Browse content similar to 31/10/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to Halloween here on the One Show | :00:16. | :00:20. | |
And Alex have you just been electrocuted? | :00:21. | :00:25. | |
Joining us later, the scarily successful and terrifyingly talented | :00:26. | :00:45. | |
Don't worry, I've got an ear out for the door. | :00:46. | :00:51. | |
Our first guest is a comedian, singer and host of one of the most | :00:52. | :00:54. | |
popular game shows on TV, but he's certainly not Pointless | :00:55. | :00:57. | |
It's the devilishly handsome Alexander Armstrong! | :00:58. | :01:10. | |
Happy Halloween. I would never have known it was you. You did not, we | :01:11. | :01:22. | |
were sitting in the corridor and you did not know us. You have been like | :01:23. | :01:31. | |
that all day. A beautiful green. We could pay you up in the next film | :01:32. | :01:36. | |
you have got four boys. Are they at trick or treating? Yes, they are. | :01:37. | :01:43. | |
We'll be sitting guarding the treats. The doorbell, that will be | :01:44. | :01:48. | |
We're looking for people who go to Halloween Extremes - | :01:49. | :01:53. | |
those who embrace it all lock, stock and barrel when it comes | :01:54. | :01:56. | |
And those who hate Halloween and are happy to be the only | :01:57. | :02:00. | |
one at the party not wearing something spooky. | :02:01. | :02:02. | |
Whichever you are, send us your photos, label them either | :02:03. | :02:05. | |
Fright Fan or Halloween Humbug, and we'll show some later. | :02:06. | :02:13. | |
That is Petula. She is not here yet. Evidently. She will be here very | :02:14. | :02:21. | |
Now, ghosts and ghouls are one thing, but if it's | :02:22. | :02:26. | |
spine-tingling fear you're after, try standing | :02:27. | :02:27. | |
She's known affectionately as Attila The Nun and she's back | :02:28. | :02:34. | |
on our screens this week on a mission to transform her | :02:35. | :02:37. | |
Currently housed in Manchester, one of Britain's most deprived | :02:38. | :02:50. | |
neighbourhoods. Here unemployment is at an all-time high and local | :02:51. | :02:54. | |
businesses are long gone. But Sister Rita is not giving up on it. We are | :02:55. | :03:00. | |
trying to make it easier for the people in Colley Hurst who are | :03:01. | :03:07. | |
struggling. And none for 51 years, she runs a community centre where | :03:08. | :03:10. | |
locals come for advice on money and benefit troubles, or to visit the | :03:11. | :03:20. | |
food bank. Are you still talking? And with the community centre well | :03:21. | :03:24. | |
on control, she has plans for the wider community. This square, what a | :03:25. | :03:33. | |
mess. One by one, each of these shops has closed down, leaving just | :03:34. | :03:37. | |
the food bank and a cafe struggling to survive. There is nothing here. | :03:38. | :03:43. | |
There is no petrol station, opposed office, there is a sadness in me as | :03:44. | :03:50. | |
I come around here. The council plans to demolish the shops within | :03:51. | :03:56. | |
two years, but for Sister Rita they are wasted opportunity. She wants to | :03:57. | :04:00. | |
see them back in business and this bustling community again. What we | :04:01. | :04:05. | |
are trying to bring back is a little bit of spark, maybe we will never | :04:06. | :04:10. | |
bring it back completely, but at least create a community, that is | :04:11. | :04:16. | |
what we want to do here. The shops are very important to the people who | :04:17. | :04:20. | |
live around and about, especially the elderly. Everyone would like | :04:21. | :04:26. | |
local shops. The council are on board. It is an opportunity for you | :04:27. | :04:32. | |
to meet a need in the community. And she is excited when she gets inside. | :04:33. | :04:39. | |
Blimey, I cannot believe this! This is unbelievable. This is brilliant. | :04:40. | :04:47. | |
We could have storage in here. It is absolutely brilliant. This is about | :04:48. | :04:52. | |
creating a community and changing lives so that people feel real | :04:53. | :04:57. | |
again, they feel human again, they feel part of the community again. | :04:58. | :05:05. | |
Sister Rita drums up support back at the community centre. Are you | :05:06. | :05:12. | |
listening? If you are interested in helping in Eastwood Square shops, | :05:13. | :05:14. | |
then I want you to put your name here. But just as everyone is | :05:15. | :05:20. | |
getting on board, there is a reality check from a fellow charity worker | :05:21. | :05:24. | |
who has worked on community projects like this one before. You will hit a | :05:25. | :05:30. | |
brick wall unless you can establish a really detailed business case for | :05:31. | :05:34. | |
these properties, the council will not hand them over to you, I know | :05:35. | :05:39. | |
that. We are not trying to make money. We are trying to build a | :05:40. | :05:44. | |
community and to make it easier for the people in Colley are struggling | :05:45. | :05:50. | |
to buy things just now. I know. As ever she is undaunted by details | :05:51. | :05:55. | |
like the lack of a business plan. I always start without money. I know | :05:56. | :06:01. | |
this is very dangerous and they tell me that all the time, but my answer | :06:02. | :06:06. | |
is you will never do it. But if you do it, you will get the money. And | :06:07. | :06:12. | |
it seems her luck is in as a Manchester -based commercial | :06:13. | :06:17. | |
property lawyer drops into the centre to offer a donation. She soon | :06:18. | :06:21. | |
finds herself sweet talked into volunteering her experience. It is a | :06:22. | :06:28. | |
big project, but there is a lot of love for Sister Rita and what she | :06:29. | :06:33. | |
does. It is very deliverable, but in chunks, so you have to open one shop | :06:34. | :06:39. | |
at a time. If anyone has nothing to do, I need help. It is early days, | :06:40. | :06:47. | |
but her dream of revitalising Colley Hurst is one step closer and who | :06:48. | :06:51. | |
would be brave enough to bet against this none on permission. They do not | :06:52. | :06:57. | |
call me the formidable Sister Rita for nothing. Formidable, she is | :06:58. | :07:01. | |
wonderful. You can see how her plans to improve her neighbourhood unfold | :07:02. | :07:11. | |
all week at 9:15am on BBC One. I am looking forward to it. We are taking | :07:12. | :07:17. | |
a walk into the countryside because you have put the miles into this new | :07:18. | :07:19. | |
album. We have been talking about the | :07:20. | :07:26. | |
little promotions you have to do. You have to do them. It was | :07:27. | :07:33. | |
beautifully shot in Northumberland. It is excruciating, you have to walk | :07:34. | :07:36. | |
around singing to the camera. But it is beautiful scenery. You queued | :07:37. | :07:43. | |
that up beautifully. Let's enjoyed it. # See the children run as the | :07:44. | :07:51. | |
sun goes down upon the Fields of Gold. | :07:52. | :07:58. | |
# You remember me when the West wind moves, among the fields of Bali. | :07:59. | :08:08. | |
# You can tell the sun in his jealous Guy, when we walked in | :08:09. | :08:15. | |
Fields of Gold... Beautiful. I love that song. It is | :08:16. | :08:25. | |
such a beautiful song. Forget Pointless, you could be doing | :08:26. | :08:30. | |
Countryfile. He is the man to talk about. This is your second album, | :08:31. | :08:37. | |
Upon A Different Shore, and it is full of beautiful countryside. It is | :08:38. | :08:43. | |
like you have sunk a record collection. You have got an eclectic | :08:44. | :08:49. | |
mix on there. We were wildly ambitious and we wanted to go for | :08:50. | :08:54. | |
different things. We have got Vaughan Williams, the Stranglers, we | :08:55. | :09:01. | |
do Firestone by Kygo. We did not see that, a dance track. It is all done | :09:02. | :09:07. | |
with a huge orchestra. Let's hear the original. | :09:08. | :09:20. | |
This is your version. # And when they strike... Whose idea | :09:21. | :09:35. | |
was that? Rob Dickens, my manager, he is the guy behind an year and he | :09:36. | :09:42. | |
got sure into the charts and he puts great ideas together. He is | :09:43. | :09:47. | |
fantastic. My producer and arranger, Caroline Dale, is like a godlike | :09:48. | :09:52. | |
person and she turned this into an orchestral version. When the brass | :09:53. | :09:59. | |
comes in and you get that lovely attack on the strings, I love it. | :10:00. | :10:04. | |
But you are not just singing, you are playing the oboe. I did not know | :10:05. | :10:10. | |
that you were an oboist. Yes, it has been a long time. That is the | :10:11. | :10:16. | |
doorbell, it will be gradual, I will be right back. Coming! You have | :10:17. | :10:23. | |
reunited with Ben Miller which is exciting. Yes, I am doing something | :10:24. | :10:29. | |
on Radio 4 with him. When will that be? Just before Christmas. You are | :10:30. | :10:38. | |
very busy, you have got the 1000th episode of Pointless. What is going | :10:39. | :10:45. | |
on? It is an opportunity? She is not here, stuck in traffic, pretty busy | :10:46. | :10:50. | |
downtown. Petula has more quilted paper. The album is wonderful, it | :10:51. | :10:59. | |
really is. It is called Upon A Different Shore and it is out now. | :11:00. | :11:00. | |
It is called Upon A Different Shore and it is out now. | :11:01. | :11:03. | |
When BBC Television officially started 80 years ago this week | :11:04. | :11:06. | |
there was no One Show, no EastEnders, not | :11:07. | :11:09. | |
Within it's first year along came a new singing sensation | :11:10. | :11:12. | |
She went on to help kick-start the career of another | :11:13. | :11:15. | |
We thought it was time the two had a catch-up. | :11:16. | :11:39. | |
Austria during an little do she know that I will be surprised her. | :11:40. | :12:30. | |
How are you? You police. You refit. It was in London's criterion Theatre | :12:31. | :12:42. | |
with the sound of the war above that I accompanied my father to the BBC's | :12:43. | :12:50. | |
show. That is when I first met Helen. Do you remember that? I do | :12:51. | :12:59. | |
remember that. That is the first time I was heard on air. There was a | :13:00. | :13:06. | |
big reaction after my first broadcast. This particular letter | :13:07. | :13:12. | |
was so beautiful, my dad kept it. It was a soldier and he said Petula's | :13:13. | :13:19. | |
voice sounds like Chapel bells on a Sunday morning. From singing in | :13:20. | :13:24. | |
ballrooms and grand hotels it was only a matter of time before Helen | :13:25. | :13:28. | |
made her first appearance on television in 1937 in Cabaret | :13:29. | :13:36. | |
Cartoons, Allied entertainment series broadcast by the BBC. I do | :13:37. | :13:42. | |
not think I took in the fact it was pioneering stuff. That is the scarf | :13:43. | :13:49. | |
they draped around me. I turned up in a black dress and that was not | :13:50. | :13:53. | |
used because they could not get the contrast. Television transmissions | :13:54. | :13:59. | |
were suspended on the day that war was declared. Helen returned to duty | :14:00. | :14:07. | |
on the radio with her own show, It Is All Yours singing requests for | :14:08. | :14:13. | |
the forces and their families. We all did as many troop concerts as we | :14:14. | :14:18. | |
could. It made you feel good that you are coming and singing to these | :14:19. | :14:23. | |
lads who were at any minute going overseas. As far as the broadcast | :14:24. | :14:28. | |
went, that was your job. It felt as if you were in the army, but in a | :14:29. | :14:34. | |
different branch. This is you at one stage. And it was broadcast from the | :14:35. | :14:45. | |
factories. We did one broadcast and the piano began to fall into pieces. | :14:46. | :14:51. | |
That is interesting! The realities of the war came a little too close | :14:52. | :14:58. | |
to home one night. When the dive bombers came near our house, I had | :14:59. | :15:03. | |
it in the distance and I rushed to the top of the steps. They dropped | :15:04. | :15:07. | |
the bomb and the next thing I knew I was at the bottom of the steps. That | :15:08. | :15:12. | |
first broadcast for me was 74 years ago. Yes, I know, I sang Mighty Like | :15:13. | :15:26. | |
A Rose. You impressed us so. # With eyes so shiny blue, it makes you | :15:27. | :15:32. | |
think that heaven is coming close to you. | :15:33. | :15:38. | |
APPLAUSE And Helen and Petula Clarke are | :15:39. | :15:44. | |
here. Welcome to you both. Helen, how | :15:45. | :15:50. | |
different were the television studios back then? Compare to what | :15:51. | :15:56. | |
you see today? No comparison. There's nothing like this. All your | :15:57. | :16:04. | |
cameras didn't move. Everyone was wearing suits. That's right. Nothing | :16:05. | :16:11. | |
like this! I think we would have been terrified if we had in. | :16:12. | :16:19. | |
Probably. Petula Kammy met Helen for the first time in 1942 on a radio | :16:20. | :16:25. | |
programme. Can you remember how you felt at the end of that day after | :16:26. | :16:31. | |
your first encounter with Helen? After Petula met you the first time, | :16:32. | :16:40. | |
how did she feel? I felt fine. You were only eight years old at the | :16:41. | :16:44. | |
time. I was, we were talking about it earlier, I wasn't nervous. Kids | :16:45. | :16:52. | |
aren't nervous. I just signed my song, Mighty Like A Rose and I were | :16:53. | :17:00. | |
standing on a box so I could reach the big BBC microphone. I sang and | :17:01. | :17:05. | |
they heard it in the control room and they said, would you like to | :17:06. | :17:10. | |
sing your song as well as send a message to your uncle? I said, yes. | :17:11. | :17:13. | |
I didn't really realise what that meant. But the song she sang, one of | :17:14. | :17:21. | |
them was a wonderful, wonderful imitation of a comedienne called | :17:22. | :17:30. | |
Nellie Wallace. It was incredible. You closed your eyes and you could | :17:31. | :17:36. | |
see Nellie Wallace doing it. A very strange performance, let's say that. | :17:37. | :17:40. | |
I used to do imitations, it was one of my things. Can you still do them? | :17:41. | :17:49. | |
Not in public. I bet back then you couldn't have imagined what | :17:50. | :17:56. | |
television would become. Oh no. What do you like to watch, apart from us. | :17:57. | :18:04. | |
I like to watch animal programmes, especially the Battersea dogs home | :18:05. | :18:13. | |
ones. With Paul O'Grady! I love them, and any wildlife programme. | :18:14. | :18:26. | |
Game shows? Game shows? We know you have a big birthday coming up soon | :18:27. | :18:27. | |
so we have a little present, Helen. The front cover of the Radio Times | :18:28. | :18:37. | |
from 27th September 1940 - Petula, will you stay with us? | :18:38. | :18:39. | |
Wonderful. Now, awards shows - | :18:40. | :18:52. | |
our guests here will have attended a fair few glamorous events | :18:53. | :18:55. | |
in their time. Red carpets, long gowns and women | :18:56. | :18:57. | |
dripping in diamonds. You know about the Oscars, the Brit | :18:58. | :19:12. | |
awards, the Emmys and the Baftas, but there's quite a few awards | :19:13. | :19:15. | |
ceremonies you don't know about. And some of them are quite surprising. | :19:16. | :19:24. | |
The annual scare awards, the Scars. Scaring ourselves stupid is big | :19:25. | :19:27. | |
entertainment and big money and in this event trophies are presented to | :19:28. | :19:31. | |
the scariest attractions and experiences. This year the awards | :19:32. | :19:36. | |
are taking place in Screamland, the dark side of Dreamland theme in | :19:37. | :19:44. | |
Margate. -- theme park. I'm not sure I'm dressed for it. That's a | :19:45. | :19:48. | |
splendid suit, I'm suitably appalled. What are the Scare awards? | :19:49. | :19:53. | |
it's a celebration of things designed to scare you. It's an award | :19:54. | :19:58. | |
celebration to commemorate the best, from behind-the-scenes things like | :19:59. | :20:02. | |
Best costume, make-up and design. Then the big awards are things like | :20:03. | :20:07. | |
best scream Park, Best scare attraction, Best scare event and | :20:08. | :20:11. | |
zombie event. We go around the country and review the attractions | :20:12. | :20:14. | |
through the year, and then we get together and decide the best ones. | :20:15. | :20:19. | |
We argue among ourselves and its top-secret, nobody knows who is won. | :20:20. | :20:23. | |
What's the appeal for you? By day you are an accountant. I am. Nothing | :20:24. | :20:29. | |
more scary than an accountant. Would you like me to do your tax return | :20:30. | :20:34. | |
for you. Cheers. To find out what all the fuss is about I'm visiting a | :20:35. | :20:39. | |
scary attraction here at Screamland. It's a terrifying vision of a | :20:40. | :20:46. | |
Margate guesthouse. Room 13. I think this is my room, isn't it? Eddie, | :20:47. | :20:54. | |
what strange place is this? This is dead and breakfast, one of our scare | :20:55. | :21:01. | |
mazes. What is a scare maze? Immersive theatre, a winding story | :21:02. | :21:05. | |
that leads you through different spaces, actors, out and take part. | :21:06. | :21:10. | |
And this is up for an award. It is, we are nominated against the big | :21:11. | :21:16. | |
players and we are so excited. It's very competitive and we are on the | :21:17. | :21:20. | |
edge of our seats in anticipation. I'm loathe to say it in such a | :21:21. | :21:24. | |
place, but let's split up. Good luck. | :21:25. | :21:28. | |
So why do we enjoy getting scared? Time to talk to a scare expert. When | :21:29. | :21:43. | |
we go into a theatre to see a scary movie, for example, or go on a white | :21:44. | :21:47. | |
knuckle ride, we know intellectually we will not be hurt and there's | :21:48. | :21:51. | |
nothing to be scared of. It is fun and you. When you are scared we | :21:52. | :21:55. | |
produce a lot of feel-good chemicals. It gives yourself a fix. | :21:56. | :22:01. | |
When you go as a couple to see a scary movie, you feel closer to your | :22:02. | :22:07. | |
partner. And so the award ceremony is about to begin. And if you can't | :22:08. | :22:11. | |
beat them, join them. There was a load of new events last | :22:12. | :22:23. | |
year, probably the biggest year for new events and it's great to see the | :22:24. | :22:26. | |
industry growing so much. Let's get on with the first award, the winner | :22:27. | :22:30. | |
for the best multipart Halloween event goes to scare kingdoms theme | :22:31. | :22:36. | |
parks. You've got some nasty warts there. Even my make-up artist is up | :22:37. | :22:45. | |
for an award. The winner is Horrify Me. | :22:46. | :22:51. | |
Now for the moment Screamland has been waiting for. The winner of the | :22:52. | :22:57. | |
best new event is Screamland Margate. CHEERING | :22:58. | :23:06. | |
I can't believe Screamland has won best new event. So exciting and such | :23:07. | :23:10. | |
a brilliant accolade for us. Our first year and to get an award like | :23:11. | :23:15. | |
this is fantastic. Well, the awards are over and very fine and scary | :23:16. | :23:20. | |
they were. I think there's only one way to end an evening like this, and | :23:21. | :23:25. | |
that's to be chased down Margate seafront by a load of zombies. | :23:26. | :23:32. | |
STUDIO: I think Arthur looks brilliant with the make-up on. | :23:33. | :23:39. | |
Petula, you must be no stranger to awards ceremonies, the first British | :23:40. | :23:46. | |
woman to win a Grammy award. And after seven decades in the music | :23:47. | :23:53. | |
industry... That's seriously scary! But you have a new album. It's | :23:54. | :23:58. | |
called From Now On and it focuses on the future. Today and the future. | :23:59. | :24:03. | |
That's the way I've lived my life for a long time. I'm not really very | :24:04. | :24:10. | |
nostalgic. I will look back from time to time, but I don't sit around | :24:11. | :24:14. | |
saying, those were the good old days, because they weren't always | :24:15. | :24:17. | |
the good old days. There were good and bad. You are performing covers | :24:18. | :24:23. | |
and have some original stuff yourself. Is there still stuff you | :24:24. | :24:28. | |
want to do? Going forward you don't know yet, I guess, you are | :24:29. | :24:32. | |
constantly looking into the future. That's the exciting thing. I've just | :24:33. | :24:37. | |
done a UK tour and had a fantastic time. And in the show is the | :24:38. | :24:41. | |
audience seemed to enjoy the new stuff as the old stuff. Where do you | :24:42. | :24:45. | |
get your inspiration from with the new stuff? It's a little scary going | :24:46. | :24:50. | |
on stage and doing material that hasn't been tested yet. But it's | :24:51. | :24:54. | |
also very exciting. It gets you going. It's good. Let's have a | :24:55. | :25:00. | |
listen to While You See A Chance. # When some sad | :25:01. | :25:07. | |
old dream reminds you APPLAUSE | :25:08. | :25:39. | |
. That was a show in Berlin. It was a very unusual venue. Pretty great, | :25:40. | :25:46. | |
actually. Wonderful set. It is an amazing club. I'd never worked | :25:47. | :25:51. | |
anywhere like that before. I usually do theatres, but that was a | :25:52. | :25:54. | |
different vibe and really rather good, I thought. You also do a cover | :25:55. | :26:03. | |
of Blackbird by the Beatles. You had a regular visitor to your flat. I | :26:04. | :26:11. | |
have this tiny flat in London, it's in Chelsea with lots of birds and | :26:12. | :26:15. | |
trees and things. I like to leave the balcony door open. And I have | :26:16. | :26:20. | |
this visitor who comes and sings for me, a little Blackbird. Not every | :26:21. | :26:23. | |
night, but almost every night, he's there. I suppose it's a he, I don't | :26:24. | :26:31. | |
know! This is my little tribute to my personal little Blackbird. Is it | :26:32. | :26:41. | |
right you try to record it singing? I'm not very high-tech with that | :26:42. | :26:44. | |
kind of thing. Maybe it's microphone shy. It could be. We will send Mike | :26:45. | :26:49. | |
along. And Petula's album | :26:50. | :26:51. | |
From Now On is out now. Thanks to everyone who sent | :26:52. | :26:53. | |
in photos of themselves as fright This is John in Reading. He's not | :26:54. | :27:06. | |
feeling the Halloween spirit. Come on, John! This one is sweet, | :27:07. | :27:12. | |
Caroline's French bulldog in Shropshire. Chose its own outfit. | :27:13. | :27:19. | |
This is Angela's husband Paul, he was given the choice of Darth Vader | :27:20. | :27:26. | |
or Dracula but went for blood EBL. This is a photo of Jackie's | :27:27. | :27:32. | |
grandchildren, who grew all the pumpkins themselves. -- Buddy the | :27:33. | :27:39. | |
Elf. Do you like Halloween, When Gordon Ramsay was in the other | :27:40. | :27:47. | |
week he showed us his very scary technique for getting his | :27:48. | :27:56. | |
daughter Tilly out of bed. So, do you have a fool-proof | :27:57. | :27:59. | |
technique for getting your All you need to do is film them | :28:00. | :28:06. | |
as you're waking them up and send the videos to us | :28:07. | :28:12. | |
at the usual address. DOORBELL RINGS | :28:13. | :28:26. | |
I've got some eggs here, so I'm going to do some damage. | :28:27. | :28:28. | |
Thanks to our guests Alexander Armstrong and Petula Clarke - | :28:29. | :28:32. | |
Lord Andrew Lloyd Webber will be here with some of the young singers | :28:33. | :28:39. | |
Happy trick or treating. Where is he gone? LAUGHTER | :28:40. | :28:53. | |
We'll see you tomorrow. | :28:54. | :28:56. |