Browse content similar to 28/10/2016. Check below for episodes and series from the same categories and more!
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MUSIC: "You Can Call Me Al" by Paul Simon | :00:07. | :00:15. | |
# If you'll be my bodyguard I can be your long-lost pal | :00:16. | :00:18. | |
# I can call you Betty And Betty, when you call me | :00:19. | :00:20. | |
Now time for the One Show with Alex Jones and tonight's guest presenter. | :00:21. | :00:35. | |
This is going to be confusing. We are both Al. For the sake of sanity, | :00:36. | :00:41. | |
I'll be Alex. Great, and you can call me Al. Hello and welcome to the | :00:42. | :00:51. | |
One Show with Alex Jones. And to help us get that Friday feeling, | :00:52. | :00:54. | |
it's Al Murray. APPLAUSE We can't have the pub | :00:55. | :01:02. | |
landlord here without getting the drinks in. | :01:03. | :01:06. | |
So we've got some beer, we've got wine. Alex, I'm being myself this | :01:07. | :01:13. | |
evening. I'm not in character. This is me. So I'll skip straight to the | :01:14. | :01:19. | |
wine, thank you. I contact either so you might as well do both. Later we | :01:20. | :01:25. | |
will be meeting this guy who has a heart that used to belong to this | :01:26. | :01:29. | |
guy. We'll be finding out who they are and how it is even possible. | :01:30. | :01:35. | |
First, tonight 's guest. He has a number of old egos, all surprisingly | :01:36. | :01:40. | |
the Miller. But which one will we be getting this evening? Are we getting | :01:41. | :01:45. | |
the nerd? -- all surprisingly similar. Are we getting Ron | :01:46. | :01:54. | |
Burgundy? Are we getting the bigwig poet? One way or another, it's old | :01:55. | :02:01. | |
Mickey Bubbles, Michael Buble! Michael, welcome back! Now, this is | :02:02. | :02:09. | |
a Good Friday, isn't it? Al Murray, Michael Buble, dreams are made. We | :02:10. | :02:15. | |
just heard a bit of your single. This is thrilling for me. I'm a | :02:16. | :02:24. | |
great big English lump. Oh, no. You are so hip and swinging. How do you | :02:25. | :02:29. | |
do it? How can I be like that? I'll be honest, sitting this close to | :02:30. | :02:35. | |
you, the first thing I'm going to do is go home and get my name on my | :02:36. | :02:40. | |
birth certificate changed to Al. You guys make me want to be named Al. Be | :02:41. | :02:48. | |
one of us, Michael. Bringing us in, incredible. Why have we got a phone | :02:49. | :02:56. | |
on the table? A couple of weeks ago, we had Donny Osmond on and we gave | :02:57. | :03:00. | |
the number to a fuse super fans and one of them got to call him. | :03:01. | :03:04. | |
Tonight, Michael is going to be calling one of his super fans. So | :03:05. | :03:09. | |
somebody watching there this evening is going to get a call before | :03:10. | :03:13. | |
7:30pm. Keep watching and stay close to your phone. According to a survey | :03:14. | :03:20. | |
this week, spammers in North America get their knickers in a twist | :03:21. | :03:23. | |
chinwagging with us Brits because they can't understand what we are | :03:24. | :03:29. | |
saying. But are we any better at understanding then? We sent Tommy | :03:30. | :03:33. | |
out to talk turkey. It seems like some of our friends | :03:34. | :03:37. | |
across the pond are still confused about many of our most beloved | :03:38. | :03:41. | |
phrases, so I've taken to the streets of London to see how much we | :03:42. | :03:48. | |
know about theirs. Up the well soon. No idea whatsoever up the creek | :03:49. | :03:55. | |
without a paddle? Does it mean something has gone wrong? It is | :03:56. | :04:04. | |
converted into other criteria. Down the Suwanee, I've heard of. It means | :04:05. | :04:10. | |
to have lots of something. All of this, it's up the name three -- | :04:11. | :04:19. | |
wazoo, everywhere you look. I would say I've got no idea what you are | :04:20. | :04:24. | |
talking about. If I said, let's seal the deal and put our John Hancocks | :04:25. | :04:34. | |
on paper. A signature. Lay an egg? No idea. Let lay an egg and solve | :04:35. | :04:44. | |
that happen. Make a mistake. Yes! Oh, God, he laid an egg. So we are | :04:45. | :04:51. | |
clearly baffled by North American phrases, but are they really that | :04:52. | :04:57. | |
confused with ours? Having a chinwag. Being pretentious. You are | :04:58. | :05:02. | |
tuning up on someone. You wag your chin at them. Spanner in the works. | :05:03. | :05:14. | |
What a spammer? Crumpet. Do you call somebody a crumpet? I'm not going to | :05:15. | :05:21. | |
call you a jerk or something. You have tea and crumpet. Right? You | :05:22. | :05:27. | |
might say that you two are a little bit of crumpet. Does it mean | :05:28. | :05:35. | |
good-looking? Yes! That pants. What does that mean? It could be cool or | :05:36. | :05:41. | |
it could be really bad. Spilling a drink on yourself. That pants. It is | :05:42. | :05:49. | |
funny the way you say it. The chat here has been interesting. | :05:50. | :05:54. | |
We found out what a widget is in Canada, oh yes. What is it? You call | :05:55. | :06:02. | |
it a wedgie when you pull the underwear. We would call it a gunch | :06:03. | :06:11. | |
pole. It's not attractive. You've got a new album out to stop here | :06:12. | :06:16. | |
today, gone tomorrow. It's fantastic. Incredible. And they are | :06:17. | :06:26. | |
all bad size. Am I right that this is a departure for you? You produced | :06:27. | :06:32. | |
it yourself. I wanted the chance to take control to make a record of my | :06:33. | :06:37. | |
dreams. For that, I needed to write with more writers and take control | :06:38. | :06:40. | |
by producing. I made a record where I wanted to make the standards and | :06:41. | :06:48. | |
the jazz songs more articulate than they'd ever been and to write better | :06:49. | :06:53. | |
pop songs. I wanted to show growth and not alienate the people who'd | :06:54. | :06:59. | |
been kind enough to invest in me. The previous albums, lots of people | :07:00. | :07:02. | |
worked on them and this time it was a bit of a less is more approach. It | :07:03. | :07:06. | |
isn't like people are getting something different. I'm not turning | :07:07. | :07:13. | |
into something else. Don't worry, still some swing in there. What we | :07:14. | :07:19. | |
all want to do in these chairs is be as honest as we can. Not always! OK. | :07:20. | :07:27. | |
I read that you have inspiration from NWA's Straight Out Of Compton | :07:28. | :07:37. | |
film. As you would think! It wasn't about the music is much as the | :07:38. | :07:43. | |
environment that inspired me. These gentlemen created it in a way that | :07:44. | :07:49. | |
they could really tell their story. They sort of supported each other | :07:50. | :07:54. | |
through it. It's complicated. There are tones that were not part of the | :07:55. | :07:58. | |
inspiration. But the movie made me want to kick it up a notch. Instead | :07:59. | :08:05. | |
of going with the big, killer produces, I did with a gentleman I | :08:06. | :08:08. | |
have been sharing a stage with. -- producers. There is a bit of rap in | :08:09. | :08:16. | |
there. I think that you can make any song a bit Buble and Christmas Eve. | :08:17. | :08:24. | |
You went too far! Could you make this tune more like Michael Buble? | :08:25. | :08:28. | |
MUSIC: "Fight For Your Right" by the Beastie Boys | :08:29. | :08:33. | |
It's one of my favourite songs. # You're leaving for school and you | :08:34. | :08:43. | |
don't want to go # You ask your mum and she says no | :08:44. | :08:52. | |
# You miss two classes and no homework | :08:53. | :08:56. | |
SWING STYLE # You've got to fight for your right | :08:57. | :09:06. | |
to party! The key is not to turn it into blue | :09:07. | :09:12. | |
blade. -- Michael Buble. What you are talking about is turning it into | :09:13. | :09:15. | |
a jazz swing thing and that is cheesy. When you sing it like that | :09:16. | :09:19. | |
and the audience is drinking, that's beautiful. I think that would sway | :09:20. | :09:27. | |
me. Very nice. You are doing a special for the BBC. You see, I've | :09:28. | :09:32. | |
read the notes. You can imagine what an honour for me to be able to have | :09:33. | :09:38. | |
that opportunity. I saw the Adele special and I thought it was | :09:39. | :09:43. | |
incredible. This is on next Thursday on BBC One and you get to sing and | :09:44. | :09:51. | |
chat with Claudia. What a treat! Yes, Claudia Winkleman stole the | :09:52. | :09:54. | |
show. My friends were saying, I wish she was an more. She is funny and | :09:55. | :10:00. | |
highly intelligent and has a wonderful personality, so kind and | :10:01. | :10:04. | |
empathetic. What is great about this show is that it is really, it's a | :10:05. | :10:10. | |
show, it must -- it's not just about music. You don't have to be a | :10:11. | :10:15. | |
Michael Buble fan but, please God, be a Michael Buble fan! There is a | :10:16. | :10:19. | |
big part of it where basically they put me in prosthetics and dressed me | :10:20. | :10:24. | |
up and I had to go and basically trick my fans into not knowing me. I | :10:25. | :10:28. | |
thought, there is no way they wouldn't know it was me, but when | :10:29. | :10:33. | |
you get to see it, it is hilarious. These people don't want to talk to | :10:34. | :10:37. | |
me. I came out and tried to help them buy a television and they start | :10:38. | :10:41. | |
off basically saying, we are fine, we don't need your help. Save it! | :10:42. | :10:48. | |
You need to tune in to see Vic 's next Thursday at eight spoilers. -- | :10:49. | :10:56. | |
to see it. Time to tell the story of these two guys at Peterhead's heart. | :10:57. | :11:03. | |
No matter how many times you say it, it sounds impossible, but it isn't. | :11:04. | :11:09. | |
I was born with cystic fibrosis, which is genetically inherited. If | :11:10. | :11:14. | |
you can imagine breathing through a drinking straw or a by Rowlett. Your | :11:15. | :11:22. | |
breathing is restricted. -- or a biro lod. It is this you are being | :11:23. | :11:29. | |
robbed of air. I had an active life and I was encouraged to do things to | :11:30. | :11:35. | |
keep me fit. At the time I felt ill, I was training for a half marathon. | :11:36. | :11:42. | |
I was really fit. We'd just had my first son, Kieron. I was enjoying | :11:43. | :11:48. | |
life, doing really well at life -- work, enjoying everything. I caught | :11:49. | :11:51. | |
a cold or flu from somewhere and it started getting worse and worse and | :11:52. | :11:55. | |
the cough was making me physically sick. I had a condition which, in | :11:56. | :12:06. | |
layman 's terms, is an inflammation of the heart muscle. Why the time | :12:07. | :12:11. | |
Christmas came around, I was slowly getting worse and worse and Mike | :12:12. | :12:17. | |
complexion was getting whiter than white. -- my complexion. I couldn't | :12:18. | :12:22. | |
play with my son. The consultant rang me up and said that my | :12:23. | :12:27. | |
condition was getting worse. And had I actually considered having a heart | :12:28. | :12:33. | |
transplant. It's a heart. You can't live without a heart, so there is no | :12:34. | :12:36. | |
real option. It's a no-brainer. You have to go for it. When I was 25, I | :12:37. | :12:44. | |
caught a very bad chest infection that put me in hospital for just | :12:45. | :12:48. | |
over a month. I was very close to dying. It was then when | :12:49. | :12:54. | |
transplantation was first mentioned. It was the first serious wake-up | :12:55. | :13:00. | |
call that there is a get out clause -- get out clause. This is last | :13:01. | :13:01. | |
orders. Be transplant coordinator took us to | :13:02. | :13:20. | |
one side and said it was going to be an abdominal operation, so we asked | :13:21. | :13:26. | |
what that is. She said, it is actually from a live donor. Because | :13:27. | :13:31. | |
of the technology at the time or the medical knowledge at the time, any | :13:32. | :13:35. | |
lung transplant was always going to be a heart and lung transplant. | :13:36. | :13:49. | |
I knew that I had a very good heart. Mine was compensating so much for | :13:50. | :13:59. | |
the lack of long ability. That meant that his perfectly good heart that | :14:00. | :14:07. | |
he used to use would be up for another transplant in someone else, | :14:08. | :14:13. | |
which was going to be me. It wasn't a selfless act. I wasn't doing it | :14:14. | :14:18. | |
because I was a human and everything else. It was more of a fact that, | :14:19. | :14:22. | |
oh, look, this is silly, it's going to go to waste otherwise. Why not? | :14:23. | :14:27. | |
Somebody is being fantastic and generous enough and the family has | :14:28. | :14:32. | |
been wonderful enough to allow me to have a chance. The least I could do | :14:33. | :14:40. | |
was kind of hand the favour on. I was in the transplant clinic, | :14:41. | :14:43. | |
waiting to see the doctor. Peter was sitting next to me. And, for | :14:44. | :14:49. | |
whatever reason, we got into conversation. We both knew that our | :14:50. | :14:56. | |
transplants were dominoes. We both realised that it was done on the | :14:57. | :15:01. | |
same date. I said, hang on, I think you got my heart. Peter and I became | :15:02. | :15:09. | |
friends and we shared a common interest in sport. Me and Jamie keep | :15:10. | :15:16. | |
in touch frequently now and he is godfather to Henry, my youngest son. | :15:17. | :15:19. | |
Without the transplant, Henry wouldn't have been around. We | :15:20. | :15:24. | |
thought it was quite fitting that he'd be Henry's godfather. | :15:25. | :15:37. | |
Peter, you've got James's heart. This is the most extraordinary | :15:38. | :15:46. | |
thing. We watched these films earlier. Every I watch it it is | :15:47. | :15:50. | |
completely mind-boggling. What it must be like for you. My wife tends | :15:51. | :15:56. | |
to say to people, Peta has had a transplant and his tone is still | :15:57. | :16:06. | |
alive. You see them think about it, and then they come back and then she | :16:07. | :16:09. | |
has to go through the whole thing, you know, he has had cystic | :16:10. | :16:12. | |
fibrosis, he needed a lung transplant. -- Peter. And it's | :16:13. | :16:23. | |
fantastic. They've become firm friends out of the process. It was | :16:24. | :16:27. | |
quite a long while. You said it was 16 years ago. But it is a medal | :16:28. | :16:33. | |
winning hearts, isn't it? You have won tonnes of medals with James's | :16:34. | :16:35. | |
heart. APPLAUSE | :16:36. | :16:43. | |
He claims them as his because it was his heart. Shall we have a listen to | :16:44. | :16:49. | |
see how the heart is doing? Because you have probably never heard it. We | :16:50. | :17:03. | |
are not 100% sure this will work. We will need to be very quiet in the | :17:04. | :17:07. | |
studio. It is the first time I've done this. Place it on your heart. | :17:08. | :17:18. | |
Go on, then. Professional. We can hear it. Yeah, yeah. Still working. | :17:19. | :17:40. | |
Is that the same rhythm as Fight For Your Right? I think so. What a | :17:41. | :17:44. | |
story. Thank you, guys, thank you for | :17:45. | :17:46. | |
popping in. Now - if you consider yourself one | :17:47. | :17:49. | |
of Michael's biggest fans - your heart rate may well be | :17:50. | :17:52. | |
about to go through the roof. In a minute, Michael is going to | :17:53. | :18:00. | |
make a call. And it could be your | :18:01. | :18:02. | |
phone that rings. Michael - any clues as to | :18:03. | :18:04. | |
who you might be about to ring? Number one, the fan I am about to | :18:05. | :18:11. | |
call is a mother of two macro who needs a bit of a pick me up. Clue | :18:12. | :18:18. | |
number two, she lives in the north-east. And number three... | :18:19. | :18:23. | |
LAUGHTER She is wearing black leggings. | :18:24. | :18:33. | |
People are sitting at home thinking, who isn't? She is actually pulling | :18:34. | :18:37. | |
her leggings down as we speak. She is watching TV right now. Here | :18:38. | :18:48. | |
you are live on the One Show. We are just going to wait for the phone to | :18:49. | :18:57. | |
ring. Yes, Gill, it's you. Michael, if you would take the phone. Hello? | :18:58. | :19:08. | |
Hello, it's Michael Buble. LAUGHTER | :19:09. | :19:18. | |
How are you? Do I need to talk into this? Really? How are you? I'm OK, | :19:19. | :19:25. | |
I'm recovering from breaking my leg. I can't speak. The way you are | :19:26. | :19:28. | |
breathing, it looks like we are going to have to give you a heart, | :19:29. | :19:34. | |
too. I'm so happy. I heard you were a little bit down. I wanted to call | :19:35. | :19:38. | |
and give you a pick me up and tell you that I loved you, thinking about | :19:39. | :19:43. | |
you, and I hope you are well. That's wonderful. I love your black | :19:44. | :19:47. | |
leggings. LAUGHTER | :19:48. | :19:56. | |
Thank you. I have pulled them down. We could see you doing that. Could | :19:57. | :20:02. | |
you? Can I invite you to something special? You can. I would like you | :20:03. | :20:11. | |
to join me at the BBC Music Awards, would you come and be my guest? Oh! | :20:12. | :20:21. | |
# Be my guest # Be my guest #. | :20:22. | :20:28. | |
That would be fabulous, thank you. APPLAUSE | :20:29. | :20:35. | |
We will see you there. What a lovely surprise. Shall I hang up? Yes, let | :20:36. | :20:39. | |
her recover. And if you want to join Gill | :20:40. | :20:40. | |
at the BBC Music Awards, where Michael will be joined | :20:41. | :20:43. | |
by Emily Sande, The 1975 and Kaiser Chiefs - | :20:44. | :20:46. | |
tickets are on sale now. Thank goodness she was a Michael | :20:47. | :20:55. | |
fan. Michael will sing for us very soon. | :20:56. | :20:57. | |
But first... If you're gearing up | :20:58. | :20:59. | |
for Halloween this weekend, this witches tale may well | :21:00. | :21:01. | |
be for you. The spooky thing about this story | :21:02. | :21:03. | |
isn't a misuse of magic, Just be prepared for | :21:04. | :21:05. | |
some scary imagery. Carrickfergus Castle in County | :21:06. | :21:19. | |
Antrim is a spectacular relic of a tumultuous past. But today a very | :21:20. | :21:25. | |
different battle is brewing. One that puts two radically different | :21:26. | :21:30. | |
interpretations of history on trial. In 1711 this town was the setting | :21:31. | :21:35. | |
for the last mass witch trial in the British Isles. At the centre of the | :21:36. | :21:41. | |
case was 18-year-old Mary Dunbar in when set Island Magee, ten miles up | :21:42. | :21:45. | |
the coast. -- wind swept. Mary claimed that a group of women had | :21:46. | :21:52. | |
appeared to her, possessed her, and caused her to engage in bizarre | :21:53. | :21:56. | |
activities like swearing and throwing Bibles. Detailed witness | :21:57. | :21:59. | |
statements claimed Mary has been entranced, caused by witchcraft. -- | :22:00. | :22:06. | |
had been. And after a sensational trial the eight women were found | :22:07. | :22:11. | |
guilty and sentenced to a year in jail and humiliation in the public | :22:12. | :22:17. | |
stocks. More than 300 years later, Martina Devon has campaigned to have | :22:18. | :22:22. | |
the Island Magee which is pardoned. Witchcraft accusations were a social | :22:23. | :22:27. | |
control mechanism. It was a way of communities policing themselves. | :22:28. | :22:30. | |
There was something about Mary Dunbar which made her very | :22:31. | :22:35. | |
plausible, and there was something about the eight women she accused. | :22:36. | :22:40. | |
They were pockmarked, illiterate, which made them fit the idea of what | :22:41. | :22:44. | |
a which looked like. The verdict hinged on something that would never | :22:45. | :22:49. | |
be allowed in court today, spectral evidence. The claim that an alleged | :22:50. | :22:53. | |
which appeared in a dream to torment a victim and do the devil's will. In | :22:54. | :22:59. | |
your opinion they didn't get a fair trial. Of course because there is no | :23:00. | :23:02. | |
such thing as a witch. Of course it was wrong to convict them of | :23:03. | :23:05. | |
witchcraft. But not everybody agrees. One historian says it's not | :23:06. | :23:11. | |
quite as black and white as you may think. Doctor Andrew Sneddon has | :23:12. | :23:15. | |
studied the original legal documents here at Trinity College, Dublin. | :23:16. | :23:24. | |
This is one taken from Mary Dunbar, 12 of March, 1710, who had been duly | :23:25. | :23:31. | |
sworn and examined. She has behaved in a violent manner. The local | :23:32. | :23:38. | |
magistrate interviewed all of the people who had witnessed things, | :23:39. | :23:42. | |
interviewed Mary Dunbar, then the judges sat, summed up the evidence, | :23:43. | :23:47. | |
and the jury brought in a guilty verdict. It was as fair as you could | :23:48. | :23:53. | |
get at that point. Today there is no criminal offence of witchcraft. But | :23:54. | :23:57. | |
some still worry, like my final witness Reverend David Michael | :23:58. | :24:09. | |
Green,. There is a force of darkness and to demonstrate itself in the | :24:10. | :24:12. | |
lives of many people. What does he make of the trial verdict? I would | :24:13. | :24:16. | |
have found them guilty of behaviour that was leading to the breach of | :24:17. | :24:22. | |
the peace. But to actually find them guilty of being witches, I would | :24:23. | :24:25. | |
reserve judgment on that. Even someone who believes in the | :24:26. | :24:28. | |
existence of the devil finds it difficult to find the women guilty | :24:29. | :24:31. | |
of anything more serious than public order offences. Time for a retrial, | :24:32. | :24:37. | |
I think. Our One Show jury won't be recognised in the eyes of the law, | :24:38. | :24:40. | |
but these are local people with opinions to express. Remember, you | :24:41. | :24:46. | |
are considering the innocent all the guilt of the eight Island Magee | :24:47. | :24:49. | |
women in terms of the evidence presented to the court, not whether | :24:50. | :24:57. | |
witchcraft existed. Main arguments. She could identify these women | :24:58. | :25:01. | |
without meeting them. Something was happening to her, was she | :25:02. | :25:05. | |
hysterical? Why did Mary Dunbar know about all of these women? They are | :25:06. | :25:09. | |
guilty by accusation. I beginning to doubt myself? They could be found in | :25:10. | :25:15. | |
any town. We would never have survived. I think they are getting | :25:16. | :25:20. | |
close. I think this might be it. Could we come to a vote, please? Do | :25:21. | :25:29. | |
you have a verdict? Yes, we do, we the jury find the Island Magee which | :25:30. | :25:37. | |
is not guilty. There you have it. A retrial of sorts and a new verdict. | :25:38. | :25:42. | |
Maybe the witches of Island Magee can now be referred to in some | :25:43. | :25:45. | |
quarters as the women of Island Magee. | :25:46. | :25:51. | |
That is all for tonight. Thank you for your help. | :25:52. | :25:59. | |
No worries. Michael's album is out now and it's called Nobody But Me. | :26:00. | :26:07. | |
# But long as there are stars above you | :26:08. | :26:13. | |
# God only knows what I'd be without you | :26:14. | :26:42. | |
# Though life would still go on, believe me | :26:43. | :26:52. | |
# God only knows what I'd be without you | :26:53. | :28:06. | |
# Then life would still go on, believe me | :28:07. | :28:15. | |
# God only knows what I'd be without you | :28:16. | :29:11. | |
MUSIC: Best Day Of My Life by American Authors | :29:12. | :29:13. |