Browse content similar to 02/05/2012. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello, welcome to The One Show with Matt Baker and the remarkably | :00:19. | :00:22. | |
talented Alex Jones. This is extraordinary, playing live. Our | :00:22. | :00:27. | |
guest tonight is a former champion swimmer, a mineworker and teacher. | :00:27. | :00:33. | |
He's got an MBE, OBE, CBE and he is the famous inventor of the wobble | :00:33. | :00:36. | |
board. He is an artist, a musician. Is there anything he cannot do? | :00:36. | :00:41. | |
Alex, are you going to introduce him? I can't, I'm supposed to be | :00:41. | :00:45. | |
playing the didgeridoo! It's given the game away. It is Rolf Harris. | :00:45. | :00:54. | |
Of course it is! APPLAUSE Good to see you, Rolf. Tremendous. Did that | :00:54. | :01:00. | |
work? Did they believe it was you? I doubt it! Anyway, we want to be | :01:00. | :01:05. | |
the first to congratulate you. We hear you are having a BAFTA | :01:05. | :01:11. | |
Fellowship at the end of this month. APPLAUSE There we go. You will be | :01:11. | :01:16. | |
joining the likes of Alfred Hitchcock, Dame Judi Dench and Sir | :01:16. | :01:20. | |
David Attenborough. That must have come as an amazing surprise. How | :01:20. | :01:28. | |
did you feel? Shocked. It feels absolutely fantastic. I realise of | :01:28. | :01:32. | |
course that, for the last number of years, six decades I have been on | :01:32. | :01:36. | |
television, so people have got used to seeing me around doing all sorts | :01:36. | :01:41. | |
of different things like cartoons and painting and Animal Hospital | :01:41. | :01:46. | |
and Rolf on Art and all sorts of stuff. Well deserved. The ultimate | :01:46. | :01:50. | |
accolade. It is wonderful. We are going to be talking to Rolf about | :01:50. | :01:55. | |
his BBC comeback and a brand-new exhibition of his life's work later | :01:55. | :01:59. | |
on. And we also have a bit of a challenge for you. Yes. We have got | :01:59. | :02:06. | |
three budding artists in tonight. Ilaria and Caspar and Tate. They | :02:06. | :02:09. | |
had their self-portraits projected on to Buckingham Palace last week | :02:09. | :02:13. | |
for the Queen's Diamond Jubilee. saw that photo, yes. These three | :02:13. | :02:19. | |
were part of that. Tonight, we are asking them to paint something | :02:19. | :02:26. | |
suitably royal. Are you ready? You have 20 minutes. Off you go. | :02:26. | :02:32. | |
Good work. APPLAUSE Yes, indeed. Ah! At the end of the show, Rolf, | :02:32. | :02:38. | |
we will be asking you "Can you tell what it is yet?" It is all | :02:38. | :02:42. | |
happening tonight. Dom is also here. We will be asking him how companies | :02:42. | :02:46. | |
can get away with openly advertising the clocking of cars. | :02:46. | :02:52. | |
First, here is Anita Rani. In recent years, the car industry | :02:52. | :02:56. | |
has tried to make it harder for criminals to alter mileage but car | :02:56. | :03:02. | |
clocking is still a huge problem. There are more than a million | :03:02. | :03:08. | |
clocked cars on our roads and David Wood ward has got one of them. When | :03:08. | :03:18. | |
34,000 miles on the clock. But all was not what it seemed. David, what | :03:18. | :03:23. | |
attracted you to this car? It was in immaculate condition. It had | :03:23. | :03:28. | |
just 34,000 miles and it was �5,000. Seems like a good deal? Until you | :03:28. | :03:34. | |
found out what the mileage was, which was how much? Which was | :03:34. | :03:39. | |
140,000 miles. That's so many miles! It is a lot more. That is a | :03:39. | :03:43. | |
crazy amount. How did you find out that it had done so many more | :03:43. | :03:47. | |
miles? I was contacted by Trading Standards and they interviewed me | :03:47. | :03:53. | |
and dropped the bombshell that it had this extra 105,000 miles on the | :03:53. | :03:57. | |
clock. David was the victim of car clockers in the West Country. They | :03:57. | :04:01. | |
were buying cars at auctions, lowering the mileage and selling | :04:01. | :04:07. | |
them on at a profit. They clocked 19 cars by 1.5 million miles. It | :04:07. | :04:13. | |
was not long before their luck ran out. North Somerset Trading | :04:13. | :04:17. | |
Standards prosecuted the gang. The criminals pleaded guilty to fraud | :04:17. | :04:22. | |
by false representation and received suspended prison sentences. | :04:22. | :04:26. | |
How did you go about catching them? Two members of the public contacted | :04:26. | :04:29. | |
us with concerns about vehicles they had purchased. One owner had | :04:29. | :04:34. | |
taken his car in for a service at a main dealership and he was advised | :04:34. | :04:41. | |
by the engineers that the mileage was higher than indicated on the | :04:41. | :04:45. | |
digital odometer. Then we started to look into the vehicle history. | :04:45. | :04:50. | |
What can members of the public do to avoid being caught out? They can | :04:50. | :04:53. | |
check carefully the documentation that is put before them. They can | :04:53. | :04:57. | |
check the details online. They can check the previous history and | :04:57. | :05:02. | |
phone previous owners or previous garages that have serviced the | :05:02. | :05:11. | |
vehicles. They need to bear in mind that digital odometers can be | :05:11. | :05:15. | |
clocked. The problem according to some experts is down to the law. It | :05:15. | :05:22. | |
is legal to change a car's odometer. It is illegal to sell that car on | :05:22. | :05:27. | |
without informing the buyer. This motoring journalist is one of many | :05:27. | :05:30. | |
calling for the law to be made much tougher. He says it probably | :05:30. | :05:33. | |
wouldn't stop the most hardened criminals, but it might deter | :05:33. | :05:38. | |
private sellers who want to get a few more quid for their old cars. | :05:38. | :05:45. | |
Should the law be changed? Without a shadow of a doubt! It is an | :05:45. | :05:51. | |
unspeakable, horrible thing. It opens the door for crime. It | :05:51. | :05:55. | |
becomes so opaque. The law must be changed. Why does it exist in law? | :05:55. | :06:00. | |
There must be an occasion when it's OK to clock your car, legitimately? | :06:01. | :06:05. | |
There's occasions. They are very rare examples. Probably one-tenth | :06:06. | :06:13. | |
of 1% where maybe your two-year-old car, the speedo cars, the mileage | :06:13. | :06:19. | |
counter goes and your car went at 20,000 and the one you buy is at | :06:19. | :06:22. | |
40,000 and you want to wind it back to reflect the genuine mileage of | :06:22. | :06:28. | |
the car. That is pretty rare. a million clocked cars on the road, | :06:29. | :06:35. | |
it really is a case of buyer beware as David has found out to his cost. | :06:35. | :06:39. | |
When you buy your next car after this one, what will you do? I think | :06:39. | :06:44. | |
I will probably buy a new car. Brand-new, zero miles on the clock? | :06:45. | :06:49. | |
Brand-new from a reputable dealer, I think. Definitely. | :06:49. | :06:54. | |
Well, Dom is here to shed more light on the subject. Some | :06:54. | :06:58. | |
companies are openly advertising mileage correction. How can that | :06:58. | :07:05. | |
be? There's loads. We are going to put a clip to show you some of them. | :07:05. | :07:15. | |
:07:15. | :07:15. | ||
Adjusting your mileage, recalibrating it, it is not illegal. | :07:15. | :07:21. | |
People need to know what they are buying and that is when the law is | :07:21. | :07:25. | |
broken. To adjust it is not illegal. There are some reasons why people | :07:25. | :07:29. | |
might want to do it. It is a bit grey. If you are interested in | :07:29. | :07:36. | |
buying a second hand car, are there any tell-tale signs? Definitely. It | :07:36. | :07:41. | |
is not just cars that can be clocked. What else could be | :07:41. | :07:51. | |
clocked? Motorbike? Yes. Boats. JCBs. Tractors. Anything. What you | :07:51. | :07:58. | |
need to do is look at paperwork. If something looks like it is done | :07:58. | :08:03. | |
300,000 miles and only showing 50,000, start to smell a rat. The | :08:03. | :08:05. | |
registration document will give you the present owner, the previous one | :08:06. | :08:11. | |
and also if you write to the DVLA - it is about �5 - they will tell you | :08:11. | :08:15. | |
about any previous owner's names and addresss so you can write to | :08:15. | :08:21. | |
them as well and ask them what was the mileage when you sold it? Look | :08:21. | :08:25. | |
at MoT certificates. That will tell you what was on it when the MoT was | :08:25. | :08:29. | |
done. Try and speak to the garage that was in the service book and | :08:29. | :08:35. | |
say, "Did you service that car on that date?" Checking the rubber on | :08:35. | :08:41. | |
the pedals, too? Holes in the carpet. That happens a lot with | :08:41. | :08:46. | |
ladies' high heels. We understand there are changes on the way to | :08:46. | :08:51. | |
help? There are. The Ministry of Transport don't like the adjustment | :08:51. | :08:57. | |
of mileages. They can't ban it. As of the end of this year, all new | :08:57. | :09:05. | |
MoT certificates will have previous odometer readings to help stamp it | :09:05. | :09:11. | |
out. Thanks ever so much. You can find out more details on | :09:11. | :09:14. | |
bbc.co.uk/theoneshow. Yes. It is time to turn back the | :09:14. | :09:19. | |
clock in a more honest fashion. like Rolf, Joan Armatrading has | :09:19. | :09:22. | |
been though stranger to the charts over the years. Carrie Grant went | :09:22. | :09:26. | |
to find out the secret to her success. | :09:26. | :09:32. | |
What makes a hit record? A profound lyric? The catchy chorus? Entire | :09:32. | :09:35. | |
books have been written on the subject. I would like you to meet | :09:35. | :09:42. | |
an artist who tried to analyse it in her own musical style. | :09:42. | :09:48. | |
# I'm not in love... # Joan Armatrading was already the | :09:48. | :09:52. | |
critics' favourite in 1976. It wasn't until her third album | :09:52. | :09:59. | |
release that she achieved top ten chart success. What was it about | :09:59. | :10:08. | |
Love And Affection? # With a friend | :10:08. | :10:14. | |
# I can smile... # The process of writing has always | :10:14. | :10:18. | |
been very organic. The song tends to write itself in the key it wants | :10:18. | :10:23. | |
to be written in. This is the song I am. I just basically go with that. | :10:23. | :10:28. | |
Quite often the songs don't follow the verse chorus kind of pattern. | :10:28. | :10:32. | |
Which Love And Affection does? When I said to the record company | :10:32. | :10:37. | |
that I wanted that to be the single, they said, "Remember, you asked for | :10:37. | :10:44. | |
it!" Love And Affection is a beautiful track. It is one of my | :10:44. | :10:51. | |
favourites. Partly because of the power of Joan's vocal performance. | :10:51. | :10:58. | |
When it comes to the vocal on Love And Affection? I haven't got a | :10:58. | :11:04. | |
clue! Don't say that! LAUGHTER haven't got a clue. No. I don't do | :11:04. | :11:07. | |
anything with my voice because I'm more interested in writing the song | :11:07. | :11:14. | |
than singing it. I sing because I write. You are quite fareless at | :11:14. | :11:19. | |
leaving things in -- fearless at leaving things in even when they | :11:19. | :11:23. | |
aren't perfect? Singing isn't about being perfect. It is about | :11:23. | :11:28. | |
expression, feeling and putting forward this emotion. | :11:28. | :11:33. | |
# I'm open to persuasion... # People did connect with that | :11:33. | :11:38. | |
emotion. Following the success brought by Love And Affection, a | :11:38. | :11:41. | |
song written with no preconceived idea of creating a hit, Joan | :11:42. | :11:45. | |
decided to play with the idea of what makes a record work. Instead | :11:45. | :11:55. | |
:11:55. | :11:57. | ||
of writing to please herself, she set out to write a crowd-pleaser. | :11:57. | :12:04. | |
What were your aims with Drop The Pilot? To have a top ten hit. That | :12:04. | :12:11. | |
was the sole purpose of writing Drop The Pilot. I wanted it to be | :12:11. | :12:21. | |
bouncy. I wanted the quirky lyrics. If I went off into this typical | :12:21. | :12:27. | |
Joan thing I would rein it in. It is not like when you write Love And | :12:27. | :12:32. | |
Affection that pours out. This is where you have to think and close | :12:32. | :12:37. | |
your eyes and look up and the pencil in the mouth - it is that | :12:37. | :12:43. | |
kind of thing. Did that not feel like a compromise? No. It felt like | :12:43. | :12:47. | |
a challenge. It was really enjoyable. And even more enjoyable | :12:47. | :12:55. | |
because it was a hit. Drop The Pilot became Joan's third UK Chart | :12:55. | :12:59. | |
success and was also a hit in America. Having achieved the aim of | :12:59. | :13:03. | |
writing her perfect pop song, she never did it again. I have no idea | :13:04. | :13:08. | |
why I didn't do it again. It is because we write the way we write. | :13:08. | :13:13. | |
To write like Drop The Pilot all the time, I would be struggling. It | :13:13. | :13:19. | |
is not my natural kind of area. although both ways of writing | :13:19. | :13:24. | |
produced a hit record, it's Love And Affection that Joan thinks has | :13:24. | :13:30. | |
lasted the best. I have sung that song every single night on tour | :13:30. | :13:35. | |
since it came out in 1976. I never get fed up of it. The audience | :13:35. | :13:39. | |
never gets fed up of it. It feels very fresh still. Part of that | :13:39. | :13:43. | |
freshness is this thing of not having this kind of formula, if you | :13:43. | :13:50. | |
like, and Drop The Pilot, I haven't sung that every single tour. | :13:50. | :13:57. | |
may not have sung that one but we love Drop The Pilot. Rolf, we could | :13:57. | :14:01. | |
talk to you about music for hours. You are here to talk about your art | :14:01. | :14:06. | |
in this new exhibition, which wouldn't have happened if it wasn't | :14:06. | :14:16. | |
:14:16. | :14:17. | ||
for this photograph of an 5th of I had taken a photograph of | :14:17. | :14:22. | |
this lady. She lived with her husband, a white guy who. They had | :14:22. | :14:27. | |
this little shack of a house that they lived in. She was amazing. | :14:27. | :14:34. | |
That was in her kitchen. I was doing a programme about Degas, one | :14:34. | :14:38. | |
of the Impressionists. I was at Windsor racecourse, I painted a | :14:38. | :14:43. | |
picture of a jockey riding a horse, being led by a group. It worked | :14:43. | :14:48. | |
like a dream. A lovely impressionist painting. -- led by a | :14:48. | :14:52. | |
groom. At the end of it, I thought, why am I not doing this every day | :14:52. | :14:57. | |
of my life, I love it so much. The next morning, I was up at about | :14:57. | :15:02. | |
seven. Between 730 and 9 o'clock, I had finished that painting from a | :15:02. | :15:12. | |
:15:12. | :15:13. | ||
photograph of Patsy. It's bad quickly? Yeah. -- that quickly? | :15:13. | :15:22. | |
it painted itself, it went so fast. The background was she sloshed in, | :15:22. | :15:26. | |
it did not matter, everything worked. Your body of work is so | :15:26. | :15:34. | |
diverse. In your 80th year, your 82, actually, can you now pinpoint what | :15:34. | :15:39. | |
your style is? It is basically impressionistic. If anybody doesn't | :15:39. | :15:45. | |
know what that means, an impressionistic painting is one | :15:45. | :15:50. | |
which starts off with a blur, and then refines the Blur to whatever | :15:50. | :15:57. | |
stage you want to leave it. You can keep refining it until it looks | :15:57. | :16:03. | |
like a photograph, but I don't like that. I like it to be casual and | :16:03. | :16:07. | |
relaxed. One of the highlights of the exhibition is the portrait you | :16:07. | :16:11. | |
did of the Queen for her 80th birthday. We are going to have a | :16:11. | :16:18. | |
look of you in the palace. missed a very good at changing of | :16:18. | :16:22. | |
the Guard. I know, you get all the fun of the music and everything in | :16:22. | :16:26. | |
the mornings. There was a great bank, they fired a gun at about | :16:26. | :16:32. | |
midday, which frightens the wits out of all of us -- a great bank. | :16:32. | :16:42. | |
:16:42. | :16:47. | ||
Do you know why it was? No. Nor did I! I had to look it up. Brilliant. | :16:47. | :16:51. | |
On that point of refining it, was a difficult to know when to stop with | :16:51. | :16:57. | |
that one? Yeah... My aim was to get a like MS, first and foremost, | :16:57. | :17:02. | |
otherwise you are dead in the water, if it doesn't look like the person. | :17:02. | :17:06. | |
-- to get a likeness. And do have it looking like a real person, | :17:06. | :17:10. | |
rather than pomp and circumstance and a costume, I wanted to get the | :17:10. | :17:15. | |
real person behind the facade, as it were. I was very happy with that | :17:15. | :17:19. | |
warmth that came through that painting, I loved it. It captures | :17:19. | :17:25. | |
her personality. I think so. As she left the studio, she said, it is a | :17:25. | :17:30. | |
very friendly painting. I took that as a pat on the back. She never | :17:30. | :17:37. | |
says, I love that, or I hate that. Let's see how the three young | :17:37. | :17:41. | |
artists are coming on. How are you doing? Lovely stuff. You can see | :17:42. | :17:46. | |
Rolf Harris's work at the exhibition, Can You Tell What It Is | :17:46. | :17:49. | |
Yet?, at Liverpool's Walker Art Gallery. | :17:49. | :17:53. | |
After 10 years of Animal Hospital, you are going to love this next | :17:53. | :17:55. | |
film. Joe Crowley went to meet one little | :17:55. | :18:00. | |
girl whose life has been turned around by a cockapoodle. | :18:00. | :18:04. | |
This is a 3-year-old cockapoodle, but she is no ordinary family pet. | :18:04. | :18:08. | |
She has been trained as a working dog to help her 11-year-old owner. | :18:08. | :18:12. | |
Poppy suffered severe hearing loss when she was born three months | :18:12. | :18:16. | |
premature. I can't hear mummy and daddy talking. I can't hear the | :18:16. | :18:21. | |
sound of footsteps, I can't hear the radiator, I can't hear the rain. | :18:21. | :18:26. | |
Being a deaf child presents many challenges went sound is used for | :18:26. | :18:30. | |
everything, from communication to alerting us to danger -- when sound | :18:30. | :18:34. | |
is used. I find it difficult if my friends or family are talking at | :18:35. | :18:39. | |
once. It is hard to keep up. I am looking everywhere. Some of these | :18:39. | :18:44. | |
problems can be alleviated using technology, such as hearing aids, | :18:44. | :18:48. | |
flashing a lance and implants. For the first time, British Deaf | :18:48. | :18:54. | |
children are also getting canine support in the form of hearing Dogs | :18:54. | :18:58. | |
-- flashing alarms. They not only help in a practical way but they | :18:58. | :19:06. | |
let recipients to alarms and danger signals. They also come back -- | :19:06. | :19:10. | |
combat the feeling of isolation. is here in Buckinghamshire that | :19:10. | :19:13. | |
puppies like this one than the schools to become working dogs, | :19:13. | :19:17. | |
like Maddy. In this purpose-built home environment, dogs are trained | :19:17. | :19:21. | |
to react in any sounds including telephones, alarm clocks and | :19:21. | :19:27. | |
crucially, fire alarms -- react to many sounds. This year has seen the | :19:27. | :19:31. | |
culmination of a pilot scheme where hearing dogs have been placed with | :19:31. | :19:35. | |
children, but can it really change a deaf child's quality of life? | :19:35. | :19:39. | |
benefits are right across the board, not just on the practical aspects | :19:39. | :19:43. | |
of what the dogs can do, but this great aspect of helping children | :19:43. | :19:48. | |
make friends and helping adults make friends. There are great | :19:48. | :19:51. | |
technological advances. This is another choice that you can make. | :19:52. | :19:55. | |
The added benefits are companionship, independence and | :19:55. | :20:00. | |
security that a hearing dog brings, a lot of people will choose that as | :20:00. | :20:03. | |
an added range of benefits. Maddy had a life-changing impact on | :20:04. | :20:10. | |
Poppy? Maddy sleeps in my room, opposite me. I can see her. I know | :20:10. | :20:15. | |
she will let me if something goes wrong. It gives me that bubble of | :20:15. | :20:21. | |
comfort. Maddy has given her the reassurance, and taken away all | :20:21. | :20:25. | |
those concerned to do with their disability, to create something | :20:25. | :20:30. | |
almost even stronger, in a beautiful way, I think, but I am | :20:30. | :20:34. | |
her mum. She is like my best friend. I literally couldn't do anything | :20:34. | :20:40. | |
without her. What the team they are. There is a | :20:40. | :20:44. | |
limited supply of books like Maddy available at the moment. It you | :20:44. | :20:48. | |
want to contact the charity, the details are on the website -- | :20:48. | :20:53. | |
supply of dogs. Poppy and her mum are here, it is lovely to see you | :20:53. | :20:58. | |
all. Olivier, Poppy described Maddy as a bubble of comfort, which is | :20:58. | :21:04. | |
lovely, but there is a specific reason why you chose a cockapoodle. | :21:04. | :21:11. | |
It is because Poppy's dad is highly allergic to dog hair. Maddy is non- | :21:11. | :21:15. | |
shedding. Also we are a petite and energetic family and we could not | :21:15. | :21:20. | |
imagine having a labrador, because it wouldn't be us. Hearing Dogs | :21:20. | :21:25. | |
tailor the docks to the families. Is there anywhere that you can't | :21:25. | :21:33. | |
take her?? I can't take her to school or the swimming pool. That | :21:33. | :21:37. | |
would be understandable. You must be so excited to get home from | :21:37. | :21:43. | |
school and to see her. Yes, I am. How is life with a dog because you | :21:43. | :21:53. | |
have never had one? No. My son and I were terrified. A bad experience? | :21:53. | :21:59. | |
I did, but in my nature, I was quite scared of them. She has cured | :21:59. | :22:04. | |
me, she has been an amazing comfort for Poppy and has made our family | :22:04. | :22:11. | |
complete. You make a great team. And a bubble of comfort, or a | :22:11. | :22:16. | |
beautiful thing. Thanks for coming in. It is not just the likes of | :22:16. | :22:20. | |
Maddy that are proving their worth in the animal kingdom. A close look | :22:20. | :22:24. | |
at fish has given technical boffin some fresh ideas for underwater | :22:24. | :22:30. | |
propulsion. So who got access to this James Bond like world of | :22:30. | :22:35. | |
underwater gadgets? Miranda Krestovnikoff, of course. | :22:35. | :22:39. | |
Traditionally, boats have been powered by sales and propellers. | :22:39. | :22:43. | |
Now, scientists are finding new ways for propulsion, from the | :22:43. | :22:50. | |
animals that do it best. Seabirds, and of course, fish. This is a fish | :22:50. | :22:56. | |
and 82 south-east Asia, and has some impressive moves. -- native to | :22:56. | :23:00. | |
south-east Asia. That has inspired mechanical engineers at the | :23:00. | :23:05. | |
University of Bath. That film is really unusual, on the bottom of | :23:05. | :23:14. | |
They have beautiful control over what the body can do, a normal fish | :23:14. | :23:19. | |
cannot do that. A normal fish has to bend or of his body and is only | :23:19. | :23:24. | |
able to make one motion. This guy, he can just move his feet in and | :23:24. | :23:30. | |
generate thrust in all kinds of directions. He is going backwards. | :23:30. | :23:34. | |
Knife fish are most active at night and can be found in flooded forests | :23:34. | :23:40. | |
and swans. His fear and helps them navigate around tree roots and | :23:40. | :23:49. | |
It gave the team the idea for a robot that can live in similar | :23:49. | :23:53. | |
environments. You are basically managed to recreate a knife fish in | :23:53. | :23:58. | |
a robot. Two motors drive a bunch of beers that go down to two shafts, | :23:58. | :24:08. | |
:24:08. | :24:14. | ||
and each one drives one of the Big it looks a bit creepy, at the | :24:14. | :24:20. | |
way it is wriggling around. It is just a wave motion? -- it looks a | :24:20. | :24:30. | |
Right, moment of due have -- moment of truth, let's see what happens. | :24:30. | :24:34. | |
This is designed to explore rocky or shallow waters, where propellers | :24:34. | :24:44. | |
:24:44. | :24:46. | ||
That back, that's forwards. Wow, that is going great. It is going | :24:46. | :24:53. | |
backwards as well. Brilliant. manoeuvrability is a better as well. | :24:53. | :24:57. | |
You can fine-tune exactly where you want to be more easily than with a | :24:57. | :25:03. | |
propeller. Just like the knife fish? Yes. Fish are not the only | :25:03. | :25:13. | |
marine life that engineers have Penguins use their wings to | :25:13. | :25:17. | |
literally fly underwater. William and his team have come up with the | :25:17. | :25:24. | |
Seebohm, a human powered submarine inspired by the way the birds move | :25:24. | :25:28. | |
in the sea. My initial impression is it does not look much like a | :25:28. | :25:35. | |
penguin, but it is torpedo shape and it has got fines on it. It has | :25:35. | :25:41. | |
wings, so it flies like a penguin. When he is flying, his wings are | :25:41. | :25:45. | |
going up and down. He is always doing this. For a submarine, it is | :25:45. | :25:49. | |
not great. By taking this in principle but taken at the other | :25:49. | :25:55. | |
way, we can balance the forces, and then we can steer in a nice | :25:55. | :26:01. | |
straight line -- but taking it the other way. It needs an air supply, | :26:01. | :26:11. | |
:26:11. | :26:30. | ||
and it has one on board. OK, lovely. Pushing down on the pedals makes | :26:30. | :26:35. | |
the foils on the side flap like wings, to propel the submarine Ford. | :26:35. | :26:42. | |
My legs are exhausted now -- the submarine forward. This is what it | :26:42. | :26:48. | |
feels like to be a penguin. I would be rubbish. With a lot of effort, | :26:48. | :26:52. | |
my top speed is nearly four kilometres per hour. Some species | :26:52. | :26:57. | |
of penguin can swim up to nine times faster. Although this | :26:57. | :27:00. | |
submarine was billed for a competition, it is hoped this | :27:00. | :27:05. | |
design could lead to more eco friendly submersibles. And it just | :27:05. | :27:09. | |
goes to show that if you take a look at nature, it can give you all | :27:09. | :27:19. | |
:27:19. | :27:25. | ||
sorts of ideas, like swimming Are young artists are putting the | :27:25. | :27:29. | |
finishing touches to their paintings. You have got a special | :27:29. | :27:33. | |
programme to coincide with the Jubilee? We start painting tomorrow, | :27:33. | :27:37. | |
Windsor Castle, it is very exciting. And then Anneka Rice comes in? | :27:37. | :27:43. | |
is organising an exhibition we have got a. Huge numbers of people, | :27:43. | :27:47. | |
about 60 people coming in to paint, all different qualities and styles | :27:47. | :27:56. | |
and ages. One is about nine or 10. A youngster, a fantastic painter. | :27:56. | :28:03. | |
We have got people as old as me. Not that ancient. We can see that | :28:03. | :28:09. | |
on BBC One. Yes. There will be a pop up exhibition. On that note, it | :28:09. | :28:14. | |
is time to stand around behind your easels. We will reveal your artwork | :28:14. | :28:24. | |
:28:24. | :28:30. | ||
to Rolf Harris. Ilaria, what have you gone? Is this Buckingham | :28:30. | :28:40. | |
:28:40. | :28:42. | ||
Palace? It is Buckingham Palace. Have a look at Caspar's. It is | :28:42. | :28:51. | |
fantastic. You did a smiley face there. It is the Royal barge. | :28:51. | :29:01. | |
:29:01. | :29:02. |