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Hello and welcome to the one show
with my Friday Christmas pudding, | 0:00:17 | 0:00:22 | |
it's Ore Oduba. It just seemed
appropriate on many levels. So | 0:00:22 | 0:00:25 | |
appropriate. Thank you and Alex
Jones. So today is a day of firsts. | 0:00:25 | 0:00:29 | |
Yes. It's the first day of proper
winter, according to the weatherman. | 0:00:29 | 0:00:34 | |
Some of the UK has even had their
first snow. And as it is the first | 0:00:34 | 0:00:38 | |
of December, the pudding is out.
It's the first day of Advent. You | 0:00:38 | 0:00:42 | |
may have also opened the first door
on your Advent calendar this | 0:00:42 | 0:00:46 | |
morning. So we're going to open our
very own door number one to reveal | 0:00:46 | 0:00:51 | |
tonight's guests. One's an award
winning actor. The other is a | 0:00:51 | 0:00:56 | |
superstar singer, come on out Robert
Lindsay and Gwen Steffani. | 0:00:56 | 0:01:07 | |
APPLAUSE
Merry Christmas. So nice to see you. | 0:01:07 | 0:01:12 | |
Hello Robert. Where do you want me?
Wait for it. There's no answer to | 0:01:12 | 0:01:19 | |
that. It's Friday, it's Christmas
and silly season has started | 0:01:19 | 0:01:23 | |
already. I feel very underdressed
suddenly. Just a little bit. You | 0:01:23 | 0:01:26 | |
look amazing Christmas pudding for
me. This just about works. Welcome | 0:01:26 | 0:01:35 | |
to both of you. For the first time,
Gwen on the show for the very first | 0:01:35 | 0:01:40 | |
time.
APPLAUSE | 0:01:40 | 0:01:41 | |
I'm so excited to be here. I haven't
been to London in almost four years. | 0:01:41 | 0:01:45 | |
Isn't that weird. This is the best
time of year with all the | 0:01:45 | 0:01:48 | |
decorations. You're wearing the
right thing for the weather, it's | 0:01:48 | 0:01:52 | |
perfect. Our wonderful guests are
embracing Christmas in different | 0:01:52 | 0:01:55 | |
ways. Robert is getting ready to
star on stage as scrooge. Boo. | 0:01:55 | 0:02:03 | |
Humbug! Gwen, though, is becoming a
happy Christmas queen with your new | 0:02:03 | 0:02:11 | |
album. We can't wait to hear you
sing it later in the snow. I can't | 0:02:11 | 0:02:15 | |
wait. We've made an Advent calendar
for you both. Behind every door is a | 0:02:15 | 0:02:21 | |
picture that hopefully leads to a
lovely story. So Gwen, yours first. | 0:02:21 | 0:02:25 | |
Let's open door number one. Ah,
there's you with David Bowie. I feel | 0:02:25 | 0:02:33 | |
like that makes me look really cool.
I'm telling you, like, that's David | 0:02:33 | 0:02:37 | |
Bowie. He is a legend. Where due
meet him? Tla was on some kind of | 0:02:37 | 0:02:44 | |
performance or award show or
something. I've met him a lot of | 0:02:44 | 0:02:47 | |
times | 0:02:47 | 0:02:48 | |
something. I've met him a lot of
times. I feel like my life is so | 0:02:48 | 0:02:51 | |
crazy. You're on the table with
David Bowie. Why choose me, I can't | 0:02:51 | 0:02:57 | |
speak. I sat with him at the black
ball which is Alesha keys fundraiser | 0:02:57 | 0:03:03 | |
that she does every year. I had
nothing to say. I was just like... I | 0:03:03 | 0:03:07 | |
love that, still after all these
crazy meetings it's not normal for | 0:03:07 | 0:03:10 | |
you. It's not normal when you're
sitting next to David Bowie. He's | 0:03:10 | 0:03:15 | |
not normal. It's just another level.
We have an Advent calendar for you. | 0:03:15 | 0:03:21 | |
It's not going to be, surely,
nothing can beat David Bowie. Let's | 0:03:21 | 0:03:26 | |
have a look behind your calendar and
day number one. Hang on a minute. | 0:03:26 | 0:03:36 | |
Oh, my God, that's so long ago. Wow
you're a babe. Oh, wow. How old are | 0:03:36 | 0:03:42 | |
you there, Robert? Yes, thank you,
Alex. | 0:03:42 | 0:03:44 | |
LAUGHTER
. Yes, I was a young man. I quaz | 0:03:44 | 0:03:51 | |
doing a musical on Broadway -- was
doing a musical called Me and my | 0:03:51 | 0:03:54 | |
Girl. Michael Jackon with Quincy
Jones. They came back stage to see | 0:03:54 | 0:04:00 | |
the show. The whole of Broadway was
closed when he saw the show. The | 0:04:00 | 0:04:04 | |
irony was he got up and said,
"Robert, can I use your phone? I | 0:04:04 | 0:04:09 | |
won't do his voice. I said, sure
dial 9 to get out. I was chatting to | 0:04:09 | 0:04:15 | |
Quincy Jones. Another Lidge there.
There's a -- Ledge there. There's a | 0:04:15 | 0:04:25 | |
flag there that Emma Thompson gave
me reminding me of my roots. He | 0:04:25 | 0:04:28 | |
said, would you like to speak to
Bubbles. S? As in the monkey. I | 0:04:28 | 0:04:35 | |
didn't know who Bubbles was. I said,
sure. So I got - Oh, no! I did. It | 0:04:35 | 0:04:42 | |
was crazy. I was chatting away to
this noise. You know there was | 0:04:42 | 0:04:47 | |
nothing there. Obviously they've
gone. I did a show with Quincy Jones | 0:04:47 | 0:04:53 | |
in Washington a year later, and he
said, you really fell for that. You | 0:04:53 | 0:04:57 | |
said good night to a chime Panziera
eye. That's true. -- Chimpanzee. | 0:04:57 | 0:05:08 | |
Today was the first official duty
for the newly engaged couple, Prince | 0:05:08 | 0:05:12 | |
Harry and Meghan. These two
absolutely beautiful, turned up at a | 0:05:12 | 0:05:18 | |
school in Nottingham for their first
ever royal visit. I already love her | 0:05:18 | 0:05:23 | |
clothes. At a school in Bristol
pupils have a big day. Today they | 0:05:23 | 0:05:26 | |
found out if the name of their
school was going to change. So | 0:05:26 | 0:05:29 | |
Angellica has been to find out Y
-- why. Bristol, diverse city. 45 | 0:05:29 | 0:05:39 | |
religions, 91 languages. 16% black
or minority ethnic. Bristol's modern | 0:05:39 | 0:05:46 | |
Diversity doesn't always sit well
with its past. Many of its buildings | 0:05:46 | 0:05:49 | |
and streets are named after Edward
Colson, a generous 18th century | 0:05:49 | 0:05:55 | |
benefactor, but one who made much of
his money from the slave trade. | 0:05:55 | 0:06:01 | |
Edward Colston was a successful
Americanant, MP and member of the -- | 0:06:01 | 0:06:09 | |
merch merchant, MP and traded in
ivory, gold and slaves. As we as a | 0:06:09 | 0:06:15 | |
nation re-evaluate how we tell our
history, this has come into sharp | 0:06:15 | 0:06:22 | |
focus. This is the primary school.
The school has decided to use the | 0:06:22 | 0:06:27 | |
occasion of its 70th anniversary to
decide whether to change its name. | 0:06:27 | 0:06:30 | |
They're asking teachers, parents and
the local community what they think | 0:06:30 | 0:06:33 | |
and even the children themselves.
Has anyone seen that statue? I have. | 0:06:33 | 0:06:41 | |
He was racist to the slaves. As a
very diverse school in terms ever | 0:06:41 | 0:06:45 | |
race and religion, we began to ask
ourselves the question: Is this | 0:06:45 | 0:06:49 | |
really the person that we want to be
named after? The money that he gave | 0:06:49 | 0:06:54 | |
to schools was from slave trading
and slave trading is bad. If he's | 0:06:54 | 0:06:59 | |
been bad, why should we remember
him? While the debate continues at | 0:06:59 | 0:07:04 | |
the school, I'm interested in what
the rest of Bristol thinks. I'm | 0:07:04 | 0:07:09 | |
meeting historian Madge Dresser at
the cathedral, which itself has a | 0:07:09 | 0:07:13 | |
window dedicated to Edward Colston.
He was a philanthropist, why judge | 0:07:13 | 0:07:20 | |
him by modern day standards. At the
time what he was doing was seen as | 0:07:20 | 0:07:24 | |
good. When we think of slavery we
need to think of terrible | 0:07:24 | 0:07:27 | |
suppression of the slave people.
Many white Bristolians have been | 0:07:27 | 0:07:34 | |
sold sanitised versions of the
story. They had their first kiss | 0:07:34 | 0:07:37 | |
under the statue, they went to the
school, it's part of their history | 0:07:37 | 0:07:41 | |
and to completely eradicate his name
makes people feel they don't have | 0:07:41 | 0:07:45 | |
control over their city's identity. | 0:07:45 | 0:07:55 | |
Ex-Colston's primary pupil D Dash
Red uses music to express disdain. | 0:07:57 | 0:08:01 | |
Do you think the name should be
changed? For me the first answer is | 0:08:01 | 0:08:05 | |
definitely, obviously, yes. On other
levels I think it's not really the | 0:08:05 | 0:08:11 | |
most important that needs to change
about Bristol's attitudes towards | 0:08:11 | 0:08:15 | |
African people, towards Caribbean
people. Just change the sybolism | 0:08:15 | 0:08:19 | |
without changing the reality is
ineffective. That's not enough, for | 0:08:19 | 0:08:22 | |
me. 44% of children at the primary
are from black and ethnic | 0:08:22 | 0:08:28 | |
minorities. What do they and their
friends think? I don't want to | 0:08:28 | 0:08:33 | |
change it because I like it the way
it is and people might forget. I | 0:08:33 | 0:08:37 | |
think we should change it, because
people would think that are a | 0:08:37 | 0:08:46 | |
supporter of Edward Colston. You
can't forget history and pretend it | 0:08:46 | 0:08:50 | |
never happened. It's decision time
for this year three group. You may | 0:08:50 | 0:08:54 | |
notice that we've got a line in the
middle of our classroom here. On the | 0:08:54 | 0:08:59 | |
left people who think we should keep
the name Colston. This side, people | 0:08:59 | 0:09:05 | |
who think we should change the name.
Move to the side you believe in. | 0:09:05 | 0:09:11 | |
Hopefully everyone will realise that
the important thing is we've had the | 0:09:11 | 0:09:14 | |
conversation. It's been open and as
inclusive as we can possibly make it | 0:09:14 | 0:09:18 | |
and respect the result of the
governor's decision. Why is everyone | 0:09:18 | 0:09:22 | |
moving? Because they have the
freedom to choose which side they | 0:09:22 | 0:09:26 | |
want to be on. This class is fairly
evenly split. The children's | 0:09:26 | 0:09:33 | |
opinions along with those of parents
and the local community will | 0:09:33 | 0:09:36 | |
influence the board of governors in
their final verdict. This passionate | 0:09:36 | 0:09:40 | |
debate has brought Bristol's history
from out of the shadows, questioning | 0:09:40 | 0:09:44 | |
the status of a man who was once
celebrated has made the city sit | 0:09:44 | 0:09:48 | |
back and think about its past, how
it acts now and its legacy for the | 0:09:48 | 0:09:52 | |
future. A future that will have its
own voice. Snment So do you want to | 0:09:52 | 0:09:58 | |
change the name of your school?
SHOUTING | 0:09:58 | 0:10:05 | |
Today that result was announced.
Colston primary school board of | 0:10:05 | 0:10:11 | |
governors has voted to change the
name of the school. No decision has | 0:10:11 | 0:10:13 | |
been made about the new name. It is
quite a tough thing, because it's | 0:10:13 | 0:10:17 | |
been called the same name for a
while now. Attitudes are changing. | 0:10:17 | 0:10:23 | |
We're living in a society and
skeletons are coming out of the | 0:10:23 | 0:10:26 | |
cupboard for so many reasons, for
different people. I think the kids | 0:10:26 | 0:10:29 | |
are right. Power to the people is
what I say. All power to you. The | 0:10:29 | 0:10:38 | |
London musical dheert's A Christmas
Carol is coming to the stage very | 0:10:38 | 0:10:42 | |
soon. -- theatre's A Christmas Carol
is coming to the stage very soon. It | 0:10:42 | 0:10:49 | |
is totally a musical. I worked with
Alan Menkin a couple of series for | 0:10:49 | 0:10:56 | |
ABC America called Galivant. I love
his music, little mermaid and Beauty | 0:10:56 | 0:11:00 | |
And The Beast. Legendary. The music
is quite incredible. To get to play | 0:11:00 | 0:11:04 | |
in front of an orchestra of 32, you
know, I've done lots of musical in | 0:11:04 | 0:11:09 | |
the West End with 10, 15, but to
play with a full blown ark stra with | 0:11:09 | 0:11:15 | |
harps and strings and you know, you
add the story of Christmas Carol, | 0:11:15 | 0:11:22 | |
the definitive Christmas story and
Scrooge probably the definitive | 0:11:22 | 0:11:27 | |
character, Mr Misery guts. In fact,
my children think it's the best part | 0:11:27 | 0:11:31 | |
I've ever played. They think you're
well suited don't they? Don't get me | 0:11:31 | 0:11:35 | |
wrong, I love my family. It's been a
very lucrative series. Nice! With | 0:11:35 | 0:11:40 | |
this, I mean, it is only two
performances. So if people want to | 0:11:40 | 0:11:44 | |
go - Yeah one on December 11 and
18th. Last year we did one | 0:11:44 | 0:11:50 | |
performance. It really did, I found
it, profoundly moving. I think the | 0:11:50 | 0:11:55 | |
audience did. My family that came
after the second show, that one | 0:11:55 | 0:12:00 | |
show, just said you know, Christmas
has begun. It's that thing that | 0:12:00 | 0:12:06 | |
happens, I mean, I don't know like
you guys, I do get very grumpy at | 0:12:06 | 0:12:09 | |
Christmas. Christmas is a very
stressful time, particularly when it | 0:12:09 | 0:12:13 | |
starts about mid-October. You don't
like that? You guys love it. You | 0:12:13 | 0:12:22 | |
don't like the big build up? No,
it's stressful. You look at Dickens' | 0:12:22 | 0:12:27 | |
films, they're bringing out a film
now, the man who invented Christmas, | 0:12:27 | 0:12:31 | |
which is brilliant. And of course,
Dickens did invent Christmas. But | 0:12:31 | 0:12:35 | |
then it was a different time. There
were poor and there were rich. | 0:12:35 | 0:12:40 | |
Everyone happy, happy time. Now
people find it really tough | 0:12:40 | 0:12:43 | |
Christmas. You just walk around
Oxford Street now and you can see | 0:12:43 | 0:12:46 | |
the strain on a lot of people's
faces. It's hard work especially | 0:12:46 | 0:12:50 | |
with kids. And not working or
whatever. All the prob lemsz. The | 0:12:50 | 0:12:56 | |
great thing about Dickens, he did
care about the underprivileged, | 0:12:56 | 0:13:00 | |
which is very clear in Christmas
Carol. That's why you put music to | 0:13:00 | 0:13:04 | |
it, you know, and it becomes very
emotional. Actually I got very | 0:13:04 | 0:13:07 | |
emotional last year, I had to walk
off stage at one point. With tiny | 0:13:07 | 0:13:12 | |
Tim, and I picked tiny Tim up and he
says, "Merry Christmas Mr Scrooge - | 0:13:12 | 0:13:18 | |
I'm going now. Oh, you are.
Incredibly moving. Christmas is a | 0:13:18 | 0:13:23 | |
time when families come together and
there's a lot of good stuff about | 0:13:23 | 0:13:26 | |
Christmas, isn't there Robert! Yes.
Now time for Gwen. She loves | 0:13:26 | 0:13:32 | |
Christmas. She is Christmas itself.
I like Christmas when it starts 12am | 0:13:32 | 0:13:41 | |
Christmas eve and finishes 4pm
Christmas Day. It's too short. This | 0:13:41 | 0:13:43 | |
is my favourite Christmas ever. I
started in April. | 0:13:43 | 0:13:45 | |
LAUGHTER
Exactly. You're going to tell us why | 0:13:45 | 0:13:52 | |
you love Christmas and then Robert
is going to put his Scrooge spin on | 0:13:52 | 0:13:57 | |
it. I'm your man. Finish the
sentence, I love Christmas | 0:13:57 | 0:14:01 | |
because... I love Christmas
because... It's family time. Time to | 0:14:01 | 0:14:05 | |
really be with your family, quality
time. But you feel slightly trapped | 0:14:05 | 0:14:11 | |
with them sometimes. I like being
trapped with my family. Oh, good. | 0:14:11 | 0:14:14 | |
That's lovely. I do as well.
LAUGHTER | 0:14:14 | 0:14:18 | |
Wow, OK. Let's go again. I like
Christmas because... I like | 0:14:18 | 0:14:25 | |
Christmas because, Christmas music!
I mean it's the back drop to our | 0:14:25 | 0:14:28 | |
lives. It's our memories. Scrooge!
If I hear, "it's Christmas! " I | 0:14:28 | 0:14:34 | |
don't know who sings that, but I
leave the house. It's Slayed. -- | 0:14:34 | 0:14:45 | |
Slade. Final reason? I love the
traditions. I love Christmas | 0:14:45 | 0:14:49 | |
traditions. And my grandma. She went
big, she was an Irish like red head. | 0:14:49 | 0:14:54 | |
She would make - She went big! At
Christmas. She would literally do | 0:14:54 | 0:15:01 | |
Gingerbread village, not just
houses. They would be like a church | 0:15:01 | 0:15:06 | |
in the middle, pop corn snow and
trees. Then each grand child would | 0:15:06 | 0:15:10 | |
take home one of the houses. I'm
loving the sound of that. It's all | 0:15:10 | 0:15:15 | |
based on nostalgia. We're all
nostalgic for something we were | 0:15:15 | 0:15:18 | |
given - stop it! Stefano I was very
romantic last year, I bought my wife | 0:15:18 | 0:15:26 | |
a car cleaning kit. What as a
present? You would be out the door. | 0:15:26 | 0:15:37 | |
You have got to be practical at
Christmas. I will be taking this | 0:15:37 | 0:15:42 | |
jumper off to tweet about Robert.
I'm so sorry, I did not know you | 0:15:42 | 0:15:47 | |
were coming. I'm just playing
Scrooge, Di Maria romantic when it | 0:15:47 | 0:15:52 | |
comes to Christmas, really. -- I'm a
real romantic. You concede A | 0:15:52 | 0:15:59 | |
Christmas Carol on the 11th and 18th
of December, the best Scrooge in the | 0:15:59 | 0:16:04 | |
house. -- you can see. Gwen has sold
30 million albums worldwide, and no | 0:16:04 | 0:16:14 | |
doubt you know all of her hits.
# Don't tell me because it hurts... | 0:16:14 | 0:16:23 | |
# My own world
# And I could be your favourite girl | 0:16:23 | 0:16:34 | |
# What you waiting for...
# This is a feeling I'm not used | 0:16:34 | 0:16:48 | |
to...
# | 0:16:48 | 0:16:52 | |
APPLAUSE
The last video we saw, Make Me Like | 0:16:53 | 0:17:03 | |
You, the first song ever to be
recorded live, it was done in the ad | 0:17:03 | 0:17:06 | |
break for the Grammys? Yes, it was
so intense, when they asked me to do | 0:17:06 | 0:17:11 | |
it, I said, are you sure, I can't
remember anything. It was a | 0:17:11 | 0:17:17 | |
choreographed video live on TV, and
interestingly, they put this on | 0:17:17 | 0:17:22 | |
YouTube recently, well, afterwards,
everyone in the control room was | 0:17:22 | 0:17:27 | |
watching and I started crying and
they were crying because it was so | 0:17:27 | 0:17:30 | |
intense. I did a bunch of takes,
maybe five, maybe four, and the one | 0:17:30 | 0:17:37 | |
before the live one I was
roller-skating, and as I was doing | 0:17:37 | 0:17:40 | |
that I went through a door, and I
landed on my head. That was the tape | 0:17:40 | 0:17:46 | |
before this one, and this is the
live one on TV. Thankfully this one | 0:17:46 | 0:17:50 | |
went well. It was a choreographed
thing, it was really amazing. That | 0:17:50 | 0:17:59 | |
is very impressive. I'm singing
live. Yes, but you have pre-recorded | 0:17:59 | 0:18:07 | |
the music? Yes. Still,
roller-skating in the middle of the | 0:18:07 | 0:18:14 | |
Grammys. Pretty amazing, though.
Well done. Thank you. I just prayed | 0:18:14 | 0:18:22 | |
the entire time, I was by, oh my
gosh. Fact fans, amongst you, 21 | 0:18:22 | 0:18:29 | |
years since Don't Speak was
released. Where, when, how and when. | 0:18:29 | 0:18:39 | |
Did you have any idea at the time
how huge it would be? I had no idea. | 0:18:39 | 0:18:47 | |
Before I wrote that song I don't
think I had written any songs, I did | 0:18:47 | 0:18:51 | |
not know how to write a song. It was
about getting my heart broken and | 0:18:51 | 0:18:56 | |
destroyed and being rejected, and
then I wrote that song, and right | 0:18:56 | 0:19:00 | |
that whole record Comanche, but I
have been in a band for about nine | 0:19:00 | 0:19:05 | |
years before that -- that whole
record actually. We were doing this | 0:19:05 | 0:19:10 | |
kind of music which would not sell,
it was a strange bad, but that song | 0:19:10 | 0:19:16 | |
took me around the world which was
my favourite... The blessing of my | 0:19:16 | 0:19:21 | |
life, being able to travel and see
different cultures. I would not be | 0:19:21 | 0:19:26 | |
in my mad -- band if it was not for
English groups, we were amazed by | 0:19:26 | 0:19:34 | |
Camden Town, and I never thought I
would be here, hanging out with this | 0:19:34 | 0:19:40 | |
guy on the couch, what's going on?
Broadway star. Even though he's a | 0:19:40 | 0:19:45 | |
Scrooge. You started off with a
great footing, and still the music | 0:19:45 | 0:19:50 | |
comes. The new album, You Make It
Feel Like Christmas, and this began | 0:19:50 | 0:19:57 | |
in April? Yes, my favourite
Christmas ever, now I'm sitting next | 0:19:57 | 0:20:02 | |
to Scrooge, this is reaching a peak.
As a songwriter, I wanted the | 0:20:02 | 0:20:08 | |
dream... It would be to write a
Christmas hit, because then you get | 0:20:08 | 0:20:11 | |
to live on for ever. And revisited
every single year and be part of | 0:20:11 | 0:20:16 | |
people's memories, and all that
nostalgia. I was like, I'm going to | 0:20:16 | 0:20:24 | |
get the basketball and tried to make
a hit, and I had so much fun doing | 0:20:24 | 0:20:27 | |
it, and I don't know if I have done
it, but I wrote a song with a | 0:20:27 | 0:20:32 | |
country writer, incredible, Sheldon.
Sexiest man alive. Have we got a | 0:20:32 | 0:20:42 | |
picture? You can Google his name.
Even a part of it and I wrote part | 0:20:42 | 0:20:49 | |
of it, it is a very unlikely coming
together of our voices. Many people | 0:20:49 | 0:20:55 | |
will be putting up their trees this
weekend and it is the perfect album. | 0:20:55 | 0:20:59 | |
The perfect time for me to be back
in London for the first time in four | 0:20:59 | 0:21:04 | |
years, I'm grateful to everyone,
they have been so sweet to me. Of | 0:21:04 | 0:21:07 | |
course they have. | 0:21:07 | 0:21:09 | |
Gwen's album "You Make it
Feel Like Christmas" is out now | 0:21:09 | 0:21:12 | |
and she'll be performing for us
at the end of the show. | 0:21:12 | 0:21:15 | |
If you've gone 'all out' this year
on your Christmas lights - | 0:21:15 | 0:21:18 | |
we'd love to see them. | 0:21:18 | 0:21:19 | |
We're looking for the brightest,
the best and the barmiest | 0:21:19 | 0:21:21 | |
on your street. | 0:21:21 | 0:21:23 | |
Send in your photos and we'll show
a selection on Monday's show. | 0:21:23 | 0:21:28 | |
When we will be switching on the
lights on the Shard. | 0:21:28 | 0:21:38 | |
Get your air-guitars ready for one
of the greatest examples | 0:21:38 | 0:21:40 | |
of Worksop Rock ever recorded. | 0:21:40 | 0:21:42 | |
St Elmo's Fire, the film that
introduced us to future Hollywood | 0:21:42 | 0:21:45 | |
royalty, Rob Lowe, Judd Nelson, do
me more and immediate Estebanez, and | 0:21:45 | 0:21:51 | |
it launched the rock musician John
Parr, when the title track became an | 0:21:51 | 0:22:00 | |
international hit, but the song
happy unlikeliest of origins, | 0:22:00 | 0:22:04 | |
beginning right here at the miners
welfare club in Worksop, | 0:22:04 | 0:22:07 | |
Nottinghamshire. -- had the
unlikeliest. Why is this play | 0:22:07 | 0:22:14 | |
significant you? My hometown. My
first paid gig, I got six guineas, I | 0:22:14 | 0:22:23 | |
was 12, it was a mecca of
entertainment are people in Worksop, | 0:22:23 | 0:22:26 | |
like the London at -- Palladium, it
was a hotbed of talent, and I wanted | 0:22:26 | 0:22:35 | |
to be as good as they were. John may
have the trappings of a successful | 0:22:35 | 0:22:40 | |
rock star but it took him 20 years
of hard graft before things started | 0:22:40 | 0:22:43 | |
to take off. I was in a band playing
the Northern clubs, you are in a | 0:22:43 | 0:22:51 | |
little pool, a big fish, but I had
envisioned. -- ambition. Unable to | 0:22:51 | 0:23:03 | |
secure a record deal for his band,
John turned to songwriting, and | 0:23:03 | 0:23:06 | |
American artist meatloaf got in
touch for stop things happened | 0:23:06 | 0:23:10 | |
pretty quick. Meatloaf got in touch
and wanted to work with me, and then | 0:23:10 | 0:23:16 | |
I was in Connecticut studio with
him, and his band, and little old me | 0:23:16 | 0:23:24 | |
from Worksop. John went on to score
a hit record in American self, with | 0:23:24 | 0:23:29 | |
a track called naughty naughty, and
then he got a call from Hollywood. | 0:23:29 | 0:23:35 | |
David Fuster, legendary producer, he
said I'm writing the score for a | 0:23:35 | 0:23:40 | |
movie, would you like to write a
song. David wanted John's help with | 0:23:40 | 0:23:46 | |
the title track for St Elmo's Fire
and together they wrote the music | 0:23:46 | 0:23:49 | |
very quickly but struggled with the
lyrics. David said, this is nothing | 0:23:49 | 0:23:54 | |
to do with the film script, but the
boy came in the studio last week and | 0:23:54 | 0:23:59 | |
he showed me this video cassette. It
was a video about Rick Hansen, a | 0:23:59 | 0:24:05 | |
sportsman who had broken his spine
in a truck accident, he was | 0:24:05 | 0:24:09 | |
embarking on a journey around the
world to raise money for spinal | 0:24:09 | 0:24:15 | |
research. Every time we reach an
obstacle, we believe there's way | 0:24:15 | 0:24:20 | |
around it or through it. I thought,
this is it, and I wrote the story of | 0:24:20 | 0:24:27 | |
what I thought had happened, St
Elmo's Fire was the embodiment of | 0:24:27 | 0:24:30 | |
history and that he was moving
towards, a phenomenal of nature. I | 0:24:30 | 0:24:37 | |
came to the studio the next day and
I sang that is if I was the guy in | 0:24:37 | 0:24:41 | |
the chair and that is why it is so
passionate. With a 24-hour deadline, | 0:24:41 | 0:24:45 | |
the song was approved and recorded
in haste, the cast were reluctantly | 0:24:45 | 0:24:49 | |
recalled for the promo video. The
actors did not want to be there, to | 0:24:49 | 0:24:54 | |
do this song. It is hilarious. The
song went on to become Rick Hansen's | 0:24:54 | 0:25:01 | |
Hansen and a big hit everywhere he
travelled around the world. He said, | 0:25:01 | 0:25:05 | |
when I feel I can't wheel another
mile, I play this song and then do | 0:25:05 | 0:25:10 | |
another 20. Despite his success,
John lives locally, joining him for | 0:25:10 | 0:25:17 | |
a special performance in Worksop for
his famous track, some of his old | 0:25:17 | 0:25:20 | |
music mates. I believed in him
because of his songs and music, the | 0:25:20 | 0:25:26 | |
man himself, his persona. We never
saw anyone practice like John, he | 0:25:26 | 0:25:32 | |
practised hours and hours until he
was happy. I knew he would become a | 0:25:32 | 0:25:41 | |
superstar.
# And you're trying to break free... | 0:25:41 | 0:25:47 | |
# Did the story reflects you? I was
geographically trapped, slightly | 0:25:47 | 0:25:57 | |
different, but I thought, I will get
there, and I never lost faith. | 0:25:57 | 0:26:03 | |
# St Elmo's Fire...
# Beautiful. Some very excited | 0:26:03 | 0:26:14 | |
people behind Triple H, -- excited
people behind us, by the way. | 0:26:14 | 0:26:28 | |
If you want to see John perform
live, he'll be supporting | 0:26:28 | 0:26:31 | |
Foreigner next year. | 0:26:31 | 0:26:32 | |
Thanks to Robert and Gwen
for getting our weekend off | 0:26:32 | 0:26:35 | |
to a cracking start,
and Robert good luck | 0:26:35 | 0:26:36 | |
with A Christmas Carol
at the Lyceum. | 0:26:36 | 0:26:38 | |
Matt and I will be here on Monday
with Sue Perkins but now - | 0:26:38 | 0:26:42 | |
with the title track from her album
"You Make it Feel Like Christmas" - | 0:26:42 | 0:26:45 | |
- here's Gwen Stefani! | 0:26:45 | 0:26:46 | |
# I want to thank the storm
that brought the snow | 0:26:46 | 0:26:51 | |
# Thanks to the string
of lights that make it glow | 0:26:51 | 0:26:55 | |
# But I want to thank you baby | 0:26:55 | 0:26:58 | |
# You make it feel like Christmas | 0:26:58 | 0:27:07 | |
# It barely took a breath
to realize | 0:27:07 | 0:27:11 | |
# We're going to be
a classic for all time | 0:27:11 | 0:27:17 | |
# I want to thank you baby | 0:27:17 | 0:27:19 | |
# You make it feel like Christmas | 0:27:19 | 0:27:25 | |
# Sweet gingerbread
made with molasses | 0:27:25 | 0:27:26 | |
# My heart skipped and I reacted | 0:27:26 | 0:27:31 | |
# Can't believe that
this is happening | 0:27:31 | 0:27:32 | |
# Like a present sent from God | 0:27:32 | 0:27:34 | |
# Sleigh bells singing hallelujah | 0:27:34 | 0:27:37 | |
# Stars are shining on us too | 0:27:37 | 0:27:40 | |
# I want to thank you baby | 0:27:40 | 0:27:44 | |
# You make it feel like Christmas | 0:27:44 | 0:27:52 | |
# Thought I was done for,
thought that love had died | 0:27:52 | 0:27:55 | |
# But you came along | 0:27:55 | 0:27:58 | |
# I swear you saved my life | 0:27:58 | 0:28:01 | |
# And I want to thank you baby | 0:28:01 | 0:28:04 | |
# Cause you make it
feel like Christmas | 0:28:04 | 0:28:10 | |
# Sweet gingerbread made
with molasses | 0:28:10 | 0:28:13 | |
# My heart skipped and I reacted | 0:28:13 | 0:28:16 | |
# Can't believe that
this is happening | 0:28:16 | 0:28:18 | |
# Like a present sent from God | 0:28:18 | 0:28:21 | |
# Sleigh bells singing hallelujah | 0:28:21 | 0:28:24 | |
# Stars are shining on us too | 0:28:24 | 0:28:26 | |
# I want to thank you baby | 0:28:26 | 0:28:30 | |
# You make it feel like Christmas | 0:28:30 | 0:28:37 | |
# I never thought I'd
find a love like this | 0:28:37 | 0:28:43 | |
# But I found forever
in that very first kiss | 0:28:43 | 0:28:47 | |
# I want to thank you baby | 0:28:47 | 0:28:52 | |
# You make it feel like Christmas | 0:28:52 | 0:28:55 | |
# Oooh, thank you baby | 0:28:55 | 0:28:59 | |
# I want to thank you baby | 0:28:59 | 0:29:03 | |
# You make it feel like Christmas #. | 0:29:03 | 0:29:09 | |
CHEERING AND APPLAUSE | 0:29:12 | 0:29:14 |