Browse content similar to 01/11/2016. Check below for episodes and series from the same categories and more!
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I do not think we have ever had a better opener. That was live. | :00:21. | :00:51. | |
Tonight we are joined by the man who has brought the hit film | :00:52. | :00:55. | |
School Of Rock to the London stage - Lord Andrew Lloyd Webber!! | :00:56. | :01:06. | |
What a talented bunch you have brought tonight. We have got three | :01:07. | :01:14. | |
talented bunches and they play live every night, not recorded. They have | :01:15. | :01:20. | |
blown our socks off, but if it was not for your wife, this may never | :01:21. | :01:26. | |
have happened. She saw it to ten years ago with my kids and they | :01:27. | :01:30. | |
loved the movie and she thought it would be great to produce in the | :01:31. | :01:39. | |
theatre. She suggested I produced it and she went to Paramount in LA and | :01:40. | :01:46. | |
she got the rights. She managed it. I will let you into a secret. The | :01:47. | :01:51. | |
producer over there who let her have the right. She was the producer of | :01:52. | :01:58. | |
Les Miserables. Why? She went with the flow and I got the rights and | :01:59. | :02:04. | |
there were not so many songs in the movie as I thought, so I ended up | :02:05. | :02:12. | |
doing the score. It gets you deep in your soul. The young band we have | :02:13. | :02:16. | |
got in here tonight obviously enjoy rocking. We are listening to the | :02:17. | :02:21. | |
theme tune again because it is so good. We would like to see footage | :02:22. | :02:28. | |
of you guys rocking out at home. This is what we are looking for. | :02:29. | :02:33. | |
This is Jack Black doing his thing in the movie. I love Jack Black. A | :02:34. | :02:41. | |
bit of air guitar. Send your clip to our e-mail address or put it on our | :02:42. | :02:47. | |
Facebook page and we will show you the best ones later on. I cannot | :02:48. | :02:49. | |
We've all rocked out a little too much at a wedding disco | :02:50. | :02:54. | |
Well, what is supposed to be the biggest day for any couple | :02:55. | :03:07. | |
could for some turn out to be a lot pricier than expected | :03:08. | :03:09. | |
There is doubt about it, weddings are big business. The average cost | :03:10. | :03:20. | |
is now set to be around ?30,000. But do newlyweds risk being exploited | :03:21. | :03:27. | |
and paying over the odds for their big day? As soon as you say the word | :03:28. | :03:33. | |
wedding, do you feel that prices go up for venues? 100%, ridiculously | :03:34. | :03:41. | |
so. Wedding venue hire was more expensive than event hire. Do not | :03:42. | :03:45. | |
mention the word wedding, because as soon as they hear it, the price goes | :03:46. | :03:51. | |
up. In fact, a wedding reception could set you back two thirds more | :03:52. | :03:56. | |
than a party in the same venue on the same date. It is enough to give | :03:57. | :04:03. | |
you cold feet. But not for Pete and Angie from Cornwall. They got | :04:04. | :04:08. | |
engaged last month and this is the moment Pete got down on one knee to | :04:09. | :04:13. | |
propose to Angie. They are determined to have the wedding of | :04:14. | :04:18. | |
their dreams, but at what cost? We are not at that stage in our lives | :04:19. | :04:22. | |
when we have got a lot of money. We did not realise how expensive a | :04:23. | :04:28. | |
wedding would be. So, with their help, we are putting wedding venues | :04:29. | :04:33. | |
across the UK to the test. First, and she asks for quotes for a | :04:34. | :04:38. | |
no-frills wedding reception. There are 100 of us, a three course meal | :04:39. | :04:44. | |
from 5pm onwards with a DJ. I have asked Peter to get quotes for a | :04:45. | :04:49. | |
special birthday celebration. He is having 100 guests, a three course | :04:50. | :04:53. | |
meal and a DJ. That includes room hire as well? As soon as venue | :04:54. | :05:01. | |
managers hear the word wedding, it is different. It is 595 for the | :05:02. | :05:09. | |
wedding and for the party it is 395, so quite a difference. That is ?1600 | :05:10. | :05:18. | |
difference. ?39 per head for a party and ?59 per head for a wedding | :05:19. | :05:23. | |
reception. Of the dozen venues we contacted, all but one charged more | :05:24. | :05:28. | |
for a wedding reception over a birthday party. One venue wanted | :05:29. | :05:33. | |
double the money compared to a big party on the same date, an extra | :05:34. | :05:38. | |
?5,450 on the bill for the wedding booking. Our business is effectively | :05:39. | :05:47. | |
applying a secret wedding tax? Alex Butler is the event manager at | :05:48. | :05:51. | |
Manchester's National wedding show. She insists any mark-up is | :05:52. | :05:56. | |
justified. Is there a hidden tax when people say the W word? | :05:57. | :06:03. | |
Absolutely not. These suppliers are dealing with couples who want the | :06:04. | :06:07. | |
most perfect day of their lives. Some people might think they will be | :06:08. | :06:11. | |
able to organise a wedding blindfolded, but when you get into | :06:12. | :06:14. | |
the detail, there is so much to think about. The venue managers | :06:15. | :06:21. | |
themselves say no matter how big or small, wedding receptions are always | :06:22. | :06:26. | |
hard work. It is about the emotional support for a bride and groom that | :06:27. | :06:30. | |
you do not need to get for a party celebration. People do not consider | :06:31. | :06:35. | |
that a lot of people get married at 11am and we have to have the venue | :06:36. | :06:43. | |
staffed from then on and all day. How can you stop your dream wedding | :06:44. | :06:48. | |
reception becoming a financial burden? Kat Williams is editor of | :06:49. | :06:53. | |
the magazine and blog Rock And Roll Bride. A lot of people I feature | :06:54. | :07:01. | |
will go to a pub or hire a village hall or hire a field and put a tent | :07:02. | :07:06. | |
in it. That brings the price down because you do not have those extra | :07:07. | :07:12. | |
services. The wedding packages. You can avoid the packages, but you have | :07:13. | :07:18. | |
to do everything yourself. Given our research found an average of mark-up | :07:19. | :07:24. | |
of ?2195 for a wedding reception compared to a party, they be doing | :07:25. | :07:28. | |
it yourself is a price worth paying. Pete and Angie are more keen on the | :07:29. | :07:35. | |
party option and whatever they choose, it will be special. We want | :07:36. | :07:40. | |
a big party with our friends and celebrate the fact we are committing | :07:41. | :07:46. | |
the rest of our lives to each other. Never ever say the W word. Speaking | :07:47. | :07:52. | |
of words, watchdog is back on our screens tomorrow night and they are | :07:53. | :07:56. | |
taking up residence in the Piazza. They have got a lovely tent. Why all | :07:57. | :08:03. | |
the crates? We start tomorrow night about a supermarket home delivery | :08:04. | :08:08. | |
service. Nowadays because of the plastic bag charge, people do not | :08:09. | :08:14. | |
have food delivered, in bags, but in crates. We have heard from customers | :08:15. | :08:20. | |
from one supermarket who were so concerned about the state of the | :08:21. | :08:22. | |
crates that they have been in touch with us. As in dirty? Yes, and we | :08:23. | :08:31. | |
have gone undercover and the results are stomach turning. One expert told | :08:32. | :08:35. | |
us it was like having your food delivered in the lid of a dustbin. | :08:36. | :08:40. | |
We will tell you more tomorrow night and which supermarket we are talking | :08:41. | :08:45. | |
about. I always go to the shops. Matt Baker is with the other match. | :08:46. | :08:51. | |
And you say you have watchdog running through your body like a | :08:52. | :08:57. | |
stick of rock. Yes and we are carrying on with Rogue Traders. Do | :08:58. | :09:02. | |
you like the new place? This is quite something. What are you going | :09:03. | :09:11. | |
to call it? It is the watch or. You are quick. Look at the watchdog | :09:12. | :09:20. | |
family. And family is something that is important. I am very chuffed to | :09:21. | :09:25. | |
have joined the team and I get to travel around the country and lead | :09:26. | :09:30. | |
team watchdog, hundreds of families who volunteered across the UK to | :09:31. | :09:35. | |
help us solve problems. This week we are looking at nuisance calls, and | :09:36. | :09:40. | |
they are a nightmare. We help a family where they get a lot of them. | :09:41. | :09:48. | |
They get 42 called in two weeks. One in 20 people will change their | :09:49. | :09:51. | |
number because they are sick of nuisance calls and that is what we | :09:52. | :09:56. | |
are looking at this week. If people want to join, they can still join us | :09:57. | :10:04. | |
on the website. Get in contact. And as far as Rogue Traders are | :10:05. | :10:07. | |
concerned? They should get in contact as well. We go into salesmen | :10:08. | :10:14. | |
in a big way and we have got a good one tomorrow night, people who | :10:15. | :10:20. | |
pressurise the elderly. This is the new look watchdog, next door to us. | :10:21. | :10:27. | |
This will be weekly. Yes, it is. And there is heating and everything in | :10:28. | :10:32. | |
here. It starts tomorrow at eight o'clock on BBC One. | :10:33. | :10:37. | |
Just ten days until Team Rickshaw set off on their latest challenge. | :10:38. | :10:40. | |
Last week, we introduced you to Andy and Ross. | :10:41. | :10:42. | |
Tonight we're off to Bonnyrigg, just outside Edinburgh, | :10:43. | :10:52. | |
You can donate ?5 by texting the word TEAM to 70405. | :10:53. | :11:04. | |
Or to donate ?10 just text the word TEAM to 70410. | :11:05. | :11:06. | |
will cost your donation, plus your standard network message | :11:07. | :11:10. | |
charge and all of your donation will go to BBC Children in Need. | :11:11. | :11:13. | |
You must be 16 or over and please ask the bill payer's permission. | :11:14. | :11:16. | |
For more information and full terms and conditions, | :11:17. | :11:18. | |
please go to bbc.co.uk/Pudsey, where you can also donate | :11:19. | :11:20. | |
online if you want to give a different amount. | :11:21. | :11:23. | |
The lines are open now, so pick up your phone, and start texting! | :11:24. | :11:26. | |
Thanks to you who have donated already, it really is appreciated. | :11:27. | :11:31. | |
Here is why your donations are so important. | :11:32. | :11:49. | |
My name is on for the rickshaw challenge. | :11:50. | :15:00. | |
When we first met Olivia she was quite quiet but since she's been | :15:01. | :15:04. | |
involved she's become more confident. She's taken on more | :15:05. | :15:11. | |
responsibility within the group. It's helped me, changed me, made me | :15:12. | :15:15. | |
happy. She is a fantastic role model. She's | :15:16. | :15:21. | |
never let her deafness hold her back and I think she will make us all | :15:22. | :15:24. | |
proud. I want to prove that I can Olivia is very, very positive about | :15:25. | :15:44. | |
the rickshaw challenge. Everyone taking part is equal. She's looking | :15:45. | :15:47. | |
forward to spreading that awareness so I feel very proud. | :15:48. | :15:59. | |
Olivia is so lovely and so wonderful. She's a lovely outlook. | :16:00. | :16:03. | |
Her dad was there on the selection day and he was the only one that | :16:04. | :16:07. | |
couldn't hear what she was saying but still all day long she signed | :16:08. | :16:10. | |
everything so that dad would be part of the whole experience and know | :16:11. | :16:13. | |
exactly what was happening. She did it in the photo shoot so her mum and | :16:14. | :16:18. | |
dad could understand. It's far more detailed than what she is saying, | :16:19. | :16:22. | |
it's incredible how she combines everything at once. We will get to | :16:23. | :16:26. | |
know her more over the weeks I am sure. For those of you who loved the | :16:27. | :16:31. | |
film School Of Rock which starred Jack Black as a teacher who tenners | :16:32. | :16:37. | |
his pupils into a rock competition -- who enters his pupil into a rock | :16:38. | :16:42. | |
competition, the good news is it's on stage. How faithful is your | :16:43. | :16:46. | |
version to the film? We are very faithful, the one thing perhaps we | :16:47. | :16:49. | |
have done is the film didn't do we go into the back stories of the | :16:50. | :16:53. | |
children a bit. Really, it's about how music empowers kids. Empowers | :16:54. | :16:58. | |
everybody, that's the stream message of the story, how music can change | :16:59. | :17:05. | |
everybody's life for the better. It's a tale. We need to know a bit | :17:06. | :17:09. | |
about the parents and why they feel repressed. It chimes with me. When I | :17:10. | :17:15. | |
was at school, I was about nine years old, I was the school swot and | :17:16. | :17:20. | |
I was academic and learning history and all of this. I kind of played | :17:21. | :17:25. | |
the violin. One day I was supposed to play at the school concert and | :17:26. | :17:29. | |
supposed to play the boring violin and I said, no. There was a piano, I | :17:30. | :17:34. | |
said I am going to play some music about every master in the school. I | :17:35. | :17:37. | |
never told this story really. Is that right? But I did. Suddenly the | :17:38. | :17:42. | |
whole school, they were rock pieces and the school erupted. My life | :17:43. | :17:48. | |
changed. I think that's why I kind of when I saw this movie thought | :17:49. | :17:56. | |
that's what happened to me. Of course I started life School Of Rock | :17:57. | :18:00. | |
is taking me right back to my childhood. Those early feelings. | :18:01. | :18:04. | |
We saw at the beginning of the show, the children that you have got in | :18:05. | :18:08. | |
this production are phenomenal. That's some of the cast because | :18:09. | :18:12. | |
there are 39 members altogether. Three sets of children, yes. Now, | :18:13. | :18:17. | |
how easy was it to cast these children, because they are the heart | :18:18. | :18:20. | |
and soul of the show. They've a lot to do in it. We started in America | :18:21. | :18:25. | |
because we opened on Broadway now for about a year. I got it all wrong | :18:26. | :18:30. | |
I am afraid. I thought it was going to be more difficult to find kids in | :18:31. | :18:33. | |
Britain than we did because rock is in the American DNA in a way and | :18:34. | :18:39. | |
playing live is, or so I thought. But last summer when we started to | :18:40. | :18:42. | |
audition we found the kids so much quicker that we brought the opening | :18:43. | :18:45. | |
of the show forward from next April to two weeks' time. That quicker? | :18:46. | :18:49. | |
Which was fantastic. We were kind of ready to go. You must be delighted | :18:50. | :18:54. | |
because really at its heart, your foundation where you are trying to | :18:55. | :19:00. | |
get as many children as possible playing musical instruments, this | :19:01. | :19:03. | |
ties in. We have seen ludicrous Government cuts in the arts in | :19:04. | :19:07. | |
schools and particularly in music. Music is central to the school | :19:08. | :19:14. | |
curriculum. It's the most empowering force, it liberates schools. One | :19:15. | :19:18. | |
school that inspired me is in Islington, it was a school in | :19:19. | :19:21. | |
special needs, the head mistress decided they were going to make | :19:22. | :19:25. | |
music a central part of the curriculum and very shortly after | :19:26. | :19:28. | |
that, the basic idea is that the kids get a free violin when they | :19:29. | :19:33. | |
arrive. Every child. Then learns music from that point onwards, not | :19:34. | :19:37. | |
to turn them into musicians, but to turn them into complete people. In a | :19:38. | :19:41. | |
school like that where I believe 46 different languages are spoken, it's | :19:42. | :19:45. | |
extraordinary what it does. A few years later they got their first | :19:46. | :19:49. | |
entry into Oxford, and my foundation is coat-tailing on the brilliant | :19:50. | :19:52. | |
idea they had there. We are now involved with six schools t will be | :19:53. | :19:58. | |
eight next year. 4,000 children are now receiving free music lessons. | :19:59. | :20:02. | |
What I promise you is that every penny you spend on music and the | :20:03. | :20:07. | |
arts comes back, if the Chancellor is listening, to the Government ten | :20:08. | :20:10. | |
times over. I promise you. Fantastic. | :20:11. | :20:15. | |
We have to say quickly a big congratulations on 30 years of | :20:16. | :20:20. | |
Phantom of the Opera. Yes, the old boy goes! | :20:21. | :20:24. | |
But, amazing. 30 years. I tell you what, here is to 30 years of the | :20:25. | :20:28. | |
School Of Rock, as well. Thank you very much. That is currently on at | :20:29. | :20:35. | |
the New London Theatre. And a little treat, the cast will be performing a | :20:36. | :20:38. | |
number from the show at the end of the programme. | :20:39. | :20:41. | |
The subject of our next film should be just up your street, Andrew. | :20:42. | :20:44. | |
It's about the classical composer Mendelssohn. | :20:45. | :20:47. | |
Queen Victoria called him the greatest musical | :20:48. | :20:48. | |
But what did she know - she never even wrote a musical! | :20:49. | :21:00. | |
Well, you never know, do you! He is the fella behind the song that | :21:01. | :21:06. | |
millions around the world have walked down the aisle to. | :21:07. | :21:13. | |
Felix Mendelssohn was one of the most respected composers of the | :21:14. | :21:18. | |
romantic era but in 1829 this German composer found inspiration for one | :21:19. | :21:21. | |
of his best-loved pieces of music somewhere rather unexpected. | :21:22. | :21:29. | |
At the age of just 20, Mendelssohn was already hailed as a musical | :21:30. | :21:35. | |
prodigy and decided to embark on a grand European Tour beginning here | :21:36. | :21:42. | |
in Edinburgh. Steven carpenter has closely studied Mendelssohn's | :21:43. | :21:46. | |
journey. So, why Scotland? Mendelssohn's parents had read all | :21:47. | :21:50. | |
the novels of Sir Walter Scott in English and the whole of Europe was | :21:51. | :21:54. | |
overtaken by Scott-mania at this time. They wanted to send their son | :21:55. | :21:58. | |
to Scotland to soak up the atmosphere. What do we know about | :21:59. | :22:03. | |
his trip? We know a huge amount, actually. Because Mendelssohn as | :22:04. | :22:09. | |
well as his musical talents was an accomplished artist and he sketched | :22:10. | :22:13. | |
everywhere he went. You can recreate exactly the route that he took. | :22:14. | :22:21. | |
There is a sketch here we have actually of the Edinburgh skyline. | :22:22. | :22:26. | |
You can see Edinburgh Castle. Giles cathedral. But it was his trip here | :22:27. | :22:32. | |
to the ruined Abbey of the Palace of Holyrood which first got | :22:33. | :22:37. | |
Mendelssohn's musical cogs wearing. On his last night in Edinburgh | :22:38. | :22:43. | |
Mendelssohn came here to Holyrood Abbey. | :22:44. | :22:46. | |
And he famously wrote in a letter home that, I believe I found in that | :22:47. | :22:52. | |
old ruined chapel the beginning of my Scottish symphony. | :22:53. | :22:57. | |
So it is feasible that he wrote the opening bars actually here? More | :22:58. | :23:01. | |
than feasible, absolutely probable that he did. How do you think the | :23:02. | :23:04. | |
atmosphere of this place affected him? I think it wasn't just the | :23:05. | :23:08. | |
chapel here, but it was the Palace next door which was the home of Mary | :23:09. | :23:15. | |
Queen of Scots where Mary lived and loved as he put it. I think he found | :23:16. | :23:20. | |
her a tragic figure and a lot of that is recreated, not just in the | :23:21. | :23:24. | |
opening but a lot of the rest of the Scottish Symphony. Mendelssohn would | :23:25. | :23:30. | |
take another 13 years to finish his owed to Scotland, symphony number | :23:31. | :23:34. | |
three in A minor. By the time he had done he had written a masterpiece, | :23:35. | :23:38. | |
each carrying clues of a different part of his journey. | :23:39. | :23:43. | |
When I first came across this symphony I wasn't convinced it's | :23:44. | :23:45. | |
that Scottish, is it? I think probably one of the main moments in | :23:46. | :23:50. | |
the symphony that you really can feel a Scottishness is the beginning | :23:51. | :24:02. | |
of the second movement. MUSIC There is a feeling played on a | :24:03. | :24:15. | |
black note of the piano or the sound bagpipes make. He wrote home to say | :24:16. | :24:20. | |
that he was listening to drunken songs of servants in the room below | :24:21. | :24:24. | |
where he was staying, so he was certainly exposed to local culture. | :24:25. | :24:28. | |
That's given me an idea. What if we were to take his melody and | :24:29. | :24:35. | |
reimagine it in a mar traditional Scottish style? I found a group | :24:36. | :24:42. | |
ready for the challenge. The Edinburgh Highland Reelland | :24:43. | :24:46. | |
society is the oldest of its kind in Scotland and they've arranged | :24:47. | :24:49. | |
Mendelssohn's music especially for the One Show to perform at the top | :24:50. | :24:52. | |
of the iconic Carlton Hill. Who knows what Mel den son would | :24:53. | :25:06. | |
have thought of today's performance but it captured the essence of a | :25:07. | :25:11. | |
journey he swore he would never forget as long as he lived. | :25:12. | :25:20. | |
I think if he could hear our tribute today he would fall in love with the | :25:21. | :25:24. | |
city all over again. Well, from classical now we are | :25:25. | :25:27. | |
going to go rock again. In a moment we will enjoy a firmance | :25:28. | :25:32. | |
from Andrew's new show and lots of you at home have been inspired by | :25:33. | :25:37. | |
what you saw earlier. We asked and this is what we have seen. This is | :25:38. | :25:41. | |
10-year-old Moses from Cheltenham rocking out! | :25:42. | :25:46. | |
And we have got Josh here from Hampshire playing a bit of air | :25:47. | :25:53. | |
guitar there. Andrew, thank you so much for joining us this evening. | :25:54. | :25:59. | |
Lord Andrew Lloyd Webber everybody! Good luck with the School Of Rock. | :26:00. | :26:04. | |
We have a packed show tomorrow - Esther Rantzen, Sir Chris Hoy, | :26:05. | :26:09. | |
and, gracing our sofa for the very first time, | :26:10. | :26:11. | |
Plus, a performance from Rebecca Ferguson. | :26:12. | :26:13. | |
That's it for tonight, playing us out with Teacher's Pet | :26:14. | :26:16. | |
is the amazing cast of The School of Rock! | :26:17. | :26:25. | |
We are the School of Rock and this song was written by our lead | :26:26. | :26:28. | |
# Don't take too much to memorise your lies. | :26:29. | :26:38. | |
# And then that magic man, he came to town. | :26:39. | :26:44. | |
# And if you wanna be the teacher's pet. | :26:45. | :27:01. | |
# You better get me to school on time. | :27:02. | :27:11. | |
# Oh, you know I was on the honour roll. | :27:12. | :27:19. | |
# Raise my hand before I could speak my mind. | :27:20. | :27:25. | |
# I've been biting my tongue too many times. | :27:26. | :27:28. | |
# And then that magic man said to obey. | :27:29. | :27:30. | |
Now can I please have the attention of the class? | :27:31. | :27:38. | |
# You better get me to school on time. | :27:39. | :27:57. | |
# You better get me to school on time. | :27:58. | :28:17. | |
Ladies and gentlemen, Lawrence on keys! | :28:18. | :29:32. | |
ROLLER-COASTER NOISE, PEOPLE SCREAMING | :29:33. | :29:36. |