Browse content similar to 01/10/2013. Check below for episodes and series from the same categories and more!
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Hello And Welcome To The One Show With Matt Baker. And Alex Jones, , | :00:18. | :00:27. | |
and a man who has been called one of the 50 funniest Brits of all time. | :00:27. | :00:33. | |
To top it all off, he was also voted one of the greatest wits of all | :00:33. | :00:37. | |
time. It is just a pity we have not got his wife here, because according | :00:37. | :00:44. | |
to him, she is 12% funnier. She is! It is Paul Merton! My wife is 12% | :00:44. | :00:52. | |
funnier than me. So we have booked the wrong guest! Absolutely! She | :00:52. | :00:57. | |
would look better in this shirt than I do. She is one of those women who | :00:57. | :01:02. | |
looks great in any sort of hat, she looks fantastic, what do you think? | :01:02. | :01:12. | |
I am a bit pea head. We will not go there! Boris Johnson has been in the | :01:13. | :01:20. | |
news today, is it right... I am just wondering, this is amazing, is it | :01:20. | :01:24. | |
right that he came to you for political advice when he was running | :01:24. | :01:28. | |
for mayor? That is sort of what it was. He had just been nominated as a | :01:28. | :01:33. | |
candidate to run for mayor, and I saw him at a cricket match, and he | :01:33. | :01:38. | |
said, what policies should I have? And I said, well, you know, I | :01:39. | :01:43. | |
shouldn't be too controversial. He was pretending he didn't have any | :01:43. | :01:50. | |
policies, when he comes out of make-up on Have I Got News For You, | :01:51. | :01:53. | |
his hair is perfect. 20 seconds later, it is like that. He has got a | :01:53. | :01:57. | |
make-up woman chasing him around the building. A man who lies to you | :01:57. | :02:02. | |
about the state of his heir, well, you know! You will be doing you a | :02:02. | :02:05. | |
shortly, because you are onto all you know! You will be doing you a | :02:05. | :02:09. | |
around the country. We will talk about that. I will be here whether | :02:09. | :02:14. | |
you want to speak to me not! I am booked for an hour! I cannot be much | :02:14. | :02:20. | |
longer because I have to lock up at 735 BM. Use its tight, and before | :02:20. | :02:27. | |
that you may have been affected by the 2500 school closures across | :02:27. | :02:30. | |
England today. Some teachers are striking for a number of reasons, | :02:30. | :02:35. | |
including plans to make their pay relatively performance. This is what | :02:35. | :02:38. | |
was happening in Sheffield earlier this afternoon, and further south | :02:38. | :02:43. | |
Tony Livesey has been to an academy in east London to see how Michael | :02:43. | :02:50. | |
Gove's plan could work in practice. The Government wants to reward | :02:50. | :02:55. | |
teachers for being good at their jobs, rather than how long they | :02:55. | :02:58. | |
teachers for being good at their been doing them. Currently full-time | :02:58. | :03:02. | |
classroom teachers automatically go up a pay grade until they crossed a | :03:02. | :03:06. | |
threshold and can earn more money based on performance. Well, not any | :03:06. | :03:11. | |
more. From this month, the Government is planning for all | :03:11. | :03:14. | |
teachers' pay from the day they start to be linked to performance in | :03:14. | :03:18. | |
the classroom and not based on their teaching experience. And not only | :03:18. | :03:23. | |
will schools decide what skills they pay for, head teachers will decide | :03:23. | :03:29. | |
who gets what. Amanda Phillips is the head of this academy in east | :03:29. | :03:33. | |
London. She says it will keep teaching standards high. In reality, | :03:33. | :03:38. | |
you have pitted teacher against each. No, teachers already know from | :03:38. | :03:44. | |
their own experience of going into each other's classrooms who are the | :03:44. | :03:49. | |
most effective teachers in terms of making an impact on pupils. They are | :03:49. | :03:53. | |
not pitted against each other, they are working collaboratively to make | :03:53. | :03:57. | |
sure that in every classroom the pupils get the very best deal. What | :03:57. | :04:01. | |
proportion of poor staff have you rooted out? In both of our schools, | :04:01. | :04:07. | |
which was some of the worst in the country, 20% of members of staff, | :04:07. | :04:10. | |
which was some of the worst in the not just teaching staff, needed to | :04:10. | :04:14. | |
leave the environment. Everyone has to earn a crust, but should teachers | :04:14. | :04:19. | |
be motivated by money? Isn't the classroom a place for learning, | :04:19. | :04:24. | |
rather than Ning? I have booked some time with staff here to see if money | :04:24. | :04:28. | |
matters. If I was to say, hands up who was on the most money... Between | :04:28. | :04:34. | |
us two quest me it is you. I think so. You have said you accept that | :04:34. | :04:41. | |
because of her experience. Down the line, though, that will not | :04:41. | :04:45. | |
necessarily be the case. One day you hope to put your hand up and say I | :04:45. | :04:51. | |
earn more. If I knew that she had managed to move two levels and I had | :04:51. | :04:55. | |
only gone one, I might say, would you let me know how I can move to | :04:55. | :04:58. | |
only gone one, I might say, would that level? The reward of education | :04:58. | :05:04. | |
is no longer enough. I find that rather audacious, to be asked that | :05:04. | :05:09. | |
question, because I cannot see why professionals work as hard and | :05:09. | :05:14. | |
skilfully as teachers do, just like doctors or lawyers, shouldn't be | :05:14. | :05:17. | |
rewarded highly enough as any other profession. You are happy to see her | :05:17. | :05:24. | |
overtake you. Yes, if someone else is doing more work than me, even | :05:24. | :05:27. | |
though they are younger or have been teaching for less there -- less | :05:27. | :05:34. | |
years than me, it is only fair. Ron Gordon was a teacher for 20 years, | :05:34. | :05:39. | |
and his first season mortem automatic pay rises, but after that | :05:39. | :05:44. | |
it became all about his performance. -- his first six years brought him. | :05:44. | :05:50. | |
I think it is a very divisive way of measuring performance. In 2005, I | :05:50. | :05:54. | |
did not make a pay progression, and is made me feel very angry indeed | :05:54. | :05:58. | |
and very frustrated. You feel that you have got to keep on the head's | :05:58. | :06:05. | |
good side to get the pay rise. So in the pro-Corner, Amanda and the staff | :06:05. | :06:09. | |
at the academy. In the other corner, the teaching unions, and | :06:09. | :06:14. | |
here comes Chris Keates, the general secretary of the NASUWT, to take a | :06:14. | :06:21. | |
mandate to task. You could have four teachers who have all had | :06:21. | :06:24. | |
performance management objectives set, all had an expectation that | :06:24. | :06:28. | |
they will progress, and then at the end of the year, what happens is a | :06:28. | :06:32. | |
decision is made by the governing body, by the head teacher that says, | :06:32. | :06:37. | |
actually, one is going to increase their salary, but the other three | :06:37. | :06:41. | |
are not. I do not understand why you believe that head teachers would be | :06:41. | :06:45. | |
able in that way. We have got examples of where they have done. I | :06:45. | :06:49. | |
hope you are holding them to account. Indeed, we will, but we | :06:49. | :06:54. | |
should not be having to police the system. They should be a system that | :06:54. | :06:58. | |
does not allow that kind of unfairness and lack of transparency | :06:58. | :07:02. | |
and potentially discriminatory action to take place. Do you feel | :07:02. | :07:06. | |
you have more power? It is not about power, it is about taking even more | :07:06. | :07:10. | |
responsibility. I don't think you should be just rewarded for coming | :07:10. | :07:13. | |
responsibility. I don't think you to school, you needed to be rewarded | :07:13. | :07:16. | |
for the impact that you have on pupils' outcomes and your other | :07:16. | :07:20. | |
responsibilities towards the improvement of the school. | :07:20. | :07:25. | |
Performance related pay is divisive, let's face it, unions and head | :07:25. | :07:29. | |
teachers very rarely see eye to eye. One thing they are all certain about | :07:29. | :07:31. | |
is that kids must come first. One thing they are all certain about | :07:31. | :07:38. | |
What a film that is! From the perspective of parents, you think it | :07:38. | :07:41. | |
is a good idea, but you start thinking at what cost? What do you | :07:41. | :07:50. | |
think? Well, teachers, they should be highly paid individuals, it is an | :07:50. | :07:54. | |
incredibly difficult job, and if any of us are lucky to remember | :07:54. | :07:58. | |
inspirational teachers at school, I had one when I was eight or nine | :07:58. | :08:03. | |
years old, she was so encouraging. When another adult outside the home | :08:03. | :08:07. | |
says, this is good, you can do this, it really is empowering. I | :08:07. | :08:12. | |
think it is such an essential job and a shame that it is so badly | :08:12. | :08:16. | |
paid. These things are a vocation, so people want to be teachers beyond | :08:16. | :08:21. | |
all else, and so sometimes when pay demands are made, they are taken | :08:21. | :08:26. | |
advantage of. I am sure we will get loads of e-mails about that. OK, so | :08:26. | :08:34. | |
your tour, then, improvisation jams. That has caused a bit of | :08:34. | :08:40. | |
discretion, because I thought it was improv. That is the American | :08:40. | :08:47. | |
version, we call it impro. If you shorten the words to its most | :08:47. | :08:53. | |
understandable in previous, impro is for me, and I have always liked to | :08:53. | :08:57. | |
be slightly contrary. Everyone else calls its improv, I call it impro. | :08:57. | :09:04. | |
It is billed as this, the cast will be using their finally hold | :09:04. | :09:08. | |
improvisational... I can't even say it! And almost manic compulsion to | :09:08. | :09:17. | |
show off. Yes! I do not have you down as a show. If you put your name | :09:17. | :09:21. | |
on the title of a show, by definition you are a show of. I am | :09:21. | :09:26. | |
not like... Hopefully I do not come across like that all the time. When | :09:26. | :09:30. | |
we were chatting about this earlier, you can be quite a shy individual | :09:30. | :09:33. | |
but still wants to be a performer because you are not talking to 500 | :09:33. | :09:37. | |
individuals, it is a large mass of people. The lights are on you, the | :09:37. | :09:41. | |
sound is on you, you have friends with you, so it is very empowering, | :09:41. | :09:46. | |
and you are bolder and more imaginative onstage than offstage | :09:46. | :09:52. | |
sometimes. And you empower the audience, the content is driven by | :09:52. | :09:57. | |
them. We ask them for suggestions, film suggestions, household objects. | :09:57. | :10:04. | |
Can you explain this? I can, it depends how deep your | :10:04. | :10:05. | |
misunderstanding is! This was depends how deep your | :10:05. | :10:11. | |
originally used as one of the first mobile phone masts in the early | :10:11. | :10:16. | |
1900... If we ask for a household objects, which we do at the comedy | :10:16. | :10:20. | |
store, where we have done the store for 30 years, inevitably somebody | :10:20. | :10:25. | |
will shout out toilet brush. Once every two weeks, somebody will say | :10:25. | :10:28. | |
toilet brush. I don't know why, I never found it amusing, but if | :10:28. | :10:35. | |
anybody can come up with a sitcom called Toilet Brush, it will be a | :10:35. | :10:40. | |
winner. You are going on natural talent and instinct, but is this | :10:40. | :10:45. | |
something you can learn? We all improvise naturally when we talk, it | :10:45. | :10:47. | |
something you can learn? We all is just the added pressure of trying | :10:47. | :10:50. | |
to be funny in front of a large number of people. Yes, we all do it | :10:50. | :10:53. | |
in conversation, or when we are having a laugh in the pub, or during | :10:53. | :10:58. | |
a tea break at work. It is just a question of working with people that | :10:58. | :11:02. | |
you know, lots of practice, instinct, but applied with practice | :11:02. | :11:06. | |
and people that are good at what they are doing, so even if you are | :11:06. | :11:08. | |
on stage and you haven't got a they are doing, so even if you are | :11:08. | :11:16. | |
thought in your head, someone will they are doing, so even if you are | :11:16. | :11:18. | |
come onstage and take you somewhere else. So you rely on each other. | :11:18. | :11:20. | |
Totally, and working with someone you don't get on with, as you know, | :11:20. | :11:22. | |
it is a strain! You will be working you don't get on with, as you know, | :11:22. | :11:29. | |
with Ian Hislop on Friday. You are very good at these links, and you?! | :11:29. | :11:34. | |
I just knocked on your dressing room, you are engulfed in the world | :11:34. | :11:41. | |
of music. I have to be now. Ed Miliband and his relationship with | :11:41. | :11:45. | |
his dad, your life changes. Once it starts coming around again, I was | :11:45. | :11:50. | |
useless, I used to get the tabloid newspapers every day, and be very | :11:50. | :11:53. | |
good about it, but you would be reading the same thing four times. | :11:53. | :11:56. | |
In the end, you get reading the same thing four times. | :11:56. | :11:59. | |
the kind of story that will come up, Ed Miliband will come up, this is an | :11:59. | :12:06. | |
important story. Good luck with the tour, it starts this Saturday, the | :12:06. | :12:11. | |
5th of October, in Canterbury. That is right, yeah! The Marlowe Theatre, | :12:11. | :12:18. | |
Canterbury. Arthur Smith is on the road tonight, tonight he's in | :12:18. | :12:20. | |
Nottinghamshire, staying at the home of a romantic poet called Lord | :12:20. | :12:26. | |
Byron. Judging by his outfit, he has picked up a bit of Byron's regency | :12:26. | :12:31. | |
swagger. Everyman likes to imagine himself as | :12:31. | :12:36. | |
a swaggering powered. Well, I do anyway! A swashbuckling charmer, | :12:36. | :12:43. | |
mad, bad and dangerous to know. The template for the romantic figure is, | :12:43. | :12:47. | |
of course, the one and only Lord Byron. 200 years ago, he was | :12:47. | :12:53. | |
Britain's first wild celebrity. And I am hoping to find out more about | :12:53. | :12:57. | |
the man behind the celebrity by spending the night at his ancestral | :12:57. | :12:59. | |
home at Newstead Abbey. It had been his family's | :12:59. | :13:08. | |
Nottinghamshire home for centuries, but by the time Byron inherited | :13:09. | :13:13. | |
Newstead Abbey in 1798, it was practically derelict. Through thy | :13:13. | :13:18. | |
battlements, Newstead, the Hollow wins whistle. Dow, the Hall of my | :13:18. | :13:26. | |
Fathers, gone to decay. He managed to renovate a few rooms in one | :13:26. | :13:31. | |
wing, like this dining room, but dozens remains completely empty. | :13:31. | :13:37. | |
This magnificent room was used only for boxing and fencing. He used the | :13:37. | :13:43. | |
great Hall for pistol practice. Apparently, he was an expert shot. | :13:43. | :13:51. | |
In his former study is a screen that he decorated himself. It's the | :13:51. | :13:54. | |
picked his passions for sport and the day, and it was his passion for | :13:54. | :13:58. | |
picked his passions for sport and passion that brought him fame. -- | :13:58. | :14:02. | |
its defects. He was famous for being infamous, his many love affairs were | :14:02. | :14:09. | |
notoriously, especially his most dangerous liaison with Lady Caroline | :14:09. | :14:13. | |
Lamb. Who called him mad, bad and dangerous to know. He decided that | :14:13. | :14:19. | |
he was going to end the affair, this devastated Caroline, and she would | :14:19. | :14:23. | |
dress as a page, and she would ride alongside his coach just to be close | :14:23. | :14:28. | |
to him. So he was really the first celebrity to have a stalker as well, | :14:28. | :14:32. | |
he was ahead of the game. What do you think Lord Byron was like as a | :14:32. | :14:35. | |
person? I think he was very aloof. you think Lord Byron was like as a | :14:35. | :14:45. | |
It has been said that Jane Austin based the character of Mr Darcy on | :14:45. | :14:50. | |
Lord Byron. So Jane Austen would have known Lord Byron? Yes. I don't | :14:50. | :14:57. | |
know if she knew him well, but she was certainly going to these | :14:57. | :15:02. | |
parties. Who knows how many lovers would have climbed this staircase to | :15:02. | :15:07. | |
Byron's bedroom? I am checking out my bedroom for the night, a gilded | :15:07. | :15:12. | |
four-poster, or where Byron's trustee pages slept. Guess which one | :15:12. | :15:18. | |
I am in? I am sure I will sleep soundly, but not just yet. This was | :15:18. | :15:26. | |
a party house, evenings spent making merry and drinking claret. He drank | :15:26. | :15:29. | |
it from this, a skull he found on the grounds he had made into a | :15:29. | :15:34. | |
goblet. This is a reproduction. I shall be spending a more sober | :15:34. | :15:37. | |
evening drinking in the surroundings and reading a bit of Byron. She | :15:37. | :15:47. | |
walks in beauty like the night, in a cloudless climes and starry skies, | :15:47. | :15:51. | |
when all is Best of dark and bright... In the morning, I wake | :15:51. | :15:57. | |
with a very simple thought about Byron. Staying in his house, you | :15:57. | :16:02. | |
realise he is famous for his celebrity, his scandal and his | :16:03. | :16:06. | |
adventures, but looking at what he wrote, you realise that what he | :16:06. | :16:11. | |
really was was a poet. If I don't write to empty my mind, I go mad. | :16:11. | :16:20. | |
This former Abi, part ruin, has the spirit of the poem, -- of the poet, | :16:20. | :16:26. | |
even though he actually any lived here a few years before travelling | :16:26. | :16:32. | |
around on his travels. He died of fever in Greece aged just 36. Byron | :16:32. | :16:35. | |
wanted to be buried here in the fever in Greece aged just 36. Byron | :16:35. | :16:39. | |
grounds of Newstead Abbey, alongside Hezbollah did all, but he ended up | :16:39. | :16:45. | |
in the family grave a few miles away. -- alongside his love it dog. | :16:45. | :16:57. | |
This is one of his famous works - a dog possessed all the virtues of man | :16:57. | :17:05. | |
without his vices. Thank you. Carrie is here now. In that film, we heard | :17:05. | :17:09. | |
that Jane Austen could have based the character Darcy on Lord Byron, | :17:09. | :17:16. | |
which is plausible. But it is a big year for Pride and Prejudice. Yes, | :17:16. | :17:20. | |
because it is 200 years since the book was first published, and it is | :17:20. | :17:27. | |
still selling thousands of copies every year. Jane Austen is going to | :17:27. | :17:32. | |
be on the new £10 note, replacing Darwin. And there have been all the | :17:32. | :17:37. | |
spin offs. This Christmas we are going to have Death Comes To | :17:37. | :17:40. | |
Pemberley, the PD James book now adapted for screen, with the | :17:40. | :17:47. | |
gorgeous Matthew Rhys. Shall I disappear from your site? A few | :17:47. | :17:57. | |
hours would be perfect. Sister. Mr Darcy. Not a moment longer. I | :17:57. | :17:59. | |
hours would be perfect. Sister. Mr shouldn't bear it. You are only | :17:59. | :18:09. | |
human. Well, I just heard an echo from around Britain that it isn't | :18:09. | :18:14. | |
Colin Firth! He says, I will never be able to compete with the sexiness | :18:14. | :18:19. | |
of Colin Firth. Everyone remembers Colin Firth walking out of the lake | :18:19. | :18:24. | |
in his dripping wet shirt. That was recently voted one of TV's most | :18:24. | :18:28. | |
memorable TV moment of drama ever. recently voted one of TV's most | :18:28. | :18:35. | |
So that will be things like dirty Den's divorce papers and Sherlock | :18:35. | :18:41. | |
Holmes dying. That did something to women across the country. We | :18:41. | :18:45. | |
wondered, with a bit of doctoring, whether this would have the same | :18:45. | :18:53. | |
affect? Oh yes! I think I will sue. You could be twins! I look a bit | :18:53. | :19:02. | |
like Alvin Stardust. That may be the key to selling more tickets on your | :19:02. | :19:10. | |
tour. I am happy to wear a blouse. This is the thing with Mr Darcy - he | :19:10. | :19:16. | |
has become this stereotype. He has inspired so many books. We are | :19:16. | :19:23. | |
assessed with him. Where would we be without 50 Shades Of Mr Darcy? And | :19:23. | :19:30. | |
then a Vampire version of Mr Darcy. And of course, the new Bridget Jones | :19:30. | :19:35. | |
book. We have all waited for it, very exciting. In book three, she | :19:35. | :19:40. | |
has killed Mr Darcy! Bridget Jones 's 51. She is a widow with two | :19:40. | :19:45. | |
children. Paul, how do you feel about this? I am absolutely | :19:45. | :19:54. | |
devastated! Did Jane Austin have a reputation outside of Britain? Did | :19:54. | :20:00. | |
she go to the states? Absolutely. There has been a Bollywood version | :20:00. | :20:06. | |
called Bride and Prejudice. Thank you. As we have just heard, Bridget | :20:06. | :20:11. | |
Jones is back, and we have the author, Helen Fielding, on the show | :20:11. | :20:16. | |
next Wednesday. Get in touch if you were a real-life rigid Jones back in | :20:16. | :20:21. | |
the 90s, and tell us how things have turned out for you! -- a real-life | :20:21. | :20:27. | |
Bridget Jones. Living with a mental illness is not only challenging for | :20:27. | :20:29. | |
Bridget Jones. Living with a mental the sufferer, but for the family | :20:29. | :20:34. | |
too. Tonight, two brothers tell us the story of growing up with | :20:34. | :20:39. | |
schizophrenia. I'm woody, and I am the drama in Madness. My name is | :20:39. | :20:49. | |
Nick Woodgate. I am Woody's brother, and I have schizophrenia. | :20:49. | :20:54. | |
Nick Woodgate. I am Woody's Nick was younger than me, and he was | :20:54. | :20:57. | |
really popular in school. Everyone loved him! He was the captain of the | :20:57. | :21:03. | |
football team. He was good at English and art, and, well | :21:03. | :21:07. | |
everything, really. Nick was always going to be the famous one. It was | :21:07. | :21:12. | |
written in the stars that he would be the star. I took LSD when I was | :21:12. | :21:18. | |
11, and by the time I was 13, I had taken it a couple of times. And I | :21:18. | :21:28. | |
knew everything was wrong then. I first realised that Nick had some | :21:28. | :21:31. | |
problem in his early teens. He became quite withdrawn, and he would | :21:31. | :21:38. | |
get panic attacks, and really not be himself. What happens is, all around | :21:38. | :21:46. | |
me, I feel like inanimate objects and people are sending me messages, | :21:46. | :21:52. | |
and they are telling me that this other side exists. And that they are | :21:52. | :22:00. | |
suffering, and the only way of stopping the suffering is for me to | :22:00. | :22:05. | |
kill myself. I feel sad, in a way, when I have those episodes, because | :22:05. | :22:12. | |
I don't want to leave this world, because I am attached to people in a | :22:12. | :22:18. | |
very strong way. I was 27 when I was sectioned. I didn't think there was | :22:18. | :22:21. | |
anything wrong with me, even though I was living in this fantasy world | :22:21. | :22:27. | |
of my own. When I was ill in my teens and 20s, I couldn't hold a | :22:27. | :22:34. | |
job. I had a few jobs which were a couple of days long, but the average | :22:34. | :22:41. | |
time was two weeks. This room is where we did our first gig with our | :22:41. | :22:44. | |
time was two weeks. This room is first band, together, Nick and I | :22:44. | :22:48. | |
come back when we were 13 or 14 years old. Being with Madness in the | :22:48. | :22:55. | |
early days was tough, with Nick being just not right. You were | :22:55. | :23:03. | |
really kind of... You definitely changed. It got worse and worse. You | :23:03. | :23:09. | |
turned up in Scandinavia in jeans and T-shirt, and it was freezing! I | :23:09. | :23:15. | |
got him back to the hotel room where I was staying, fed him, got him as | :23:15. | :23:19. | |
warm as I could, and then when I looked around, he had just | :23:19. | :23:24. | |
disappeared. It was getting where members of my family, it was | :23:24. | :23:30. | |
mortifying having him around. That sounds very selfish and | :23:30. | :23:34. | |
self-centred. Absolutely true, though. I never thought I felt any | :23:34. | :23:39. | |
jealousy for Woody's success, but it is only in recent days when I think | :23:39. | :23:45. | |
that every time something exciting happened to Madness, like if they | :23:45. | :23:49. | |
got a new album out or a single to number one, it was kind of naming my | :23:49. | :23:55. | |
coffin down even further, because I was so unable to fulfil my talents. | :23:55. | :24:05. | |
Nick and I have formed a band called The Magic Brothers. We have an album | :24:05. | :24:13. | |
out. Nick frustrates the hell out of me, because he never has a complete | :24:13. | :24:20. | |
song. For Nick, he is like, what a relief! Someone has finished my | :24:20. | :24:26. | |
song! We do work very well together. As you are my brother, I understand | :24:26. | :24:28. | |
where you're coming from. It is like As you are my brother, I understand | :24:28. | :24:34. | |
a proper grown-up group that adults do. Have we grown up? Unfortunately, | :24:34. | :24:44. | |
have! Good. What a relationship they have. Banks to Woody and to Nick, | :24:44. | :24:51. | |
and their debut album is out now. A brand-new venue called the Hydro in | :24:51. | :24:55. | |
Glasgow opened its doors for the first time last night. Thousands saw | :24:56. | :25:04. | |
Rod Stewart performed there. A few weeks ago, we were given exclusive | :25:04. | :25:07. | |
access to see the site and how the venue was built. | :25:07. | :25:12. | |
The One Show has been following all the action from behind-the-scenes at | :25:12. | :25:17. | |
Scotland's new home for live entertainment, the Hydro. It | :25:17. | :25:21. | |
resembles an alien spacecraft, but the materials used in this building, | :25:21. | :25:27. | |
Teflon, you can find in a frying pan. The new building is clad in a | :25:27. | :25:40. | |
material called ETFE, which will reflect the light and showcase | :25:40. | :25:44. | |
lighting this place. I am here to meet the architect. Is that strong | :25:44. | :25:52. | |
enough? It is a sophisticated system. There was a lot that goes | :25:52. | :26:03. | |
into it. But Scottish wind and rain - it will need to be tough. It is | :26:03. | :26:09. | |
very tough. There is a wind sensor on the roof, and if the wind is | :26:09. | :26:13. | |
getting up, the pressure on the pillows increases. It might look | :26:13. | :26:17. | |
simple, but it is a sophisticated system. The amount of air this will | :26:17. | :26:22. | |
change throughout the year. In the summer months, you might not have as | :26:22. | :26:29. | |
much. Yes. As the wind changes, so does the pressure. And the silver | :26:29. | :26:34. | |
surface, is that purely to reflect light? The silver dots prevent the | :26:34. | :26:39. | |
sun from heating up the space inside the building. We did a lot of work | :26:39. | :26:44. | |
getting the right says Dot's -- the right size dots and the right | :26:44. | :26:51. | |
spacing. Weather and even a fire caused delays, so specialists have | :26:51. | :26:54. | |
been working round the clock to make sure the venue was open on time. You | :26:54. | :27:02. | |
are the man who puts it up? I am. Is that a nerve wracking job? It looks | :27:02. | :27:08. | |
very delicate. It is quite a strong plastic. It has got quite a lot of | :27:08. | :27:12. | |
strength to it when you lift it up in the air. How long has it taken | :27:12. | :27:20. | |
you to get to where you are now? The actual install of the pillows has | :27:20. | :27:27. | |
taken about four months. 450 light fixtures illuminate the building. | :27:27. | :27:33. | |
Combined, they produced nearly 13 million colours. The Hydro will host | :27:33. | :27:37. | |
boxing and gymnastics at next year's Commonwealth Games. It joins | :27:37. | :27:42. | |
a string of venues purpose-built and ready well in advance of 2014. Last | :27:42. | :27:49. | |
night, Rod Stewart open the 12,000 seat venue. With a start like this, | :27:49. | :27:55. | |
it is clear to see that the party begins before you enter the | :27:55. | :27:59. | |
building. There you go! I will be in there | :27:59. | :28:02. | |
covering the gymnastics, so I look There you go! I will be in there | :28:02. | :28:07. | |
forward to that. Paul, 28 venues you are about to do on this tour. We are | :28:07. | :28:11. | |
going to test you to see how well you know the venues. The driver | :28:11. | :28:18. | |
knows where to go, not me! Lets see if you can recognise the venue from | :28:18. | :28:24. | |
the stage door. The stage door is the bit you generally see. Lets put | :28:24. | :28:31. | |
you to the test. Where is this? You are playing there on the 20th of | :28:31. | :28:41. | |
October. Bracknell? It is the and dill! This is the next one. This was | :28:41. | :28:51. | |
built in 1971. That is Swindon. It is! Very good! Where is this? Is it | :28:51. | :29:00. | |
Croydon? It is the hexagon in Reading! Thanks ever so much for | :29:00. | :29:07. | |
coming in. Good luck with the tour. Paul Merton starts this Saturday in | :29:07. | :29:12. | |
Canterbury. We will be back tomorrow with Emma Thompson. See you then. | :29:12. | :29:13. | |
Goodbye. | :29:13. | :29:14. |