Browse content similar to 01/11/2011. Check below for episodes and series from the same categories and more!
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Welcome to the programme. We add joined by a Lord. A Lord Sugar of | :00:24. | :00:30. | |
Amstrad? Posher than that. Lord Andrew Lloyd Webber? Love him but | :00:30. | :00:37. | |
no, posher than him. On our humble sofa. How did you know? It is the | :00:37. | :00:46. | |
creator of Downton Abbey, Lord Julian Fellowes. Everybody knows | :00:46. | :00:54. | |
you as Julian. You will get a thick ear from Andrew for that. Your | :00:54. | :00:59. | |
mother-in-law calls to a completely different name. I never know where | :00:59. | :01:05. | |
you get this stuff. It is true. My mother in law wanted my wife Emma | :01:05. | :01:12. | |
to marry a chap called Evelyn, not any one, there was a specific man. | :01:12. | :01:16. | |
It didn't happen and she married me so my mother in law's compensation | :01:16. | :01:21. | |
was to call me that name. Since this has been going on for 21 years | :01:21. | :01:26. | |
I have given them, and signed things like that now. You mustn't | :01:26. | :01:32. | |
fight beyond reasonable limits. with your mother-in-law. We will be | :01:32. | :01:38. | |
talking about Downton Abbey later. We have got an exclusive. Matthew | :01:38. | :01:47. | |
and Mary, will they? Figures out this week show in some parts of the | :01:47. | :01:53. | |
UK children ready to be adopted are taking longer to be placed in | :01:53. | :02:00. | |
families than other places. Jeanette Winterson's Burke Luke | :02:00. | :02:08. | |
Wiwatowski title published her adopted mother as apparent. -- A | :02:08. | :02:17. | |
title. Let me see her. God gave her to me. A you have nothing to do | :02:17. | :02:27. | |
with God, you have a heart of stone. I said he told you to come out | :02:27. | :02:35. | |
here? I am your real mother. She was just the carrying case that | :02:35. | :02:45. | |
:02:45. | :02:46. | ||
I rated because I wanted to talk about what was like growing up as | :02:46. | :02:51. | |
an adopted child using some of my experiences -- I wrote it. 25 years | :02:51. | :02:56. | |
after I rated I discovered some new and disturbing facts about my own | :02:56. | :03:06. | |
:03:06. | :03:16. | ||
Behind this front door I spent most of my child could with Mr and Mrs | :03:16. | :03:21. | |
Winterson. I never asked her if she loved me, at the she loved me on | :03:21. | :03:28. | |
those days when she could love me, there was the best she could do. | :03:28. | :03:32. | |
Locked out on this doorstep I knew there was no safe place outside of | :03:32. | :03:38. | |
myself so I had to find a safe place inside, and that is how I | :03:38. | :03:43. | |
found the books. When my mother was angry with me, which was often, she | :03:43. | :03:49. | |
said the devil will lead us to the wrong a crib. The image of Satan | :03:49. | :03:53. | |
taking time off the cold war and McCarthy is and to visit Manchester, | :03:53. | :04:01. | |
1960, purpose of visit, to deceive Mrs Winterson has a flamboyant | :04:01. | :04:05. | |
theatricality about it. She was a flamboyant depressive, a woman who | :04:05. | :04:11. | |
kept a revolver in the dusty drawer and the bullets in a tin of the | :04:11. | :04:17. | |
Pledge. It is places like this way you find me in all weathers. I came | :04:17. | :04:21. | |
up here to escape the rages and regret of my tease -- Mrs Winterson. | :04:21. | :04:29. | |
She had adopted me but I wasn't what she wanted. You think I am not | :04:29. | :04:33. | |
exactly the poster girl for adoption. But it was better for me | :04:33. | :04:39. | |
to be with her, then to be in a children's home. She was a monster. | :04:39. | :04:49. | |
:04:49. | :04:51. | ||
After my dad died I found some old forms about my adoption. Mrs | :04:51. | :04:55. | |
Winterson had hidden them for nearly 50 years. I decided to try | :04:55. | :05:00. | |
and find out if my birth mother was still alive. Mrs Winterson had | :05:00. | :05:07. | |
always said she was dead. I had been damaged, and an important part | :05:07. | :05:13. | |
of me had been disallowed -- destroyed. That was my reality. On | :05:13. | :05:19. | |
the other side of the facts was who I could be, how I could feel. And | :05:19. | :05:27. | |
as long as I had words for that, in Bee Gees, stories, I wasn't lost -- | :05:27. | :05:31. | |
images. I found my biological mother and that has been a | :05:31. | :05:36. | |
wonderful thing and a difficult thing for both of us. There is no | :05:36. | :05:44. | |
Hollywood happy ending. But there is forgiveness. And there is love. | :05:44. | :05:48. | |
Her experience of adoption was not an altogether happy one but there | :05:48. | :05:52. | |
are so many positive stories out there. It is National Adoption Week | :05:52. | :05:55. | |
and if you are thinking about adoption or fostering there is a | :05:55. | :06:01. | |
lot of details on our website. Moving on to Sunday night | :06:01. | :06:06. | |
television. The nation has been gripped by the Mary and Matthew | :06:06. | :06:13. | |
story line. You can make a nation happy. What way? Not only am I not | :06:13. | :06:17. | |
going to tell you, but if I did tell you I would ruin it for | :06:17. | :06:22. | |
millions of people out there. They don't want me to tell you. | :06:22. | :06:26. | |
million people are very excited about what will happen. We have got | :06:26. | :06:30. | |
a little scene from Sunday's episode. Let's have a look at the | :06:30. | :06:40. | |
:06:40. | :06:40. | ||
Cousin Violet came to me and told me to marry you. When was this? | :06:40. | :06:50. | |
:06:50. | :06:52. | ||
a while ago. Classic granny. What did you say? I couldn't accept. | :06:52. | :06:58. | |
Sacrifice of her life, children, future. And then give her the brush | :06:58. | :07:04. | |
off when I was well again. I couldn't, could I? Of course not. | :07:04. | :07:11. | |
However much I might want to. we leave it there. | :07:11. | :07:19. | |
Little teas at the end. There is a Christmas Day special. The areas. A | :07:19. | :07:24. | |
two hour movie to get you through the end of Christmas. Does it snow | :07:24. | :07:31. | |
at the wedding? You really had me there. Very good. It is not going | :07:31. | :07:36. | |
to work. It has been incredibly successful. What is the magic | :07:36. | :07:41. | |
ingredient? You are always being wise after the | :07:41. | :07:46. | |
event. The truth is you do not know. You make any show, like we all do, | :07:46. | :07:51. | |
you hope it has got the right ingredients, find an audience. But | :07:51. | :07:58. | |
with this tidal wave, obviously we have got something right. My only | :07:58. | :08:06. | |
theory is, for what it's worth, say is that we did take a line on the | :08:06. | :08:09. | |
groups of characters in it. If it had been made in the 50s, the | :08:09. | :08:12. | |
family would have been very gracious, all the servants would | :08:12. | :08:16. | |
have been funny. If it had been made in the 90s the servants would | :08:16. | :08:21. | |
have been gallant and the family would have been horrible. But we | :08:21. | :08:25. | |
haven't done either of those. We have a group of people who live and | :08:25. | :08:29. | |
work under this roof, and we treat them exactly the same in terms of | :08:30. | :08:34. | |
narrative important. The romance between Matthew and Mary, there | :08:34. | :08:38. | |
isn't one that is more important than the other, they are equally | :08:38. | :08:44. | |
important. And all the characters are equally important. That gives | :08:44. | :08:50. | |
it a tub of maternity, but for a lot of people, -- a type of | :08:50. | :08:57. | |
modernity. You have got the family of the characters, everybody else | :08:57. | :09:01. | |
is subsidiary, there is a limit to who you can identify with. Whereas | :09:01. | :09:06. | |
we have a broad range of people you can identify with in terms of age, | :09:07. | :09:12. | |
Tiger, background. That is one of the things we did get right. -- | :09:12. | :09:16. | |
type of background. A lot of it is based on true fact and things that | :09:16. | :09:21. | |
happened in history and your own family's experience. We have got | :09:21. | :09:29. | |
this little picture of your father. The reason I was asked to bring | :09:29. | :09:35. | |
that is because I used that moment when Robert Grantham comes out and | :09:35. | :09:40. | |
says we are at war with Germany. That was my father's memory. He was | :09:41. | :09:45. | |
at a garden party in Hampshire with his nurse and mother and it was his | :09:45. | :09:53. | |
first memory. He was about two years old, the same age as there. I | :09:53. | :09:59. | |
said, why do you think is stuck in your mind? He said, I can only | :09:59. | :10:04. | |
suppose that the atmosphere changed so extraordinarily with all the men | :10:05. | :10:09. | |
and women and the guests and the people serving them, it must have | :10:09. | :10:14. | |
been so electric that even for a child you thought, that lodged in | :10:14. | :10:21. | |
his brain. World War I, but also the Spanish flu pandemic gets to | :10:21. | :10:25. | |
Downton Abbey on Sunday. I am not sure I am prepared to comment about | :10:26. | :10:32. | |
that. You must be at have trained in a very soft school. One question | :10:32. | :10:42. | |
:10:42. | :10:43. | ||
and it all comes out? Will we need a funeral costume? Nothing. Will | :10:43. | :10:52. | |
there be a third series? We all hope so. We hope it with a man took | :10:52. | :10:56. | |
a degree of confidence. ITV plays its cards very close to his chest, | :10:57. | :11:02. | |
as does the BBC. We will keep our fingers crossed. | :11:02. | :11:09. | |
We will not pressure you any more. During her time on the programme | :11:09. | :11:13. | |
Marina has got -- Miranda has got close to some amazing wildlife. | :11:13. | :11:18. | |
in candour she has recently had off the coast of Cornwall has even left | :11:18. | :11:22. | |
her speechless -- one encounter. Earlier this year I went to | :11:22. | :11:27. | |
Falmouth to make a film about the sea life living on a sunken wreck. | :11:27. | :11:31. | |
It is an area I have damp -- dived countless times but on this | :11:31. | :11:37. | |
occasion something very unexpected happened. While I was talking to | :11:37. | :11:40. | |
the camera crew it suddenly became aware we were not alone in the | :11:40. | :11:50. | |
:11:50. | :11:58. | ||
water. Dolphin. Where? There it is. He is so big. That is something I | :11:58. | :12:03. | |
never expected to see. I hope you rot on the boat can hear what we | :12:03. | :12:08. | |
are talking about because it is amazing -- you lot of. The boat | :12:08. | :12:13. | |
team could here might excitement using the underwater communication | :12:13. | :12:23. | |
:12:23. | :12:25. | ||
system for top they had their That is the friendliest dolphin I | :12:25. | :12:32. | |
have seen. I cannot stress how unusual this is. Dolphins generally | :12:32. | :12:38. | |
do not like the bubbles from Skeeby divers. It hung around even as we | :12:39. | :12:43. | |
were beginning hour a cent. I was starting to question why he was so | :12:43. | :12:47. | |
interested. -- beginning hour a cent. Bottlenose dolphins are | :12:48. | :12:51. | |
common all over the world living in large groups called iPods. The | :12:51. | :12:57. | |
closest they normally get a to humans is when they write alongside | :12:57. | :13:06. | |
a boat. They often sustained severe injuries. You can see the not taken | :13:06. | :13:14. | |
out of its Fine, that could be boat damage. -- you can see the notched | :13:14. | :13:18. | |
taken out of its finish. Such a friendly dolphins are virtually | :13:18. | :13:23. | |
unheard of in British waters. The encounter was magical but left me | :13:23. | :13:32. | |
with the question, why was he alone? A representative of marine | :13:32. | :13:37. | |
corrections -- connections is an expert on solitary dolphins. It was | :13:37. | :13:41. | |
amazing haven't it interact but why would a dolphin like that be on its | :13:41. | :13:45. | |
own? Obviously it is a young male. They | :13:45. | :13:50. | |
could be it has reached sexual maturity. It has left the group for | :13:50. | :13:54. | |
breeding purposes. It could have become separated during bad weather. | :13:54. | :14:00. | |
Really? If there it is extremely bad weather young animals can be | :14:00. | :14:05. | |
separated. If you look at it it has got very distinct markings. They | :14:05. | :14:11. | |
Iraq a lot of lines on it. Could that be signs of aggression -- | :14:11. | :14:17. | |
There are a lot of lines on it. is not necessarily always | :14:17. | :14:24. | |
aggression. They tend to play fight, just like children. The thing that | :14:24. | :14:29. | |
struck him meet is the big line that runs almost down one flank. | :14:29. | :14:35. | |
They could be met lines. More evidence that the dolphin is too | :14:35. | :14:39. | |
familiar with people and straying too close to boats. Worryingly | :14:40. | :14:43. | |
since my encounter he has been spending more time with other | :14:43. | :14:50. | |
divers in the area. What about the future? That is the million dollar | :14:50. | :14:55. | |
question. Since Ewshot this footage it has been seen with other | :14:55. | :15:03. | |
dolphins. -- since it you shot at this footage. It could be his | :15:03. | :15:10. | |
mother, sister. It has been seen at socialising with another dolphin. | :15:10. | :15:15. | |
It is great to hear he has found the company of another dolphin. | :15:15. | :15:20. | |
Hopefully he will break his bad habit of spending time with humans | :15:20. | :15:30. | |
:15:30. | :15:30. | ||
What a wonderful surprise, down to film a shipwreck and a dolphin | :15:30. | :15:34. | |
turns up. I did think, when the dolphin was in the water that the | :15:34. | :15:37. | |
camera men were joking, but then the Dolphin did appear halfway | :15:37. | :15:41. | |
through the diving. I was struggling to know if we were meant | :15:42. | :15:45. | |
to film the ship record a dolphin, but luckily we got both. It was | :15:45. | :15:51. | |
amazing. Is it right you can't see Dolphins in captivity in the UK | :15:51. | :15:57. | |
anywhere now? It is widely accepted that keeping an animal like this in | :15:57. | :16:01. | |
the UK is crawl. They are intelligent and they range out for | :16:01. | :16:04. | |
thousands of miles and they are very social, so to keep them in | :16:04. | :16:08. | |
isolation is like keeping them in a prison cell. Although that is not | :16:08. | :16:13. | |
the same worldwide. There are some countries that have Dolphins in | :16:13. | :16:19. | |
captivity. Has the Dolphin been spotted in France? He has been | :16:19. | :16:22. | |
spotted in Brittany is well as the Cornish coast. He has now got | :16:22. | :16:25. | |
friends. He has been seen interacting with other Dolphins, | :16:26. | :16:30. | |
but not with a whole lot. somebody said there was a dolphin | :16:30. | :16:37. | |
behind me and I saw the fame -- of the dorsal fin, I would have to get | :16:37. | :16:43. | |
my Marine knowledge up to the top of my brain. I would be the same as | :16:43. | :16:51. | |
you, Julian. That is definitely a possible scene for Series 3. This | :16:51. | :16:54. | |
captivity thing, and I am sure you are right, but there are two sides | :16:55. | :17:01. | |
to it. Most children would know nothing of the wildlife. When I | :17:02. | :17:06. | |
take my children to the zoo, I think they have a massive role in | :17:06. | :17:10. | |
conservation and education book with an animal like a dolphin which | :17:10. | :17:17. | |
swims for thousands of miles, you cannot put it on its own in a box. | :17:17. | :17:21. | |
I am much happier with things born in captivity anyway so at least | :17:21. | :17:25. | |
they have not had to adjust the circumstance. But I think it is | :17:25. | :17:30. | |
marvellous that they are more humane. But nevertheless I think | :17:30. | :17:34. | |
they have a role to play. My kids would not know anything about a lot | :17:35. | :17:41. | |
of animals if I did not take them to the zoo. Thank you, brander, and | :17:41. | :17:44. | |
we will look forward to what she saw down their necks by -- thank | :17:44. | :17:51. | |
you, Miranda. Today he's All Saints Day. All day! An opportunity for | :17:51. | :17:55. | |
Sister Wendy to test the artistic knowledge of Phil Tufnell of the | :17:55. | :18:02. | |
The Saints have always been a special source of inspiration. | :18:02. | :18:05. | |
These are people who buy their own efforts have moved closer to the | :18:05. | :18:10. | |
divine. So it's not surprising that they feature so strongly in the | :18:10. | :18:14. | |
works of art here. Sister Wendy showing the three favourites. | :18:14. | :18:20. | |
Lovely to see you again. Who is that chap there? These is St | :18:20. | :18:25. | |
Christopher, the patron Saint of travellers. He was an imagined St, | :18:25. | :18:32. | |
as travellers needed protectors -- needed protection and a manager and | :18:32. | :18:36. | |
St Christopher. Sir he didn't exist? Is that true of all the | :18:36. | :18:43. | |
Saints? Now, that is the exception. St Christopher was a giant and he | :18:43. | :18:47. | |
felt that with his enormous stature he should have a job commensurate | :18:47. | :18:51. | |
with that, so he travelled the world looking for a great keen to | :18:51. | :18:56. | |
serve and could not find one. Then, when he was despairing, he met a | :18:56. | :19:01. | |
hermit who said to him, instead of trying to find a keen to sell for | :19:01. | :19:07. | |
your own glory, serve other people. -- aching to serve. He took a job | :19:07. | :19:14. | |
ferrying people across the river. One-day he was asked to cross the | :19:14. | :19:17. | |
waters, and Christopher thought that that was child's play, and as | :19:17. | :19:25. | |
he walked the child grew up the beer and heavier. He felt as if he | :19:25. | :19:29. | |
was carrying the world on his shoulders. The child said, yes, you | :19:29. | :19:34. | |
are, because I am Jesus and I am carrying the world on my shoulders. | :19:34. | :19:39. | |
And then he blessed St Christopher. And so St Christopher became a | :19:39. | :19:45. | |
Saint. From our most painted it took most imaginary St, to another | :19:45. | :19:49. | |
well-loved one, St Francis of Assisi. There are many paintings in | :19:49. | :19:54. | |
here. Which one of we talking about? It is confusing because they | :19:54. | :19:58. | |
are all of St Francis, but it is that one we are talking about. | :19:58. | :20:04. | |
one with the birds in? Yes, but if you look lower, there will, that is | :20:04. | :20:12. | |
the story of him talking to the birds and the fish, but this is how | :20:12. | :20:18. | |
he dealt with the wall. That is the town it there. And those are the | :20:18. | :20:23. | |
people who are in great distress. Because a wharf has turned up and | :20:23. | :20:28. | |
be stealing their babies -- off. They send a message of despair to | :20:28. | :20:36. | |
St Francis. Can you come and kill this big bad wolf? St Francis said | :20:36. | :20:41. | |
he would not and he would have a talk to him. He summons the wolf | :20:41. | :20:46. | |
and St Francis gives him a lecture and says he is a very bad wolf. | :20:46. | :20:52. | |
This cannot go on. And St Francis says, listen, bad wolf, if you | :20:52. | :20:57. | |
behave yourself, the people will feed you and you just have to be a | :20:57. | :21:01. | |
good will. We will shake hands on that, and you could see him putting | :21:01. | :21:09. | |
out his poor and you see it he says there will be no more trouble with | :21:09. | :21:12. | |
the will, and there never was. the moral is, do as you would be | :21:12. | :21:22. | |
:21:22. | :21:23. | ||
done by. That he's exactly it. Sister Wendy's last joint, -- last | :21:23. | :21:30. | |
choice, St Peter meet Christ. you have a St Peter and Jesus | :21:30. | :21:34. | |
outside Rome. There was a persecution in Rome and Peter ran | :21:34. | :21:40. | |
away. As he was heading out, he met Jesus coming in and Peter said to | :21:40. | :21:47. | |
Jesus, where are you going? And Jesus said, I am going to Rome. I | :21:47. | :21:53. | |
will be crucified again. They want their head of the Church to crucify | :21:53. | :22:01. | |
me and I am stepping in and St Peter will be covered with shame. | :22:01. | :22:05. | |
And he is sent back to Rome in time to be crucified. Looking at a | :22:05. | :22:11. | |
painting like that, I realise how faithful one must be to what one is | :22:11. | :22:15. | |
called to do, not run away when it's difficult. Without the | :22:15. | :22:20. | |
painting, I might not think of that. Sister Wendy, it is always a joy to | :22:20. | :22:29. | |
meet you and listen to you talk Always a joy, and Sister Wendy will | :22:29. | :22:34. | |
be back in a few weeks with the story of the Nativity. Julian, as | :22:35. | :22:38. | |
when as writing Downton Abbey, Young Victoria, Gosford Park, you | :22:38. | :22:46. | |
have a new one on the horizon, a bigger epic, the Titanic. Exciting! | :22:46. | :22:55. | |
Yes, an extraordinary story and when I was asked if I wanted to do | :22:55. | :23:05. | |
:23:05. | :23:06. | ||
this I knew that if I didn't do it then it wouldn't be me, so I had to | :23:06. | :23:10. | |
grab it. It is a moving tale. The more you know about it, the | :23:10. | :23:18. | |
extraordinary courage and, in many cases, human beings at their best. | :23:18. | :23:24. | |
And we have delved into this in these four episodes, one hour each, | :23:24. | :23:29. | |
and we take the ship down further every time. You don't have to wait | :23:29. | :23:37. | |
on our show! Because what we do is tell these people's story and they | :23:37. | :23:42. | |
got away all of the lifeboats and a couple of what were called collapse | :23:42. | :23:47. | |
of balls, the extra lifeboats and they managed to get them away and | :23:47. | :23:52. | |
with some they overturned, but were was not true on the Titanic. We go | :23:52. | :23:59. | |
to the last boat and only then do you find that they never the less | :23:59. | :24:01. | |
you have a mounting drama and a different perspective and how | :24:01. | :24:06. | |
people behave. We have a mixture of real people, fictional people, of | :24:06. | :24:10. | |
course, but what happens to the real people is what happened and | :24:10. | :24:15. | |
the fictional people is what we make happen. And that is how we | :24:15. | :24:24. | |
have sorted it out. Now, we are positive that matter's challenge | :24:24. | :24:27. | |
for Children In Need will not end in disaster. But please do keep | :24:27. | :24:37. | |
:24:37. | :24:37. | ||
donating. If you want to help, text-270705. �5 would go to | :24:37. | :24:43. | |
Children In Need. For four terms and conditions, visit our website. | :24:43. | :24:46. | |
-- full terms. All though it will be painful, it will be | :24:46. | :24:49. | |
straightforward to get from Edinburgh to London by road, but if | :24:49. | :24:53. | |
you wanted to walk all round hour curse like -- coastline, it is more | :24:53. | :25:03. | |
:25:03. | :25:06. | ||
difficult. But now there are some Ever fancied a long walk, I mean, | :25:06. | :25:11. | |
really, really long walk? A new initiative to join up the coastal | :25:11. | :25:14. | |
paths around England will see you down to the ground, because it will | :25:14. | :25:19. | |
end up being 3,000 miles long -- Suji down to the ground. According | :25:19. | :25:22. | |
to natural England, the agency behind the scheme, a third of the | :25:22. | :25:26. | |
English coastline is an accessible. Work started here in Dorset with | :25:26. | :25:30. | |
the aim of getting this stretch up and running ahead of next year's | :25:30. | :25:34. | |
sailing Olympics off the coast of Weymouth. Although as the event is | :25:34. | :25:37. | |
out at sea, you will still need a ticket to view the action on giant | :25:37. | :25:43. | |
screens. All along the coast you have amazing stuff. Wherever you go | :25:43. | :25:47. | |
there will be things people hold dear to them and other people want | :25:47. | :25:51. | |
to visit them. When it was first announced, the scheme was predicted | :25:51. | :25:56. | |
to cost �50 million and take 10 years to complete, but natural | :25:56. | :25:59. | |
England now says the final bill will be considerably less than that, | :25:59. | :26:03. | |
although they cannot give an accurate figure. Scotland already | :26:04. | :26:08. | |
has the right to roam and Wales opens its coastal parts in 20th May | :26:08. | :26:13. | |
12. Although Northern Ireland has the Causeway Coast or root, they | :26:13. | :26:19. | |
have no plans for eight linked path. But many of the links are | :26:19. | :26:25. | |
businesses are not happy -- linked businesses. What are your | :26:25. | :26:29. | |
objections to opening up the coastal paths in this way? It is | :26:29. | :26:32. | |
about the fact we have so much access. It is not about joining | :26:32. | :26:37. | |
them up. We have over 90 % of the English coast already with access. | :26:37. | :26:41. | |
If they were looking at filling out the gaps, that would be something | :26:41. | :26:45. | |
we would be able to welcome, but they are not and it seems a waste | :26:45. | :26:50. | |
of resources in the present climate. The landowners don't object so much | :26:50. | :26:54. | |
to the idea of a path, but so called spreading room, the | :26:54. | :27:00. | |
surrounding area which allows walkers to rest, relax and admired | :27:00. | :27:04. | |
the fields, making it hard for landowners and farmers to use the | :27:04. | :27:09. | |
land for commercial purposes. a path and joining it up and giving | :27:09. | :27:13. | |
everyone access is a nice idea. It is not just about a path though, it | :27:13. | :27:17. | |
is about an area of land going with the path which takes up the | :27:17. | :27:21. | |
substantial area. If you look over their it takes in all that beat | :27:21. | :27:25. | |
Hill and goes half a mile inland. That is not coastal access, it is | :27:25. | :27:32. | |
different from that. It is not only landowners who have grievances. | :27:32. | :27:35. | |
Some businesses believe unrestricted access could put the | :27:35. | :27:41. | |
public in danger. Why don't you want people walking through here? | :27:41. | :27:44. | |
We are a busy commercial port with a lot of activity going on. We | :27:44. | :27:48. | |
don't want to bring people into that environment as keeping them | :27:48. | :27:52. | |
safe is extremely important. not everyone is up in arms. Not | :27:52. | :27:57. | |
surprisingly, ramblers and walkers positively welcome the project. | :27:57. | :28:01. | |
When you look at the fantastic coastline in Dorset, it inspires | :28:01. | :28:11. | |
:28:11. | :28:13. | ||
you to get out. You can go out and Out of the 220 landowners, councils | :28:13. | :28:18. | |
and businesses directly contacted by Natural England, 13 objections | :28:18. | :28:23. | |
were raised. This means the Planning Inspectorate will now have | :28:23. | :28:27. | |
to decide if the scheme can go ahead. The proposal for the path in | :28:27. | :28:33. | |
Dorset could be something of a test case. Natural England says it has | :28:33. | :28:37. | |
taken on board criticism of the plan for a continuous coastal path, | :28:37. | :28:40. | |
but meanwhile the objectors have lodged their complaints and now it | :28:40. | :28:44. | |
is a waiting game to see if they are upheld. But whatever happens it | :28:44. | :28:48. | |
will be watched with keen interest, because what happens here in | :28:48. | :28:57. | |
Weymouth could make or break the We have had lots of e-mails on the | :28:57. | :29:01. | |
subject of adoption. Lynne Carey says they adopted two years ago and | :29:01. | :29:04. | |
it was a hard process that extremely worthwhile and we would | :29:04. | :29:09. | |
encourage anyone to give it a go. Milo, aged 12, said he was adopted | :29:09. | :29:13. | |
two years ago and although it was a long time to take the people -- | :29:13. | :29:17. | |
find the right people it was not too long a time. Julie says I wish | :29:17. | :29:23. | |
I had been featured because I hit the jackpot when I found my mum and | :29:23. | :29:28. |