Episode 4 The One Show - Best of Britain



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Transcript


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-Hello from Cheshire in the North West of England. I'm Joe Crowley.

-And I'm Carrie Grant.

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Over the next half an hour, we're going to be bringing you

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the best of Britain, as seen on The One Show.

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Do not adjust your set. It really is this posh.

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We've taken up residence at the stunning Tatton Park,

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near Manchester, for this special edition of The One Show.

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We'll be serving up a banquet of The One Show's finest films,

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those rich stories that were lovingly crafted

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-and thoroughly deserve to be seen again.

-Absolutely.

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And how lovely to enjoy them here with this neo-classical mansion and 50 acres of landscape gardens.

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So, give your butler the night off cos here's what's coming up.

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Top Of The Pops, or maybe not.

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# It's just like rock 'n' roll... #

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It's excellent! I love it!

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Carrie gets to the bottom of those mysterious 1970s records.

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They would do 12 tracks in a day.

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It had nothing at all to do with the television series,

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but amazingly, the BBC hadn't trademarked the name.

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Would you let your doctor deliberately give you a heart attack?

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Dr Sarah Jarvis watches it happen.

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Now, Peter, if it gets really bad, let us know

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and we can always give you some powerful painkillers.

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'Peter is having a heart attack.'

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Plus, there was a nun, a cricketer and St John the Baptist.

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No, it's not a joke.

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If God said, "No cricketing for you, Phil.

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"I want you to be a prophet." Then you would have wanted the desert.

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And street barber Michael Douglas takes the scenic route between Settle and Carlisle.

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The trolley looks a bit wobbly. I always think you'd spill a cup of tea on somebody.

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-Have you done that before?

-No.

-Yes, you have! You must have done!

-No, I haven't!

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Now, this mansion was once home to Wilbraham Egerton.

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In 1887, he embarked on the groundbreaking scheme to link

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Manchester with the sea, 40 miles away.

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It was the Manchester Ship Canal and this is a picture of it being built.

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It cost the equivalent of £1.6 billion in today's money

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and it meant that ships from across the world could sail right into the heart of the city.

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And when they arrived there, they'd be greeted by dockers,

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talking in a very distinctive way.

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Alistair McGowan gets his tongue round the local accents.

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I've always been fascinated by accents.

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Listening to them, identifying them and copying them.

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But now, I want to know more.

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Why does Matt Baker sound so different from Gyles Brandreth?

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Oh, yes! And why does Mike Dilger sound so similar to Neil Morrissey?

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'So, I'm teaming up with accent expert Patrick Honeybone

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'and we've picked a great city in which to start.'

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So here we are at the home of one of Britain's most identifiable,

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iconic and frankly very doable accents.

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Down by the Mersey and this is where Liverpool English began.

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'Liverpool has been a port for centuries

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'and the original dock responsible for the development of the city

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'and its accent can still be found... underground.'

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This dock changed Liverpool's history.

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So it really was this wall, as we see it today,

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which gave rise to the way you speak today.

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-Yeah, definitely.

-So John Bishop owes a lot to this particular wall!

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'From the 18th century, Liverpool's docks

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'brought in ships from all over the world, especially from Ireland.

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'These dockers know their heritage is key to the city's accent today.'

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My ancestors came from Ireland, they came over from Ireland,

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which, the vast majority of people in Liverpool have got some

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Irish connection with them.

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If you take someone like Dara O Briain,

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-someone like that, it doesn't sound to me very similar to Liverpool.

-We're heavy on the "A".

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Your Ma, your Da. Your Pa. I remember being in London just speaking with a guy.

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He said to me, "What part of Ireland are you from?"

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I said, "I'm from Liverpool." He said, "That's good enough for me!"

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And I just laughed.

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'The Irish accent may have dominated, but Scouse is a complicated

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'linguistic recipe, with lots of other ingredients from around the world.'

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You had the biggest concentration of Scottish people living outside of Scotland,

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people coming from Wales, you had people coming from bits of Lancashire and everything.

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So what you had in Liverpool,

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especially in the 19th century, is just people from everywhere.

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Scouse is incredibly distinctive.

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The remarkable thing about accents in Britain is that they all have borders.

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And just 16 miles down the road in St Helens, there's proof of this.

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You think this is where the Liverpudlian accent,

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-the Scouse accent, ends?

-I'd say so, yeah.

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My sister lives in Rainhill, which is probably a mile away.

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She has got a Scouse accent now.

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-It's as tight as that, a mile?

-Yeah.

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Patrick, talking to Mark, I'm not hearing a trace of

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Scouse in your accent at all.

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It's surprising how little similarity there is between

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real Scouse and real Lancs, which is kind of what you're getting here.

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People in St Helens don't have Scouse accents

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because their traditional industries, coal and glassblowing,

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generally drew on a more local workforce.

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What amazes me is that the North West of England boasts yet another

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instantly recognisable accent.

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Manchester was a giant of the industrial revolution

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and it was the people who came to work on the mills who

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created their own distinctive way of speaking.

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So what do you think are the specific sounds of a Manchester accent?

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Two that stand out to me would be

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the final vowels in words such as "Manchester", for example,

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and a word such as "happy", which sounds more like "happ-eh".

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So next time, I shouldn't say "The Happy Mondays", I should say

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-"The Happ-eh Mondays".

-Something like that!

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Or just do the whole thing as Frank Gallagher from Shameless

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and then it just sort of falls into place. Know what I mean?

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'Frank Gallagher sounds different from Steven Gerrard

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'because the cotton mills in Manchester didn't attract

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'quite the same international flavour of economic migrants as the docks in Liverpool.'

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In Liverpool, you've got more people from different areas,

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partly cos it was the docks and so people could get there easily.

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You certainly had people coming from all over to live in Manchester.

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You had people from Ireland and Scotland, but probably just less than went to Liverpool.

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So that's the secret.

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St Helens is close to the traditional native accent

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of the North West. Manchester piled lots of other accents on top,

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but mainly other British accents, while Liverpool went all

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the way with a good helping of international flair.

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Industry has shaped our accents.

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As this fascinating corner of the world built itself, it also built its own unique sounds.

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Or is that "sewnds"?

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Or "shawnds"?

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Better go and ar-sk.

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Ask!

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The many voices of Alistair McGowan.

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-So what do you prefer, the Liverpudlian or the Mancunian accent?

-Erm...no!

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-I'm definitely not falling for that one!

-Was that Liverpool?

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No, they are equally dear to my ears.

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-They're beautiful accents.

-So, Norwich it is for you!

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That's right, boy!

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Sitting on the fence, rather healthily.

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Well, over the years, The One Show's had some amazing medical films,

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but I don't think there is anything that can beat this. Dr Sarah Jarvis.

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Peter Jones lives with a heart disease that means the simplest

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tasks put him at risk of cardiac arrest.

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He could simply drop down dead.

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Peter suffers from hypertrophic cardiomyopathy.

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His heart has grown excess muscle that interferes

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with its pumping action.

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Extraordinarily, the best way to cure him is to give him

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a deliberate heart attack on the operating table.

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We're actually targeting a very specific area of muscle in the centre of the heart, in the septum,

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where this bulge is impinging on the path of blood

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flowing from the heart to the body

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and will create a small area of cell death, a heart attack, in this zone.

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They're going to trigger Peter's heart attack with a lethal

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shot of neat alcohol.

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Alcohol is very soluble in cell membranes.

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The minute it hits biological tissue, it dissolves through the cell wall

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and immediately creates chemical mayhem just inside the cells.

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It's a very effective toxin.

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Peter will stay awake throughout,

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so he can tell doctors how much pain he's feeling and where.

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-How are you doing?

-Fine.

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I'm thinking about what I can do after the operation.

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First, the team thread imaging equipment up the main artery

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that runs through Peter's groin, straight into his heart.

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That's it.

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The precise target area will be pinpointed with an extremely

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fine guide wire.

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It's 14,000th of an inch thick and we'll steer it round the bends

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so that this wire lies exactly in the artery we seek.

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Dr Stables will have to navigate his way through a complex

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web of minute arteries.

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And now, we're in the exact place.

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And I now have a continuous hollow channel between my hand

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on the surface of the table and the depths of the heart.

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The team now has to use echo contrast dye to double check

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they're in the right place before the alcohol does its damage.

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But there's a problem.

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Now, this is an example of how precise we have to be.

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The bulk of the material is arriving too far to the right

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and that means that we're actually distributing this not

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precisely into the perfect target zone.

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They've missed the right turning by fractions of a millimetre.

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They'll have to try again.

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We go back, we find another branch. We keep going till we find the right one.

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-It's going to be a bit of a battle.

-This is really challenging stuff.

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Peter's heart is so expanded, the muscle is so dense, that the

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surgeon can't even move that incredibly delicate wire,

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except when the heart is relaxing between beats,

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so not only does he have a moving target,

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but he can only proceed for half a second in every second.

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These are anxious moments for Peter.

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-You're holding up?

-Fine.

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The team continues their search.

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A little test there, are we taking the correct branch?

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No, we're not. So I need to come back, turn left here.

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It's a battle, but it's worth fighting for.

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Yes! Spot on! Spot on!

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Finally, after nearly an hour, they're on target.

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Dr Stables is going to use just half a teaspoonful of neat alcohol.

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Now, Peter, if it gets really bad, let us know

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and we can always give you some powerful painkillers.

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Here we go. Feel it?

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Peter is having a heart attack. Drop by drop,

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the alcohol is killing an area of his heart the size of a thumbnail.

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That is absolutely spot on.

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Fantastic.

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He has a smile on his face.

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And now, so do you!

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'It's been very challenging, but Dr Stables is delighted with the result.'

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So on a scale of one to ten,

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how happy are you with what you found, where you pinpointed?

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Well, in terms of localisation, it's a nine or a ten.

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In terms of personal satisfaction about the degree of difficulty,

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it's an 11!

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If the procedure has worked, Peter should be able to live

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a normal healthy life again, almost immediately.

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-What an incredible story.

-Absolutely remarkable.

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And since that film, he's gone from strength to strength.

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-And here he is now, Peter. How are you feeling?

-Great.

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-Yeah, really good.

-You look really healthy.

-Thanks.

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It's made a massive difference.

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I can do things that I never dreamt of doing in the last 15 years.

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What sorts of activities can you now do that you couldn't do before?

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-Going and doing 10-15 mile bike rides.

-Miles?

-Yeah. Crazy, isn't it?

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That is absolutely incredible.

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Playing golf without any pain. Everyday things that people take for granted.

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Was there ever a point where you thought you may not get to this age?

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Yes, there was. There was gloom and doom for months and months.

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I've lived the last 15 years,

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feeling as if I could drop down dead any minute.

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It's an incredible film.

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-You're a brave man, with a camera crew filming you!

-Yeah!

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It was mad, really.

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Very heroic surgery. Let's have a look at your scar.

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Is that it?

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-It's a party stopper, that is!

-Wow!

-I've got spots bigger than that!

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-That's incredible!

-It's huge, isn't it?

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It's fair to say you're a pretty big fan of Dr Stables' work?

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Yeah, huge fan! Done a hell of a lot of good work. Fabulous.

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We congratulate you and we wish you well

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and we set you off on your way, don't let us hold you up!

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Take care, Peter.

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Now, I think it's time for our flame-haired disco diva to set

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the record straight on a certain 1970s phenomenon.

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When I was growing up, Sunday was always

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the Chart Show on Radio One and Thursday was Top Of The Pops night.

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Kids like me built their lives around those two events.

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They told us the latest music and also the kind of records

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we should be buying. And if you're a certain age,

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you'll remember you could go to your local Woolworths store and buy

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a whole Top Of The Pops album of hits for the same price as a single.

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Between 1968 and 1984, these albums cashed in on the success of

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the real Top Of The Pops by offering cover versions of the current hits.

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They became chart toppers in their own right.

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So who was behind these albums

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and how on earth did they get away with it?

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Record collector and music historian Keith Richards is fascinated by the albums.

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-Where did it all start?

-It was the idea of a chap called Alan Crawford.

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He came up with the name Top Of The Pops, which, of course, was the name of the popular BBC pop show

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at the time, so that was a masterstroke, really,

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because most people, myself included,

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assumed that it was related to the TV programme.

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But of course, it wasn't Top Of The Pops.

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No, it had nothing at all to do with the TV series, but amazingly,

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the BBC hadn't trademarked the name, or weren't able to,

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so Alan Crawford was free to use the name for his series of LPs.

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Two of the albums topped the album charts.

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The reason they were selling so well was because of their price.

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They were 75p, whereas a regular album at the time cost about £2.10.

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-# No New Year's Day... #

-To keep the price that low, unknown session singers sang the songs.

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The voice you hear doesn't belong to Stevie Wonder,

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but Martin Jay - a chart topper you'll never have heard of.

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Martin sang on over 200 Top Of The Pops cover versions.

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But now, almost 30 years since the release of the last album,

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I'm about to go and meet this secret pop star.

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How were you expected to learn the songs?

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You were expected to go out and buy the record and you'd

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hunt around for the record and then literally write the lyrics down.

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-Yourself?

-Yourself, yeah. If you wrote the lyrics down by hand,

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by the time you got to the end of it, you pretty much knew the song.

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Was the recording process quite fast?

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They would do 12 tracks in a day.

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I want to see if you've still got your chops today!

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-Are you sure?

-I'm going to send you into the studio and see

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if you can still sing some of those old Top Of The Pops tracks.

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First up, we've got a little bit of T Rex, with their 1973 hit single 20th Century Boy.

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# Friends say it's fine, friends say it's good

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# Everybody says it's just like rock 'n' roll... #

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That's excellent! I love it!

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The next one I'm going to give him is by this fella, Dave Edmunds.

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-Good to see you. Back in 1970, you were at number one for a whole six weeks.

-That's right.

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-Christmas.

-And the song was called?

-I Hear You Knocking.

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This is Dave's original version of the track.

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# You went away and left me long time ago... #

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Here's Martin's version.

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# Now you're knocking on my door

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# I hear you knocking

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# But you can't come in... #

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-First thoughts?

-I always thought this was a record that couldn't be covered.

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-I think I'm right.

-I don't think the record companies were very happy about these.

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No. The publishers wouldn't mind cos they have to get paid,

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but the artists, of course, would not get paid because they're not on the record.

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Shall we go and see Martin? Let him out of his misery!

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Come on, let's go!

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'Martin has never met any of the singers he has covered before

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'and has no idea that Dave is here.'

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# I hear you knocking... #

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We've heard Martin. How about the two of you together?

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'Is this a first? A chart topping musician singing alongside an unknown

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'Top Of The Pops cover singer?'

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# You went away and left me long time ago

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# And now you're knocking on my door

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# I hear you knocking

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# But you can't come in. #

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The final Top Of The Pops album hit the shops in 1984.

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By then, a whole new era of compilation albums had arrived.

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And these hits were the real deal.

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Looking back, I'm surprised they got away with it for so long.

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Did it say anywhere on the sleeves that they weren't the original

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-artists?

-No. You didn't know till you got it home.

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-You only did that once!

-Yes!

-Talking of original versions,

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not only do we have THE Carrie Grant, but next up, we have THE Michael Douglas.

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-I'm not talking about Hollywood imitations.

-Authentic!

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-I'm talking about the real deal.

-Yes!

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-THE Michael Douglas.

-Cool!

-The One Show street barber.

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I've been told to come here to the station bright

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and early to catch a very special train.

0:18:190:18:22

A train that's going to take me on a magical trip that I'll never forget.

0:18:220:18:26

And with all that, it can only mean one thing - I'm going to Hogwarts!

0:18:260:18:30

CRASH

0:18:310:18:34

OK, so it's not the Hogwarts Express, but a trip on the famous

0:18:340:18:38

Settle to Carlisle line is still a memorable journey.

0:18:380:18:42

The Settle to Carlisle line was constructed in the 1870s to

0:18:420:18:46

open up a new rail route into Scotland.

0:18:460:18:49

It runs from the market town of Settle in north Yorkshire,

0:18:490:18:52

right up through the Yorkshire Dales and North Pennines to Carlisle in Cumbria,

0:18:520:18:57

and the views from the carriage are said to be the prettiest in Britain.

0:18:570:19:01

-I think if anybody needs their hair doing, it's perhaps you.

-Oh, thank you(!)

0:19:010:19:05

So, this is the lovely Linda and she works here on this train line.

0:19:070:19:10

-That's right, isn't it?

-I do. I work on the trolleys.

0:19:100:19:13

And what is so special about this particular journey?

0:19:130:19:17

Obviously, the scenery plays a big part. The history, the people.

0:19:170:19:21

A lot of tourists, a lot of day-trippers.

0:19:210:19:25

I think one thing I noticed more than anything is how

0:19:250:19:28

-chatty it is on this train.

-Because of the rural environment

0:19:280:19:32

-and there's no pressures of a day-to-day life of commuting.

-Yeah.

0:19:320:19:36

The whole trolley thing looks a bit wobbly though. I always think you'd spill a cup of tea on someone.

0:19:360:19:41

-Have you done that before?

-No.

-Yes, you have!

-No, I haven't!

-You must have done!

-No, I have not!

0:19:410:19:45

-How's that?

-Oh, that's absolutely lovely. Thank you. I'm very happy, thank you.

-Thank goodness!

0:19:450:19:51

That there is Yorkshire's answer to Table Mountain.

0:19:520:19:56

Otherwise known as Pen-y-gent, of course.

0:19:560:19:59

There are nine stations between Settle and Carlisle.

0:20:010:20:04

The whole line was once seriously threatened with

0:20:040:20:07

closure by British Rail and only a nationwide campaign saved it.

0:20:070:20:12

This is David, and you have worked on the train lines for a long time,

0:20:120:20:16

-have you?

-45 years in railways, yeah.

0:20:160:20:18

I'm right in thinking in the '80s that the line nearly

0:20:180:20:21

-closed down altogether.

-It did.

0:20:210:20:24

BR saw it as surplus for their requirements and that's

0:20:240:20:27

when the big fight started.

0:20:270:20:29

It became quite a national thing and people travelled from all

0:20:290:20:32

over the country and all over the world to travel on this line.

0:20:320:20:35

There's something kind of brilliant about this particular train track.

0:20:350:20:39

It feels like you've gone back in time.

0:20:390:20:41

It's hardly changed from the 1950s.

0:20:410:20:43

It's still got the original signalling.

0:20:430:20:46

-Did you have to have a man in a box, pulling levers?

-That's right.

-Really?

0:20:460:20:50

-And they have them on this?

-Just opposite you. In that box over there.

-Oh, right. Wow, yeah!

0:20:500:20:55

OK, take a look.

0:20:550:20:57

It's all right. Very good. Thank you.

0:20:590:21:02

I don't know if he's happy.

0:21:020:21:04

This 72-mile line was certainly a feat of engineering worth saving.

0:21:100:21:14

It took 6,000 men more than six years to construct it.

0:21:140:21:19

So this is Drew and he is the manager of this wonderful train line.

0:21:190:21:23

It's fantastic and it does get under your skin. You really start to believe in it.

0:21:230:21:27

-Especially when you know the history of the line.

-Tell us some interesting historical facts.

0:21:270:21:31

Probably one of the things that you have to realise about the line

0:21:310:21:34

is the cost in human life to build it.

0:21:340:21:37

-Really?

-Yeah. Reports vary. It's in the hundreds.

0:21:370:21:40

Hundreds of...mainly Irish navvies died building this railway,

0:21:400:21:43

so today it's a bit of a living memorial to those people.

0:21:430:21:46

-What about the weather?

-Yeah, we get the minus 15s, we get the floods.

0:21:460:21:51

-You're still going through minus 15?

-Yeah.

-Wow!

0:21:510:21:54

The diesel fluid starts to coagulate a bit, but they still keep going.

0:21:540:21:58

-Take a look. What do you think?

-That's amazing!

0:21:580:22:01

The frame's lovely, but the picture's still lousy.

0:22:010:22:04

You don't look that bad!

0:22:040:22:07

This spectacular rail journey lasts less than two hours

0:22:070:22:10

and before I know it, we arrive into Carlisle.

0:22:100:22:13

The Settle to Carlisle line has managed to transform

0:22:130:22:16

itself into something quite magical.

0:22:160:22:19

A busy line that's as much a tourist attraction as it is a vital

0:22:190:22:22

service to its commuters. And I am going right back again.

0:22:220:22:26

I tell you what, we could do with a hairdressing service on the London Underground.

0:22:330:22:38

-I'd love that!

-Now, here we are in the drawing room at Tatton Park

0:22:380:22:41

and there are some spectacular works of art.

0:22:410:22:44

This one over here particularly catches the eye.

0:22:440:22:46

It's The Stoning Of St Stephen, by Van Dyck.

0:22:460:22:50

-Quite a powerful, scary, violent image?

-Yeah, horrible. it's going to hurt, isn't it?

0:22:500:22:55

I'm not sure I'd want it in my front room.

0:22:550:22:57

I'm not sure it would fit in my front room, quite frankly!

0:22:570:23:00

But two people who have a soft spot for gory religious art

0:23:000:23:03

are Sister Wendy Beckett and Phil Tufnell.

0:23:030:23:06

St John the Baptist is one of the most distinctive

0:23:060:23:10

characters in the New Testament. He had an unusual flair for fashion.

0:23:100:23:14

He wore wild looking clothes made from camel hair

0:23:140:23:17

and a leather belt around his waist.

0:23:170:23:19

He lived in a desert wilderness. He ate locusts and wild honey.

0:23:190:23:23

And preached about the coming of the Messiah.

0:23:230:23:27

He was called John the Baptist because he baptised people

0:23:270:23:30

with water as a sign that they had repented their sins.

0:23:300:23:34

He even baptised Jesus himself.

0:23:340:23:36

'Sister Wendy has picked out two paintings from the fabulous

0:23:360:23:39

'collection at the Barber Institute of Fine Arts, here in Birmingham,

0:23:390:23:43

'which will tell us more about this extraordinary figure.'

0:23:430:23:46

It's a fascinating picture

0:23:460:23:47

because not many artists have shown that, John starting his career.

0:23:470:23:52

They usually show John baptising when Jesus came to him.

0:23:520:23:56

But there's John at the beginning.

0:23:560:23:58

He has no idea what life's going to hold out for him.

0:23:580:24:02

-He went to live in the desert.

-Why the desert?

0:24:020:24:06

He wanted to prepare himself,

0:24:060:24:10

in solitude and austerity

0:24:100:24:13

for this great vocation of preparing the world to listen to Jesus.

0:24:130:24:19

Now, I don't believe for one minute that he

0:24:190:24:21

went as a kind of gangling adolescent.

0:24:210:24:23

That's a very young John.

0:24:230:24:26

I'm sure he was grown up, so it's an interesting picture.

0:24:260:24:30

But I don't think Neri's got the drama of it.

0:24:300:24:33

I mean, John looks rather miserable to me!

0:24:330:24:37

I would be though, going off to the desert just to eat locusts and honey.

0:24:370:24:41

No, you wouldn't, not if you had a vocation.

0:24:410:24:45

If God said, "No cricketing for you, Phil.

0:24:450:24:48

-"I want you to be a prophet."

-Yes.

0:24:480:24:50

-Then you would have wanted the desert.

-I would have done.

0:24:500:24:52

But you can see his parents who have agreed to it -

0:24:520:24:55

and they've both got halos, they're saints -

0:24:550:24:59

are miserable because he's their only child.

0:24:590:25:03

I wish he'd turn and wave to them. That thought wouldn't occur to Neri,

0:25:030:25:07

who was a very down-to-earth, straightforward kind of painter.

0:25:070:25:11

Although, Neri isn't a great artist, it tells the story so clearly.

0:25:110:25:17

'Sister Wendy's second choice shows us

0:25:180:25:21

'St John the Baptist about to meet a tragic fate.

0:25:210:25:24

'John had got into big trouble by condemning the marriage of

0:25:240:25:27

'King Herod to his former sister-in-law, Herodias.

0:25:270:25:30

'Herodias got her revenge after her daughter, Salome, impressed Herod so

0:25:300:25:35

'much with her dancing that he offered her anything she wanted in return.

0:25:350:25:39

'Salome famously asked for John's head on a plate.'

0:25:390:25:44

Now, this is how a 19th century artist sees it.

0:25:440:25:49

The Impressionists who were his contemporaries were very

0:25:490:25:53

impressed by him because nobody was doing this kind of thing.

0:25:530:25:57

They weren't doing religious paintings.

0:25:570:25:59

There's John perfectly poised in the middle.

0:25:590:26:03

Absolutely equidistant on either side.

0:26:030:26:05

He's a sacrifice and the light glowing behind him shows that.

0:26:050:26:11

And the worldlings who want to destroy him,

0:26:110:26:13

silly little Salome and a man who kills for hire.

0:26:130:26:18

They just don't matter.

0:26:180:26:20

All that matters for John is that he's giving himself at last to God.

0:26:200:26:25

Do you think it's a good representation of the story?

0:26:280:26:30

-Well, it tells us the story.

-Yes.

0:26:300:26:33

And it tells us the story in a very striking way.

0:26:330:26:37

But I can't believe in John.

0:26:370:26:41

When I look at it, I'm much more impressed by the style,

0:26:410:26:44

the elegance, the grace,

0:26:440:26:46

far more than I am by any spiritual feeling.

0:26:460:26:52

-It's almost as if he's not really there.

-That's what I feel, you see!

0:26:520:26:57

-Yes. His spirit's already gone.

-Yes!

-And that is just his body.

0:26:570:27:01

There's a body there, going through all the right motions.

0:27:010:27:05

But what is John feeling?

0:27:060:27:09

What is his heart saying, as he faces...within a few seconds

0:27:090:27:13

he's actually going to be looking at God?

0:27:130:27:15

I don't get any feel of that.

0:27:150:27:18

Now, I said all that because I can't get this out of my mind.

0:27:180:27:23

Well, thanks so much for sharing your thoughts about the paintings.

0:27:260:27:29

-It's been a delight.

-We enjoyed it, didn't we?

0:27:290:27:33

-You shared your thoughts too.

-I did. I thoroughly enjoyed myself.

0:27:330:27:37

And a huge thank you to Sister Wendy for all the films she's

0:27:370:27:41

-made for The One Show over the years.

-I love her.

0:27:410:27:44

I'm afraid we've come to the end of the show,

0:27:440:27:46

-but one hopes you've enjoyed it as much as one has.

-One certainly does.

0:27:460:27:49

-We're off to take some tea now. Goodbye.

-Cheerio.

0:27:490:27:53

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