Browse content similar to 02/04/2014. Check below for episodes and series from the same categories and more!
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Tonight, we look at today's once in a lifetime event that has caused | :00:00. | :00:12. | |
more air pollution in Norfolk than in London. Gosh - I really hope it | :00:13. | :00:25. | |
doesn't affect the voice. So do we. Hello and Welcome to The One Show | :00:26. | :00:35. | |
with Matt Baker. And Alex Jones. Yes, there's definitely something in | :00:36. | :00:48. | |
the air today. Dan Snow is here to reunite some families with their | :00:49. | :00:51. | |
long lost World War I heirlooms. All thanks to you at home. And we'll be | :00:52. | :00:56. | |
finding out what it felt like to be on this train right in the worst of | :00:57. | :01:03. | |
the February storms. That was just before the tracks disappeared into | :01:04. | :01:10. | |
the sea. Let's meet our two guests tonight. It's Suranne Jones. And | :01:11. | :01:23. | |
Sandi Toskvig. We coordinated. Was there an e-mail? Immediately. Have | :01:24. | :01:35. | |
you been across this pollution? I have been. I have asthma. You can | :01:36. | :01:40. | |
feel it in your lungs, certainly in London you can. A friend of mine | :01:41. | :01:45. | |
washed her car and two days later it was filthy. We woke up on Sunday | :01:46. | :01:54. | |
morning and I thought, what has happened to our cars? They were | :01:55. | :01:59. | |
covered in sand. I thought, what was that? And, as we saw earlier, we've | :02:00. | :02:07. | |
got the four Voice finalists Christina Marie, Jamie, Jermain and | :02:08. | :02:11. | |
Sally here. Each of them will be singing live for us later. We're | :02:12. | :02:20. | |
going to stay impartial but if you're a Voice superfan, we want you | :02:21. | :02:23. | |
to show your support for your favourite. Take a photo of yourself | :02:24. | :02:29. | |
holding up the name of the one you're rooting for and send it to us | :02:30. | :02:33. | |
with a line or two about why you want them to win. We will give them | :02:34. | :02:40. | |
a confidence boost. Back to those pollution levels and today Defra | :02:41. | :02:43. | |
warned that the worst hit areas would be around East Anglia and | :02:44. | :02:48. | |
parts of the Midlands. Nick Owen has been out in Birmingham to see if | :02:49. | :02:50. | |
it's caused any problems there. We do not normally give air | :02:51. | :03:01. | |
pollution in Birmingham that much thought but we are the second most | :03:02. | :03:05. | |
polluted city in Britain after London. We are surrounded by motor | :03:06. | :03:09. | |
racing vehicle pollution is a major factor. On top of that, there is | :03:10. | :03:14. | |
pollution coming across from industrial cities of Europe with | :03:15. | :03:17. | |
sand sweeping in from the survey are. -- the Sahara. I have noticed | :03:18. | :03:31. | |
it on my car and conservatory roof. It has been pretty bad. My car was | :03:32. | :03:37. | |
covered in sand. I cleaned it all up. The next day it was back again. | :03:38. | :03:42. | |
It makes you wonder about your health. I have been coughing. I saw | :03:43. | :03:51. | |
someone with a mask on. What sort of problems can add pollution cause? Mr | :03:52. | :04:01. | |
G problems -- respiratory problems, especially for people with existing | :04:02. | :04:05. | |
asthma. The advice is for people to stay home and avoid exertion. Air | :04:06. | :04:16. | |
pollution in Birmingham today has been moderate. It will be high | :04:17. | :04:20. | |
tomorrow. How concerned should we be? You would probably only see | :04:21. | :04:27. | |
short-term symptoms. It would go away immediately. Fightback the | :04:28. | :04:36. | |
message is, be careful but relax. We're joined by Dr Benjamin Barratt, | :04:37. | :04:39. | |
a Lecturer in Air Quality Science at King's College London and Carol | :04:40. | :04:42. | |
Kirkwood from the BBC weather centre. Where are the levels at? It | :04:43. | :04:50. | |
started at the weekend. They were at very high levels on Sunday and | :04:51. | :04:56. | |
Monday. Levels cleared a bit and this morning was looking OK. Let's | :04:57. | :05:01. | |
have a look at Sunday. What do the colours mean? The UK Government has | :05:02. | :05:08. | |
a banding system with ten different levels. One is low and ten is high. | :05:09. | :05:16. | |
It is quite high on Sunday. It was the highest that we get in the UK. | :05:17. | :05:23. | |
Purple levels are pretty unusual. What is making up this pollution? In | :05:24. | :05:31. | |
this case, it is a very unusual mix. Saharan dust is being imported up | :05:32. | :05:36. | |
from Africa, combined with easterly winds blowing continental European | :05:37. | :05:42. | |
pollution to the UK and we are adding our own pollution to it. We | :05:43. | :05:47. | |
have had low pressure in the Atlantic and high pressure in | :05:48. | :05:50. | |
Eastern Europe and this deed of southeasterly winds. We have had | :05:51. | :05:56. | |
them for a few days. We have picked up the dust from the Saharan desert | :05:57. | :06:00. | |
which worked across the Mediterranean across north-west | :06:01. | :06:04. | |
Europe and across the UK. It merged together and stayed there. There has | :06:05. | :06:09. | |
been dry weather in the east and that is why it did not go away. How | :06:10. | :06:15. | |
often do we get Saharan sand over here? We do get it. It is not | :06:16. | :06:25. | |
unusual. In that particular weekend, last weekend, it left a residue on | :06:26. | :06:34. | |
cars and Windows. Or do you have been testing today 's pollution. -- | :06:35. | :06:42. | |
all day. This is recently, in the last hour or two. No purple but the | :06:43. | :06:48. | |
south-east is heading into red. That is high air pollution. These have | :06:49. | :06:52. | |
different health effects. Up at the high level is where people need to | :06:53. | :06:58. | |
be taking action to try to avoid the pollution. North-west Norfolk had | :06:59. | :07:04. | |
the highest levels. Why was that? That was earlier in the week. It is | :07:05. | :07:08. | |
all to do with wind direction. On that day, that is where it was | :07:09. | :07:16. | |
hitting. When will this blow away? By Friday, it will have gone and the | :07:17. | :07:21. | |
wind direction will have changed. It will come in from a clear source, | :07:22. | :07:27. | |
namely the Atlantic. We will have rain that will wash it away. The | :07:28. | :07:33. | |
testing results today, what have we learned from the top of the BBC? I | :07:34. | :07:39. | |
set up these two instruments on the roof. It was to find out what their | :07:40. | :07:47. | |
quality was like quickly. There you are, first thing this morning, just | :07:48. | :07:53. | |
after breakfast. Air levels were reasonable women started. Through | :07:54. | :07:56. | |
the course of the day, there was a steady increase. It went up to | :07:57. | :08:06. | |
around 19 micrograms. That is where we tip from these orange, moderate | :08:07. | :08:14. | |
levels to the red, high levels. Do you have any questions? I do not | :08:15. | :08:18. | |
think I have seen a pollution shop before. Is it regular? We are | :08:19. | :08:28. | |
starting to introduce it into our forecasts. This situation is a lot | :08:29. | :08:33. | |
more common in the summer. As Ben said, we have had an unusual | :08:34. | :08:39. | |
situation with the factors coming together at a time. I suffer from | :08:40. | :08:46. | |
asthma. You can see those charts on the Defra website as well, if anyone | :08:47. | :08:51. | |
else is interested. Thank you both very much indeed. Thank you for | :08:52. | :08:58. | |
getting up. Britain, you have a tricky decision to make on | :08:59. | :09:02. | |
Saturday, which contestant are you going to vote for in the grand final | :09:03. | :09:08. | |
of The Voice? We will be meeting each finalist and hearing them | :09:09. | :09:13. | |
saying throughout the show. First, Jamie. Let's see the moment he got | :09:14. | :09:16. | |
through last Saturday. It is Jamie will --. A lovely moment | :09:17. | :09:38. | |
with your family. Congratulations on getting to the final. I will tell | :09:39. | :09:42. | |
you what you have been living most men 's dream. How has Kylie Minogue | :09:43. | :09:53. | |
been as a coach? Is she hands on? Yelena I am going to say she is the | :09:54. | :10:01. | |
best coach. -- I am going to say she is the best coach. How are you | :10:02. | :10:07. | |
feeling? I am one of the most nervous people but I am feeling | :10:08. | :10:12. | |
good. I cannot wait. I am looking forward to getting out there and | :10:13. | :10:20. | |
doing it. You have all picked songs to sing on Saturday, which some have | :10:21. | :10:29. | |
you chosen? My favourite song of the series, Sex On Fire. May I present | :10:30. | :10:40. | |
Jamie Johnson. # lay where you are laying, do not | :10:41. | :10:56. | |
make a sound. I know they are watching, they are watching. And all | :10:57. | :11:05. | |
the commotion, the giddy light play has people talking and talking and | :11:06. | :11:08. | |
talking. Oh, your sex is on fire. I will tell you what, he can sing | :11:09. | :11:37. | |
live. Well done, that was super. You are my favourite so far. Three more | :11:38. | :11:44. | |
finalists to come. This Friday, the Dawlish rail line will finally be | :11:45. | :11:50. | |
reopened after it was decimated in the February storms. Local | :11:51. | :11:53. | |
journalist Sam Smith has been there for The One Show, following the | :11:54. | :11:56. | |
monumental efforts involved in getting the service back on track in | :11:57. | :12:00. | |
just two months. But first here she is, speaking to some of the people | :12:01. | :12:04. | |
who there in Dawlish in the eye of the storm and they have incredible | :12:05. | :12:07. | |
footage to prove it. It was a spectacle that beggared belief. The | :12:08. | :12:09. | |
main line into Devon and Cornwall ripped apart by the sea. Since then, | :12:10. | :12:14. | |
Network Rail has been working around the clock to get the lines open in | :12:15. | :12:19. | |
time for the Easter holidays. If all goes to plan, soon you will be | :12:20. | :12:25. | |
hard-pressed to tell anything much happened. Happened it certainly did. | :12:26. | :12:30. | |
The ferocious weather smashed through the sea wall and the track | :12:31. | :12:34. | |
that runs on top of it. It has left its mark on people 's lives. The | :12:35. | :12:41. | |
storm made landfall on the 4th of February and, writing its path, was | :12:42. | :12:48. | |
the morning train. I got the train at 8:30am. It was a regular commute | :12:49. | :12:55. | |
apart from it was a bit windy. As we were approaching the train station, | :12:56. | :12:58. | |
I noticed that the waves were starting to hit the rocks, go over | :12:59. | :13:04. | |
the rocks and then hit the side of my train. It was terrifying. For 20 | :13:05. | :13:11. | |
minutes, Daryl was trapped in what felt like a giant car wash. The | :13:12. | :13:17. | |
section of line collapsed 12 hours later. Were you scared? Definitely | :13:18. | :13:24. | |
scared. In my mind, I was running through what would happen if the | :13:25. | :13:29. | |
train started to give way and went onto its side. You working out a | :13:30. | :13:37. | |
plan? Definitely. What was it? Pick up stuff and run and hold on to the | :13:38. | :13:45. | |
poor near -- the pole near the door. Luckily it did not come to that. For | :13:46. | :13:51. | |
the residents that live track-side, there was no easy escape. Sign up as | :13:52. | :13:55. | |
soon as the war went, stones were getting chucked up. -- as soon as | :13:56. | :14:09. | |
the wall went. You can see the white water through the railway line. It | :14:10. | :14:18. | |
was inching towards the house. We really had to go. Shane and his | :14:19. | :14:25. | |
family got out in the nick of time. Shortly after his drive and part of | :14:26. | :14:34. | |
his garage were washed away. Wow! You can see the cavity. Is it a load | :14:35. | :14:44. | |
of your stuff down in that pit? Yes. It is buried. Amazingly no one was | :14:45. | :14:50. | |
harmed in Dawlish that night. Daryl could not believe his lucky escape. | :14:51. | :14:56. | |
Day later, I found out the piece of land my train had been on did not | :14:57. | :15:01. | |
exist any more and that really puts it into perspective. Had it happened | :15:02. | :15:04. | |
the day before, goodness knows what could have happened to me. The | :15:05. | :15:13. | |
properties in the firing line couldn't be repaired until the line | :15:14. | :15:17. | |
is fully rebuilt. Some residents are having to rent elsewhere or live in | :15:18. | :15:21. | |
caravans. The first passengers train is due to run on Friday so, for | :15:22. | :15:28. | |
Network Rail, the pressure is on. We'll have more from Dawlish later | :15:29. | :15:32. | |
when we'll find out how they had to move heaven and earth to get the | :15:33. | :15:37. | |
Railtrack cleared and finally send the very first train down the line. | :15:38. | :15:41. | |
It's amazing! Helicopters are involved and everything. Amazing how | :15:42. | :15:45. | |
much they've done. It wasn't that long ago. It is going to be hard to | :15:46. | :15:52. | |
move away from the TV this weekend. As well as the Voice final, The | :15:53. | :15:58. | |
Crimson Field starts on Sunday. This new six part drama follows the lives | :15:59. | :16:01. | |
of a group of nurses in a field hospital during the First World War | :16:02. | :16:05. | |
and Suranne is one of the main characters. This is your first | :16:06. | :16:09. | |
costume drama, which is surprising, because you've done loads of stuff. | :16:10. | :16:13. | |
It's the first BBC World War I drama. You did lots of research, we | :16:14. | :16:22. | |
hear. Yes, Sarah, who wrote it, called me up and she suggested one | :16:23. | :16:26. | |
of the books. I read a book which was like a diary, which was | :16:27. | :16:31. | |
heartbreaking. Then I went off to the Imperial War museum and there | :16:32. | :16:35. | |
was an exhibition about medics on the Western front throughout | :16:36. | :16:40. | |
history, which was really useful. And two women who were part of a | :16:41. | :16:47. | |
motorcycle club in the First World War... I kind of based my character | :16:48. | :16:52. | |
on them because I arrive on a bike. Its more modern than I thought. So I | :16:53. | :16:58. | |
guess that putting a contemporary actress, or someone that is known | :16:59. | :17:03. | |
for that... It's a bit different to the crime dramas and Coronation | :17:04. | :17:07. | |
Street. Let's have a look at the moment that your character first | :17:08. | :17:08. | |
meets the matron. I realised I had missed the | :17:09. | :17:18. | |
transport so I thought I'd get here under my own stream. -- steam. I've | :17:19. | :17:24. | |
got the goggles and everything. I could have turned up in full evening | :17:25. | :17:30. | |
wear with two dogs if I'd wanted to. This is Joan Livesey. The missing | :17:31. | :17:38. | |
volunteer? No, a civilian reservist. APPLAUSE | :17:39. | :17:43. | |
Your character seems very matter of fact and open but you introduce this | :17:44. | :17:48. | |
real mystery about your character in the first episode. | :17:49. | :17:53. | |
Yes, as every good character does, she has a secret. She comes to | :17:54. | :17:58. | |
France to nurse. She is a reservist. It focuses on the | :17:59. | :18:05. | |
involuntary and detachment but she is a sister so she comes to France | :18:06. | :18:10. | |
for nursing but carries a secret with her. It's hard to talk about | :18:11. | :18:15. | |
because you find out in the second episode. I want to talk about it but | :18:16. | :18:21. | |
I won't because I don't want to spoil it! World War I was a time | :18:22. | :18:24. | |
when women were breaking out from traditional roles. How does your | :18:25. | :18:30. | |
character reflect this? She is modern. She was a suffragist. Her | :18:31. | :18:37. | |
social set in Liverpool is quite forward-thinking and political. They | :18:38. | :18:41. | |
see each other as equals, so when you take someone like that and put | :18:42. | :18:46. | |
them into a military environment, where authority is key... She | :18:47. | :18:52. | |
believes that her colleagues can do a lot more. People thought the war | :18:53. | :18:58. | |
would be over at Christmas and it wasn't. The volume of men coming in | :18:59. | :19:03. | |
for the nurses to treat in the field hospital - they need all hands on | :19:04. | :19:09. | |
deck so my character once the new rather than the old. The motorcycle | :19:10. | :19:17. | |
women needed a special door for their hospital and ordered it from | :19:18. | :19:21. | |
Harrods. We don't have enough stories about them and there aren't | :19:22. | :19:26. | |
enough memorials. That's what Sarah has done beautifully. She has been | :19:27. | :19:31. | |
very true to this historical period but she's done a wonderful drama | :19:32. | :19:36. | |
looking at the eyes -- through the eyes of the women. The staging and | :19:37. | :19:42. | |
the sets! It's supposed to be northern France but is shot in | :19:43. | :19:49. | |
Wiltshire. Why Wiltshire? Just because there was this beautiful big | :19:50. | :19:55. | |
expanse. They built allotments and they planted crops from 100 years | :19:56. | :20:00. | |
ago, way before we started filming, so the depth that they could get | :20:01. | :20:05. | |
with the HD cameras was amazing. The set designers were brilliant. We | :20:06. | :20:11. | |
looked at the old photographs and what they recreated in the set is | :20:12. | :20:17. | |
amazing. Is it right that they planted an old variety of wheat? | :20:18. | :20:22. | |
Yes, near the cemetery. As we were walking through, someone said they | :20:23. | :20:24. | |
were here planting it and it had grown. Even on the advert when the | :20:25. | :20:31. | |
matron walks through and there are sheets drying on the line... Anyway, | :20:32. | :20:37. | |
Suranne is not the only one who has appeared in a costume drama | :20:38. | :20:44. | |
recently. Let's have a look, Sandi! Are you the father? Yes. The machine | :20:45. | :20:49. | |
is breathing for him. He is not currently able to do that on his | :20:50. | :20:57. | |
own. I understand. I am his GP, too. Of course, you sent in the other | :20:58. | :21:05. | |
lad. Polio. A mild dose. Out of bed and giving cheek. That was | :21:06. | :21:12. | |
wonderful! I was told to play her very severe but I like to think I | :21:13. | :21:20. | |
gave her a slightly slutty side! Somebody said she looked like a | :21:21. | :21:24. | |
grandma and I think I look like my mum! It's strange what a period | :21:25. | :21:29. | |
costume dolls. If we both keep the frocks, we could maybe come up with | :21:30. | :21:35. | |
something! Can we look forward to more? I loved it. I didn't know what | :21:36. | :21:42. | |
to do. I just caressed that gently. Very convincing! | :21:43. | :21:47. | |
Last week we made an appeal to viewers to help us reunite the First | :21:48. | :21:57. | |
World War diary and a medal with their families and Dan is here to | :21:58. | :22:00. | |
reveal the amazing detective work you've been doing. Let's remind | :22:01. | :22:05. | |
ourselves about Amy's diary, the diary of a World War I Red Cross | :22:06. | :22:09. | |
nurse that turned up in some rubbish about 15 years ago and, Suranne, | :22:10. | :22:13. | |
because you are playing a nurse, we would like you to read an extract. | :22:14. | :22:19. | |
April the 6th 1918. A train in during the night straight from the | :22:20. | :22:24. | |
trenches. Awful cases and so many died. The theatre staff had to set | :22:25. | :22:28. | |
up and operations were going on all night. Three tables were going on at | :22:29. | :22:32. | |
the same time. It is pitiful to walk through the wards and see the | :22:33. | :22:37. | |
hundreds of dying boys. The huts are full and patients are lying on the | :22:38. | :22:40. | |
floor. I'm sick of the ghastly sites. Here is what we know about | :22:41. | :22:45. | |
the diary and the medal and this is what we found out last Monday. This | :22:46. | :22:50. | |
is a medal but you got if you fought in 1914 or 1915. | :22:51. | :22:54. | |
I found it when I was gardening in Chislehurst. It belonged to Captain | :22:55. | :23:00. | |
GW Hopton. This is very special. It's a diary. It's written by bill | :23:01. | :23:11. | |
-- Amy W Billam. That was last week. There are few people here, so | :23:12. | :23:16. | |
the story has moved on. It was one of the most inspiring things I've | :23:17. | :23:20. | |
ever done. Within seconds, my Twitter had gone bananas! We had the | :23:21. | :23:26. | |
bullring in. Angela ran into the team here. We had the Red Cross | :23:27. | :23:32. | |
archive. -- we had people bring in. Somebody went through the census | :23:33. | :23:36. | |
records and the electoral register and found the grandson, Peter. Did | :23:37. | :23:42. | |
you know about this diary? No idea. What was she like? The | :23:43. | :23:49. | |
diary paints a dark picture but she was quite gregarious. There is a | :23:50. | :23:54. | |
story about her commandeering an ambulance to go out for some R and R | :23:55. | :24:00. | |
with another nurse. There's a picture of me sitting on her lap | :24:01. | :24:03. | |
down here. Amy is the one at the back. Mixed feelings because you've | :24:04. | :24:09. | |
got to hand over the diary. How do you feel? A bit sad. I've been its | :24:10. | :24:15. | |
custodian for 15 years but it should go back to its family. Thank you | :24:16. | :24:19. | |
very much. I'm really excited to have this. I'm going to take it | :24:20. | :24:25. | |
home, read it, sharing with the family, then donated to the Imperial | :24:26. | :24:29. | |
War Museum with some other document and hopefully they will look after | :24:30. | :24:34. | |
it for another 100 years. What a wonderful moment and thank you to | :24:35. | :24:36. | |
everybody who has been part of the search. Thank you to Martin for | :24:37. | :24:42. | |
rescuing it for the skip. We've got more results! Stephen, tell us about | :24:43. | :24:47. | |
the medal. We managed to find a family member. Richard, it gives me | :24:48. | :24:53. | |
great pleasure to hand this medal over to its family. The medal is for | :24:54. | :25:01. | |
you and the box is 50 quid! Hang on a minute! The payment is in the | :25:02. | :25:09. | |
post! How are you related to GW Hopton? I worked out that I am his | :25:10. | :25:15. | |
second cousin, three times removed, which is pretty distant, but we are | :25:16. | :25:19. | |
still related. And it was you who saw it on The One Show, was it? No, | :25:20. | :25:25. | |
I got back home after the programme had finished but my young relative | :25:26. | :25:32. | |
had noticed the family name and was in a frenzy of excitement and we ran | :25:33. | :25:36. | |
with it from there. Thank goodness she is so astute! We're not stopping | :25:37. | :25:44. | |
here. More stuff. Sending stuff if you have it at home! We have an | :25:45. | :25:49. | |
amazing painting that John has brought in. It is of a second | :25:50. | :25:52. | |
lieutenant from the First World War. It was painted in 1917. It is | :25:53. | :26:01. | |
left ten at a cheap price. -- Lieutenant H E price. I saw this in | :26:02. | :26:09. | |
a local pub and the landlord said he was going to give it up and I asked | :26:10. | :26:13. | |
if I could have the picture. He said I could have it if I replaced it | :26:14. | :26:17. | |
with something else. I took it home and put it in a drawer and forgot | :26:18. | :26:20. | |
about it. But you've been looking for descendants? Yes, after I | :26:21. | :26:26. | |
motivated myself to go and check it out, I realised that on the frame | :26:27. | :26:30. | |
were his details and that motivated me to do some research and find out | :26:31. | :26:37. | |
about him. I got to some extent. I got his medal card, for example, and | :26:38. | :26:42. | |
that was about it. As soon as your show came on, I thought I would have | :26:43. | :26:48. | |
a look at it. Once again, get in touch on Facebook or e-mail if you | :26:49. | :26:51. | |
have any information that could help us reunite this painting with its | :26:52. | :26:59. | |
subject's family. Thanks so much to our finders and their families and | :27:00. | :27:03. | |
the viewers who helped. If you want to find out more about Amy, you can | :27:04. | :27:07. | |
read her diary entries for April on our website. As if we hadn't seen | :27:08. | :27:13. | |
enough flooding, this week's big film release, Noah, promises floods | :27:14. | :27:18. | |
of biblical proportions. But how much of the story of the arc | :27:19. | :27:22. | |
actually holds water? We've been out to find out. | :27:23. | :27:28. | |
Man corrupted this world and filled it with violence so it needs to be | :27:29. | :27:34. | |
destroyed. Hollywood has done it again. It has caused controversy and | :27:35. | :27:37. | |
the burning question on the street is, could there be any voracity to | :27:38. | :27:43. | |
this ancient Mesopotamian classic? The British Museum, home to an | :27:44. | :27:48. | |
abundance of ancient artefacts, including a clay tablet telling a | :27:49. | :27:51. | |
familiar tale that predates the Bible. Every Bourdy knows the story | :27:52. | :27:58. | |
of Noah and the flood. What is really interesting in this tablet | :27:59. | :28:02. | |
that we have shows that it was an old historian that existed in | :28:03. | :28:06. | |
ancient Iraq a long time before it ended up in the Bible. So I think it | :28:07. | :28:11. | |
is a recycled job. It's a really good story. The world is going to | :28:12. | :28:15. | |
end and one hero will rescue everything. Is there any chance that | :28:16. | :28:26. | |
Noah as a nonfictional character actually existed? No, it was a | :28:27. | :28:31. | |
Hebrew name. In the Babylonian story, he had a different name. He | :28:32. | :28:35. | |
is an important character in a very famous story. We can't otherwise | :28:36. | :28:39. | |
prove that he really existed and walked down the pavement. There are | :28:40. | :28:44. | |
60 lines of writing and the first bit is when God whispers to the | :28:45. | :28:48. | |
character that he has to build the boat. The next thing is that it has | :28:49. | :28:52. | |
to be round. And then a few lines down, it says that it is 3600 square | :28:53. | :29:03. | |
metres. A big boat! And here it says two by two, which we know from the | :29:04. | :29:08. | |
Bible. Is it true that the film producers approached you before | :29:09. | :29:14. | |
Russell Crowe to appear in the film? No. If they had come to see him, the | :29:15. | :29:24. | |
art would have been right but they can say that they have at least been | :29:25. | :29:29. | |
inspired by real bites, sort of, about 1000 years before the Bible in | :29:30. | :29:36. | |
Babylonia! The ancient Babylonians did prefer their animals going in | :29:37. | :29:44. | |
two by two. They didn't stipulate how you go about tricking so many | :29:45. | :29:53. | |
animals onto and ark. It is a logistical nightmare. He built it | :29:54. | :29:56. | |
and they came. You'd have to have all different types of food. The | :29:57. | :30:02. | |
lemurs are going to keep the same as the draft. Everything he put in is | :30:03. | :30:07. | |
going to have to come out somewhere. -- the same as the | :30:08. | :30:12. | |
giraffe. You can't argue with a meerkat on its hind legs! I would | :30:13. | :30:22. | |
take the giraffe. And an antelope. You can't beat the big herbivores. | :30:23. | :30:28. | |
Nauta something more spiritual. No, a great story - does it matter if it | :30:29. | :30:36. | |
is true? -- Noah, a great story. It doesn't matter. It's about God | :30:37. | :30:41. | |
giving us chances and smoking them up. Animals are important to many of | :30:42. | :30:47. | |
us and, whether we eat them or not, they are often friends, part of the | :30:48. | :30:51. | |
family, and to take them all on a boat, there is a lovely sense of | :30:52. | :30:56. | |
everyone going on an exciting adventure, a bit like Cliff | :30:57. | :31:01. | |
Richard's summer holiday on the bus. It's about whether you could see | :31:02. | :31:05. | |
yourself in this story and because it involves family and pets, people | :31:06. | :31:09. | |
can see themselves in the story. And that's lovely! Whether you think the | :31:10. | :31:17. | |
Noah story literally happened is probably a matter of faith. For a | :31:18. | :31:21. | |
lot of people, it doesn't really matter. It's just a good story that | :31:22. | :31:26. | |
has survived thousands of years. Not surprisingly, when you chuck in a | :31:27. | :31:32. | |
happy ending, a bit of weather chat, and a few animals. A real | :31:33. | :31:41. | |
blockbuster! and epic production, much like your low-key event. Let's | :31:42. | :31:52. | |
say congratulations. My partner and I renewed our files on Saturday. I | :31:53. | :32:02. | |
said, let's have a low-key affair on stage, with Rick Wakeman and 2000 | :32:03. | :32:07. | |
people in the audience. Other than that, it was very intimate. What was | :32:08. | :32:16. | |
going on? We did have a small section of our friends as well. It | :32:17. | :32:21. | |
was the passing of the same-sex marriage act on Saturday and we | :32:22. | :32:26. | |
wanted to market in a really significant manner. We decided to | :32:27. | :32:31. | |
make a public statement. Sometimes you have a day in your life that | :32:32. | :32:35. | |
cannot be improved upon, it was moving, funny, blue skies. We | :32:36. | :32:40. | |
finished the event with everyone singing, Bring Me Sunshine. Next | :32:41. | :33:06. | |
Saturday, 15 To One is back. There is a quiz show and there is my | :33:07. | :33:11. | |
marriage. You are right! Had did it come about, you hosting it? I got a | :33:12. | :33:19. | |
phone call asking me to replace William G Stewart. You cannot | :33:20. | :33:24. | |
replace an icon but you can do your best. I had a huge amount of fun. | :33:25. | :33:32. | |
William G Stewart was quite stern as a quiz master. What is your | :33:33. | :33:38. | |
approach? I'm going to go with less stern. Sometimes the comedy door is | :33:39. | :33:43. | |
open and I step right through. I do make jokes, I am a bit | :33:44. | :33:49. | |
light-hearted. I do occasionally get to the bit about are there enough | :33:50. | :33:58. | |
contestants? I love the range of knowledge people have. One minute | :33:59. | :34:06. | |
they are answering questions about the Pet Shop Boys. It is fantastic. | :34:07. | :34:14. | |
Everyone gets a go, three shows. It would be a shame to have tricky | :34:15. | :34:19. | |
question which means you can't get through. It is life changing money. | :34:20. | :34:24. | |
I get to know the dreams of all the contestants. When somebody goes | :34:25. | :34:28. | |
out, the dream has gone as well. A lot of it was very heartfelt. Let's | :34:29. | :34:36. | |
have a look at some of the questions. In which country was the | :34:37. | :34:41. | |
sight of the Battle of balaclava, which was fought chewing the Crimean | :34:42. | :34:52. | |
War? Ukraine. Absolutely right. -- during the Crimean War. Is it right | :34:53. | :34:57. | |
that some of the original contestants are coming back? We have | :34:58. | :35:02. | |
someone on whose father and grandfather had been on. It is, in | :35:03. | :35:11. | |
the quizzing community, a very popular show. There is talk of a | :35:12. | :35:16. | |
celebrity special. We do not want to partner you up now. She ran, would | :35:17. | :35:32. | |
you be in the market? -- Suranne. It is not the question, it is the time. | :35:33. | :35:37. | |
It is the speed at which people answer. Sometimes I cannot read that | :35:38. | :35:44. | |
fast. If someone asked me my name, I would forget it. It is not a good | :35:45. | :35:52. | |
idea. It is on at 5:15pm on Channel 4 this Saturday. Earlier, Jamie did | :35:53. | :35:56. | |
his thing. Now it is time to meet the second by Ernest for The Voice. | :35:57. | :36:06. | |
Here is a moment from last weekend 's semifinal. -- second finalist. | :36:07. | :36:24. | |
How has the week been so far? It has been crazy, manic but a lot of fun. | :36:25. | :36:34. | |
How have you been coping with the nerves? Initially you have problems | :36:35. | :36:39. | |
with stage fright. The first week, I was very scared. I have just sort of | :36:40. | :36:44. | |
realised you do what you love every day and we are very lucky. Is it | :36:45. | :36:49. | |
hard knowing this is the final but the key is to try to remain as calm | :36:50. | :36:57. | |
as possible? I am a pay now but on Saturday morning I will not. Good to | :36:58. | :37:01. | |
get it out of the way nice and early. -- I am OK now. What will you | :37:02. | :37:16. | |
be singing? I have chosen the Power Of Love. It was the most special | :37:17. | :37:22. | |
moment on the show because of my friendship. Viewers, this is | :37:23. | :37:29. | |
important stuff. That meaning to do is important stuff. That means | :37:30. | :37:32. | |
reduced to the rightful winner of The Voice. | :37:33. | :37:41. | |
# the power of love, a force from above, cleaning my soul. | :37:42. | :37:56. | |
# Blame on the desire, Love with tonnes of fire, purge the soul, make | :37:57. | :38:01. | |
love your goal. that got the tingles going, didn't | :38:02. | :38:26. | |
it? Beautiful! Absolutely brilliant. Two down and two to go. | :38:27. | :38:31. | |
We're moving on to a film. I am very excited about this. Sandi Toksvig is | :38:32. | :38:37. | |
a very clever person. You know when you watch geese flying in a geese | :38:38. | :38:41. | |
formation. What is your theory about having to switch one is that the | :38:42. | :38:46. | |
front? Who is the union leader? You don't think there is a big meeting. | :38:47. | :38:51. | |
I used to live on a houseboat and they used to meet around my boat. I | :38:52. | :38:56. | |
am sure that is what they were doing. We have been for a gander at | :38:57. | :39:03. | |
the formation flying team. Here we go. Throughout the year, birds | :39:04. | :39:10. | |
migrate. One of the most spectacular sights is when geese fly in aid the | :39:11. | :39:13. | |
shape. For years, scientists debated why birds fly in this formation. | :39:14. | :39:21. | |
Some say they are just saving energy whilst others think they are | :39:22. | :39:23. | |
following the best navigator. Finally, science is revealing | :39:24. | :39:29. | |
exactly why they do it and, more importantly, how. A group of | :39:30. | :39:36. | |
scientists are being helped by some greylag geese that have a rather | :39:37. | :39:40. | |
unconventional man. When the chick hatches, the first object they say, | :39:41. | :39:49. | |
they instinctively think of as their mother. Joan has brought up the 70s. | :39:50. | :39:56. | |
The most special thing about my case is that they followed me everywhere. | :39:57. | :40:03. | |
They fly by the special car we have got. This special relationship will | :40:04. | :40:11. | |
enable scientists to put data loggers on the geese today, helping | :40:12. | :40:15. | |
with their research into this flying. Jim explains what they found | :40:16. | :40:29. | |
out. Which bird is each bird looking at? You can work out where each bird | :40:30. | :40:39. | |
is and how it is moving. The idea of using trained to use is that he gets | :40:40. | :40:47. | |
the data loggers back. This is a mile long runway. Faster! The | :40:48. | :40:58. | |
amazing thing is they are in an absolutely perfect V-formation, even | :40:59. | :41:03. | |
though there are only seven of them. One out front, three at the side. It | :41:04. | :41:09. | |
is amazing how they just slot into that pattern. We are going 30, 40 | :41:10. | :41:13. | |
miles an hour ground speed and they are easily keeping up with us. They | :41:14. | :41:20. | |
are lean, mean, flying machines. Today he hopes to compare these | :41:21. | :41:23. | |
geese with other birds he studied that lie in this V-formation. Ibises | :41:24. | :41:40. | |
slapped in a way that made sense. -- flapped. If you imagine the air goes | :41:41. | :41:48. | |
up and down. If you are half a wavelength behind, you have to slap | :41:49. | :41:54. | |
out of phase. By filming them in slow motion, we are observing them | :41:55. | :41:59. | |
doing a similar pattern. The front bird flapping and the birds behind | :42:00. | :42:06. | |
our answering in their wing beats to catch the updraught. It is clever. | :42:07. | :42:12. | |
One thing scientists are still puzzling over. Is the dominant goose | :42:13. | :42:19. | |
on the ground the leader of the V-formation? The top dog is doing. | :42:20. | :42:25. | |
Thomas is the very lowest one in the pecking order. So is that one, | :42:26. | :42:30. | |
Hannah. She is very low down as well. We have decided to carry out | :42:31. | :42:35. | |
our own study using coloured ribbons to see who is the top girl off the | :42:36. | :42:43. | |
air. Yellow, orange and green are definitely the three birds who seem | :42:44. | :42:53. | |
to be swapping. Blue has moved on. There is Thomas. He has been pushed | :42:54. | :43:01. | |
down. That is because he is bullied. Yellow is in the lead. Green, once | :43:02. | :43:09. | |
again. The winner is, yellow. Not the most scientific survey with just | :43:10. | :43:13. | |
two runs but orange and yellow definitely swapping the lead. Does | :43:14. | :43:19. | |
that surprise you? It did not surprise me with the one with the | :43:20. | :43:23. | |
orange ribbon but it did surprise me with Hannah with the yellow ribbon. | :43:24. | :43:28. | |
I was really surprised because she is much more subordinate. Science is | :43:29. | :43:33. | |
finally revealing that birds flying in a V-formation are coming together | :43:34. | :43:39. | |
in the most aerodynamic way. I will never, ever again look at this in | :43:40. | :43:44. | |
the same way. Cheers. We're up on the roof with Father and son team, | :43:45. | :43:51. | |
Steven and Matt Bishop. They are pretty good formation flyers | :43:52. | :43:58. | |
themselves. They have created these incredible scale models of the red | :43:59. | :44:03. | |
arrows. They are beautiful. Welcome. Nice to have you here. They take | :44:04. | :44:08. | |
about year to build. How did it all start? Everyone dreams of flying | :44:09. | :44:20. | |
with the Red Arrows. Father and son bonding time. How high and high | :44:21. | :44:29. | |
farce can they fly? We fly 1000 feet. -- how fast. Sima could they | :44:30. | :44:39. | |
fly at 150 miles an hour. You fly these all around the world. We have | :44:40. | :44:46. | |
been to Italy and the Caribbean. We are invited to events around the UK | :44:47. | :44:53. | |
as well. Have the Red Arrows seniors themselves? It is fantastic. They | :44:54. | :45:00. | |
cannot believe how close to their display it is. It was icing on the | :45:01. | :45:06. | |
cake, after four years of practising and hard work to meet the real Red | :45:07. | :45:11. | |
Arrows. It was a fantastic achievement. You are both qualified | :45:12. | :45:15. | |
pilots. How difficult is it to land one of these hawks? Really difficult | :45:16. | :45:23. | |
because you aren't inside the plane, you don't know what it's doing, what | :45:24. | :45:27. | |
the speeders. There's that third dimension to land it. It's hard! It | :45:28. | :45:36. | |
a lot harder to fly a model than a full size. Where can we see these | :45:37. | :45:43. | |
being flown? Pop along to the Weston Park model airshow on Father's Day. | :45:44. | :45:49. | |
There are a lot more of these to fly. Thank you both. Lovely to meet | :45:50. | :45:54. | |
you. Alex on the roof, over and out! If it wasn't for the engine | :45:55. | :45:58. | |
noise you wouldn't know the difference. | :45:59. | :46:04. | |
Are used to put a bit of cardboard on a bicycle and it made that | :46:05. | :46:09. | |
noise! We've heard Jamie, we've heard Christina Marie, and it's time | :46:10. | :46:14. | |
for our third Voice performance. From Team Will, it's germane, and | :46:15. | :46:17. | |
here's how he reacted to the news that he was through. | :46:18. | :46:29. | |
It is Jermain! CHEERING AND APPLAUSE | :46:30. | :46:37. | |
What was it like to watch that? It feels so surreal. To be there, to | :46:38. | :46:43. | |
be on that stage, to be in that environment. There are millions of | :46:44. | :46:46. | |
people at home watching and it is so surreal. And to know you are the | :46:47. | :46:54. | |
last one standing! You have this extraordinary voice, this wonderful | :46:55. | :46:57. | |
range. When did you realise you could go so low and so high? I grew | :46:58. | :47:02. | |
up listening to Luther Vandross and I loved the way he would use his | :47:03. | :47:07. | |
baritone. I used to mimic that as a child and growing up, I developed | :47:08. | :47:11. | |
how to control it and then worked on using my head voice much more. Of | :47:12. | :47:15. | |
all the songs that you've sung, what have you chosen to sing on Saturday? | :47:16. | :47:20. | |
I've chosen to sing And I Am Telling You. | :47:21. | :47:25. | |
We will hand over to Will.i.am. He will do your intro. One Show | :47:26. | :47:32. | |
viewers, may I present, from Team Will, the very talented Jermain | :47:33. | :47:43. | |
Jackman. # No, no, there's no way. | :47:44. | :47:47. | |
# No, no, no, no way I'm living without you. | :47:48. | :47:49. | |
# I'm not living without you. # I don't wanna be free. | :47:50. | :47:53. | |
# I'm staying. # I'm staying. | :47:54. | :47:57. | |
# And you, and you. # You're gonna love me. #. | :47:58. | :48:11. | |
CHEERING AND APPLAUSE Well, I thought I had an idea before | :48:12. | :48:16. | |
tonight... And we've got Sally coming up! It's | :48:17. | :48:24. | |
too hard! Thanks again. Earlier, we heard eyewitness accounts of the | :48:25. | :48:28. | |
incredible storm that hit Dawlish in February and obliterated a whole | :48:29. | :48:32. | |
section of railway. Time to go back to see how they've moved heaven and | :48:33. | :48:36. | |
earth to get the line back up and running in time for its opening on | :48:37. | :48:40. | |
Friday. The railway running through Dawlish | :48:41. | :48:44. | |
is one of the greatest achievements of the Victorian engineer in supply | :48:45. | :48:50. | |
at Kingdom Brunel. -- Isambard. He built his railway line on the most | :48:51. | :48:53. | |
level route available, right next to the sea. For 170 years, it withstood | :48:54. | :49:01. | |
Hell and high water. But on the 4th of February this year, it suffered a | :49:02. | :49:09. | |
death blow. The track was destroyed, cutting off the main train route | :49:10. | :49:16. | |
into the south-west of England. The rebuilding by Network Rail was | :49:17. | :49:21. | |
planned to take just eight weeks. You are the guy in charge? Yeah, I'm | :49:22. | :49:26. | |
the guy in charge. What were you thinking when you realised you had | :49:27. | :49:30. | |
to do this? Is the DLO how am I going to get the railway that? What | :49:31. | :49:34. | |
is going to take? Is everything save? How bad is the damage? What | :49:35. | :49:42. | |
does it look like? Of course, everything was damaged. Not only at | :49:43. | :49:44. | |
this location but for a couple of miles either side. We had widespread | :49:45. | :49:49. | |
damage to the wall and the track. You've got to keep calm and have a | :49:50. | :49:53. | |
perspective about how long it will take and that's what we did. | :49:54. | :50:00. | |
The first job was to sever what was left of the line, then some 3500 | :50:01. | :50:05. | |
tonnes of concrete foundations had to be laid. But a storm after storm | :50:06. | :50:12. | |
hampered progress. Anybody working down in the area itself has to wear | :50:13. | :50:17. | |
safety harnesses which have to be connected and they will have to have | :50:18. | :50:21. | |
life jackets around their neck. If it is too dangerous, we just won't | :50:22. | :50:26. | |
let them work. To make up time, Network Rail shifted things up a | :50:27. | :50:28. | |
gear, working around the clock. Despite a continued onslaught from | :50:29. | :50:42. | |
the waves and the weather, the work to catch patch up the whole here is | :50:43. | :50:48. | |
on schedule but there has been a big hitch further down the line. When we | :50:49. | :50:53. | |
thought the end was in sight and we were going for the opening, we've | :50:54. | :50:57. | |
had a major landslide two miles down the line towards Teignmouth. About | :50:58. | :51:04. | |
100,000 tonnes of Cliff has slid down the slope. A major problem and | :51:05. | :51:10. | |
a risk. We can't open the railway. Attempts to wash the rubble away | :51:11. | :51:12. | |
failed. Even water bobbing could shift it. | :51:13. | :51:29. | |
-- bombing. It was time to try high-pressure hoses capable of | :51:30. | :51:32. | |
blasting rock in quarries. And they finally did the trick. | :51:33. | :51:38. | |
Back at the whole, with two weeks to go until the planned opening, the | :51:39. | :51:45. | |
pace was picking up. The ballast was in and the new truck was being laid. | :51:46. | :51:51. | |
For 50 days, 300 men and women have been working round-the-clock on this | :51:52. | :51:57. | |
project and now a momentous moment - at 7am, this stopped being a | :51:58. | :52:01. | |
building site and are once again became a railway line. And what a | :52:02. | :52:12. | |
transformation! The whole has gone. We've filled it | :52:13. | :52:18. | |
in. We've made it safe. Is this a temporary solution? No, it is a | :52:19. | :52:26. | |
solution probably for four to ten years and in the longer term, we are | :52:27. | :52:30. | |
going to have to look at what we do for this wall for the next 150 | :52:31. | :52:36. | |
years. But is the line really back contract? Time to find out. It is | :52:37. | :52:42. | |
for IM and the first proper test for the new rails. -- it is 4am. This is | :52:43. | :52:51. | |
going over a new section of line. It's moving really slowly because | :52:52. | :52:56. | |
this track is still bedding in. But there it goes, travelling over what | :52:57. | :53:01. | |
was, until just a few days ago, a very big hole in the ground. It has | :53:02. | :53:07. | |
cost ?15 million to get to this point and there are still big | :53:08. | :53:11. | |
questions about the future of this route. But for now, the Easter | :53:12. | :53:15. | |
message from Dawlish is that Isambard Kingdom Brunel's railway | :53:16. | :53:22. | |
has arisen again. Fantastic news that the line will be | :53:23. | :53:26. | |
open on Friday and we'll be back to see what has happened to some of the | :53:27. | :53:29. | |
other victims of this year's floods tomorrow. Suranne, we're coming to | :53:30. | :53:36. | |
the end of the show but we have to say good news for Scott Bailey | :53:37. | :53:40. | |
fans because you are back very shortly. When is it back on screens? | :53:41. | :53:48. | |
We start filming in four weeks and it should be on screen by the end of | :53:49. | :53:52. | |
the year. Last time we saw you, there was tension because Janet and | :53:53. | :53:57. | |
Rachel had fallen out. Is it resolved? I've just seen Leslie in a | :53:58. | :54:02. | |
play, so we're all right! But I'm not sure about Rachel and Janet. | :54:03. | :54:08. | |
Hopefully! Hopefully, otherwise there is no Scott Bailey! Are you | :54:09. | :54:14. | |
in training? It's very physical. I've just done a play which was | :54:15. | :54:19. | |
really physical. I was up on high wires stop at the moment, I'm all | :54:20. | :54:23. | |
right. I'm climbing Ben Nevis for Alzheimer's. So I think I'll be OK. | :54:24. | :54:29. | |
Sandy, let's talk about Friday. What a couple of weeks! It all just comes | :54:30. | :54:38. | |
together. You are receiving an OBE. What are you wearing? That has been | :54:39. | :54:45. | |
a very big decision! I will ask you what to wear. You get all sorts of | :54:46. | :54:48. | |
instructions but the thing is you get free tickets. It's a problem | :54:49. | :54:55. | |
because I have three kids and a partner. One of my children isn't | :54:56. | :54:59. | |
coming because she's training to be a doctor. It is an enormous honour. | :55:00. | :55:05. | |
I can't quite believe it! It's interesting how you found out. I | :55:06. | :55:10. | |
arrived home and it was raining and my partner said she thought there | :55:11. | :55:14. | |
was something under the doormat. I was backwards and forwards carrying | :55:15. | :55:17. | |
things, stepping all over the doormat, and of course, it was a | :55:18. | :55:21. | |
beautiful letter from the palace assigned by the Queen! I may not | :55:22. | :55:27. | |
mention that on Friday, that I stood all over the honour. Have a | :55:28. | :55:33. | |
brilliant day. After three terrific performances, | :55:34. | :55:37. | |
it is time for our final Voice finalist. From Team Tom, it's Sally. | :55:38. | :55:46. | |
Here is the moment she got through. # You climbed up the ladder #. It's | :55:47. | :55:52. | |
Sally! CHEERING AND APPLAUSE | :55:53. | :55:59. | |
I'm so pleased you are through! Sally is in the zone, so let's hand | :56:00. | :56:08. | |
over to her mental, Mr Tom Jones, to introduce her. This is Tom Jones. | :56:09. | :56:14. | |
From Team Tom, I present the wonderful Sally Barker. | :56:15. | :56:21. | |
# Dear darlin' . # please excuse my writing. | :56:22. | :56:26. | |
# I can't stop my hands from shaking. | :56:27. | :56:32. | |
# Cos I'm cold and alone tonight. # I miss you. | :56:33. | :56:38. | |
# and nothing hurts like no you. # And no-one understands what we | :56:39. | :56:42. | |
went through. # It was short, it was sweet, we | :56:43. | :56:53. | |
tried. # We tried #. | :56:54. | :57:00. | |
APPLAUSE I know how Tom feels when he is | :57:01. | :57:03. | |
welling up at the end of the performance! | :57:04. | :57:07. | |
I don't know. It's too difficult. Sally, that was wonderful. Good luck | :57:08. | :57:12. | |
to you all on Saturday. It is too difficult! I have to say, when you | :57:13. | :57:18. | |
sit watching it at home, it doesn't really do it justice when the sound | :57:19. | :57:21. | |
is coming through the TV because to sit here and witness you singing... | :57:22. | :57:26. | |
Brilliant. And you are also different so it's hard. Tom Jones | :57:27. | :57:35. | |
could still win! Britain is behind you. We have been asking people to | :57:36. | :57:38. | |
send in photos with signs. This man loves the atmosphere you | :57:39. | :57:52. | |
create. This is Georgie from Surrey and she wants you to win, Jamie. She | :57:53. | :57:57. | |
made you assign. Gorgeous Jamie to win! Look at Ellie in marmalade! I | :57:58. | :58:07. | |
presume that is marmalade! They are rooting for you. They think your | :58:08. | :58:12. | |
vocal range is unbelievable, Jermain. And the last one. Hello! | :58:13. | :58:21. | |
This is Jeff. He's sending you lots of love and luck. Have you got loads | :58:22. | :58:26. | |
of supporters coming to see you on Saturday? Speak a | :58:27. | :58:34. | |
It is great to know there is so much support. And on Monday, that will be | :58:35. | :58:42. | |
it! I don't want it to end! We wish you all the best. That's all for | :58:43. | :58:49. | |
tonight. Thanks to Sandi and Suranne. Fifteen To One starts on | :58:50. | :58:56. | |
Saturday and The Crimson Field starts on Sunday. We will be back | :58:57. | :59:02. | |
Hello, I'm Ellie Crisell with your 90 second update. Warnings of high | :59:03. | :59:14. | |
pollution levels are still in place for parts of England. People with | :59:15. | :59:17. | |
asthma and heart conditions have been told to take extra care. It's | :59:18. | :59:20. | |
being caused by a dust cloud from the Sahara and vehicle emissions. | :59:21. | :59:24. | |
A princess who dreamt of being Prime Minister. The family of Keane | :59:25. | :59:26. | |
Wallis-Bennett have paid tribute to the 12-year-old. She died after a | :59:27. | :59:29. | |
wall collapsed at her school in | :59:30. | :59:30. |