were putting on a show just for us. | 0:04:36 | 0:04:41 | |
Here we go. Watch...beautiful! Look at that! | 0:04:41 | 0:04:45 | |
Yet, unbeknownst to us, below the surface, | 0:04:47 | 0:04:50 | |
they were busy living up to their name. | 0:04:50 | 0:04:53 | |
They're about 15 metres off the front of the boat, here. | 0:04:53 | 0:04:58 | |
Our skipper, Rob Adams, had spotted something floating in the water. | 0:05:00 | 0:05:05 | |
They're coming for it. They're coming for it. | 0:05:05 | 0:05:08 | |
Oh, my word! | 0:05:12 | 0:05:14 | |
I've just seen one of the most remarkable things I've ever | 0:05:14 | 0:05:17 | |
seen in my life. We just spotted a piece of meat in the water. | 0:05:17 | 0:05:22 | |
We think it's possibly the remains of a harbour porpoise. | 0:05:22 | 0:05:25 | |
And then right in front of my eyes, a killer whale just came up and grabbed it. | 0:05:25 | 0:05:31 | |
That's absolutely astonishing. Did I think I'd see killer whales? | 0:05:31 | 0:05:35 | |
Maybe not. Did I think I'd see them eating? Not even 0.1% of a chance! | 0:05:35 | 0:05:40 | |
Absolutely amazing! Unbelievable! | 0:05:40 | 0:05:44 | |
Oh, that's it! Take me home, can't get any better than that. That is just astonishing. | 0:05:47 | 0:05:51 | |
-Fantastic! -Wasn't it? | 0:06:00 | 0:06:03 | |
Now, you don't just see whales out at sea round here. | 0:06:03 | 0:06:06 | |
Back in April, a whale actually joined visitors here in Oban | 0:06:06 | 0:06:10 | |
and became a tourist attraction in its own right. | 0:06:10 | 0:06:13 | |
Chris Jackson, you were there. | 0:06:13 | 0:06:15 | |
I certainly was and I had the camera with me as well, | 0:06:15 | 0:06:17 | |
so I was able to get some of the first images. | 0:06:17 | 0:06:20 | |
The whale surfaced in front of the youth hostel, just across there. | 0:06:20 | 0:06:23 | |
And we got a lovely image of its tail as it went under the waves. | 0:06:23 | 0:06:27 | |
And sure enough, it was a sperm whale. | 0:06:27 | 0:06:29 | |
I bet you couldn't believe your eyes. | 0:06:29 | 0:06:31 | |
I didn't know what it was at first. I just knew it was very big. | 0:06:31 | 0:06:34 | |
How big was it? | 0:06:34 | 0:06:35 | |
It was about 20 metres long and probably weighed about 30 tonnes. | 0:06:35 | 0:06:39 | |
-Wow! -And what was it doing here? | 0:06:39 | 0:06:42 | |
-Why was it here? -Well, nobody really knows. It seems to have lost its way. | 0:06:42 | 0:06:45 | |
It turned left at the Hebrides, instead of right, and whereas it was | 0:06:45 | 0:06:49 | |
probably on its way to the Azores, it decided to spend the week in Oban. | 0:06:49 | 0:06:52 | |
Do you think it had maybe heard | 0:06:52 | 0:06:54 | |
-that Oban was the seafood capital of Scotland? -I'm sure it did. | 0:06:54 | 0:06:58 | |
That was it! That was the reason! | 0:06:58 | 0:07:00 | |
That was the reason the sperm whale came to Oban! | 0:07:00 | 0:07:03 | |
How did it feel, though, to see it? | 0:07:03 | 0:07:05 | |
Normally, when you get a wildlife encounter like that, | 0:07:05 | 0:07:08 | |
it's uplifting that something from the oceans suddenly shows itself. | 0:07:08 | 0:07:12 | |
We probably know more about space than | 0:07:12 | 0:07:14 | |
we know about what's going on in the oceans, so when you get a close encounter with a big | 0:07:14 | 0:07:18 | |
beastie like that, it really is an amazing experience | 0:07:18 | 0:07:21 | |
and in the end, it just turned round and swam out to sea. | 0:07:21 | 0:07:24 | |
-So it was a happy ending. -It was a very happy ending indeed. | 0:07:24 | 0:07:27 | |
Well, thank you, Chris, for sharing it with us. | 0:07:27 | 0:07:30 | |
Now, the last few months have been very exciting for 007 fans, | 0:07:30 | 0:07:33 | |
with Skyfall being the first Bond film ever to | 0:07:33 | 0:07:36 | |
take £100 million at the UK box office. | 0:07:36 | 0:07:39 | |
In fact, the producers are preparing the 24th film in the series | 0:07:39 | 0:07:42 | |
and plan to start shooting some time next year. | 0:07:42 | 0:07:45 | |
But where would Bond be without that famous theme tune? | 0:07:45 | 0:07:49 | |
Here's Brandreth, Gyles Brandreth. | 0:07:49 | 0:07:52 | |
From the moment Dr No hit the big screen, it wasn't | 0:07:54 | 0:07:58 | |
just 007 who grabbed the world's attention - it was the bold | 0:07:58 | 0:08:04 | |
and enigmatic tune that accompanied the title sequence. | 0:08:04 | 0:08:08 | |
I have been expecting you, viewers. | 0:08:08 | 0:08:11 | |
Bond villains may come and go, | 0:08:11 | 0:08:14 | |
but the James Bond theme tune has endured for 50 years. | 0:08:14 | 0:08:19 | |
THEY SING ALONG | 0:08:19 | 0:08:26 | |
Everyone knows the tune, but few know who composed it. | 0:08:26 | 0:08:30 | |
Monty Norman was a big name in the theatre of the '50s and early '60s. | 0:08:30 | 0:08:35 | |
His musical about the murderer Dr Crippen was | 0:08:35 | 0:08:37 | |
backed by Cubby Broccoli, later producer of the Bond films. | 0:08:37 | 0:08:41 | |
Cubby Broccoli rang me and asked me to come | 0:08:41 | 0:08:46 | |
to his office to meet his new partner, Harry Saltzman. | 0:08:46 | 0:08:50 | |
He said, "We've just acquired the rights of Ian Fleming's James Bond novels. | 0:08:50 | 0:08:55 | |
"We're going to turn them into films. | 0:08:55 | 0:08:57 | |
"The first one is going to be Dr No. Would you like to do the score?" | 0:08:57 | 0:09:01 | |
-Did you know the James Bond novels? -No, not really. | 0:09:01 | 0:09:04 | |
I mean, I'd heard of James Bond, but I'd never read them. | 0:09:04 | 0:09:07 | |
Then Harry Saltzman made him an offer he couldn't refuse. | 0:09:09 | 0:09:12 | |
He invited Monty and his family to Jamaica where the film was | 0:09:12 | 0:09:15 | |
being made, hoping to inspire him. | 0:09:15 | 0:09:18 | |
That was the clincher for me. | 0:09:19 | 0:09:21 | |
I don't know whether the James Bond film is going to be a flop or | 0:09:21 | 0:09:25 | |
anything, but at least we'd have a sun, sea and sand holiday. | 0:09:25 | 0:09:29 | |
Monty was inspired and, armed with the script, began to write the score. | 0:09:29 | 0:09:33 | |
He needed a bold theme to open the film. | 0:09:33 | 0:09:36 | |
So, tell me, where did the James Bond theme come from? | 0:09:36 | 0:09:40 | |
It came from a musical that Julian Moore and I were writing, | 0:09:40 | 0:09:47 | |
called A House For Mr Biswas, based on VS Naipaul's novel. | 0:09:47 | 0:09:52 | |
Monty's musical, based on the story of an Asian community, featured | 0:09:52 | 0:09:56 | |
traditional Indian instruments, but it never made the stage. | 0:09:56 | 0:10:00 | |
So I went to my bottom drawer, | 0:10:00 | 0:10:03 | |
found this number that I'd always liked | 0:10:03 | 0:10:07 | |
and played it to myself. | 0:10:07 | 0:10:10 | |
# I was born | 0:10:10 | 0:10:12 | |
# With this unlucky sneeze | 0:10:12 | 0:10:14 | |
# And what is worse | 0:10:14 | 0:10:16 | |
# I came into the world | 0:10:16 | 0:10:19 | |
# The wrong way round... # | 0:10:19 | 0:10:21 | |
So, it had this very Asian quality. | 0:10:21 | 0:10:24 | |
Well, I get the Indian feel, but where is James Bond in all that? | 0:10:24 | 0:10:29 | |
I thought, "What would happen if I split the notes?" | 0:10:29 | 0:10:32 | |
So I went... | 0:10:32 | 0:10:34 | |
PLAYS JAMES BOND THEME | 0:10:34 | 0:10:37 | |
And, immediately, the moment I did that, | 0:10:40 | 0:10:42 | |
I realised that this was what I was looking for. | 0:10:42 | 0:10:46 | |
And the producers agreed. | 0:10:46 | 0:10:48 | |
They brought in a new, young talent called John Barry to arrange | 0:10:48 | 0:10:51 | |
the piece and both the film and this theme tune were a huge hit. | 0:10:51 | 0:10:56 | |
Barry's name went on to become synonymous with 007, | 0:10:56 | 0:10:59 | |
which led many people to think he had composed the theme tune. | 0:10:59 | 0:11:03 | |
But Monty's creation had set the tone for Bond. | 0:11:03 | 0:11:06 | |
BOND: I'd like to send a cable. | 0:11:11 | 0:11:13 | |
Yes, of course. | 0:11:13 | 0:11:14 | |
'His sexiness, his mystery, his ruthlessness, | 0:11:14 | 0:11:19 | |
'it's all there in a few notes.' | 0:11:19 | 0:11:22 | |
-BOND: Good night. -Good night, Mr Bond. | 0:11:22 | 0:11:25 | |
'And, obviously, the world agrees.' | 0:11:25 | 0:11:29 | |
THEY PLAY JAMES BOND THEME | 0:11:31 | 0:11:32 | |
'And, 50 years on, we want to hear Monty's theme | 0:11:32 | 0:11:35 | |
'on the traditional Indian instruments that inspired it. | 0:11:35 | 0:11:37 | |
'International sitar player Jonathan Mayer | 0:11:37 | 0:11:40 | |
'and fellow musicians perform it in the shadow of MI6.' | 0:11:40 | 0:11:44 | |
Monty Norman wrote this tune | 0:11:45 | 0:11:47 | |
and it's conquered the world. | 0:11:47 | 0:11:49 | |
-How do you feel about that? -I'm very proud of it. Very proud. | 0:11:49 | 0:11:52 | |
I'm happy that it's 50 years on and I'm happy that I'm still here. | 0:11:58 | 0:12:02 | |
There you go. | 0:12:10 | 0:12:11 | |
For your ears only, | 0:12:11 | 0:12:12 | |
the tune from a composer's bottom drawer | 0:12:12 | 0:12:15 | |
that's conquered the world. | 0:12:15 | 0:12:16 | |
Evil Genius Gyles Brandreth | 0:12:32 | 0:12:34 | |
and his suspiciously inanimate cat! | 0:12:34 | 0:12:37 | |
Now, if they're looking for somebody to play Q in the next Bond film, | 0:12:37 | 0:12:41 | |
they could do a lot worse than auditioning our next presenter, | 0:12:41 | 0:12:44 | |
Marty Jopson. | 0:12:44 | 0:12:46 | |
Here he is, armed only with some washing-up liquid. | 0:12:46 | 0:12:49 | |
This is Nottingham railway station. | 0:12:51 | 0:12:53 | |
450 trains and 17,000 passengers pass through here every day. | 0:12:53 | 0:12:58 | |
And, suspended over the tracks, hanging precariously | 0:12:58 | 0:13:01 | |
above the rush-hour activity, is 1,100 tonnes of steel. | 0:13:01 | 0:13:07 | |
This is the new Nottingham Express Transit bridge. | 0:13:07 | 0:13:11 | |
It will be used to extend the city's tram system, creating a new | 0:13:11 | 0:13:14 | |
route that will take it right over the Grade II listed railway station. | 0:13:14 | 0:13:19 | |
But, building a bridge in this hazardous position | 0:13:19 | 0:13:22 | |
would be almost impossible. | 0:13:22 | 0:13:23 | |
To minimise disruption to the busy station here, | 0:13:23 | 0:13:27 | |
the 104 metre long bridge was built | 0:13:27 | 0:13:30 | |
120 metres away in that direction. | 0:13:30 | 0:13:34 | |
Now engineers face the huge challenge of getting | 0:13:34 | 0:13:38 | |
the bridge into the right place. | 0:13:38 | 0:13:41 | |
The journey has taken nine days already | 0:13:41 | 0:13:43 | |
and it still has 30 metres to go. | 0:13:43 | 0:13:45 | |
'In charge of the move is Paul Channon.' | 0:13:45 | 0:13:48 | |
We've had to cross a four-lane road, five platforms, | 0:13:48 | 0:13:51 | |
seven railway lines and a road on this side. | 0:13:51 | 0:13:54 | |
That's amazing! And can you shut those? | 0:13:54 | 0:13:57 | |
No, we're keeping them open through the whole process. | 0:13:57 | 0:13:59 | |
'With a working station below, it would be too | 0:13:59 | 0:14:02 | |
'dangerous to lift the bridge into position. | 0:14:02 | 0:14:05 | |
'So, how do you move a 1,100 tonne bridge?' | 0:14:05 | 0:14:09 | |
-We're basically sliding it across the station. -That's remarkable! | 0:14:09 | 0:14:13 | |
'Sliding a bridge is no easy feat. | 0:14:13 | 0:14:15 | |
'The bridge is sitting on a series of supports, | 0:14:15 | 0:14:19 | |
'positioned along its length. | 0:14:19 | 0:14:21 | |
'Overnight, hydraulic rams slowly pull | 0:14:21 | 0:14:24 | |
'those supports along a steel plate. | 0:14:24 | 0:14:27 | |
'But, despite the hydraulics, | 0:14:27 | 0:14:29 | |
'the slide needs extra help dealing with friction. | 0:14:29 | 0:14:32 | |
'To show what the team have to overcome, I'm going | 0:14:34 | 0:14:37 | |
'to try my own sliding challenge. | 0:14:37 | 0:14:40 | |
'Not a bridge, but some bridge builders.' | 0:14:40 | 0:14:42 | |
The three engineers there | 0:14:42 | 0:14:44 | |
and the wooden box they're sat on | 0:14:44 | 0:14:46 | |
weighs about 360 kilograms. | 0:14:46 | 0:14:50 | |
Gravity is pulling all of them down onto these two steel plates | 0:14:50 | 0:14:55 | |
and causing lots of friction | 0:14:55 | 0:14:57 | |
and that is going to stop me from moving. | 0:14:57 | 0:15:00 | |
Not going to happen. | 0:15:07 | 0:15:09 | |
To get things moving, I'm adding some non-stick Teflon, | 0:15:09 | 0:15:12 | |
like you'd find on your frying pan at home and a secret engineering marvel. | 0:15:12 | 0:15:18 | |
I'm going to use the power of washing-up liquid. | 0:15:18 | 0:15:22 | |
Remarkably, engineers are using everyday household washing-up | 0:15:22 | 0:15:26 | |
liquid as a lubricant and it's more powerful than you might think. | 0:15:26 | 0:15:30 | |
Let's give it a go. | 0:15:30 | 0:15:31 | |
Look at that! | 0:15:35 | 0:15:37 | |
It worked. | 0:15:38 | 0:15:40 | |
Washing-up liquid can be as effective as industrial lubricants | 0:15:40 | 0:15:44 | |
but it is easily washed away. | 0:15:44 | 0:15:46 | |
Rather than the two surfaces sliding against each other, | 0:15:46 | 0:15:50 | |
non-stick against steel, we've got washing-up liquid | 0:15:50 | 0:15:54 | |
sliding against washing-up liquid with minimal friction. | 0:15:54 | 0:15:58 | |
The combination of non-stick and washing-up liquid | 0:15:58 | 0:16:01 | |
has reduced the amount of force I need to pull the box by over 90%, | 0:16:01 | 0:16:07 | |
which is why a similar amount of washing-up liquid and a layer | 0:16:07 | 0:16:10 | |
of Teflon can help with something as big as a 1,100 tonne bridge. | 0:16:10 | 0:16:15 | |
The sun is setting on Nottingham Station | 0:16:17 | 0:16:19 | |
and it's time for the bridge to start its journey for the night. | 0:16:19 | 0:16:23 | |
So, I've been given the job of putting on the washing-up liquid. | 0:16:23 | 0:16:25 | |
My wife would be proud. | 0:16:25 | 0:16:27 | |
There you go. | 0:16:28 | 0:16:29 | |
The bridge is on its way. | 0:16:31 | 0:16:33 | |
Before dawn, it must edge along | 0:16:33 | 0:16:35 | |
another ten metres of its epic journey. | 0:16:35 | 0:16:38 | |
This 1,000 tonne plus bridge is moving all down to the non-stick | 0:16:38 | 0:16:43 | |
coating and the washing-up liquid. | 0:16:43 | 0:16:46 | |
It's amazing. | 0:16:46 | 0:16:47 | |
The bridge's careful slide will take 12 days to complete | 0:16:48 | 0:16:52 | |
and all the while, the people of Nottingham continue | 0:16:52 | 0:16:55 | |
their own journey down below. | 0:16:55 | 0:16:56 | |
Marty Jopson there with an ingeniously simple solution | 0:16:59 | 0:17:02 | |
to a complex engineering conundrum. | 0:17:02 | 0:17:05 | |
Now, long before Horizon's The Secret Life Of The Cat, | 0:17:05 | 0:17:09 | |
we had The One Show's catnav. | 0:17:09 | 0:17:11 | |
And our star for this series of films was Dennis, | 0:17:11 | 0:17:14 | |
a much-loved pet who enjoyed, well, let's say, collecting. | 0:17:14 | 0:17:18 | |
Collecting. | 0:17:18 | 0:17:19 | |
This quiet suburb in Luton is experiencing an unusual crime wave. | 0:17:24 | 0:17:28 | |
One resident is stealing people's stuff | 0:17:28 | 0:17:31 | |
but this isn't any normal burglar. | 0:17:31 | 0:17:35 | |
It's a cat burglar. | 0:17:35 | 0:17:37 | |
Dennis is only a year old but this feline kleptomaniac has been | 0:17:37 | 0:17:41 | |
up to no good for nearly his entire life. | 0:17:41 | 0:17:43 | |
He's been bringing unusual items home. | 0:17:46 | 0:17:48 | |
Items like a towel, a Fred Perry T-shirt, he brought me a sandal | 0:17:48 | 0:17:53 | |
and a week later, he brought me the other sandal. | 0:17:53 | 0:17:55 | |
One of his favourites is some underwear. | 0:17:55 | 0:17:57 | |
-This is a ladies' thong and a chicken fillet. -And he brought that in? | 0:17:57 | 0:18:01 | |
-He brought that in. -That is a bit strange. It really is different. | 0:18:01 | 0:18:06 | |
It's unusual and it's nice to wake up | 0:18:06 | 0:18:08 | |
and wonder what he's brought you home today. | 0:18:08 | 0:18:11 | |
Leslie's box is brimming with Dennis's booty | 0:18:11 | 0:18:14 | |
and it's high time to reunite these items with their owners. | 0:18:14 | 0:18:17 | |
This sounds like the perfect mystery for The One Show catnav | 0:18:17 | 0:18:21 | |
team to solve, so, two weeks ago, we rigged Dennis up with this GPS unit. | 0:18:21 | 0:18:27 | |
This sends us a signal that can be used to plot all of Dennis's | 0:18:30 | 0:18:33 | |
movements on a map. | 0:18:33 | 0:18:35 | |
We also wanted to try and capture some footage of Dennis | 0:18:37 | 0:18:39 | |
actually getting his paws on some of the stuff, | 0:18:39 | 0:18:42 | |
so we had this tiny camera attached to his collar. | 0:18:42 | 0:18:45 | |
This way we'll know whether he's pinching his swag from gardens, | 0:18:45 | 0:18:48 | |
dustbins or even from inside people's houses. | 0:18:48 | 0:18:51 | |
Finally, there's a CCTV camera keeping an electronic eye | 0:18:53 | 0:18:56 | |
on all of Dennis's comings and goings through the cat flap. | 0:18:56 | 0:19:00 | |
We've left Dennis for a week to carry about his thieving business. | 0:19:02 | 0:19:06 | |
We've now collected all the results together to see | 0:19:06 | 0:19:09 | |
if we can crack where he's been stealing from, starting with the GPS. | 0:19:09 | 0:19:13 | |
What you can see is where they're all adding together, | 0:19:13 | 0:19:16 | |
that clump is given as a clear area there which is about half an acre. | 0:19:16 | 0:19:20 | |
-So that is his territory,. -That's his territory. | 0:19:20 | 0:19:23 | |
Dennis is an animal that is confusing prey with toys, really | 0:19:23 | 0:19:29 | |
and going out and catching toys and bringing them back. | 0:19:29 | 0:19:31 | |
Cats often have trouble killing immediately what they catch, | 0:19:31 | 0:19:35 | |
so by bringing prey back to their homes, | 0:19:35 | 0:19:37 | |
they gain the upper hand if the animal escapes. | 0:19:37 | 0:19:40 | |
They know their territory like the back of their paw, | 0:19:40 | 0:19:42 | |
unlike their unfortunate quarry. | 0:19:42 | 0:19:44 | |
And this is telling us | 0:19:47 | 0:19:48 | |
the possible places that he's more likely to be going than any other. | 0:19:48 | 0:19:52 | |
We can automatically say these houses in this area are our key | 0:19:52 | 0:19:56 | |
suspect area of where he may have been taking stuff from. | 0:19:56 | 0:20:00 | |
We still need to narrow our search but then Dennis gives us the | 0:20:00 | 0:20:03 | |
crucial evidence we need while the rest of the household is fast asleep. | 0:20:03 | 0:20:07 | |
Blissfully unaware of what Dennis is up to, he returns | 0:20:07 | 0:20:10 | |
home from one of his night-time raids, brazenly carrying a sock. | 0:20:10 | 0:20:15 | |
Because we know the time from the CCTV camera, | 0:20:15 | 0:20:18 | |
about three in the morning, | 0:20:18 | 0:20:19 | |
this is on that day, about three in the morning, where he went. | 0:20:19 | 0:20:22 | |
The evidence from collar-cam suggests that at least Dennis appears not to | 0:20:22 | 0:20:26 | |
have been breaking and entering. | 0:20:26 | 0:20:27 | |
It looks like he's just been nicking stuff from people's back-yards. | 0:20:27 | 0:20:32 | |
So there's a real chance we'll be able to reunite | 0:20:32 | 0:20:35 | |
some of the stolen goods in this box with their rightful owners. | 0:20:35 | 0:20:38 | |
The only way to do that is by knocking on some doors. | 0:20:38 | 0:20:41 | |
Leslie is joining me | 0:20:41 | 0:20:43 | |
to track down some victims of Dennis's one-cat crime wave. | 0:20:43 | 0:20:47 | |
Nothing in there. | 0:20:47 | 0:20:48 | |
'At the first few houses, we draw a blank, but then, success.' | 0:20:49 | 0:20:52 | |
-Oh, hang on, this looks a bit familiar. -Serious? -Yes. | 0:20:53 | 0:20:57 | |
No luck finding the owner of the white sock | 0:20:59 | 0:21:01 | |
but there are a few more houses still to try. | 0:21:01 | 0:21:04 | |
Oh, you recognise these? | 0:21:04 | 0:21:05 | |
-Yes, they're my mums. -They're yours? | 0:21:05 | 0:21:07 | |
They are mine, yes, I've been looking for those. | 0:21:07 | 0:21:10 | |
Didn't you notice they'd gone missing? | 0:21:10 | 0:21:12 | |
No, they were outside the back door. I didn't notice they'd gone. | 0:21:12 | 0:21:15 | |
Case closed. | 0:21:15 | 0:21:16 | |
Two sandals pilfered a week apart and at the scene of the crime, | 0:21:16 | 0:21:19 | |
we see just how far Dennis had to drag his swag. | 0:21:19 | 0:21:23 | |
He's going to have to go across three, four fences, | 0:21:23 | 0:21:26 | |
at least three gardens, on a wall, | 0:21:26 | 0:21:28 | |
down the side of the garage to get to my house. | 0:21:28 | 0:21:32 | |
The One Show catnav has banged Dennis the menace to rights | 0:21:32 | 0:21:34 | |
and returned some of the stolen goods back into the right hands. | 0:21:34 | 0:21:38 | |
But if you have any cats that have escaped the long arm of the claw | 0:21:38 | 0:21:42 | |
or any other feline mysteries, do get in touch. | 0:21:42 | 0:21:44 | |
Now, if you've ever been to Glasgow Station and looked upwards, | 0:21:49 | 0:21:52 | |
you may have noticed a rather distinctive clock. | 0:21:52 | 0:21:55 | |
To many, it is just a means of telling the time, | 0:21:55 | 0:21:57 | |
but to others, it runs far deeper than that. | 0:21:57 | 0:22:00 | |
Whenever somebody says Central Station, I automatically just | 0:22:03 | 0:22:07 | |
think, "Oh, my goodness, the clock." | 0:22:07 | 0:22:10 | |
Just historic and it's iconic. | 0:22:10 | 0:22:13 | |
The clock now, every time I walk past it, | 0:22:13 | 0:22:15 | |
I always get goose bumps and I always get butterflies. | 0:22:15 | 0:22:18 | |
I knew Marco since I was 16 and he was my best friend at the time. | 0:22:20 | 0:22:23 | |
One night, I was saying bye to him and it was under the clock. | 0:22:23 | 0:22:26 | |
I just went, I'm so in love with this guy, I can't deny it any more. | 0:22:26 | 0:22:31 | |
It was the clock that just kind of made time stand still | 0:22:31 | 0:22:35 | |
and just made me realise that I was absolutely infatuated with the boy. | 0:22:35 | 0:22:39 | |
I saw him walk down from the train | 0:22:41 | 0:22:43 | |
and my heart absolutely stopped beating. I couldn't believe it. | 0:22:43 | 0:22:47 | |
It was such a magical moment and it sounds really cheesy | 0:22:47 | 0:22:50 | |
and romantic to say that, but it was just the whole world stopped. | 0:22:50 | 0:22:55 | |
I think that clock has powers. | 0:22:55 | 0:22:57 | |
To be back here with Cat, yes, | 0:22:57 | 0:22:59 | |
it does bring back a lot of happy memories. | 0:22:59 | 0:23:02 | |
I think our relationship was mainly a happy one. | 0:23:02 | 0:23:04 | |
And we had a lot of our happiest moments under this clock. | 0:23:04 | 0:23:07 | |
Unfortunately, it didn't work out, | 0:23:07 | 0:23:09 | |
but we're still really, really good friends. | 0:23:09 | 0:23:12 | |
When you think of Central Station, the clock is central to that. | 0:23:14 | 0:23:18 | |
I remember what I was doing there, I remember how I felt, | 0:23:19 | 0:23:22 | |
I remember the thoughts going through my mind. | 0:23:22 | 0:23:26 | |
My son was being deployed to Iraq. He's in the Armed Forces. | 0:23:26 | 0:23:30 | |
We were at Central Station to say goodbye. I was feeling nervous. | 0:23:30 | 0:23:36 | |
I was bawling my eyes out. | 0:23:36 | 0:23:38 | |
What mother wouldn't be when their son is going | 0:23:38 | 0:23:41 | |
into a conflict situation? | 0:23:41 | 0:23:43 | |
I remember there being tears | 0:23:43 | 0:23:45 | |
and I remember getting a lot of cuddles, a lot of hugs. | 0:23:45 | 0:23:48 | |
But there came a point when I had to say, | 0:23:48 | 0:23:50 | |
"I need to go, Mum, I need to go." | 0:23:50 | 0:23:52 | |
When you see your only son, your only child walking away | 0:23:54 | 0:23:57 | |
from you with no guarantees that you'll ever, ever see him again, | 0:23:57 | 0:24:01 | |
I would defy any mother to hold it together at that point. | 0:24:01 | 0:24:05 | |
You want that clock to stand still. | 0:24:05 | 0:24:08 | |
You don't want the hands to move because every minute, | 0:24:08 | 0:24:10 | |
every time that that hand moves, it is bringing you closer | 0:24:10 | 0:24:13 | |
to the point where you have to let them go. | 0:24:13 | 0:24:15 | |
Quite a few years ago, | 0:24:19 | 0:24:21 | |
I used to work in a retail unit just further up in the station here. | 0:24:21 | 0:24:24 | |
I had been in the station working for 19 years. | 0:24:24 | 0:24:28 | |
When he used to pop in and out of the shop, | 0:24:28 | 0:24:30 | |
he would say he was doing security checks. | 0:24:30 | 0:24:33 | |
Delivery days, he'd knock on the back door. | 0:24:33 | 0:24:37 | |
I think I was becoming a bit of a pain in the backside. | 0:24:37 | 0:24:41 | |
Eventually, I had the courage to ask Margret out. | 0:24:41 | 0:24:44 | |
Thankfully, she said yes and the first day, we met under the clock. | 0:24:44 | 0:24:48 | |
When I would come down, I could see him standing here | 0:24:48 | 0:24:50 | |
and I thought, "Oh, my God, he looks so nervous." | 0:24:50 | 0:24:53 | |
The sweats would start coming, the shakes would start coming. | 0:24:53 | 0:24:55 | |
As soon as we got under, I thought, that was it. | 0:24:55 | 0:24:57 | |
It was like as if we had did this before. | 0:24:57 | 0:25:00 | |
I think it was a wee peck on the cheek, a wee cuddle, | 0:25:00 | 0:25:04 | |
we went on our way and never looked back since. | 0:25:04 | 0:25:07 | |
Drew and I have been married now 15 years. We've got two children. | 0:25:07 | 0:25:11 | |
The clock just symbolises an awful lot. | 0:25:12 | 0:25:14 | |
It means an awful lot to Drew and I. It is part of our relationship. | 0:25:14 | 0:25:19 | |
It all started under the clock. | 0:25:19 | 0:25:20 | |
Now, Queen Victoria said she thought Oban | 0:25:24 | 0:25:26 | |
was one of the finest spots she'd ever seen and I agree with her. | 0:25:26 | 0:25:30 | |
-We've had a great time, haven't we? -Yes, we have. | 0:25:30 | 0:25:32 | |
Unfortunately, it's coming to a close. | 0:25:32 | 0:25:34 | |
Yep, we're going to leave you with The One Show spectacular | 0:25:34 | 0:25:37 | |
farewell to Television Centre in London. | 0:25:37 | 0:25:39 | |
Here is Matt Baker and 600 other dancers with a tribute to | 0:25:39 | 0:25:43 | |
Roy Castle's 1977 tap dancing world record. | 0:25:43 | 0:25:48 | |
Bye. | 0:25:48 | 0:25:49 | |
MUSIC PLAYS | 0:25:55 | 0:26:01 | |
-Hello. -Hello. -What's your name? -Julie. | 0:26:20 | 0:26:25 | |
Pardon me for asking, but, back in 1977, as a 12-year-old, | 0:26:25 | 0:26:29 | |
were you up here on this wall with Roy Castle | 0:26:29 | 0:26:31 | |
-doing exactly the same thing? -Yes, I was. | 0:26:31 | 0:26:34 | |
Well, just for old time's sake, you don't fancy re-enacting that, do you? | 0:26:34 | 0:26:37 | |
Oh, all right then. | 0:26:37 | 0:26:39 | |
-But where are all the other dancers? -Right here. | 0:26:40 | 0:26:44 | |
MUSIC PLAYS | 0:26:44 | 0:26:50 |