Browse content similar to 30/04/2012. Check below for episodes and series from the same categories and more!
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# No one told dual life was going to be this way. | :00:52. | :00:57. | |
# Your love life is DOA. # It is like you are always stuck | :00:57. | :01:01. | |
in second gear. # One it hasn't been your day, your week, your | :01:01. | :01:11. | |
:01:11. | :01:16. | ||
month or even your year -- # At Welcome to Monday's One Show with | :01:16. | :01:20. | |
Matt Baker and Alex Jones. Tonight's guest is known the world | :01:20. | :01:23. | |
over for starring in France but he is not quite as well known for his | :01:23. | :01:29. | |
born Jerry videos. -- starring in Friends. But he is not quite so | :01:29. | :01:39. | |
:01:39. | :01:51. | ||
well known for his poncho the It is Matt LeBlanc. How about that? | :01:51. | :01:57. | |
What was he thinking of, the bed is very flammable. Tell that to | :01:57. | :02:02. | |
Claudia Schiffer! You have done two videos for John Bond Jodie, haven't | :02:02. | :02:12. | |
:02:12. | :02:14. | ||
you? Yes. In the day, or when videos had giant barges, the | :02:14. | :02:23. | |
director was a god of -- giant budgets. He called me and he said, | :02:23. | :02:26. | |
do you want to be the guy in this video, come and hang out for a | :02:26. | :02:32. | |
couple of hours. I said, all right. Then he did once before Friends and | :02:32. | :02:38. | |
that was the fun. Is there a third in the pipeline? I am hoping. A | :02:38. | :02:42. | |
tough gig to get. We have this wonderful picture of you winning a | :02:42. | :02:46. | |
Golden Globe for your role in Episodes. You looked quite | :02:46. | :02:50. | |
surprised but loads of people would think, of course you will win a | :02:50. | :02:56. | |
Golden Globe. That is a massive TV! Everyone comments on it! Way did | :02:56. | :03:01. | |
you get it? I will tell you later! They have probably come down in | :03:01. | :03:06. | |
price since we bought it. That was a good night, obviously. It was a | :03:06. | :03:10. | |
huge honour. It was my 4th nomination and the first time I | :03:10. | :03:14. | |
have won. I was fully prepared for them to say someone else's name. I | :03:14. | :03:18. | |
thought it would be Alec Baldwin. When they said my name, I thought, | :03:18. | :03:24. | |
that sounded an awful lot like my name. Then I started to sweat and | :03:24. | :03:29. | |
the rest is kind of a blur. We will be talking to Matt about this | :03:29. | :03:34. | |
second series of Episodes a bit later. The final touches have been | :03:34. | :03:37. | |
added to the Olympic stadiums and the athletes are training flat out | :03:37. | :03:40. | |
for what most people expect to be a brilliant showcase for London and | :03:40. | :03:44. | |
the UK. There is not long to wait but a small number of people are | :03:44. | :03:48. | |
planning to ruin it for everybody. Iwan Thomas is not happy, and he | :03:48. | :03:56. | |
Already this year, we have seen how protesters use sporting events to | :03:57. | :04:00. | |
get their voices heard. These scenes from Formula 1 in Bahrain | :04:00. | :04:04. | |
were shown all over the world, and put the race in jeopardy. I know, | :04:04. | :04:08. | |
as an athlete, sharing the stage with a protest is the last thing | :04:08. | :04:13. | |
you want after years of training, especially when that stage will be | :04:13. | :04:16. | |
witnessed by 4 billion people. Should the Olympics be the right | :04:16. | :04:22. | |
platform for protesters to make their stand? Four years ago, Connie | :04:22. | :04:26. | |
hug's lake of the Olympic torch relay was disrupted by human rights | :04:26. | :04:29. | |
protesters. More recently, the Oxford and Cambridge Boat Race was | :04:29. | :04:33. | |
thrown into chaos by Trenton Oldfield swimming across the course. | :04:33. | :04:39. | |
Before I was a glimmer in my dad's I, people work disrupting public | :04:39. | :04:42. | |
events in order to gain publicity for their cause, some who have even | :04:42. | :04:47. | |
gone on to greater things. In 1970, former minister Peter Hain | :04:47. | :04:51. | |
protested against South Africa's proposed cricket tour of England. | :04:51. | :04:55. | |
He managed to stop the tour and in the process, split the country's | :04:55. | :04:59. | |
opinion. This is why we think we have every chance of succeeding. | :04:59. | :05:03. | |
Are you still proud of your protest? Yes, I am. We took a stand | :05:03. | :05:07. | |
against teams that were sited on the basis of race. That is why we | :05:07. | :05:11. | |
used tactics to run on the pitch, lay siege to the team in its hotel. | :05:11. | :05:15. | |
We physically stopped these tours from happening and that was a major | :05:15. | :05:21. | |
blow against apartheid, in stopping those racist tours. I feel for the | :05:21. | :05:24. | |
cricketers who missed out, Abbey spoken to any of them, have you | :05:24. | :05:28. | |
remained friends with any of them, did any agree? Some of the white | :05:28. | :05:33. | |
South African could because -- cricketers, who were denied the | :05:33. | :05:36. | |
opportunity to talk and then excluded from what cricket after, | :05:36. | :05:40. | |
have subsequently said to me that I was right. That we were right. But | :05:40. | :05:45. | |
I don't think people should lightly or easily, or catchily target sport | :05:45. | :05:50. | |
for protest. South Africa was a unique case. I think you have got | :05:50. | :05:54. | |
to be really careful about protesting against sporting events. | :05:54. | :05:59. | |
In the end, you will just stop sport happening, if you use any old | :05:59. | :06:06. | |
excuse to target a particular sports event. Whereas Peter boss | :06:06. | :06:10. | |
actions in the 70 used sport to highlight and or smugly help break | :06:10. | :06:15. | |
apartheid, many of the protests are against the sponsors organisers of | :06:15. | :06:19. | |
London 2012. The counter Olympics that work and our Olympics are just | :06:19. | :06:25. | |
some of the group's planning protests -- counter Olympic network. | :06:25. | :06:28. | |
If you were to run in front of them, they have to stop and swerve to get | :06:28. | :06:33. | |
out of your way, you see that as OK? Absolutely. We are planning to | :06:33. | :06:37. | |
make the London 2012 Games the greatest act of non-violent civil | :06:37. | :06:41. | |
disobedience of our age, because we feel it warrants it, based on the | :06:41. | :06:44. | |
exorbitant cost of the Olympic Games, based on the unethical | :06:44. | :06:50. | |
corporate sponsors of London 2012, but also the context in which the | :06:50. | :06:54. | |
Olympics takes place, which is one of crushing austerity measures, | :06:54. | :06:59. | |
which are really punishing the most vulnerable groups in our society. | :06:59. | :07:02. | |
understand what you are saying, there is a lot of things behind the | :07:02. | :07:05. | |
scenes in every walk of life which you may deem as unethical, but I am | :07:05. | :07:10. | |
just doing my job, and that is to be an athlete. And our job as | :07:10. | :07:14. | |
members of a society is to make that society as ethical, as | :07:15. | :07:20. | |
sustainable and as responsible as we can. This form of protest is | :07:20. | :07:24. | |
absolutely the centre of making sure our society is held to the | :07:24. | :07:30. | |
highest ethical standards that we can possibly do. On the busiest | :07:30. | :07:35. | |
days, 9,000 officers will police the Games, with access to over | :07:35. | :07:39. | |
12,000 cameras, co-ordinated from a Special Operations Room with a | :07:39. | :07:44. | |
staff of 300. The Met have already started taking pre-emptive action. | :07:44. | :07:47. | |
Simon Moore was involved in a campaign to stop the construction | :07:47. | :07:51. | |
of a temporary basketball training venue on Leaton Marsh. He now has | :07:51. | :07:57. | |
an Olympic ASBO. The ASBO privets me from entering or remaining in | :07:57. | :08:00. | |
100 yards of any existing or proposed Olympic competition or | :08:00. | :08:04. | |
practice venue, or root. Worst-case scenario, of a police officer was | :08:04. | :08:09. | |
to come here and know that you have got an ASBO, you face jail? Yes, I | :08:09. | :08:13. | |
could be sent to prison for up to five years. A long time, you | :08:13. | :08:17. | |
obviously feel very strongly about this. I don't think I'm doing | :08:17. | :08:21. | |
anything which is unjust. If the law deems that what I'm doing is | :08:21. | :08:27. | |
illegal, I am prepared to break the law in this instance. Ultimately, | :08:27. | :08:30. | |
how successful any of these protests are will depend on how | :08:30. | :08:34. | |
much sympathy they gain. Olympics Minister Hugh Robertson has urged | :08:34. | :08:39. | |
the public to shop anybody who they believe are plotting to disrupt the | :08:39. | :08:42. | |
Games. The London Gwenddydd of Olympics should be an opportunity | :08:42. | :08:46. | |
for British athletes to shine. It would be unfortunate if that were | :08:46. | :08:51. | |
overshadowed by protests, however democratic they are. | :08:51. | :08:54. | |
You must have been furious, speaking to carry. I get on with | :08:54. | :09:00. | |
everybody, I think I am quite easy- going, but I was fuming because she | :09:00. | :09:03. | |
seemed to have an answer for everything. I said, I have worked | :09:03. | :09:10. | |
so hard for everything, to get my Olympic medal, and she said, do you | :09:10. | :09:14. | |
realise where that comes from? It looks like her organisation are | :09:14. | :09:18. | |
adamant that you are going to protest. - you not understand your | :09:18. | :09:22. | |
perspective? I said, if you want to get your point across, holed up | :09:22. | :09:26. | |
some signs and banners but you don't have to disrupt the athletes. | :09:26. | :09:30. | |
We have trained our lives for that one moment, that one opportunity | :09:30. | :09:33. | |
Andy just want to do yourself and Britain proud, and you don't want | :09:33. | :09:37. | |
someone like that ruining it. -- and you just want to do Britain | :09:37. | :09:40. | |
proud. She doesn't know the sacrifices our athletes have made | :09:40. | :09:45. | |
to get to London and it is a real shame that could be taken away. | :09:45. | :09:49. | |
also met Simon who has an ASBO, who protested against a temporary | :09:49. | :09:54. | |
basketball court on Hackney Marsh. You had a bit more sympathy for him. | :09:54. | :09:58. | |
I quite liked him, he made me a cup of tea. He was a bright lad. His | :09:58. | :10:02. | |
argument was, why are you putting up a temporary structure which is | :10:03. | :10:06. | |
going to cost millions and you are going to take down? Why did you get | :10:06. | :10:10. | |
the basketball players to strain in local schools and colleges, then | :10:10. | :10:15. | |
encouraging the future and the legacy could carry on. Some events | :10:15. | :10:19. | |
are more at risk than others. The cycle road race and the marathon as | :10:20. | :10:24. | |
well. Had you thought much about protesters before maybe Trenton | :10:24. | :10:29. | |
Oldfield jumped in front of the boats? Before the but rates, but it | :10:29. | :10:34. | |
to a back of my mind. -- before the Boat Race. My awareness has been | :10:34. | :10:37. | |
heightened that we need to be careful. The Olympics is the | :10:37. | :10:41. | |
biggest thing on the planet and people use that as a time to be | :10:41. | :10:44. | |
heard. Things like the marathon, I can only think of someone like | :10:44. | :10:48. | |
Paula Radcliffe. She has trained so hard to get back, can you imagine | :10:48. | :10:51. | |
if they protest that runs in front of her or chuck something at her, | :10:51. | :10:56. | |
that is wrong, that is selfish. Would this sort of thing happen in | :10:56. | :11:03. | |
America? The Olympics, it is such a major stage, I am sure it is a | :11:03. | :11:06. | |
concern everywhere that the Olympics are held, it is | :11:06. | :11:10. | |
unfortunately the world that we live in. I e a big fan of the | :11:10. | :11:16. | |
Olympics? Yes. Excited? Sure. you could have a ticket to any | :11:16. | :11:26. | |
:11:26. | :11:42. | ||
event, which one would you go to? Thanks ever so much. 3D, or not 3D, | :11:42. | :11:47. | |
that is the question. Just a gimmick, or the future of cinema? | :11:47. | :11:51. | |
We sent Marty Jopson to find out why some the moviegoers are already | :11:51. | :11:57. | |
sick of the three-dimensional 3D entertainment is booming these | :11:57. | :12:06. | |
Hollywood seems to be really pushing it as the future of film. | :12:06. | :12:12. | |
Cinemas are full of their latest 3D offerings. But there is a little | :12:12. | :12:18. | |
bit of a problem. For a significant number of people, the 3D viewing | :12:18. | :12:28. | |
:12:28. | :12:28. | ||
experience is making them, well, a Studies show that up to a 5th of us | :12:28. | :12:33. | |
experience problems when we watch 3D. The most common complaints are | :12:33. | :12:37. | |
eyestrain and headaches. What is actually happening when we watch a | :12:37. | :12:42. | |
3D film? The concept of 3D isn't new. It has been around for more | :12:42. | :12:47. | |
than 100 years. Creating a 3D image is relatively easy. All you need to | :12:47. | :12:53. | |
do is take two images from slightly different angles. Let me show you | :12:53. | :12:58. | |
what I mean with just a single frame. Here are two pictures of | :12:58. | :13:03. | |
some ugly fellow, taken from Abersoch slightly different angles. | :13:03. | :13:07. | |
If we superimpose the two images, and flick between them really | :13:07. | :13:13. | |
quickly, 3D! Sort of. That is how it is done. But what is it about | :13:13. | :13:18. | |
the process that can cause problems for some viewers? Not surprisingly, | :13:18. | :13:21. | |
major film companies would like to know the answer and they have | :13:21. | :13:26. | |
recruited Dr Tim Smith from Berbec University in London to find out. - | :13:26. | :13:30. | |
- Birkbeck University. When you watch 3D, your eyes do something | :13:30. | :13:34. | |
quite unusual. In the real world, when we see an object, we actually | :13:34. | :13:38. | |
focus on the light reflected from it. Like with this green ball on a | :13:39. | :13:44. | |
stick. But what if that object doesn't exist. Here is my handy | :13:44. | :13:48. | |
virtual 3D... This isn't really here? No, it is just on the screen. | :13:48. | :13:53. | |
As it comes here, your eyes are pointing at this point in space. | :13:53. | :13:57. | |
The light is always coming from the screen. So your lens inside your I | :13:57. | :14:02. | |
always focuses on the screen, but your eyes point here, and that | :14:02. | :14:07. | |
creates a conflict. It means your muscles are working overtime, | :14:07. | :14:12. | |
leading to a conclusion -- confusion and possibly eyestrain. | :14:12. | :14:15. | |
Be it is worse when things appear to zoom off into the distance or | :14:15. | :14:21. | |
leap out of the screen. It creates extreme lengths between background | :14:21. | :14:24. | |
and foreground object but this is the thing that film-makers love to | :14:24. | :14:29. | |
give us, and many of us love to see. How do you keep if the rules and | :14:29. | :14:34. | |
avoid the unpleasant side-effects? -- the thrills. Tim Smith is using | :14:34. | :14:38. | |
special software to help film- makers establish just what our | :14:38. | :14:45. | |
rights can stand. The red dots show exactly where I am the king. The | :14:45. | :14:52. | |
kit works by following the movement of my pupils. You can see how | :14:52. | :14:56. | |
rapidly they are moving around. was deliberately not looking at the | :14:56. | :15:01. | |
back ground because it was too much. If our eyes are darting around, it | :15:01. | :15:06. | |
gives an indication that we are finding the viewing uncomfortable. | :15:06. | :15:12. | |
When we stray from what the film- maker wants us to see, we are | :15:12. | :15:16. | |
straying from what the director intended for we can look at how we | :15:16. | :15:20. | |
watch a movie and if it doesn't work how we think, they can fix it | :15:20. | :15:24. | |
and changed the movie and make it easier to watch. Studies have shown | :15:24. | :15:28. | |
there is a comfort zone for the depth of 3D. Tim can work with | :15:28. | :15:32. | |
film-makers to make sure the main point of interest in a scene is | :15:32. | :15:35. | |
within this safe area. This allows them to be more adventurous with | :15:35. | :15:45. | |
:15:45. | :15:45. | ||
Film makers have to learn where the comfort zone is, so that is | :15:46. | :15:50. | |
comfortable for the eyes to focus on it and see the depth. | :15:50. | :15:55. | |
3D is being heavily promoted, not just as the future of cinema, but | :15:55. | :16:00. | |
of TV, smartphone and games as well. It is little wonder that the 3D | :16:00. | :16:05. | |
industry are going to such lengths to fix the problems. | :16:05. | :16:10. | |
D does make me feel sick. And me, I have never seen Avatar as | :16:10. | :16:14. | |
a result. Matt, are you a fan of the 3D | :16:14. | :16:17. | |
experience? I think that I did a bucket. | :16:17. | :16:20. | |
Great. Moving on! When the first Friends | :16:21. | :16:26. | |
came out, we had Tamasin on to promote it, halfway of explaining | :16:26. | :16:32. | |
the premise of the Episodes, the fire alarm went off, so we never | :16:32. | :16:37. | |
finished. Can you tell us the premise of the Episodes series? | :16:37. | :16:40. | |
Hopefully I don't set the fire alarm off. | :16:40. | :16:47. | |
Basically it is a show about a show. So it is Tamasin, Greg, playing a | :16:47. | :16:50. | |
married British couple who are writer producerss with a hit show | :16:50. | :17:00. | |
in the UK, called Limon's Boys. About the headmaster of a boy's | :17:00. | :17:05. | |
school called Richard Griffiths, hopelessly in love with a librarian. | :17:05. | :17:10. | |
It is a big hit. They are at the BAFTA, an American President | :17:10. | :17:14. | |
convinces them to move to America, promises the world, to keep the | :17:14. | :17:18. | |
cast, not to change the scripts, they are given all kinds of money, | :17:18. | :17:22. | |
house, car, they are wooed by Hollywood and come to the States. | :17:22. | :17:26. | |
Once they arrive, one by one, every promise is broken, including the | :17:26. | :17:30. | |
fact that they can keep Richard grich itselfs and they are forced | :17:30. | :17:37. | |
to replace him with me. So I play this very bizarre manipulative, | :17:38. | :17:42. | |
emotionally damaged version of myself, as I am not emotionally | :17:42. | :17:47. | |
damaged at all! Just to underline that! It starts on the 11th of May. | :17:47. | :17:54. | |
Let's have a little look. You think if you died the others | :17:54. | :18:03. | |
would come to your funeral? Yeah, I think they'd come. | :18:03. | :18:07. | |
Even Jennifer from Friends? Yeah, even Jennifer. | :18:07. | :18:15. | |
God, could you imagine the press, all of you together again. But I | :18:15. | :18:19. | |
would be dead. Yeah, but still. Still... I'd be | :18:19. | :18:22. | |
dead. In real life not damaged at all. Do | :18:22. | :18:26. | |
you worry if people think you are playing Matt LeBlanc, that people | :18:26. | :18:30. | |
will think you are like that. strange in the beginning when I | :18:30. | :18:32. | |
first got together with the producers to talk about doing the | :18:33. | :18:38. | |
show. It seemed a great idea, an interesting way to go back to work. | :18:38. | :18:44. | |
The only reservation was that I was not sure of Matt to be playing | :18:44. | :18:48. | |
myself. They assured me we were not making a documentary, that it would | :18:48. | :18:53. | |
be fine. That we would come up with it together. That anything I was | :18:53. | :18:57. | |
uncomfortable with I could alt err change or leave out. Then it became | :18:57. | :19:04. | |
fun to make fun of myself. So basically, who the guy is, it is | :19:04. | :19:08. | |
the public's perception of celebrity. All of the pitfalls and | :19:08. | :19:13. | |
the royalty and skid rowness of what goes along with it. It has | :19:13. | :19:16. | |
been real fun. Yeah, I have had a good time. | :19:16. | :19:22. | |
It is a huge success. It has sold to 108 countries, you were saying? | :19:22. | :19:30. | |
Yes, 108 countries. Which I thought, wow, how many are there! Every | :19:30. | :19:39. | |
country! There are 190 countries -- sorry, it was sold to 180 countries. | :19:39. | :19:44. | |
We have done seven episodes the first season, so now the second | :19:44. | :19:48. | |
year we have done nine more. We shot in the UK, in London it was | :19:48. | :19:53. | |
really fun it was a great place to be at work. I really enjoyed it. | :19:53. | :20:00. | |
So, before the new series of Episodes start on Friday, 11th May | :20:00. | :20:07. | |
at 10.00pm on BBC Two. Now, each week on the One Show, we | :20:07. | :20:10. | |
are remembering the Falklands as it happened. This is the story as it | :20:10. | :20:20. | |
:20:20. | :20:21. | ||
started on April 30th, 1982. Britain declare as total air and | :20:21. | :20:25. | |
sea lock blockade around the Falklands. The ultimate object, to | :20:25. | :20:32. | |
recapture the Falkland Islands. Argentine television has been | :20:32. | :20:36. | |
reassuring its viewers that the air bridge to the garrison on the | :20:36. | :20:40. | |
Falklands is continuing with an occasional break in bad weather. | :20:40. | :20:45. | |
They say that morale is high, the defences is ready and the will to | :20:45. | :20:52. | |
hold the Falklands is unbreakable. Let's have a look at the way that | :20:52. | :20:55. | |
the islanders traditional and British way of life has been | :20:55. | :21:01. | |
altered by the Argentine occupation. The local radio has been taken over. | :21:01. | :21:05. | |
Half of the broadcasts are in Spanish. The Argentines have | :21:05. | :21:10. | |
introduced the peso as the official currency. The islanders have driven | :21:10. | :21:15. | |
on the left, arrows have been painted on the road to show that | :21:15. | :21:20. | |
they must now drive on the other side. | :21:20. | :21:24. | |
We must remember that the aggression was not a part of | :21:24. | :21:30. | |
Argentina in this dispute over the sovereignty of that little ice cold | :21:30. | :21:40. | |
:21:40. | :21:49. | ||
bunch of land. The planes went in low, in waves | :21:49. | :21:54. | |
seconds apart... They glimpsed the raiders left by the falcons and | :21:54. | :21:57. | |
left behind them more fire destruction. | :21:57. | :22:01. | |
The latest news from Buenos Aires. We have John Stapleton on the line. | :22:01. | :22:05. | |
John, are you there? What is the news? The Government statements | :22:05. | :22:11. | |
issued within the last few minutes claim that Argentine plane hit | :22:11. | :22:17. | |
three British warships. The general enflanked by military | :22:17. | :22:21. | |
leaders saying that Britain had committed an act of war and was | :22:21. | :22:26. | |
trying to recolonise Argentine land. The talk of is victory, of British | :22:26. | :22:31. | |
planes shot down, they say that Argentine heroism is beating | :22:32. | :22:35. | |
British aggression. I'm not allowed to say how many | :22:35. | :22:39. | |
planes joined the raid, but I counted them all out and I | :22:39. | :22:44. | |
counterparted them all back. The pilots were not hurt, they were | :22:44. | :22:48. | |
jubilant. One plane had a bullet hole in the tail, it's already been | :22:48. | :22:55. | |
repaired. Arpblg Tina's only cruiser, the | :22:55. | :23:00. | |
second biggest ship in her Navy has sunk. The General bell gradow was | :23:00. | :23:05. | |
struck by two torpedoes from a British nuclear submarine. | :23:05. | :23:15. | |
One newspaper headlines say two words: English murderers! If we get | :23:15. | :23:18. | |
retaliation by the Argentine ship, very soon there will be a loss of | :23:18. | :23:24. | |
life in that area, greater than the actual population of the fiebgdz | :23:24. | :23:31. | |
itself. In the course of its duties, hymns | :23:31. | :23:38. | |
Sheffield, a type 42 destroyer -- HMS Sheffield, a type 42 destroyer | :23:38. | :23:44. | |
was attacked and hit later on this afternoon by an Argentine missile. | :23:44. | :23:49. | |
The attack was made by low-flaying aircraft, slipping in beneath the | :23:49. | :23:58. | |
guard. HMS Sheffield, was able to receive only seconds of warning. It | :23:58. | :24:04. | |
was struck mid-ship. It was exploded with devastating effect. | :24:04. | :24:08. | |
Who would have thought it come to this, to hear a ship going down, | :24:08. | :24:15. | |
one of ours as well. I have a few mates on that ship it is | :24:15. | :24:19. | |
disheartening. The atmosphere today was in stark | :24:19. | :24:25. | |
contrast to 30 days when the first taskforce ship sailed out. Today | :24:25. | :24:31. | |
was the reality of the situation. And we are joined by Captain Robert | :24:31. | :24:34. | |
Lawrence, who fought in the Falklands War. It must be strange | :24:34. | :24:39. | |
for you watching that footage? it was a very long time ago. These | :24:39. | :24:44. | |
memories live with you. Especially with an anniversary date | :24:45. | :24:49. | |
like now you are very aware of it, but the challenge was we were | :24:49. | :24:53. | |
soldiers, we wanted to be soldiers, the concern is looking after the | :24:53. | :24:57. | |
guys that come back from these events. Whether they are injured or | :24:57. | :25:03. | |
not, I run a charity to help keem they were motivated. There are | :25:03. | :25:08. | |
better treatments, there are more things to help them back in 82. | :25:09. | :25:12. | |
Let's take you back to 1982, yourself being a soldier, where | :25:12. | :25:17. | |
were you when you heard that the Sheffield had sunk? We were on the | :25:17. | :25:21. | |
ships going down to the island. Our major concern at that time was that | :25:21. | :25:24. | |
there may be a political resolution, that it would all end. That we | :25:25. | :25:28. | |
would get all the way there an not get the chance to do the job we are | :25:28. | :25:32. | |
trained to do. So it became a reality at that | :25:32. | :25:37. | |
point, people dying, ships going down. The first ship that the Royal | :25:37. | :25:41. | |
Navy had lost since the Second World War, so this is a major event. | :25:41. | :25:47. | |
Well, you did land and led a platoon up Mount Tumbledown, it was | :25:47. | :25:52. | |
the battle that was key towards the end of the Falklands. What do you | :25:52. | :25:56. | |
remember of the conditions? You were severely injured? On the night | :25:56. | :26:01. | |
it was minus 20 without the wind shield factor, that took it down to | :26:01. | :26:07. | |
minus p 2. I was shot in the head with a bullet right at the end of | :26:07. | :26:12. | |
the battle. It would have been that cold that saved my life, but I | :26:12. | :26:17. | |
remained conscious. I have rek lexs of various different aspects of | :26:17. | :26:23. | |
being hit, being worried that I would not be seen, I would be left | :26:23. | :26:27. | |
bleeding to death on the battlefield. So every aspect of it. | :26:27. | :26:31. | |
The brain works very fast, you remember it all. | :26:31. | :26:34. | |
You returned to Mount Tumbledown recently. How was that? How did you | :26:34. | :26:38. | |
feel going back there? It is fantastic to go back to an island | :26:38. | :26:42. | |
that is grateful for the liberation that we did for it. It is not the | :26:42. | :26:46. | |
same for future for the boys going back to Afghanistan, but you think | :26:46. | :26:51. | |
you are in control of your emotions and you have it packed away and | :26:51. | :26:57. | |
settled and then you go up the mountain you fought on and finding | :26:57. | :27:01. | |
memorials for troops and friends that died from their families, that | :27:01. | :27:05. | |
really brings it home again. It is extraordinary to talk with | :27:05. | :27:09. | |
you. Thank you very much for sharing your memories with us. If | :27:09. | :27:13. | |
you have memories of the Falklands War, we would like to see them. If | :27:13. | :27:19. | |
you have photos, do send them to us to the normal One Show address. My | :27:19. | :27:24. | |
dad took a shot there of a bomber, going from the village green. There | :27:24. | :27:29. | |
they are en route to the Falklands. So do send in your pictures. | :27:29. | :27:33. | |
We will show them over -- over the coming weeks. | :27:33. | :27:39. | |
Here at the One Show, we love a scientific experiment. So we hit | :27:39. | :27:45. | |
the streets of Brighton with a burning question: Who is this man? | :27:45. | :27:52. | |
How you doing?! This is Joey from Friends. Matt LeBlanc is who it | :27:52. | :27:58. | |
really is. This is Joey. It is Matt LeBlanc. | :27:58. | :28:03. | |
I recognise the face... Joey from Friends. | :28:03. | :28:10. | |
Is it Nicolas Sarkozy? Is he a TV presenter! How you doing! That man | :28:10. | :28:19. | |
is Matt LeBlanc. Matt LeBlanc. Joey from Friends. | :28:19. | :28:24. | |
Only just, though. You played Joey for 12 years, we | :28:24. | :28:28. | |
cannot have you on without talking about Friends, a much-loved | :28:28. | :28:32. | |
character. Do you think you will escape Joey, or do you want to? | :28:32. | :28:37. | |
I'm honoured to have been a part of that. That was a great show. I'm a | :28:37. | :28:43. | |
big fan of the show, it is on late at night. Do you still put it on? | :28:43. | :28:46. | |
Sure, why not. Cool. Great. | :28:46. | :28:51. | |
The amazing thing about friends friends, it appealed to men and | :28:51. | :28:55. |