Browse content similar to 02/11/2011. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Matt Baker and Alex Jones. | :00:23. | :00:27. | |
Tonight's guest shot to fame when humiliated Mackenzie Crook in The | :00:27. | :00:32. | |
Office, went on to humiliate Mark - - George Michael and thought | :00:32. | :00:34. | |
nothing insulting half a Hollywood at the Golden Globes, but the | :00:34. | :00:38. | |
starts keep coming back for more. The you have any idea who the | :00:38. | :00:45. | |
leading lady is? In the Tim Burton film? Helena Bonham Carter? How did | :00:45. | :00:49. | |
you know? They stand in the dark. She thinks you're an idiot. Have I | :00:49. | :00:55. | |
done something to offend you? trashing me in front of 200 million | :00:55. | :01:05. | |
:01:05. | :01:11. | ||
people at the Golden Globes? It's Have I done something to offend | :01:11. | :01:17. | |
you? Do you ever worry you are defending those people. No, because | :01:17. | :01:21. | |
I know that I am -- defending. It is guaranteed I will offend someone. | :01:21. | :01:25. | |
But because you are offended does not mean you are right. It goes to | :01:25. | :01:30. | |
show he was not offended. That is part of the reason I got him in it | :01:30. | :01:35. | |
because everyone was saying, Johnny Depp was so offended. No he wasn't! | :01:35. | :01:41. | |
I called him out and it was funny. I get this once a week. Someone | :01:41. | :01:46. | |
saying that I've offended someone else, usually. It is always someone | :01:46. | :01:50. | |
offended on somebody else's behalf. It is ridiculous. Of course he is | :01:50. | :01:55. | |
not offended. He is the richest and most handsome man in the world. Why | :01:55. | :01:59. | |
will he care about a little man from Reading and not liking of the | :01:59. | :02:03. | |
Tourist? We will talk more about the new show and the big stars any | :02:03. | :02:09. | |
later. The first, Simon Boazman is in a sleepy town in country -- in | :02:09. | :02:11. | |
Cumbria where the residents are waking up to take charge of their | :02:11. | :02:21. | |
:02:21. | :02:22. | ||
Beautiful, rolling hills, cobbled streets, and you might think that | :02:22. | :02:27. | |
this place was a picturesque step back in time. But actually, it's at | :02:27. | :02:34. | |
the forefront of a brand new way of thinking. Co-operatives may be as | :02:34. | :02:38. | |
old as the hills that make this the highest market town in England, but | :02:38. | :02:44. | |
what is going on here is something the rest of the UK can learn from | :02:44. | :02:48. | |
because Alston more in Cumbria is somewhere that pulls together. | :02:48. | :02:54. | |
there on the left we have Alston home foods come up and on the right | :02:54. | :02:59. | |
-- writers abroad than transmitter. Batty's run by a local -- that is | :02:59. | :03:05. | |
run by local social area company. What makes this so special is that | :03:05. | :03:10. | |
there are 15 social enterprises for a relatively small population of | :03:10. | :03:18. | |
about 2,500 people. Social enterprises, defined as a non | :03:18. | :03:20. | |
profit businesses and services, owned and run by the local | :03:21. | :03:24. | |
community members provide 90 jobs here and have a combined annual | :03:24. | :03:33. | |
turnover of around �2.5 million. The Moody Baker is one of them. How | :03:33. | :03:39. | |
does it work on a daily basis? it is like having a boss with four | :03:39. | :03:44. | |
or five brains, or however many directors and employees you have, | :03:44. | :03:49. | |
because it is like we all have an equal say. Since the start of the | :03:49. | :03:54. | |
credit crunch in 2008, nationally, the co-operative sector has grown | :03:54. | :03:59. | |
by 25 %, massively outperforming the wider British economy. When | :03:59. | :04:04. | |
times are hard we do throttle back on the wages but only for the | :04:04. | :04:09. | |
directors. The workers will be paid in the usual manner. We do not work | :04:09. | :04:15. | |
for anyone, we work with each other to achieve an end. And it just | :04:16. | :04:21. | |
seems to work. Next stop, the Alston cottage hospital. It was | :04:21. | :04:24. | |
recently threatened with closure, but locals run a successful | :04:24. | :04:28. | |
campaign to keep it op -- Open. Eleanor is in the middle of a | :04:28. | :04:34. | |
consultation. It is my left hand. Her doctor is 25 miles away in | :04:34. | :04:40. | |
Penrith. So there is inflammation of the tendons. Though the initial | :04:40. | :04:44. | |
funding was provided by the Department of Health, this initial | :04:44. | :04:50. | |
of a video link was only made possible by the enterprise. We went | :04:50. | :04:56. | |
out and resourced the equipment and trained the staff and worked out | :04:56. | :05:00. | |
the different red tape, and sorted out all of those issues and got the | :05:00. | :05:04. | |
equipment in there, up and running and used. In the winter, Alston can | :05:04. | :05:09. | |
be completely cut off and getting patients to and from the nearest | :05:09. | :05:12. | |
hospital is difficult. But there are some more traditional solutions | :05:12. | :05:16. | |
to the problems caused by bad weather, like this home-made snow | :05:16. | :05:21. | |
plough. We get a lot of snow in the winter, and the last couple have | :05:21. | :05:26. | |
been serious. Saying you don't know what to do doesn't get the road | :05:26. | :05:31. | |
clear, does it? If you ring the county council and say your road is | :05:31. | :05:35. | |
blocked, they say we are very sorry, our priority roads are the main | :05:35. | :05:40. | |
roads and we are struggling to keep them open, which you can understand. | :05:40. | :05:43. | |
While it will run under contract from the local authority, the | :05:43. | :05:48. | |
snowplough belongs to Tony and his fellow villagers. We are on the end | :05:48. | :05:51. | |
of the line as far as most of the services concerned. You cannot rely | :05:51. | :05:55. | |
on the government to provide basic care for people and all this sort | :05:55. | :06:02. | |
of thing. It is just an extended family. But are these community- | :06:02. | :06:06. | |
based innovations born from necessity, as many have been, | :06:06. | :06:09. | |
really ones that could work elsewhere in the UK? Could you put | :06:09. | :06:14. | |
this model down in any town or city? Yes, one of the big things we | :06:14. | :06:18. | |
do is bring people into Alston, show them a different social | :06:18. | :06:22. | |
enterprises and say, this is how it works. We try to fire up their | :06:22. | :06:30. | |
imagination so they can go back and Aren't you going past Colston? | :06:31. | :06:36. | |
won my rickshaw, I am. If good luck with that. You will be all right. | :06:36. | :06:44. | |
It will be higher up. Thank you, Simon. Simon. Ricky, are you into | :06:44. | :06:48. | |
community spirit? Yes, as long as they leave me alone. They can't get | :06:48. | :06:52. | |
past the gates and the lasers and the dogs. I got shutters on the | :06:52. | :06:56. | |
windows. I often hide and pretend I am out if someone comes to the door. | :06:56. | :07:01. | |
But I say yes, get on with it. Brilliant. Good luck, everyone. | :07:01. | :07:05. | |
have an image of you in waders cleaning out the local pond. That | :07:05. | :07:10. | |
won't happen. I will do anything to do with nature. I do love stuff to | :07:10. | :07:15. | |
do with wildlife and nature. It's just talking to anyone else that I | :07:15. | :07:22. | |
don't like. I love animals, it's the people that annoy me. Earlier | :07:23. | :07:26. | |
on we saw a clip of Johnny Depp in your new series, Life's Too Short. | :07:26. | :07:33. | |
Tell us about it. It is a return to the fake documentary format like | :07:33. | :07:38. | |
The Office. I suppose The Office reflected those quaint documentary | :07:38. | :07:42. | |
soaps of the 1990s with normal people being famous. But modern | :07:42. | :07:46. | |
documentaries and reality shows are much more about the list | :07:46. | :07:53. | |
celebrities living there life like an open wound. It is more like that. | :07:53. | :07:55. | |
It is the fictional Warwick Davis, and it is a complete character, | :07:55. | :08:00. | |
nothing like the real Warwick Davis. He is a great actor, brilliant, | :08:00. | :08:05. | |
lovely, so rounded. I've never heard him complain. He is great. In | :08:05. | :08:09. | |
this, he is manipulative, with a chip on his shoulder. It is not | :08:09. | :08:16. | |
half an hour of gags about height, it is more that he has a small man | :08:16. | :08:21. | |
complex. So it is about him being angry with the world. He exploits | :08:21. | :08:26. | |
other dwarfs. He runs an agency and takes all the good acting jobs for | :08:26. | :08:30. | |
himself, but rents bows out as bowling balls and things. It is | :08:30. | :08:34. | |
about that, think -- really. have a moment from the first | :08:34. | :08:38. | |
episode when he comes to see you and Stephen Merchant, and it is | :08:38. | :08:41. | |
lovely. He has to charm a member of the public because he cannot reach | :08:41. | :08:48. | |
the intercom. I have never seen you, mate. What have you been in? | :08:48. | :08:56. | |
you seen Return Of the Jedi? Then he what? A Little Bear? Have you | :08:56. | :09:03. | |
seen Willow? Just press the button please. Look at that,, the legends, | :09:03. | :09:07. | |
Ricky Gervais and Stephen Merchant. All mates, always popping round for | :09:07. | :09:12. | |
a chat. You are always popping round. I thought we made the buzz | :09:12. | :09:22. | |
:09:22. | :09:25. | ||
of higher. You made a passer-by do Some would see it as a bit UN PC, | :09:25. | :09:29. | |
especially the hilarious bit where he falls out of the car. How do you | :09:29. | :09:33. | |
keep it on the right side of this? People are already saying that and | :09:33. | :09:37. | |
they haven't seen it. They straightaway assume that it will be | :09:37. | :09:40. | |
offensive because there is a dwarf involved, but that is their problem | :09:40. | :09:45. | |
and prejudice. They assume it will be equal. Nothing could be further | :09:45. | :09:53. | |
them from the truth. I don't know, there is no harm coming from | :09:53. | :09:56. | |
discussing a taboo subject. That is why there is a problem, they are | :09:56. | :10:02. | |
tableaux. If you talk about stuff intelligently, the problem is, some | :10:02. | :10:06. | |
people confuse the target of a joke with the subject of a joke. You can | :10:06. | :10:10. | |
talk about anything, you can talk about race, disability, as long as | :10:10. | :10:16. | |
you know what you're doing with it. People will always be offended. | :10:16. | :10:21. | |
There is nothing you can do about it. On that point, you recently | :10:21. | :10:27. | |
offended quite a few people with disabilities. Recently? Always! I | :10:27. | :10:31. | |
offend somebody once a week. You have to just carry on with what | :10:31. | :10:36. | |
you're doing. I look at it in a Darwinian framework, you do what | :10:36. | :10:39. | |
you do and you survive or you don't. If you keep trying to please | :10:39. | :10:44. | |
everyone, you won't do anything. Nothing will be said. Some people | :10:44. | :10:47. | |
are offended by equality or abortion. No I am not, I'm offended | :10:48. | :10:54. | |
by those people, what are you going to do? The least Watchet, First! | :10:54. | :10:58. | |
And if you don't like it, don't watch it again. Don't write me a | :10:58. | :11:03. | |
letter, because no one's listening! You are not afraid of laughing at | :11:03. | :11:08. | |
yourself. But very often I am the butt of the joke. It is my | :11:08. | :11:13. | |
stupidity, getting stuff wrong. Curb Your Enthusiasm is a good | :11:13. | :11:18. | |
example of that. Of course. You only deal in excruciating social | :11:18. | :11:23. | |
faux pas, and that is what is funny, it is about middle-class angst. It | :11:23. | :11:27. | |
is about our fear. When Warwick talks to people, he knows they are | :11:27. | :11:31. | |
trying to avoid using the word little or Smalling conversation and | :11:31. | :11:36. | |
he finds it hilarious. He wants them to chill-out. It is all right. | :11:36. | :11:41. | |
Let's have a look at you inaction in that clip, this is you with | :11:41. | :11:46. | |
Larry David. Thank you so much for coming. Oh my God! I can't believe | :11:46. | :11:51. | |
it. It is signed. The funniest show in the history of television. I | :11:51. | :11:56. | |
love the show. I wouldn't call it the funniest show in the history of | :11:56. | :12:01. | |
television. This show was hilarious. Seinfeld, lovely show. The thank | :12:01. | :12:10. | |
you, that was good. I love broad comedy. I will let the laugh track | :12:10. | :12:14. | |
remind you when to laugh. We didn't do that. The it is a funny show, | :12:14. | :12:21. | |
but it is odd to show up with your own DVD. I have never body -- | :12:21. | :12:26. | |
anybody showing up with something they were in, that is an odd thing. | :12:26. | :12:32. | |
Trying to turn the tables there. All of it ad-libbed. You just go | :12:32. | :12:38. | |
with it and you feel that a few times. Not only is he a bit of a | :12:38. | :12:41. | |
hero of mine, possibly the most important person working in comedy | :12:41. | :12:47. | |
today, but he ruins as many takes as I do. We were both laughing. | :12:47. | :12:51. | |
Honestly, it was great. One of the highlights of my career. Such a | :12:51. | :12:56. | |
pleasure. And when you go out for dinner with Larry David, it is like | :12:56. | :12:59. | |
a two hour episode of Curb Your Enthusiasm. It is great. I cannot | :12:59. | :13:03. | |
get enough of him. Many people may not have heard of Slough until | :13:03. | :13:07. | |
Ricky put it on the map, but 60 years ago this week Berkshire and | :13:07. | :13:11. | |
it strikes when it became home to the very first zebra crossing. | :13:11. | :13:15. | |
what was life like before the nation's roads were transformed by | :13:15. | :13:21. | |
Alec of paint and some Belisha beacon? -- a lick of paint. John | :13:21. | :13:27. | |
Sargent went to find out. Let me introduce you to Mr A. He acts | :13:27. | :13:31. | |
normally, with a fried egg for breakfast, when it is opening time, | :13:31. | :13:40. | |
but when it comes to the everyday Hurt, Altman? Never mind. It would | :13:40. | :13:49. | |
be perfectly simple if it wasn't After the war, the number of cars | :13:49. | :13:54. | |
was on the rise. By 1951, there were 4 million on the road. | :13:54. | :13:57. | |
Pedestrian crossings and the Belisha beacon had been introduced, | :13:57. | :14:07. | |
but they weren't doing much to cut The fact is, we have 4,500 people | :14:07. | :14:11. | |
killed every year on the roads and at huge proportion of people just | :14:11. | :14:14. | |
simply trying to cross. The crossings available there were | :14:14. | :14:17. | |
studs and beacons and not the standardisation needed. Basically | :14:17. | :14:21. | |
drivers were not respecting them. They were not stopping and driving | :14:21. | :14:28. | |
through and pedestrians did not use Jim Callaghan took his campaign on | :14:28. | :14:35. | |
the road. This week we are having a pedestrian crossing. Why? An awful | :14:35. | :14:38. | |
lot of young people have grown up since we were using crossings | :14:38. | :14:41. | |
before the war. I think a lot of people have forgotten about them | :14:41. | :14:47. | |
since the war. The government's Road Research Laboratory had been | :14:47. | :14:50. | |
experimenting. They developed something Mr Callaghan nicknamed | :14:50. | :14:55. | |
the zebra. Tests confirmed it would make a real difference to motorists | :14:55. | :15:00. | |
and pedestrians and they chose slayer -- Slough high street for | :15:00. | :15:06. | |
the first permanent zebra crossing. Joan Jones remembers it well. This | :15:06. | :15:09. | |
was where the first the bridge crossing was. It was. It was the | :15:09. | :15:15. | |
main crossing to the main Post Office. This was the main road? | :15:15. | :15:22. | |
London to Bath Road. It was a busy road. Drivers were very much more | :15:22. | :15:26. | |
aware that it was a pedestrian crossing because of the black and | :15:26. | :15:32. | |
white stripes. He in October 1951, regulations came into force | :15:32. | :15:35. | |
requiring all and controlled pedestrian crossings to have zebra | :15:35. | :15:43. | |
markings. Soon casualties were down by 7%. Slough continued to pioneer | :15:43. | :15:51. | |
road safety with a big budget of �200,000. They experimented on road | :15:51. | :15:56. | |
designs and on ways to make people more safety conscious. It worked. | :15:56. | :16:00. | |
While national road for utilities continued to rise, in Slough they | :16:00. | :16:07. | |
fell. By 10%. What is really important about this road is it is | :16:07. | :16:10. | |
where my predecessors started experimenting with traffic lights. | :16:10. | :16:19. | |
You stick to the speed limit,... This became known as the Greenway. | :16:19. | :16:25. | |
What a safety campaign really need it was a personality. This looks | :16:25. | :16:34. | |
dangerous. Will they see that car? I think I had better have a word. I | :16:34. | :16:40. | |
was the Green Cross Code man for 14 years from 1976 to 1990. Road | :16:40. | :16:44. | |
accident figures were 40,000 a year when we started. When we finished | :16:44. | :16:48. | |
the campaign, they were down to 20,000 accident. A fantastic | :16:48. | :16:52. | |
campaign. If you had been looking and listening all the way across, | :16:52. | :16:55. | |
that wouldn't have happened. country's first ever zebra crossing | :16:55. | :17:00. | |
has long gone, but plenty of black and white stripes can still be seen | :17:00. | :17:05. | |
in Slough. We pour hot material and to this machine and that creates | :17:05. | :17:09. | |
the marking on the road. Your father started his business. He did, | :17:09. | :17:15. | |
60 years ago. He started his business, marking zebra crossings. | :17:15. | :17:22. | |
He did the first one in Slough. is happy 60th birthday to the first | :17:22. | :17:29. | |
zebra crossing in the country. John! Remember, stop, look, listen | :17:29. | :17:39. | |
:17:39. | :17:43. | ||
John is in the studio. Wearyingly, zebra crossings could become | :17:43. | :17:50. | |
extinct. -- worrying me. mustn't worry too much. It is up to | :17:50. | :17:55. | |
reach local authority. They tend to go in the country areas, but in the | :17:55. | :18:00. | |
towns and cities, they will tend to stay. It all depends. Some people | :18:00. | :18:03. | |
find, when they are crossing them, they are not sure whether they | :18:03. | :18:09. | |
should be crossing. It can be tricky. That moment when you are | :18:09. | :18:15. | |
wondering... I have been worrying about this for quite a while. They | :18:15. | :18:20. | |
are going to still be around? of them will be around, but not so | :18:20. | :18:26. | |
much in the country. You must relax. I can carry on -- carry on worrying | :18:26. | :18:33. | |
about the panda! What is the future of valour crossings. The one in | :18:33. | :18:37. | |
Oxford Circus, they are terribly proud of, because it has a cross | :18:37. | :18:41. | |
and you don't cross just across, you go diagonally. That was brought | :18:41. | :18:46. | |
in two years ago and that is regarded as very successful. More | :18:46. | :18:50. | |
of those can be expected. You will bump into each other! You are | :18:50. | :18:55. | |
walking. In Japan they don't because they are really alike. We | :18:55. | :18:59. | |
just say get out the way! We are all extremely well behaved, you | :18:59. | :19:06. | |
haven't been out much. I don't go out. And agreed to listing. That is | :19:06. | :19:10. | |
the most famous zebra crossing in the world and that is in Abbey Road. | :19:10. | :19:15. | |
I hope you know where that is from. Indeed, and it has a webcam. You | :19:15. | :19:20. | |
can view it online. If you want to see people crossing the road. | :19:21. | :19:28. | |
you have no life! Well, earlier on... Up let's do that. I've got a | :19:28. | :19:35. | |
webcam. Save you time, have a look. They have a message for you, Ricky. | :19:36. | :19:45. | |
:19:46. | :19:53. | ||
Big fans of your work. We love Thank you, brilliant. This year for | :19:53. | :19:57. | |
Children In Need, Matt will peddle a rickshaw from Edinburgh to London | :19:57. | :20:03. | |
in just eight days. I did have a little go myself just to see how | :20:03. | :20:13. | |
:20:13. | :20:28. | ||
difficult it was and it is not as Just ruined the rickshaw. I feel | :20:28. | :20:37. | |
awful. Let's get out and move it. Great! Thank you. I was doing | :20:37. | :20:40. | |
training today in Richmond Park and the wheel was buckled, I had to | :20:40. | :20:44. | |
repair it. It I wasn't going to say anything, I didn't know they would | :20:44. | :20:50. | |
show that. How was training today in Richmond? Hills are not getting | :20:50. | :20:57. | |
any better. That woman is walking alongside me. That was to give me | :20:58. | :21:04. | |
some money. She caught up easily. You need all the help you can get, | :21:04. | :21:11. | |
it looks like you're on a pedalo. Eight days! Downhill is great for | :21:11. | :21:19. | |
top is this actually going out on television? Yes. Wow! All of this | :21:19. | :21:24. | |
effort will be nothing if people don't donate to Children In Need. | :21:24. | :21:28. | |
It will get even better in the second. We want you to do the | :21:28. | :21:32. | |
honours and let people know how they can donate. Pudsey has been | :21:32. | :21:35. | |
learning the David Brent dance from The Office. The sooner you give out | :21:35. | :21:41. | |
the details, the better. Has he still got a bad I? National Health | :21:41. | :21:51. | |
:21:51. | :21:52. | ||
Service, get that sorted out. off and running. Read it, Ricky. | :21:52. | :22:02. | |
:22:02. | :22:19. | ||
you want to donate, text there were If you can donate, please do. And | :22:19. | :22:23. | |
you, Ricky! There is a bloke in that there wanted to play Chekhov | :22:24. | :22:33. | |
:22:34. | :22:35. | ||
at the National. Anyway, yes. sit down. Back to your old show. | :22:35. | :22:42. | |
Let's have a look at Liam Neeson popping in. I am here because I am | :22:42. | :22:49. | |
thinking of doing some comedy. a comedy movie? On stage, stand-up | :22:49. | :22:57. | |
comedy, live comedy. OK. Tring. are closed. Her a thing the shop | :22:57. | :23:04. | |
has to be opened for the sketch. -- I think. Tring. Yes? I'd like to | :23:04. | :23:08. | |
make a complaint. I bought some fruit yesterday and when I got home | :23:08. | :23:13. | |
some of it was rotten. That's not my fault. It's your shop and it was | :23:14. | :23:19. | |
sold on your premises. I wasn't here. Doesn't matter. I was at the | :23:19. | :23:29. | |
:23:29. | :23:29. | ||
doctor's. That's really good. You Liam Neeson asking you for some | :23:29. | :23:34. | |
career advice. And he says the most horrendous things which you have to | :23:34. | :23:43. | |
cut out. Not a problem! I've been censored. We found some people in | :23:43. | :23:46. | |
the paper's today who we thought might need a bit of advice. Here we | :23:46. | :23:52. | |
go. First of all it has been a difficult few weeks for the Greek | :23:52. | :23:56. | |
prime minister. Greece might run out of money in two weeks' time. | :23:56. | :24:04. | |
The solution is? Up get a catalogue, h-t catalogue. Everything is 28 | :24:05. | :24:10. | |
weeks at 38p. Get it from that. shop has apologised after | :24:10. | :24:14. | |
apparently refusing to sell a 92- year-old woman, Diane Taylor, a | :24:14. | :24:18. | |
bottle of whisky because she couldn't prove her age. That is | :24:18. | :24:28. | |
:24:28. | :24:29. | ||
unbelievable! It is the law. No yd. What if it turns out she was just a | :24:29. | :24:38. | |
really stressed her nine-year-old? Quite right. No ID, no whisky. | :24:38. | :24:42. | |
Sir a Arthur Conan Doyle created Sherlock Holmes, he made him a | :24:42. | :24:46. | |
virtuoso on the violin. Following the recent anniversary of his birth, | :24:46. | :24:51. | |
we sent Anita Rani to his home town of Edinburgh to find out how his | :24:51. | :24:54. | |
favourite childhood garden has become a memorial to the great | :24:54. | :25:04. | |
:25:04. | :25:05. | ||
The legend has it that whilst Arthur Conan Doyle Klein sycamore | :25:05. | :25:10. | |
trees here, the seeds were sown for arguably the world's greatest | :25:10. | :25:16. | |
fictional detective. What is the relevance of this garden in the | :25:16. | :25:21. | |
life of Arthur Conan Doyle? When he was about four, his family's life | :25:21. | :25:24. | |
had more or less disintegrated. This was where he played, a | :25:24. | :25:28. | |
sanctuary. He would have played with his elder sister and it would | :25:28. | :25:32. | |
have been the kind of place that would give rise to his own stories. | :25:32. | :25:41. | |
He had had plenty of stories from his parents. A few years later, now | :25:41. | :25:46. | |
a physician, he mixed his medical knowledge with his own instinct for | :25:46. | :25:51. | |
storytelling, creating Sherlock Holmes. This house is now home to a | :25:51. | :25:55. | |
school and when the 200 year-old Sycamore recently had been chopped | :25:55. | :26:00. | |
down due to disease, they ensured what was left behind was a fitting | :26:00. | :26:03. | |
memorial to the classic case of the Hound Of the Baskervilles. But the | :26:03. | :26:09. | |
school didn't stop there. They enlisted local master craftsman | :26:09. | :26:14. | |
Steve to brief be unique new life into the husk of the sick sycamore. | :26:14. | :26:20. | |
Violins? That's right. This is where I do my violin making. | :26:20. | :26:25. | |
did you get involved? They thought wouldn't it be great if we had a | :26:25. | :26:29. | |
violin made from the St? I thought it was fantastic. Is that the | :26:29. | :26:34. | |
actual tri? This is part of the tree. It is a piece of art on its | :26:34. | :26:39. | |
own. Goodwood. Was there to challenge? It certainly was. I had | :26:39. | :26:45. | |
been doing a lot of exercises and experiments with the method I used | :26:45. | :26:51. | |
for sheer luck. Is this the sort of violent Sherlock Holmes might play? | :26:51. | :26:55. | |
He played a Stradivarius. This violin is modelled on something | :26:55. | :27:01. | |
else. In the world you have two main makers and some makers go for | :27:01. | :27:06. | |
strut are various. The other one is quite masculine. It has been | :27:06. | :27:09. | |
Italian spirit that would have helped Sherlock Holmes solve his | :27:09. | :27:19. | |
:27:19. | :27:24. | ||
But Steve didn't just stop there. He went on to create an entire | :27:24. | :27:28. | |
string quartet from the service -- very same sycamore and where better | :27:28. | :27:32. | |
to hear it played for the first time than in the Read Hall at | :27:32. | :27:39. | |
Edinburgh University? Quite rightly, the quartet are playing Mensa, one | :27:39. | :27:44. | |
of homes's favourites. -- Mendelssohn. The violin's role | :27:44. | :27:48. | |
plays a larger -- larger part in our possession but so it -- | :27:48. | :27:52. | |
Sherlock Holmes. Why did he put a violin in the hands of Sherlock | :27:52. | :27:58. | |
Holmes? Fenham Brooke was a place of music. -- Edinburgh. In order to | :27:58. | :28:04. | |
keep Sherlock Holmes you run, he gets a violin. Music talks to us in | :28:04. | :28:09. | |
a language much more profound and saying much more serious and | :28:09. | :28:14. | |
beautiful things to ask than words can ever do. Conan Doyle, as a | :28:14. | :28:22. | |
great wordsmith, realised that. News it takes on that quality. -- | :28:22. | :28:32. | |
:28:32. | :28:35. | ||
Thank you. Ricky, you have some grand plans for Poppy Day. Yes, I | :28:35. | :28:39. | |
am doing a big charity concert for wounded soldiers with Bruce | :28:39. | :28:44. | |
Springsteen. Amazing. I did it last year, it is a cause close to my | :28:44. | :28:53. | |
heart. What a bonus, with Bruce. Her good luck. Thing gee macro for | :28:54. | :29:00. | |
coming in. Life's Too Short starts next Thursday at 9:30pm on BBC Two. | :29:00. | :29:06. |