Browse content similar to 01/04/2014. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Matt Baker. And Alex Jones. | :00:18. | :00:23. | |
Tonight the most famous person to come out of Port Talbot. What about | :00:24. | :00:28. | |
Sir Anthony Hopkins? Tonight, the second most famous person to come | :00:29. | :00:33. | |
out of Port Talbot! What about Michael Sheen? Tonight's guest is | :00:34. | :00:41. | |
from Port Talbot, it is Rob Brydon! He is our favourite person! You | :00:42. | :00:45. | |
should think of Richard Burton as well. There are just too many. Hi! | :00:46. | :01:01. | |
Here we are, what is it like, April Fools' Day, for a comedian? Are | :01:02. | :01:04. | |
people trying to get you all the time? I am not a big practical | :01:05. | :01:10. | |
joker. The only April Fools' Day I ever did was Ken Bruce's radio show | :01:11. | :01:15. | |
on Radio 2, I did the whole thing as him. It is a really easy voice to | :01:16. | :01:22. | |
do, you know? You only have to talk like that. And that is it, I did the | :01:23. | :01:26. | |
whole thing, and by people thought, is the ill?! Is he drunk? Is he | :01:27. | :01:32. | |
finally having the breakdown? They just didn't know. For the it went on | :01:33. | :01:39. | |
and on. I kept on talking for the whole show. We did pop master, | :01:40. | :01:47. | |
traffic and travel. I would love to hear that! It is an YouTube! Earlier | :01:48. | :01:53. | |
today we decided to play an April fool on some unsuspecting | :01:54. | :01:59. | |
passers-by. Is somebody walking off? People are wondering why I am | :02:00. | :02:03. | |
talking to a box. It is a very good question, but all will be revealed! | :02:04. | :02:10. | |
And we will be talking to Rob about his road trip to Italy in a very | :02:11. | :02:14. | |
small car with Steve Coogan. But first, Theo Paphitis has been on the | :02:15. | :02:18. | |
road to Yorkshire, keen to dish out a feisty businesses facing a | :02:19. | :02:26. | |
challenging future. I have been running businesses for | :02:27. | :02:30. | |
over 30 years. One thing that still inspires me was budding | :02:31. | :02:34. | |
entrepreneurs. Over the next year, I will be following the fortunes of | :02:35. | :02:39. | |
four great British businesses, we will see the highs, the lows, the | :02:40. | :02:46. | |
good, the bad and maybe some ugly. Today I am meeting an inventor from | :02:47. | :02:50. | |
Leeds who lived on a clever idea while he was a local councillor and | :02:51. | :02:54. | |
has been trying to turn it into a money spinning business ever since. | :02:55. | :02:58. | |
How are you doing? Good to see you. Matthew, tell us, why have you | :02:59. | :03:05. | |
brought us here? I am going to show you some potholes. They are forming | :03:06. | :03:09. | |
all up and down the country, local authorities do not have the money to | :03:10. | :03:13. | |
deal with it, and the roads are getting dangerous. And you have the | :03:14. | :03:18. | |
solution? We have this solution! Show me. Believe it or not, potholes | :03:19. | :03:24. | |
are big business. Councils spend over ?100 million last year to | :03:25. | :03:29. | |
repair our potholes in the roads, and they forked out a staggering ?32 | :03:30. | :03:35. | |
million in compensation claims. But Matthew and his dad have been | :03:36. | :03:39. | |
working on a wonder machine that could be the solution to Britain's | :03:40. | :03:43. | |
pothole problem. It mills it out into a larger uniform hole, and into | :03:44. | :03:51. | |
that we put a preformed tarmac block of the same shape. The reason we | :03:52. | :03:55. | |
call it the jigsaw system is it is like putting the last piece in a | :03:56. | :04:00. | |
puzzle. Why is this better than the council's system? It is cheaper, | :04:01. | :04:05. | |
faster and longer lasting. It could save ?40 million a year this year | :04:06. | :04:12. | |
and every year. Wow! The boys have ploughed ?100,000 into | :04:13. | :04:16. | |
the jigsaw. They have had some interest from local councils and | :04:17. | :04:19. | |
could do with some orders to start balancing the books. But there is a | :04:20. | :04:27. | |
big problem. Guys, state-of-the-art?! It is a | :04:28. | :04:32. | |
load of old junk! Our engineer took took it apart, and before he had the | :04:33. | :04:37. | |
time to put it back together, he died. That is a real problem. But | :04:38. | :04:43. | |
you need a product to take to investors, you cannot take them a | :04:44. | :04:46. | |
whole lot of junk. What are you going to do? There is nothing like | :04:47. | :04:50. | |
this anywhere else in the world. If we don't do it, someone else will. | :04:51. | :04:55. | |
It is a great idea, but without a prototype it will be a bumpy ride. | :04:56. | :05:03. | |
But they might be in luck. A local engineering firm reckon they can | :05:04. | :05:05. | |
rebuild it. The technology is something we are familiar with, it | :05:06. | :05:07. | |
is the application which is the unique element. We have experience | :05:08. | :05:12. | |
in a number of heavy industries, positioning as well to help them | :05:13. | :05:16. | |
out. There is a good chance that Mike and his team can rescue these | :05:17. | :05:23. | |
pothole pioneers, but at what cost? How did it go? To complete the | :05:24. | :05:27. | |
design and get is a preproduction machine to demonstrate, we need | :05:28. | :05:36. | |
?43,000. Boy, 100,000 already gone, another 43. Where is that money | :05:37. | :05:42. | |
going to come from? We are out there seeking high net worth investors. | :05:43. | :05:49. | |
Either a financial investor or an end-user investor, someone who has a | :05:50. | :05:52. | |
requirement for the product. How will you make money from this? We | :05:53. | :05:57. | |
are looking at making a small profit in year one, 60 8000. We are looking | :05:58. | :06:04. | |
at 1 million in year two. -- 68,000. Profit? We are going to sell 60 | :06:05. | :06:11. | |
lives in year one, 12 in year two. And when you sell 12 units, you will | :06:12. | :06:18. | |
make ?1 million profit? We are indeed, based on each unit doing 20 | :06:19. | :06:22. | |
repairs each working day of the year. I am beginning to like this | :06:23. | :06:29. | |
idea! I was a bit worried, but now I can see it like this and I can | :06:30. | :06:33. | |
understand it, you might just have a chance. To be successful in | :06:34. | :06:38. | |
business, you have got to have dreams, and that is what they have | :06:39. | :06:43. | |
got, but can they make their dream come true? We will soon find out. I | :06:44. | :06:48. | |
will be back later in the year to find out if they've found the cash | :06:49. | :06:51. | |
they need to get their business on the road. | :06:52. | :06:57. | |
Well, Theo is just commenting on how beautiful his car looks! Those doors | :06:58. | :07:04. | |
that shut so smoothly. It has got a button inside, you press the button | :07:05. | :07:08. | |
and it shut automatically, but it would make him redundant. Another | :07:09. | :07:12. | |
about the car, what about the jigsaw? I thought you were going to | :07:13. | :07:16. | |
put the 40 grande dame. They didn't ask me! I did think they were | :07:17. | :07:24. | |
barking mad. They told me all about it, they were very excited, it is in | :07:25. | :07:28. | |
the garage, and it was basically in pieces. I was saying, it is junk, it | :07:29. | :07:36. | |
is rubbish. The designer took it apart and unfortunately... They have | :07:37. | :07:41. | |
done a good call out there. So if somebody out there has a cracking | :07:42. | :07:46. | |
idea, how should they proceed? Should they tell somebody? Let's not | :07:47. | :07:52. | |
get carried away, not all cracking ideas are moneymaking ideas. When | :07:53. | :07:55. | |
you are sitting in the back and have your Eureka moment, think about it | :07:56. | :08:00. | |
first. If you really think you have got an invention that will | :08:01. | :08:03. | |
revolutionise the world, and you cannot afford to pay to and it, you | :08:04. | :08:09. | |
can send a letter to yourself or to your lawyer just too protected while | :08:10. | :08:12. | |
you do more investigation. But the best way to do it is too protected, | :08:13. | :08:20. | |
but it does cost a lot of money. If you are doing your homework, what | :08:21. | :08:24. | |
are the key questions? Can I make money? Is there a demand? On | :08:25. | :08:30. | |
Dragons' Den, people say, I have spent ?200,000 on this, and I asked | :08:31. | :08:35. | |
my auntie Edith, she thought it was April in idea. Don't ask her! Where | :08:36. | :08:42. | |
are they from?! Have you not seen them? They all sound the same! It is | :08:43. | :08:51. | |
Arnold Blaise... You know them as well?! I think I might have met | :08:52. | :08:58. | |
them! Ask somebody who does not like you all might want to pay for it. | :08:59. | :09:03. | |
The good news is, Theo, this is the first in a series you are doing for | :09:04. | :09:07. | |
the One Show. Oh, that is marvellous news! That is not good news, that is | :09:08. | :09:13. | |
brilliant news. I could easily sit through another two or three of | :09:14. | :09:19. | |
those. Not all at once, you understand. Let's whetted appetite! | :09:20. | :09:28. | |
You say that with such conviction. Do not bet the farm. They sold | :09:29. | :09:34. | |
everything. They sold everything to buy this cafe. Rats in the kitchen, | :09:35. | :09:40. | |
they have broken every rule, and that is what I like about them. You | :09:41. | :09:46. | |
have been there as well? It is not really like that, is it?! There are | :09:47. | :09:53. | |
a few spots left, get in touch if you need the old's help. You never | :09:54. | :10:01. | |
know. Talking of voices, will you do the man in the box for us? | :10:02. | :10:08. | |
Oh, my word, how on earth does he do this?! I really don't know! I am | :10:09. | :10:17. | |
sure you think someone in the gallery was doing that. There is no | :10:18. | :10:22. | |
technical trickery, that is two and a half years of drama school. Money | :10:23. | :10:28. | |
well spent. As a tribute to your man in a box, we thought we would bring | :10:29. | :10:36. | |
new Matt in a box. This sounds good. We set up a cardboard box on | :10:37. | :10:41. | |
London's Southbank in which Matt was apparently crammed inside. But I was | :10:42. | :10:47. | |
hidden in a nearby van, the box contained nothing but a speaker. | :10:48. | :10:53. | |
Would anyone fall for it? Sorry, we have got Matt Baker in this box. | :10:54. | :10:57. | |
Come and have a chat with us. He is really nice. Why are you in the box? | :10:58. | :11:07. | |
We are trying to break a world record. Can you hear me tapping? | :11:08. | :11:14. | |
That is very close to my head! Don't tip the box. Will you do me a favour | :11:15. | :11:25. | |
and entertain me in some way? I am not an entertainer, I don't sing or | :11:26. | :11:30. | |
dance. Will this be screened after I have thrown you in the river? There | :11:31. | :11:35. | |
are some people wondering why I am talking to a box. Do some exercises, | :11:36. | :11:44. | |
start with the stretchers. What can you do? He is probably in this | :11:45. | :11:51. | |
position. If you can drop your neck lower, move your hips back | :11:52. | :11:56. | |
towards... Oh, yeah, hang on, are you still there? Yeah. Good, have | :11:57. | :12:05. | |
you got a favourite song? # Jo Leedham, | :12:06. | :12:12. | |
he is really good at dancing. I could spin you around. Well, well, | :12:13. | :12:28. | |
well! Happy April Fools' Day. Turnaround, I am in the silver van, | :12:29. | :12:35. | |
give us a wave! The fun you can have with a box and | :12:36. | :12:40. | |
a microphone. Thank you for playing along. Thanks for allowing us to | :12:41. | :12:47. | |
show it. Small man trapped in a box features in the new series of The | :12:48. | :12:52. | |
Trip, which is set in Italy. We have seen it, we think it is brilliant, | :12:53. | :12:56. | |
but it is very hard to describe what it is, isn't it, Rob? It is Steve | :12:57. | :13:02. | |
Coogan, the popular northern comedian, and myself, driving around | :13:03. | :13:06. | |
Italy, a follow-on from the first one we did three or four years ago | :13:07. | :13:11. | |
in the Lake District. The idea is that we are reviewing restaurants | :13:12. | :13:14. | |
for a Sunday paper, and in this one they sent us to Italy, and we are | :13:15. | :13:18. | |
playing exaggerated versions of ourselves. Sometimes very much like | :13:19. | :13:24. | |
ourselves, sometimes not. Bickering and, you know, a little bit of | :13:25. | :13:28. | |
impressions with each other. You have a lot of that. We do, yes. You | :13:29. | :13:36. | |
say on the first episode, you know, I am affable but not as affable as | :13:37. | :13:41. | |
in real life. I think that is very true, yes. We improvise a lot, and | :13:42. | :13:46. | |
yes, I think people think of me as affable and I am affable! But I am | :13:47. | :13:52. | |
not as affable as people think I am... So I am a little bit less | :13:53. | :13:56. | |
affable... I am still very affable! But they think I am very, very | :13:57. | :14:02. | |
affable. I am not that affable. I am affable. I mean, Matt is an affable | :14:03. | :14:07. | |
man, but I think I am more affable than Matt. I am. You are fairly | :14:08. | :14:16. | |
affable. Am I affable? I think you are... The same. Matt was the same | :14:17. | :14:21. | |
on and off-screen. We were going to ask you about a second series, but | :14:22. | :14:26. | |
here is Steve Coogan having a very similar conversation with you about | :14:27. | :14:32. | |
hitting the road again. It's like trying to do a sequel. It's never | :14:33. | :14:38. | |
going to be as good as the first. Just when I thought I was out, they | :14:39. | :14:48. | |
pull me back in. What is that licking thing you're doing? That's | :14:49. | :14:55. | |
what he does! Just when I think I've made two terrific movies, they go | :14:56. | :15:01. | |
and make another! I'm back in. It's OK. He's doing an impersonation. | :15:02. | :15:07. | |
Where is that line between you being you and you being The Trip you? It's | :15:08. | :15:15. | |
a very hard question to answer. When we had a real meal, we would eat | :15:16. | :15:19. | |
together and there would be none of that competitiveness. It would be | :15:20. | :15:23. | |
just two middle aged men slowly decaying in front of each other. A | :15:24. | :15:27. | |
loss of the series is about getting older. We're both nearly 49 and it's | :15:28. | :15:32. | |
the time of life when you start to look at things a bit differently. | :15:33. | :15:38. | |
Our real relationship is a bit warmer and it's dangerous when you | :15:39. | :15:42. | |
fill this because we're pushing each other's buttons and niggling each | :15:43. | :15:45. | |
other. Sometimes we have moments where we say, that's enough. You do | :15:46. | :15:51. | |
come together on your taste in music because Steve, even though he's a | :15:52. | :15:55. | |
bit reluctant at the beginning, loves Alanis Morrisette. The joke is | :15:56. | :16:02. | |
that the only music we have... The iPod jack doesn't work so the only | :16:03. | :16:06. | |
CD we have is the one that my wife has left in my bag, which is by | :16:07. | :16:12. | |
Alanis Morrisette. So here we are, two middle aged men, listening to | :16:13. | :16:17. | |
teenage girl thanks to. We start being very derisory about it but by | :16:18. | :16:22. | |
the end we are getting into it. You get drawn into it. It is like a fly | :16:23. | :16:27. | |
on the wall show but it is much more beautiful. The pacing is very | :16:28. | :16:32. | |
different. It's very slow. Nowadays TV spoon feeds you everything. This | :16:33. | :16:36. | |
is very slowly paced and you can immerse yourself. That's why it | :16:37. | :16:41. | |
works. Do you put weight on because you eat a lot? In the first series, | :16:42. | :16:46. | |
I put weight on but on this one I was much pickier. We have to eat | :16:47. | :16:49. | |
every course three times for different camera angles. So three | :16:50. | :16:55. | |
starters before you even have your first main. Three mains before the | :16:56. | :17:00. | |
pudding. So when you see us go, "this pudding looks delicious, " | :17:01. | :17:07. | |
that is award-winning acting! The Trip To Italy starts this Friday at | :17:08. | :17:13. | |
10pm on BBC Two. You spent weeks zipping around Italy in a Mini so I | :17:14. | :17:20. | |
guess it isn't that claustrophobic. Not with the roof down. Stunning | :17:21. | :17:25. | |
scenery. We get down to the Amalfi Coast - I don't know if anyone has | :17:26. | :17:30. | |
been there. It is out of this world. It is out of this world! If you get | :17:31. | :17:37. | |
the chance to go down there, and I'll tell you for why, the roads are | :17:38. | :17:44. | |
very winding! So the Mini was perfect because the roads are so | :17:45. | :17:49. | |
narrow. And the Italians - here comes a stereotype - like to drive | :17:50. | :17:54. | |
fast. We had Italian drivers taking us from location to location and | :17:55. | :17:58. | |
somebody went from the outside lane straight across us to a slip road to | :17:59. | :18:03. | |
get off. We shouted some Anglo-Saxon words. The Italian driver didn't bat | :18:04. | :18:08. | |
an eyelid! We thought we'd just had a near death experience. The Mini is | :18:09. | :18:13. | |
lovely but Matt all right prefers to drive a car you have to stop and | :18:14. | :18:18. | |
plugged in every few miles. -- Matt Allwright. | :18:19. | :18:23. | |
Apparently this is the future of motoring. It's a clean, green | :18:24. | :18:27. | |
driving machine. You just plug it in and drive away. Obviously, you | :18:28. | :18:32. | |
unplug it first because it has a short lead! There are now more than | :18:33. | :18:37. | |
8000 charging points for electric cars across the country and with a | :18:38. | :18:41. | |
range of over 100 miles per charge, you can use these vehicles are | :18:42. | :18:47. | |
pretty much like a normal car. Listen! Nothing. And it's a proper | :18:48. | :18:50. | |
car as well. But we've been here before. That's right. In fact, the | :18:51. | :18:55. | |
first commercially available electric cars dates back to the 19th | :18:56. | :19:02. | |
century. 1897. This man bought a fleet of electric taxis for London | :19:03. | :19:06. | |
and he had a fleet of 75 and they were running around London but the | :19:07. | :19:09. | |
main problem with them was that they had a range of only 30 miles and | :19:10. | :19:13. | |
within a couple of years, petrol took over. But the electric vehicle | :19:14. | :19:19. | |
didn't disappear altogether. In the 1960s, there were more electric | :19:20. | :19:22. | |
vehicles on the streets of Britain that the whole of the rest of the | :19:23. | :19:26. | |
world. The internal combustion engine ruled the world, with one big | :19:27. | :19:32. | |
British exception! The electric milk floats, those funny things that were | :19:33. | :19:37. | |
running around at 5am. Of course you didn't want to go to work in a milk | :19:38. | :19:41. | |
float, unless you were a milkman because then it fits! But in 1973, | :19:42. | :19:45. | |
it looked like the future had really arrived, in the shape of the Enfield | :19:46. | :19:51. | |
8000, the first proper viable modern electric car. Cars like this may | :19:52. | :19:56. | |
very well be the answer to towns and cities of the future. They make no | :19:57. | :20:00. | |
noise and give off no unpleasant smells. John Ackroyd was part of | :20:01. | :20:04. | |
this design team based on the Isle of Wight. How many were made in | :20:05. | :20:11. | |
total? About 120. We tried to get something that was a very | :20:12. | :20:15. | |
aerodynamic shape, crash will be, functional and useful. It was a | :20:16. | :20:23. | |
proper practical little car. I think it was excellent. I really believed | :20:24. | :20:26. | |
in it and I still do. The biggest limitation were the batteries. Great | :20:27. | :20:31. | |
big heavy lead acid batteries. They didn't really hold enough energy to | :20:32. | :20:34. | |
take it more than 40 miles on the flat. Do you remember that the | :20:35. | :20:39. | |
lecture City Council bought a few of these cars? And do you remember the | :20:40. | :20:46. | |
fact that it was on BBC News? No. Well, it was. And so were you. Look | :20:47. | :20:52. | |
at this. We have a car that can keep up with city traffic, accelerate | :20:53. | :20:56. | |
with it, handle with it, and yet has the comfort one has come to expect | :20:57. | :20:59. | |
in a normal conventional car. Frightening! You haven't changed a | :21:00. | :21:08. | |
bit! I have! I can't remember a lot. The Enfield was expensive. It cost | :21:09. | :21:13. | |
nearly ?3000, twice as much as a Mini. And hampered by its range and | :21:14. | :21:17. | |
performance, it never really took off. But some people did buy them. | :21:18. | :21:22. | |
I'm sitting in a genuine Enfield 8000 and I'm not alone. Barry is the | :21:23. | :21:28. | |
owner. Unfortunately, it needs a bit of work to get it on the road so we | :21:29. | :21:36. | |
have to use a bit of... That. That's good. Let's dried! The good thing | :21:37. | :21:41. | |
is, we don't need seat belts. -- let's drive. What's the driving | :21:42. | :21:48. | |
experience like? I really enjoy it and so does my family. In the good | :21:49. | :21:54. | |
old days, it was 1p a mile. Phenomenal! We used to charge it up | :21:55. | :22:01. | |
through a lead coming from the window into the house. There is a | :22:02. | :22:06. | |
big red button in the middle of the dashboard that says you should put | :22:07. | :22:13. | |
it in an emergency. If it didn't stop, you would press the panic | :22:14. | :22:17. | |
button and that's it. A genuine panic button? I thought it was a | :22:18. | :22:24. | |
joke! As environmental concerns grow and petrol prices increase, the | :22:25. | :22:28. | |
electric car may be about to enter a golden age. But predecessors like | :22:29. | :22:32. | |
the Enfield 8000 shouldn't be forgotten. OK, they didn't catch on | :22:33. | :22:39. | |
but, 40 years later, the people who still have one of these absolutely | :22:40. | :22:44. | |
adore them. And I'm a bit smitten as well! | :22:45. | :22:49. | |
I could watch that again and again. I loved the changing of the | :22:50. | :22:54. | |
backgrounds. Was that a green screen special effect? Was at the same | :22:55. | :23:03. | |
people who did Gravity? Anyway, when Paul O'Grady recently revealed that | :23:04. | :23:08. | |
he'd spent ?8,000 on his dog Olga's cancer treatment, many fellow pet | :23:09. | :23:13. | |
owners could understand. But for those who can't afford expensive vet | :23:14. | :23:18. | |
bills, there is help out there. Owning a pet is an increasingly | :23:19. | :23:22. | |
expensive business but here in Stoke-on-Trent, home to one of the | :23:23. | :23:25. | |
country's biggest pet hospitals, help is at hand. The PDSA provides | :23:26. | :23:32. | |
free pet care for those on low or no income. This four-year-old | :23:33. | :23:38. | |
Staffordshire Labrador cross has been brought in a game by his | :23:39. | :23:42. | |
worried owners. He was in two days previously, having been attacked by | :23:43. | :23:47. | |
another dog, but with his wounds still heaving, he's been a victim | :23:48. | :23:51. | |
for a second time. We were taking him for a walk and the next thing | :23:52. | :23:56. | |
these two dogs set about him. He's still in a lot of pain and needs to | :23:57. | :23:59. | |
be sedated. His owners will have to leave their pet in the hands of the | :24:00. | :24:01. | |
experts. 63-year-old Graham is at the | :24:02. | :24:12. | |
practice with his best friend Bella. Bella has already been sick and it | :24:13. | :24:17. | |
could be that chocolate is having a harmful effect. The chocolate we | :24:18. | :24:23. | |
enjoy contains high levels of theobromine and that's a substance | :24:24. | :24:26. | |
that can raise the heart rate of a dog to dangerous levels. I'm just | :24:27. | :24:31. | |
going to listen to her heart because sometimes if they teach chocolate, | :24:32. | :24:35. | |
it stimulating the heart. -- eat chocolate. Treatment is relatively | :24:36. | :24:40. | |
straightforward but speed is of the essence. Bella is given an injection | :24:41. | :24:44. | |
to induce vomiting to bring up any of the chocolate that may remain in | :24:45. | :24:49. | |
her stomach. Once that unpleasantness is over, she is fed a | :24:50. | :24:55. | |
thick charcoal solution which calms her stomach, neutralising any | :24:56. | :24:57. | |
remaining toxins. This might seem complex treatment for a small dog | :24:58. | :25:01. | |
but this is a potentially fatal situation. George's existing | :25:02. | :25:08. | |
injuries mean that assessing the extent of his new ones will be much | :25:09. | :25:12. | |
harder and it isn't just the external damage that gives cause for | :25:13. | :25:17. | |
concern. These attacks can leave severe internal damage. I've | :25:18. | :25:22. | |
listened to his chest and I can hear some slightly abnormal noises. I'm | :25:23. | :25:28. | |
going to do a chest x-ray. These abnormal sounds may mean a problem | :25:29. | :25:33. | |
with George's lungs. A far more serious problem than his visible | :25:34. | :25:38. | |
injuries. It can take a few days for long con choosing is to show on an | :25:39. | :25:42. | |
x-ray but it's good that we can't see anything. -- long contributions. | :25:43. | :25:48. | |
There are no immediate signs of injury so they can set about | :25:49. | :25:54. | |
dressing his wounds. It's then a case of George recovering and | :25:55. | :25:56. | |
hopefully avoiding any more scraps with other dogs. Bella is now back | :25:57. | :26:02. | |
home and none the worse for her ordeal. When I was 61 they found out | :26:03. | :26:12. | |
she'd got a hole in the heart. We've been having health problems. The | :26:13. | :26:16. | |
wife decided that I needed a bit of company because I was on my own when | :26:17. | :26:21. | |
she was out at work. The wife decided that Jack needed company. We | :26:22. | :26:28. | |
ended up with another dog, Bella. They have been good company for me. | :26:29. | :26:33. | |
With Easter around the corner and chocolate in abundance, it is | :26:34. | :26:36. | |
important that dog owners understand the risks to their pets. | :26:37. | :26:41. | |
Wonderful work they do! Isn't that great? Rob, we were just saying that | :26:42. | :26:47. | |
you are starting a brand-new Saturday night show. Yeah, The Guess | :26:48. | :26:53. | |
List. It's the big time, Saturday nights! Shiny floor! How does it | :26:54. | :27:00. | |
work? It again show with two contestants trying to win a prize, a | :27:01. | :27:06. | |
personalised price. Somebody who is a big Abbas Khan, their prize is a | :27:07. | :27:16. | |
trip to the museum in Stockholm. -- a big ABBA fan. They have | :27:17. | :27:21. | |
celebrities trying to help them. Here you are with Louis Smith doing | :27:22. | :27:26. | |
a little number on the dance floor. One, two, three, four. | :27:27. | :27:35. | |
APPLAUSE Do not patronise! I'm going to get | :27:36. | :27:40. | |
this! Nobody puts Baby in the corner! We know that you know quite | :27:41. | :27:45. | |
a bit about dance and a bit about food. So we've come up with a new | :27:46. | :27:53. | |
show that we think is better than The Guess List. We're calling this | :27:54. | :27:59. | |
Dish Or Dance. I love it already! It's well up to your normal | :28:00. | :28:05. | |
standard! Well, it does what it says on the tin. We will hit you with an | :28:06. | :28:12. | |
Italian term and you have to tell us whether you think it is a dish or | :28:13. | :28:18. | |
dance. The first one is this. Crescenza. Can I hear it again, | :28:19. | :28:26. | |
please? Crescenza. A dish or dance? Dish. You say it is a dish. It is a | :28:27. | :28:34. | |
plate of soft cheese. Well done. Next one is a saltarello. | :28:35. | :28:41. | |
Saltarello? Yes, saltarello. Saltarello is a dance. It is a | :28:42. | :28:47. | |
lively 14th century folk dance! That's all we have time for. Thanks, | :28:48. | :28:54. | |
Rob. The Guess List starts on the 12th of April on BBC One. Tomorrow, | :28:55. | :29:00. | |
we're joined by Suranne Jones and Sandi Toksvig. See you then. | :29:01. | :29:01. |