Browse content similar to 01/05/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Matt Baker. And Alex Jones. | :00:15. | :00:18. | |
Tonight we're joined by a four-time Olympic gold medallist and current | :00:18. | :00:21. | |
world record holder for the 400 metres, Michael Johnson, and he's | :00:21. | :00:24. | |
going to show you how, with a simple online test, you can find | :00:24. | :00:31. | |
out how competitive you are. that's not all, we're also joined | :00:31. | :00:34. | |
by a man who hasn't got Olympic medals and no world records we | :00:34. | :00:39. | |
could find when we googled him, but on the plus side he is quite funny. | :00:39. | :00:49. | |
:00:49. | :00:53. | ||
Good to see you, Ricky! This thing on competitiveness, you are a very | :00:53. | :00:58. | |
successful man, do you have that competitive drive? Over trivial | :00:58. | :01:04. | |
things, yeah. Tiddlywinks. Tiddlywinks, pub quiz, I am | :01:04. | :01:07. | |
heckling the present at the pub quiz. I will be pedantic, I will | :01:07. | :01:13. | |
try to get one extra point, I am a typical bloke, I cannot lose at | :01:13. | :01:18. | |
trivial pursuit, forget it. We will talk to Michael about that later. | :01:18. | :01:25. | |
Running? Carry on! Ricky is here to talk about his brand new series, | :01:25. | :01:29. | |
the third series of The Ricky Gervais Show. He appears as a | :01:29. | :01:35. | |
cartoon, it is not a bad likeness. No, it is not! But watch out, | :01:35. | :01:39. | |
because if the similarity get any closer, you might accidentally | :01:39. | :01:49. | |
It is one of the great puzzles of animation. You can create a big | :01:49. | :01:53. | |
green ochre that audiences love or make a fish talk, and people will | :01:53. | :01:57. | |
flock to see it. But make a realistic human character, and we | :01:57. | :02:02. | |
often do not like it, we find that sort of creepy. Why is it that the | :02:02. | :02:07. | |
more lifelike a human animation becomes, the less we seem to be | :02:07. | :02:13. | |
prepared to accept it? Polar Express, made in 2004, used the | :02:13. | :02:17. | |
then state-of-the-art CD-i to create human characters. But it | :02:17. | :02:21. | |
didn't do as well at the box office as expected. Some film experts | :02:21. | :02:25. | |
believed it was because the characters were too lifelike. Other | :02:25. | :02:30. | |
more recent films seem to show the same kind of effect. What is it | :02:30. | :02:36. | |
about these characters that bothers us? The skin is really smooth, no | :02:36. | :02:40. | |
texture, that gives it away. There is something that does not sit | :02:40. | :02:46. | |
quite right. It should be the real actor or somebody like Woody in Toy | :02:46. | :02:52. | |
Story. Representations are humans that move, like a ventriloquist's | :02:52. | :02:55. | |
dummies, have long been known to unnerve some of us. Sigmund Freud | :02:55. | :03:00. | |
wrote about the reaction and called it the uncanny valley. In the 1970s, | :03:00. | :03:04. | |
a Japanese robotics researcher came up with a way of illustrating this | :03:04. | :03:10. | |
and gave it the name. The uncanny valley. This phenomenon gets its | :03:10. | :03:15. | |
name from a graph that you can draw like this, where you have | :03:15. | :03:18. | |
increasing realism here and increasing empathy or friendly less | :03:18. | :03:24. | |
along there. At this end, you have a stick man, right? Completely | :03:24. | :03:29. | |
unrealistic, completely unfriendly. Up here, you have got me, | :03:29. | :03:33. | |
completely realistic and completely friendly. As you draw a graph, it | :03:33. | :03:38. | |
goes up like this and you hit a point which would represent a Snow | :03:38. | :03:44. | |
White, quite realistic and friendly. When you go a bit further, suddenly | :03:44. | :03:49. | |
you hit this big dip in the graph. Just before you get to 100% realism, | :03:49. | :03:53. | |
that might represent something like this character, Tom Hanks in Polar | :03:53. | :04:01. | |
Express. He is quite realistic, but really rather creaky. He would sit | :04:01. | :04:06. | |
down here in what has become known as the uncanny valley. But why do | :04:06. | :04:12. | |
we react badly to characters who look more like us? This doctor from | :04:12. | :04:16. | |
Bolton University has been carrying out work into the uncanny valley | :04:16. | :04:18. | |
for the games industry. Her research has found that people | :04:19. | :04:23. | |
react particularly badly when the upper facial movements in animated | :04:23. | :04:28. | |
characters are not realistic enough. It may be that one perceives a lack | :04:28. | :04:33. | |
of empathy in a character, due to the lack of upper facial movements, | :04:33. | :04:38. | |
in that the character may not be able to appreciate or share one's | :04:38. | :04:42. | |
feelings, understand how you are feeling, or express or shown the | :04:42. | :04:46. | |
social skills to show compassion towards you. A lot of animated | :04:46. | :04:51. | |
films will avoid the uncanny valley by making the character is | :04:51. | :04:55. | |
deliberately unrealistic. They would give them a big head and | :04:55. | :05:01. | |
exaggerated features. But a team of British animators have another idea. | :05:01. | :05:05. | |
This is image metrics in Manchester. They are at the cutting edge of | :05:05. | :05:10. | |
animation and have worked on video games and major Hollywood films. | :05:10. | :05:15. | |
This is our digital project. This is not real, this is computer- | :05:15. | :05:21. | |
generated. No! That is real, isn't it? Emily is based on a real person, | :05:21. | :05:25. | |
but her face has been replaced with a computer animated version. She is | :05:25. | :05:29. | |
being hailed as a breakthrough in believable computer graphics. What | :05:29. | :05:34. | |
is different here to what has been done before? The main thing was the | :05:34. | :05:38. | |
level of detail to which remodelled the actor. We took scans of their | :05:39. | :05:42. | |
fees in various facial expressions, and we have modelling her down to | :05:42. | :05:46. | |
the skin pores. That is significantly more detail than what | :05:46. | :05:50. | |
people traditionally do, and it enables us to create a result that | :05:50. | :05:55. | |
pulls the eye. I was certainly fooled by Emily, but strangely the | :05:55. | :05:59. | |
moment I was told she was not real, she fell straight back into the | :05:59. | :06:04. | |
uncanny valley for me. So will this level of realism catch on? I don't | :06:04. | :06:12. | |
know, what do you think question? do not know, that is creepy. | :06:12. | :06:17. | |
just cannot relate to that character at all, it is a bit weird. | :06:17. | :06:21. | |
What did you make are Emily? think the technology is amazing, | :06:21. | :06:25. | |
but when it is animation, it defeats the object, really. There | :06:25. | :06:30. | |
is less escapism. I don't know, you might as well get the actor. I | :06:30. | :06:35. | |
would rather have one of them to me so that I don't have to turn up. | :06:35. | :06:40. | |
The style of the characters in The Ricky Gervais Show... Well, I | :06:40. | :06:44. | |
wanted that to be really retro and cuddly, because the things we talk | :06:44. | :06:47. | |
about are quite challenging. I did not wanted to be trendy and spiky | :06:48. | :06:54. | |
and challenging in any way. I sort of designed the original sketches | :06:54. | :07:01. | |
and sent them off to the animators, who are amazing. So you drew them? | :07:01. | :07:06. | |
Obviously, they made them brilliant. They are lovely. They actually said, | :07:06. | :07:11. | |
with mine, between series two and three, they said, you have lost a | :07:11. | :07:15. | |
bit of weight and you have got a beard, to want to change it? I said | :07:15. | :07:20. | |
no, that would be too expensive, leave him fat and shiny. I like it | :07:20. | :07:26. | |
to be a time capsule. Even if Karl got it on their head and became | :07:26. | :07:30. | |
really smart, do you know what I mean, he is there for ever. My note | :07:30. | :07:35. | |
on him was, even rounder! He is rounder than a drawing in with a | :07:36. | :07:43. | |
compass. But the new show is back on Tuesday, and I mean, it looks | :07:43. | :07:47. | |
like you three friends in there having a chat. How much of it is at | :07:47. | :07:53. | |
Live? It is all I live. People say, is a scripted? As if we would | :07:53. | :08:00. | |
bother scripting that rubbish! We just... We went in, I did it as an | :08:00. | :08:03. | |
experiment, I love being in a room with Karl Pilkington, he is my best | :08:03. | :08:08. | |
mate. I call him all the time, I will call him after this show. And | :08:08. | :08:13. | |
I just thought, that is fun, I think that is what normal people do, | :08:13. | :08:19. | |
they chat, and we tried to do that. Then we are loaded it as a podcast, | :08:19. | :08:23. | |
it went crazy, and then this happened. It was just an experiment, | :08:23. | :08:27. | |
it was just fun, a labour of love, really, but it is totally Ablett, | :08:28. | :08:35. | |
yeah. Let's have a look at one of the shows. The tsar things that | :08:35. | :08:39. | |
really annoy you. So low it is, they cause more problems than good. | :08:39. | :08:44. | |
They eat cabbage. When they should not be. They get in boxes and mix | :08:44. | :08:49. | |
stamps. They don't make stamps. They like the blue on it, that is | :08:49. | :08:58. | |
why they are so slow. I think they are sweating blue. -- Blue. What do | :08:58. | :09:08. | |
:09:08. | :09:09. | ||
It is great! He observed the world, but then he makes up his own facts. | :09:09. | :09:14. | |
He has obviously heard that they like the taste, so they are making | :09:14. | :09:18. | |
stamps, that quantum leap, and then they are sweating the gloom. I like | :09:18. | :09:23. | |
that. His knowledge of the animal kingdom is fantastic, I love to get | :09:23. | :09:27. | |
him on the big subjects, he is amazing. This is the third series, | :09:27. | :09:32. | |
and historically you do not do a third series. Yes, at two series, | :09:32. | :09:37. | |
but you have got to realise, with this, someone else is doing all our | :09:37. | :09:44. | |
hard work. I just chatted! I am selling is a third time now. It is | :09:44. | :09:50. | |
the third season, 39 episodes, which I think is more than the | :09:50. | :09:54. | |
Office and Extras put together! We are doing a special of An Idiot | :09:54. | :09:59. | |
Abroad, he is doing his travels now. You put him in extraordinary | :09:59. | :10:03. | |
situations, do you feel bad about that? No, he is my gift to the | :10:03. | :10:07. | |
world. I think he is the funniest guy in the world, he is my best | :10:07. | :10:11. | |
mate, and people who say I am volleying him, right in it he wants | :10:11. | :10:17. | |
to be bullied by me, because you get a series, a new house. Not a | :10:17. | :10:22. | |
bad deal! One of the big parts of the animation is your laugh, it is | :10:22. | :10:32. | |
:10:32. | :10:42. | ||
brilliant. Brilliant for some! That howl at the end! Nothing makes | :10:42. | :10:49. | |
me laugh like him. People say, is the real? If he is not, he keeps | :10:49. | :10:54. | |
the Act Up 24-7. He is funny all the time. We were wondering if you | :10:54. | :10:58. | |
could guess other people's laughs, gets the laugh, this game is. They | :10:58. | :11:05. | |
are famous people. As opposed to the guy who works in the chip shop! | :11:05. | :11:14. | |
We have got three, RK, listen up. Sid James! That was very good, | :11:14. | :11:24. | |
:11:24. | :11:28. | ||
straight away. This is the second I have no idea. Think about it, he | :11:28. | :11:35. | |
is a friend of yours. There he is, it is Jimmy Carr. OK, stop it! | :11:35. | :11:41. | |
is a bit creepy after a while. is like a ghost. This third one is | :11:41. | :11:49. | |
quite hard, isn't it? Good luck with this one. It is a female. | :11:49. | :11:57. | |
Female what?! Human? That is their actual laughter. Douet again! I | :11:57. | :12:07. | |
:12:07. | :12:11. | ||
It is Adele. Really?! That is good. What a game! She has got a lovely | :12:11. | :12:17. | |
voice, but not when she laughs. That is funny. The third series of | :12:17. | :12:20. | |
The Ricky Gervais Show starts next Thursday at 11:30pm. Now, if | :12:20. | :12:24. | |
anybody follows you on Twitter, they will know you are a big cat | :12:24. | :12:31. | |
lover, you posed pictures of your cat quite often. Did you know that | :12:31. | :12:36. | |
as a cat lover in the 1960s, you could walk into Harrods and pick up | :12:36. | :12:46. | |
:12:46. | :12:46. | ||
a Winnie The Pooh? It is ridiculous. Here is Gyles to explain more. The | :12:46. | :12:50. | |
60s were exciting times, the days before tedious stuff like the | :12:50. | :12:57. | |
dangerous Wild animals Act of 1976, and if you fancied by Neil self-pay | :12:57. | :13:03. | |
Klout, there was nothing to stop you. You simply popped out to the | :13:03. | :13:07. | |
shops. In 1969, Harrods was offering a lion cub as the ultimate | :13:07. | :13:12. | |
Christmas present. You could not resist it, you look at it and | :13:12. | :13:16. | |
thought, heavens, we have got to do something about this. Star moving | :13:16. | :13:22. | |
up the equivalent of �4,000, John bought the Harrods line, naming him | :13:22. | :13:27. | |
Christiane, they took him home to a London furniture shop. It is still | :13:27. | :13:33. | |
trading, but in new premises. Seriously, a shop like this amidst | :13:33. | :13:38. | |
all the furniture? New line, the sofa and the wardrobe. Exactly | :13:38. | :13:42. | |
right! This was his jungle, and used to sneak around between all | :13:42. | :13:49. | |
the chairs, stalking people. This is your gallery here. Sitting on | :13:49. | :13:55. | |
the stairs. What did the customers make of him? They loved it! He is | :13:55. | :13:57. | |
about eight months old here. Obviously, he looks like he was | :13:58. | :14:02. | |
happy to be handled. He had complete trust in us. It is | :14:02. | :14:07. | |
impossible to assess what he thought we were. All he knew was | :14:07. | :14:10. | |
that we loved him unconditionally. And here he is up in a flat, you | :14:10. | :14:16. | |
say. A My gosh! Were people write to be a bit wary? They were right | :14:16. | :14:22. | |
to be wary, but he never attacked anybody. This is before the age of | :14:22. | :14:25. | |
health and safety, so nobody was coming along and saying, you cannot | :14:25. | :14:35. | |
:14:35. | :14:37. | ||
Christian became the focus of John's life, but the growing lion | :14:37. | :14:41. | |
needed space, which was in short supply on the King's Road. This is | :14:41. | :14:46. | |
where you would come? It is a graveyard. It is a graveyard and | :14:46. | :14:51. | |
the perfect safe walled garden for him to play football. He persuaded | :14:51. | :14:56. | |
the vicar to lead to bring a lion, in your car? He was a marvellous | :14:56. | :15:02. | |
man, he was animal lover, he said, he of course you can. Did you have | :15:02. | :15:09. | |
a pooper scooper? No, of course not. Standards were different. It was a | :15:09. | :15:14. | |
scooper shovel! It is amazing, a liar and running three in west | :15:14. | :15:21. | |
London. -- a lion running free. Despite their close bond, they knew | :15:21. | :15:25. | |
that Christian could not stay in London much longer. But putting him | :15:25. | :15:30. | |
back into captivity would be betrayal. It was distressing, what | :15:30. | :15:34. | |
was going to happen to him. I was quite pleased when Bill Travers | :15:34. | :15:40. | |
walked into the shop looking for a desk. I thought, I know who you are. | :15:40. | :15:44. | |
I have got something to show you. Bill Travers and Virginia McKenna, | :15:44. | :15:49. | |
stars of the hit film, born Free, instantly joined Christian boss fan | :15:49. | :15:56. | |
club. At that moment, it was absolutely wonderful. And I thought, | :15:56. | :16:00. | |
as I looked at him, he was one of the most beautiful young Lawrence I | :16:00. | :16:06. | |
had ever seen. There was something about him. With Bill's help, the | :16:06. | :16:13. | |
lion was given a chance of freedom. He was flown to Kenya where the | :16:13. | :16:16. | |
conservationists are tempted to integrating into the wild. I felt | :16:16. | :16:20. | |
confident that Christian would have a fulfilled life in the wild, for | :16:20. | :16:24. | |
however long or short that might be. Even if it was a year, it would be | :16:24. | :16:32. | |
better than a lifetime in a zoo. Christian had left a massive gap in | :16:32. | :16:36. | |
John's life. A year later, they flew to Kenya with a cameraman, | :16:36. | :16:41. | |
hoping to film them. But the lion was wild and potentially dangerous. | :16:41. | :16:46. | |
Had he forgotten his human friends? You can see him thinking it through. | :16:46. | :16:56. | |
:16:56. | :16:56. | ||
Is it then? Is it then? That is when he started to run. -- is it | :16:56. | :17:05. | |
When he actually jumped into arms, and was rubbing against us, it was | :17:05. | :17:11. | |
an extraordinary feeling. This huge animal now. It was a unique | :17:11. | :17:16. | |
privilege to be there. The sheer excitement, that he hadn't | :17:16. | :17:23. | |
forgotten us. It is remarkable that a lion from Harrods should manage | :17:23. | :17:29. | |
to adapt to the wilds of Africa. John will never forget the cub he | :17:29. | :17:32. | |
released into freedom. What is more remarkable is that Christian didn't | :17:32. | :17:42. | |
:17:42. | :17:43. | ||
forget them. It has given me goose pimples. Me | :17:43. | :17:50. | |
and Giles have got tears! It is an amazing story and it is not unique. | :17:50. | :17:56. | |
I have another bit of footage to show you about this gorilla. The | :17:56. | :18:01. | |
gorilla was brought up in captivity at the Aspinall family zoo in Kent. | :18:01. | :18:04. | |
Hand-reared for five years and then he became too big, they had to | :18:04. | :18:08. | |
release him into the wild. They went to West Africa, to the Gabon, | :18:08. | :18:13. | |
and they gave the guerrilla back- to-nature, as they rightly should. | :18:13. | :18:19. | |
Five years later, Damian Aspinall thought, I wonder what is happening. | :18:19. | :18:24. | |
The last time the group had been seen, he had twice attacked humans. | :18:24. | :18:27. | |
Damian went in a boat to try to find him. Came to the shore, | :18:27. | :18:32. | |
calling out his name, looking for this wild gorilla. And watch what | :18:32. | :18:42. | |
:18:42. | :18:42. | ||
happened next. I go and see him, and he embraces me and he hugs me. | :18:42. | :18:50. | |
You know, you develop these incredibly strong emotional bonds, | :18:50. | :18:54. | |
because they are so closely related to us. Damia and the gorilla had | :18:54. | :18:57. | |
not met for five years but the guerrilla definitely did remember. | :18:57. | :19:03. | |
This is to do with imprinting. This was discovered about 100 years ago. | :19:03. | :19:07. | |
When baby animals are born, indeed when birds are hatched from eggs, | :19:07. | :19:12. | |
the first thing they see, even if it is an inanimate object, they | :19:12. | :19:18. | |
want to follow it. This has had some wonderful implications in | :19:18. | :19:22. | |
terms of conservation. Condors in California were buying up, there | :19:22. | :19:27. | |
were about nine left in the net -- early 1980s. They're only breed | :19:27. | :19:32. | |
when they are six years of age, they breed quite slowly, one egg | :19:32. | :19:36. | |
every two is. They had the idea of taking the a go away from the live | :19:36. | :19:40. | |
gundog, letting it hatch and showing the Condor a puppet of a | :19:40. | :19:46. | |
Condor. Here is a photograph. It is apparent the rearing a baby Condor. | :19:46. | :19:50. | |
This enabled the adult to give birth to another chicken, lay | :19:50. | :19:54. | |
another egg, and they were able to rear these baby condors with | :19:54. | :20:03. | |
puppets. And now, in California, there are about 178. Yeah, yeah. It | :20:03. | :20:06. | |
is that interesting argument of feed to allow the imprinting to | :20:06. | :20:10. | |
happen with humans. It happened with the lion cub. The problem is, | :20:10. | :20:16. | |
in general, you shouldn't keep wild animals. The fact that they are so | :20:16. | :20:19. | |
intelligent, it proves that they shouldn't be imprisoned for our | :20:19. | :20:24. | |
amusement. It is a privilege and it is a nice ending, but he shouldn't | :20:24. | :20:29. | |
have been in Harrods in the first place. People see things like this | :20:29. | :20:33. | |
and they think, how cute, I could have won, and you shouldn't keep a | :20:33. | :20:38. | |
wild animal. And it can't be done. Legislation followed that made it | :20:38. | :20:45. | |
impossible. It makes a contribution to conservation, so it is difficult. | :20:45. | :20:52. | |
Thank you. The Boeing 787, or Dreamliner, has landed in the UK | :20:52. | :20:55. | |
for the first time, and from next year will be transporting thousands | :20:55. | :20:59. | |
of us on our summer holidays. makers claim it is one of the | :20:59. | :21:03. | |
quietest and greenest airliners ever made. We sent Matt Allwright | :21:03. | :21:08. | |
to ask the question on everybody's lips. Is it just another plane? | :21:08. | :21:13. | |
There was a time when air travel was seen as a gateway to exotic | :21:13. | :21:18. | |
plants. But then again, have you been through passport control -- | :21:18. | :21:24. | |
exotic plants. The 1950s are over. Even Concorde has gone. Air travel | :21:24. | :21:30. | |
is a bit every day, a bit humdrum, isn't it? Apparently this is the | :21:30. | :21:34. | |
aeroplane that is going to change all that. But is it just another | :21:34. | :21:41. | |
plane? Boeing certainly haven't been shy in the claims they are | :21:41. | :21:46. | |
making for their new 787 Dreamliner. They say it will make flying but | :21:46. | :21:51. | |
only more comfortable, but more ecologically friendly. Welcome | :21:51. | :21:57. | |
aboard. How are you? I am OK. Excellent, come and enjoy the 787 | :21:58. | :22:01. | |
Dreamliner. They are only a few of these flying around the world at | :22:01. | :22:06. | |
the moment and the one show has secured a few places on an | :22:06. | :22:10. | |
exclusive test flight. It is not just the aerodynamics but the level | :22:10. | :22:15. | |
of style and comfort that Boeing are selling. Very high ceilings. | :22:15. | :22:25. | |
:22:25. | :22:26. | ||
Large windows. Dinner at the touch To and cleaner air. Is it just | :22:26. | :22:32. | |
another plane? I don't think it is just another plane. I think it is a | :22:32. | :22:35. | |
step forward, much more fuel efficient, will produce a lot less | :22:35. | :22:39. | |
greenhouse gases, much more comfortable for the customers. | :22:39. | :22:44. | |
this your first time to get your hands on this plane? It is, my | :22:44. | :22:48. | |
first fight. That was my first take-off. The technology is very | :22:48. | :22:52. | |
different to other aeroplanes. It is lighter and more airy and the | :22:52. | :22:57. | |
atmosphere is much more similar to what you would encounter on the | :22:57. | :23:02. | |
ground. Is this just another plane? Absolutely not. This is not another | :23:02. | :23:07. | |
plane. This is going to change the way passenger's seat air travel. | :23:07. | :23:12. | |
Change the way airlines use their planes. It would change the | :23:12. | :23:18. | |
economic occasion -- equation. there a reduction in noise for | :23:18. | :23:24. | |
people in their gardens? Absolutely. This will be a very good neighbour | :23:24. | :23:30. | |
to the community. The advanced technology, plus the chevrons that | :23:30. | :23:34. | |
you see on the fans that on it as a ball from the ground, have created | :23:34. | :23:39. | |
a noise signature for this airplane which is contained within the | :23:39. | :23:45. | |
airport boundary -- that are noticeable from the ground. They | :23:45. | :23:48. | |
claim it is quiet on the inside. But does it make any difference for | :23:48. | :23:53. | |
people living near by? It feels like a movement in the right | :23:53. | :23:56. | |
direction. It would be brilliant if all of the planes are like that | :23:56. | :23:59. | |
tomorrow, but it will probably ensure it never quite a period of | :23:59. | :24:04. | |
time. I will commit, but how quickly you are going to see the | :24:04. | :24:08. | |
benefits, and would wake me up at five in the morning? -- it will | :24:08. | :24:13. | |
probably inch in over a period of time. It must be all your birthday | :24:13. | :24:18. | |
is at once? It depends how much less the noise is, and how much | :24:18. | :24:21. | |
less the emissions are. The emissions per plane are improving | :24:21. | :24:25. | |
by about 1% per year, but the growth is four or 5%, so we are | :24:25. | :24:28. | |
getting more and more emissions, more and more noise and | :24:28. | :24:33. | |
environmental damage as time goes on. Isn't it a bit like those diet | :24:33. | :24:36. | |
biscuits. You know they don't give you as many calories, so you end up | :24:36. | :24:42. | |
eating more. Are we going to have more and more air travel, which is | :24:42. | :24:46. | |
not really beneficial? People will continue to want to travel and we | :24:46. | :24:49. | |
continue to try to make the airplanes better, to make less | :24:49. | :24:55. | |
impact on the environment and cost. Is it just another plane? This more | :24:55. | :24:59. | |
comfortable, smoother, quieter Dreamliner is certainly making a | :24:59. | :25:05. | |
big noise in the aviation industry. But would you notice the difference | :25:05. | :25:10. | |
on a two-hour flight to Alicante? Possibly not. | :25:10. | :25:14. | |
Thank you, Matt. We are joined by Olympian and what record holder | :25:14. | :25:21. | |
-- world record holder Michael Johnson. | :25:21. | :25:28. | |
Launching a brand new BBC online experiment Lon -- looking into | :25:28. | :25:32. | |
sports psychology. Right, and it can help anyone. Anyone who goes | :25:32. | :25:36. | |
online can be helped in terms of the pressure they feel, whether it | :25:36. | :25:40. | |
is a job interview, speaking in front of people, sitting next to | :25:40. | :25:45. | |
Ricky Gervais. It can help you understand how you deal with | :25:45. | :25:55. | |
:25:55. | :25:55. | ||
pressure. You like that? Yeah. will help scientists and | :25:55. | :25:58. | |
psychologists figure out what type of characteristics make people | :25:58. | :26:03. | |
better at handling pressure. The one thing that most people | :26:03. | :26:06. | |
understand is that you can improve, you don't have to stay where you | :26:06. | :26:10. | |
are. We did it this afternoon, to find out what conditions you what | :26:10. | :26:16. | |
Bastin. Yours was happiness, mine was excitement. -- you work best in. | :26:16. | :26:19. | |
Ricky Gervais was saying, pub quizzes and trivial pursuit, what | :26:20. | :26:25. | |
state are you in when you are playing that? I just want to win. | :26:25. | :26:34. | |
Are you angry? No, it is sort of tongue in cheek. Pressure... I go | :26:34. | :26:38. | |
from 0-60. I can be having the best day in the world and something goes | :26:38. | :26:48. | |
:26:48. | :26:48. | ||
wrong and it is like... What?! I tried to rule stress out of my life. | :26:48. | :26:54. | |
I avoid stress by making sure things are OK. That doesn't | :26:54. | :26:58. | |
necessarily mean he is going to perform better when he is angry. | :26:58. | :27:03. | |
You would need to take the test to see. Some people feel more | :27:03. | :27:06. | |
comfortable when they are angry. I felt better and I competed better | :27:06. | :27:10. | |
when I didn't really like one of my competitors. But you can't rely on | :27:10. | :27:15. | |
that. Yours is explosive, it is physical. I don't want to be | :27:15. | :27:18. | |
running around trying to find somebody to be angry about before | :27:18. | :27:23. | |
going to a race. You can't rely on that. You want to make this the | :27:23. | :27:31. | |
biggest experiment of its kind? Competitive! I am doing a very good | :27:31. | :27:41. | |
one, it is on ITV tomorrow! Let me go on! We have just launched it | :27:41. | :27:45. | |
this morning. 18,000 people have signed on. We want to get over 1 | :27:45. | :27:49. | |
million people. It helps people understand better how they deal | :27:49. | :27:54. | |
with pressure and how to improve themselves. We can see it here, in | :27:54. | :27:59. | |
outstanding form. This is you, 16 years ago, setting the 400 metres | :27:59. | :28:09. | |
:28:09. | :28:10. | ||
world record. Look at the distance! It is remarkable. You have beaten | :28:10. | :28:13. | |
yourself and set that record more and more, but how secure do you | :28:13. | :28:19. | |
think it is? You never know. Somebody will break it one day. You | :28:19. | :28:23. | |
never know when somebody will come a long, some kid who is | :28:23. | :28:26. | |
tremendously talented, who takes the experiment and finds out he | :28:26. | :28:30. | |
performs really well under pressure and breaks my board record! The | :28:30. | :28:34. | |
special thing is breaking the world record -- and breaks my world | :28:34. | :28:38. | |
record. I am not doing anything out to hold it. When I broke it, it was | :28:39. | :28:43. | |
a great sense of accomplishment. is inspiring to talk to you, thanks | :28:43. | :28:48. | |
ever so much. If you want to get involved, the details are on our | :28:48. | :28:55. |