Browse content similar to 02/06/2016. Check below for episodes and series from the same categories and more!
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Hello, and welcome to The One Show with a question. | :00:16. | :00:17. | |
The gang from Whose Line Is It Anyway? | :00:18. | :00:21. | |
Rowdy Welsh rock band the Manic Street Preachers? | :00:22. | :00:24. | |
Incredibly It's Alex, because she's the only one | :00:25. | :00:33. | |
Let's start by welcoming Clive Anderson, | :00:34. | :00:38. | |
Fun and games tonight then! This is what I have to put up with from | :00:39. | :01:03. | |
Greg! Put up with, or be carried by? It's lovely to have you with us, | :01:04. | :01:04. | |
Angela. In a moment, we'll also be meeting | :01:05. | :01:07. | |
the governor of the Bank of England - the man with ?140 billion worth | :01:08. | :01:11. | |
of gold under the floor That's after Dom has explained | :01:12. | :01:14. | |
why our five pound notes Our banknotes are being given a | :01:15. | :01:32. | |
makeover. Whether it's a crisp 20 straight out of the ATM, or a | :01:33. | :01:37. | |
scrunched up five fished out from the back of the city, paper money is | :01:38. | :01:44. | |
on the way out. It will be replaced with plastic. It's not Monopoly | :01:45. | :01:48. | |
money, it's the real thing. Scotland has been trialling it for the past | :01:49. | :01:52. | |
year. Northern Ireland is sticking with paper for now, but Polly -based | :01:53. | :01:57. | |
fibres are being rolled out across England and Wales. 400 and 40 | :01:58. | :02:06. | |
million plastic ?5 notes are being carried on the production line. | :02:07. | :02:09. | |
That's an awful lot of money. And it. Sell like this. -- and it all | :02:10. | :02:18. | |
starts out like this. How much is he? Around ?180,000 worth of notes | :02:19. | :02:26. | |
in that stack. Just here? Wow. This is about ?300? What's different | :02:27. | :02:34. | |
about it? It's polymer so last two and a half times the life span of a | :02:35. | :02:39. | |
conventional paper note. It could go through a washing machine? It could. | :02:40. | :02:45. | |
That's happened to me plenty of times. Those faceless white sheets | :02:46. | :02:50. | |
of polymer are transformed into cold hard cash, complete with a first | :02:51. | :02:54. | |
appearance of Winston Churchill as the Queen's new companion. They say | :02:55. | :03:00. | |
these new notes are tougher and more resilient. But how can they be so | :03:01. | :03:05. | |
sure? Victoria is the Bank of England's Chief cashier. She leaves | :03:06. | :03:10. | |
her mark on every new banknote. Your mum must be very proud, your | :03:11. | :03:15. | |
signature on every British banknote. It's a really exciting part of the | :03:16. | :03:18. | |
job. A real thrill when you use money and it's your own signature. | :03:19. | :03:25. | |
Do you go to the pub and say, that's my signature? I would! I might get a | :03:26. | :03:29. | |
free drink if I tried. Victoria doesn't want her name on any old | :03:30. | :03:36. | |
rubbish, so the daily battering we give our cash is tested to the | :03:37. | :03:40. | |
extreme in the lab. It's making a bit of a racket. Lady Godiva is | :03:41. | :03:48. | |
blasted with glass beads, stained, rubbed again and again, and then | :03:49. | :03:52. | |
spun around in this old mark. It looks like cat litter! How is the | :03:53. | :03:58. | |
money looking? It simpler to good condition. It's not ripped, no | :03:59. | :04:04. | |
damage at all. This is a paper one that went in at the same time. They | :04:05. | :04:10. | |
have dulled down, and they are quite crackly, beginning to suffer after | :04:11. | :04:15. | |
two hours in there. It's very dry, sucking the moisture out. That's one | :04:16. | :04:19. | |
of the reasons we are moving to polymer notes, better in your pocket | :04:20. | :04:21. | |
and better for the environment because we do not print as many. A | :04:22. | :04:30. | |
paper ?5 note has a life expectancy of just two years. The plastic ones | :04:31. | :04:33. | |
will stay around for up to five years. Intricate design features | :04:34. | :04:39. | |
will make faking them a tough job. We have added a clear window. You | :04:40. | :04:44. | |
can hold it up to the light and see straight through. Is that harder for | :04:45. | :04:54. | |
counterfeiting to replicate? It is. Elizabeth here is in gold and then | :04:55. | :04:59. | |
it's in silver. Well spotted, a key security feature. Difficult to do | :05:00. | :05:03. | |
even with the most sophisticated professional machinery. It's also | :05:04. | :05:07. | |
how easy it for you and me to spot counterfeits. When can we expect to | :05:08. | :05:14. | |
see this little lot in our pocket? It won't officially be let out of | :05:15. | :05:18. | |
the cages until September. It will be followed by a plastic ten next | :05:19. | :05:23. | |
year, and a new 20 in, appropriately enough, 2020. It seems that from now | :05:24. | :05:31. | |
on, even when you are paying with cash, you will actually be playing | :05:32. | :05:35. | |
with plastic. Worth a go! Mark Carney, the governor | :05:36. | :05:40. | |
of the Bank of England Show us the cash! They were just | :05:41. | :05:51. | |
unveiled today. I have brought some samples of the product. Greg, can I | :05:52. | :05:58. | |
trust you to pass them on. I will take as many as I can hold. They are | :05:59. | :06:06. | |
weird, like latex. We shall spend them on the beaches! Can we keep | :06:07. | :06:15. | |
these? After September 13. What about now? Come back to the vaults | :06:16. | :06:21. | |
in the Bank of England. I could give you a Scottish fiver from the | :06:22. | :06:26. | |
Clydesdale bank. Look at the state of that. No disrespect to Clydesdale | :06:27. | :06:32. | |
bank, but this is exactly one of the things we are trying to get around, | :06:33. | :06:39. | |
the tatty five. Nobody likes a tatty five. I quite like a tatty five. So | :06:40. | :06:46. | |
do I, Josie. Just on a Friday night. Is it slightly smaller? Well | :06:47. | :06:52. | |
spotted. It is. People have asked us to make all the notes slightly | :06:53. | :06:55. | |
smaller. We start with the five, a bit smaller than the existing five, | :06:56. | :07:00. | |
and then they will scale up from that. But they will fit in | :07:01. | :07:05. | |
everybody's wallet and purse. Will they be different sizes for blind | :07:06. | :07:09. | |
people? They are. And it's embossed with the five lifted slightly up. | :07:10. | :07:19. | |
Tempo Mac is the fancy word for that, making it more sophisticated. | :07:20. | :07:27. | |
-- Italio. The see-through thing is the security feature. It's a huge | :07:28. | :07:33. | |
security feature. These notes last two and a half, three times longer, | :07:34. | :07:37. | |
so you need more security features, as Victoria was showing on the film. | :07:38. | :07:42. | |
So in five, seven, ten years from now, you can still use them with | :07:43. | :07:46. | |
confidence. Did you think of getting rid of them altogether and replacing | :07:47. | :07:49. | |
them with a coin like the pound notes? ?2 coins, a few of them can | :07:50. | :07:55. | |
weigh you down. People like the fires. We will print 440 million of | :07:56. | :08:00. | |
them, and we will see them in secular age. What about the old ?5 | :08:01. | :08:11. | |
notes? -- see them in circulation. These come out in September | :08:12. | :08:14. | |
officially, and by the end of May the old five is will be withdrawn | :08:15. | :08:20. | |
from circulation next year. If you have a mattress stuffed with old | :08:21. | :08:24. | |
ones, get spending. Get spending, lots of reasons to get people | :08:25. | :08:29. | |
spending. So shopkeepers can hand in their cash as well. They can do | :08:30. | :08:32. | |
that, recirculated. As soon as cash is deposited in banks and building | :08:33. | :08:36. | |
societies, they will withdraw the notes from circulation. If you are | :08:37. | :08:41. | |
stuck with a mattress full of five is a few years from now, you never | :08:42. | :08:48. | |
know, you might always be able to bring them into the Bank of England. | :08:49. | :08:52. | |
Do you enjoyed being the governor? You have been here through an | :08:53. | :08:58. | |
election, the referendum, the Scottish referendum, the one coming | :08:59. | :09:01. | |
up about Europe. We can't get into that! We can talk about European | :09:02. | :09:09. | |
football. We want to ask you which whole nation will do best. What I | :09:10. | :09:13. | |
like about this already, when I look at Matt Baker, because of the | :09:14. | :09:17. | |
see-through thing next to the Queen, you could have a photo taken with | :09:18. | :09:21. | |
the Queen with you framed. Alternatively, I will be on your | :09:22. | :09:29. | |
fiver. Ever noticed how Matt's eyes seemed to follow you around the | :09:30. | :09:32. | |
room? They certainly do if you are holding a ?5 note! Are you enjoying | :09:33. | :09:40. | |
your time in Britain? I asked that. I'm allowed to ask that. This ?5 | :09:41. | :09:45. | |
note, we have heard its durable, but we didn't trust it. We decided to | :09:46. | :09:56. | |
try it out for ourselves. Into the washing machine. We decided to put | :09:57. | :10:00. | |
an old one and new one into the washing machine, were lit about, but | :10:01. | :10:06. | |
in some detergent, and see if it lives up to its new durable | :10:07. | :10:07. | |
expectations. -- world it about. Dave, bring out | :10:08. | :10:13. | |
the laundry! We heard you would be coming out in | :10:14. | :10:25. | |
your boxer shorts. I'm disappointed! Cash in both pockets. Already! The | :10:26. | :10:30. | |
New one, perfect. You can have that one. Perfect money to launder, | :10:31. | :10:38. | |
apparently! LAUGHTER Another success for London. This one | :10:39. | :10:44. | |
is soggy, completely useless. Not useless, but... Thank you, Dave. | :10:45. | :10:51. | |
It's official, thank you for coming in Mark. It has been great to talk | :10:52. | :10:57. | |
to you. We will put some music on now, this is the sound of the Manic | :10:58. | :11:00. | |
Street Preachers who will be performing later. Does music bother | :11:01. | :11:05. | |
you when you are in shops spending your money? I like it, and I | :11:06. | :11:09. | |
understand there is a muzak controversy. There is a music | :11:10. | :11:14. | |
controversy. Full is the But first, muzak has been making | :11:15. | :11:18. | |
the news this is the week after M announced it is abolishing | :11:19. | :11:22. | |
background music Has the decision come as music | :11:23. | :11:23. | |
to the ears of Britain's shoppers? bee Sound of music has long been | :11:24. | :11:38. | |
synonymous with the sound of tills ringing in UK shops. From big chains | :11:39. | :11:44. | |
in-store radio stations, to the background tunes in independent | :11:45. | :11:47. | |
shops. The Marks Spencer decision to turn off their in-store music for | :11:48. | :11:53. | |
good, will see 300 branches go silent. Well walking in the air... | :11:54. | :12:02. | |
Even your favourite Christmas tunes are getting the axe. That means you. | :12:03. | :12:10. | |
Hop it. This will save the company thousands of pounds of payments to | :12:11. | :12:14. | |
music publishers. But M insisted the decision is purely the result of | :12:15. | :12:19. | |
customer feedback. With a more mature customer base, that is | :12:20. | :12:22. | |
perhaps understandable. Our other stores doing the same? We did a | :12:23. | :12:26. | |
survey of one of the busiest shopping streets in the world, | :12:27. | :12:32. | |
Oxford Street, to find out. 86% of the stores play music of one sort or | :12:33. | :12:37. | |
another. With an average decibel reading of 67. With one trendy | :12:38. | :12:43. | |
clothes store hitting a whopping 89 decibel is. Stores not playing | :12:44. | :12:51. | |
included BHS, Debenhams and Prior. What do shoppers on the average high | :12:52. | :12:55. | |
street think of the silent shopping? I prefer to have music going on, the | :12:56. | :12:59. | |
more atmosphere in the shop. I wouldn't say to cut the music at | :13:00. | :13:02. | |
all-star blue I wouldn't even know they play music. It wouldn't stop me | :13:03. | :13:09. | |
at all. Really loud music annoys me. But I don't mind something in the | :13:10. | :13:14. | |
background. I guess I prefer music that isn't too loud or intense. It | :13:15. | :13:19. | |
can be distracting. I run a small shop and music for me is critical to | :13:20. | :13:24. | |
create the right atmosphere. It's all about the atmosphere. If you | :13:25. | :13:28. | |
have a trendy shop it's nice to have it quite loud. If you are in | :13:29. | :13:31. | |
Sainsbury's or Waitrose, you don't want that, you want to concentrate | :13:32. | :13:36. | |
and get in and out. I'm not going to miss it. I think it's nicer with the | :13:37. | :13:41. | |
music. Your easy! I love you like shopping! STUDIO: Generally, I don't | :13:42. | :13:49. | |
care, but at Christmas I really do. It would upset you if jingle Bells | :13:50. | :13:55. | |
wasn't playing. Or noddy Holder. What about his pension plan? What | :13:56. | :14:04. | |
about generally, day to day? It depends, one lady said she had a | :14:05. | :14:07. | |
small shop. You going to a lot of small shops like that, and there is | :14:08. | :14:13. | |
nice blues or jazz playing. It's nice stuff. I can understand if they | :14:14. | :14:18. | |
say they will save money, but it's sad for the people working there, | :14:19. | :14:21. | |
they might like the music. It's quite dead in a store without music. | :14:22. | :14:27. | |
You walk into an MNS, and you think it's quite quiet now. Then somebody | :14:28. | :14:32. | |
comes up and says, how are you? That's the difference. It's | :14:33. | :14:36. | |
disturbing in New York when you are a British tourist when they come up | :14:37. | :14:40. | |
to you in a shop and ask you how you are. I get terrified. You are so | :14:41. | :14:46. | |
sensitive. I'm rubbish in shops, can never find what I want. It's just | :14:47. | :14:53. | |
human interaction he hates! He lives in a box. It's wonderful you are all | :14:54. | :14:57. | |
back together again. Whose Line Is It Anyway? The stage show is live at | :14:58. | :15:02. | |
the Palladium. The 9th of June to the 19th. 14 shows. Two shows on | :15:03. | :15:09. | |
Sundays. They are so different depending on who's in the audience. | :15:10. | :15:11. | |
What's the perfect recipe for you? . It is great if you have good people | :15:12. | :15:27. | |
improvising. I like it when it goes slightly wrong. Josie doing a song | :15:28. | :15:33. | |
is often too perfect and people cannot believe she has not been | :15:34. | :15:36. | |
rehearsing it so it is good if something breaks down or the | :15:37. | :15:41. | |
suggestion is misunderstood. I imagine rivalry adds to the | :15:42. | :15:45. | |
uncertainty, do you ever hang each other out to dry just for Lance? I | :15:46. | :15:53. | |
find it is a team sport and I try to be as generous and supportive as I | :15:54. | :15:57. | |
can. There are marsupials on the team who are tedious and try to trip | :15:58. | :16:05. | |
us up. Do it in the style of the gangster. I would, but then I would | :16:06. | :16:10. | |
have to shoot you. They want to see us mix it up. They want to see us as | :16:11. | :16:14. | |
ourselves. We have never been characters on the show, we are | :16:15. | :16:20. | |
ourselves. I am always a character because I am an actress. These are | :16:21. | :16:27. | |
just... You know. She was acting then, by the way. We can look at the | :16:28. | :16:31. | |
clip from back in the day. The TV version. What collar am I wearing? | :16:32. | :16:40. | |
He has to use three words. Juliet is Josie she has to use four words. You | :16:41. | :16:45. | |
are the disapproving father and use six words at a time. Romeo, I love | :16:46. | :16:51. | |
you. I love you. Romeo, I love you. I love you. Take your hands off her. | :16:52. | :17:04. | |
Oh, my father, oh, no! Once a Capulet always a Capulet. | :17:05. | :17:11. | |
APPLAUSE. Oh, my right arm. My favourite one. | :17:12. | :17:19. | |
What the... ? APPLAUSE. | :17:20. | :17:27. | |
You were not even in that one. There is a UK and US version. That was a | :17:28. | :17:33. | |
strange want a bit. It is a complicated game and the bad news is | :17:34. | :17:38. | |
I think we will do that, speaking a specific number of words. Is that | :17:39. | :17:43. | |
what we were doing? I wondered why we were stilted. I would have | :17:44. | :17:48. | |
thought I would remember Stephen Fry touching me. | :17:49. | :17:58. | |
We have the usual ones they like. The one I like is the simplest, | :17:59. | :18:03. | |
stand, sit, bend, lie down, which is so silly. They have to act a scene | :18:04. | :18:08. | |
and when someone is standing up someone else will stand up and they | :18:09. | :18:13. | |
have to bend down. It does not last long because they start pulling | :18:14. | :18:18. | |
muscles now. You need a gentle form of the game this time. I like to | :18:19. | :18:24. | |
play bend, bend, bend. And sit. We like doing film and theatre stars. | :18:25. | :18:32. | |
That is how she shows off her acting. It feels like comedy shows, | :18:33. | :18:36. | |
panel shows particularly, they feel very competitive, but with a show, | :18:37. | :18:43. | |
it is all about collaboration. You cannot compete when you are | :18:44. | :18:47. | |
improvising. We know each other well enough to trip each other up every | :18:48. | :18:53. | |
now and then. The comedy store players as well. It is a nice term, | :18:54. | :18:58. | |
players. We have known each other 31 years. And you since... Since we | :18:59. | :19:05. | |
were a lad, 30 years ago. It is about helping each other, for | :19:06. | :19:11. | |
example, if one of us felt we were fading... Greg never does, but | :19:12. | :19:13. | |
somebody would help them. You would help me? When we first did it on the | :19:14. | :19:20. | |
radio, because it was like a quiz show we had to give points and so I | :19:21. | :19:24. | |
decided to give them random points and we have never found a better | :19:25. | :19:28. | |
way. On stage, we do not have points. Who cares? It is a joy to | :19:29. | :19:35. | |
watch. "Whose Line Is It Anyway?" Will be live at the Palladium and | :19:36. | :19:37. | |
starts next Thursday. Now, George McGavin's | :19:38. | :19:38. | |
going to reveal why kissing Don't worry - | :19:39. | :19:40. | |
it is a wildlife film. Gorse is one of our most abundant | :19:41. | :19:53. | |
plants, covering huge areas of moorland and heaths, yet its success | :19:54. | :19:58. | |
is largely down to the work of one of our smallest insects. Three | :19:59. | :20:03. | |
species of gorse grow in the UK and at any time of the year at least one | :20:04. | :20:07. | |
of them is covered in these beautiful acid yellow flowers. There | :20:08. | :20:11. | |
is a traditional country saying, when gorse is in bloom, kissing is | :20:12. | :20:18. | |
in season. Because gorse is never out of bloom, it basically means it | :20:19. | :20:24. | |
is OK to pucker up at any time. But the secret to the abundance of gorse | :20:25. | :20:29. | |
lies in what occurs when the flowers fade and seed is produced. If you | :20:30. | :20:35. | |
stand near a gorse Bush on a warm day and listen carefully, you may be | :20:36. | :20:43. | |
surprised at what you hear. As the seed pods mature, they twist and | :20:44. | :20:48. | |
burst open with a pop, propelling the seeds through the air. Ideally | :20:49. | :20:53. | |
these seeds need to be disbursed as far away from the parent plant as | :20:54. | :20:58. | |
possible and gorse has evolved an ingenious but unlikely relationship | :20:59. | :21:03. | |
to enable it to do this. They have teamed up with ants. One person who | :21:04. | :21:12. | |
has explored this unusual relationship is a local naturalist, | :21:13. | :21:16. | |
John Walters. Having the seeds disbursed is important for a plant | :21:17. | :21:20. | |
but using ants to do it is the unusual in the UK. Mammals will | :21:21. | :21:28. | |
spread seed but gorse has formed a remarkable relationship with these | :21:29. | :21:32. | |
tiny creatures and it is vital for the heathland ecosystem to survive. | :21:33. | :21:37. | |
If you look, you will get a clue to what happens. We can pop it open. | :21:38. | :21:46. | |
You will see there is a yellow blob. It is an ant delicacy and when it | :21:47. | :21:56. | |
drops to the ground the ants act as a courier service. | :21:57. | :22:01. | |
They wait for the transport to arrive when does the seed to begin | :22:02. | :22:09. | |
the journey to the ants' nest. There are lots. There are some seeds | :22:10. | :22:21. | |
of gorse. These red ants really go for them. They can pick it up and | :22:22. | :22:25. | |
carry it. There is like a little handle. When the ants get the seeds | :22:26. | :22:30. | |
into the safety of the nest they quickly devoured the protein, | :22:31. | :22:34. | |
leaving the seed behind. Ants like to keep a tidy nest but without the | :22:35. | :22:40. | |
handle the seeds are too smooth to pick up and remove and so they | :22:41. | :22:45. | |
remain behind in the damp, dark nest, perfect conditions to | :22:46. | :22:54. | |
germinate. For ant and gorse it is a win- win | :22:55. | :23:00. | |
strategy. Because the gorse flowers through spring and summer into | :23:01. | :23:03. | |
autumn there is a constant supply of this food for the ants throughout | :23:04. | :23:10. | |
most of the year. Amazing to think that these tiny insects have such a | :23:11. | :23:14. | |
crucial role in keeping our heathlands a blaze of yellow. | :23:15. | :23:22. | |
We are overrun with gorse back home on our farm and now I know who to | :23:23. | :23:30. | |
blame. We are in trouble now. CHANTING.. | :23:31. | :23:32. | |
So far we've played the unoffical Euro 2016 anthems for England... | :23:33. | :23:41. | |
# Bring it home to the place where it belongs. | :23:42. | :23:45. | |
# Its 2016, we will make it all the way to Paris. | :23:46. | :24:00. | |
And tonight, Wales have brought the professionals, | :24:01. | :24:07. | |
And these guys are noisy because we have the Manic Street Preachers. I | :24:08. | :24:16. | |
did not know if you can hear me or not. This song was started to be | :24:17. | :24:23. | |
written and words put to it some time ago. How did it involve? 93 was | :24:24. | :24:30. | |
the first time we lost to Romania, in a big game, missed a penalty and | :24:31. | :24:34. | |
did not qualify for the World Cup, and so it has been in my mind since | :24:35. | :24:40. | |
then. A long time coming. You do the music first? The words come first | :24:41. | :24:46. | |
and then the music. It is tough to get an anthem that really captures | :24:47. | :24:51. | |
people'shearts. Did you feel any pressure? Definitely. There are only | :24:52. | :24:58. | |
two that have really been done. World in motion, that is the | :24:59. | :25:03. | |
benchmark. We wanted to create a great manic 's song and I think we | :25:04. | :25:09. | |
pulled it off. It is your 30th anniversary. 20th anniversary of the | :25:10. | :25:14. | |
album stop what will happen to celebrate? We did the liberty | :25:15. | :25:19. | |
stadium in Swansea. It was amazing. I am still coming down after that. | :25:20. | :25:25. | |
Hopefully there are another 20 years coming up will stop what are Wales' | :25:26. | :25:32. | |
chances? It is the year of the underdog. It could be Northern | :25:33. | :25:36. | |
Ireland, it could be us, who knows? It must be one thing to hear your | :25:37. | :25:41. | |
fans singing along to your music but when you have an anthem like this | :25:42. | :25:46. | |
going, what do you imagine it will sound like, in Paris? If it takes | :25:47. | :25:53. | |
off in the stands, terraces, whatever, there will not be many | :25:54. | :25:56. | |
finer moments than that. Get yourselves ready. | :25:57. | :25:57. | |
Whose Line Is It Anyway - Live at the Palladium | :25:58. | :26:02. | |
Tomorrow The One Show is coming live from the magnificent Eden Project | :26:03. | :26:08. | |
in Cornwall to celebrate BBC Music Day with Duran Duran | :26:09. | :26:10. | |
But now, with the official Welsh song for Euro 2016 - | :26:11. | :26:14. | |
Together Stronger - C'mon Wales, which is out now. | :26:15. | :26:17. | |
# When Brazil would make our hearts break | :26:18. | :26:27. | |
COMMENTATOR: Let's have a look will stop everybody is wondering when, if | :26:28. | :27:06. | |
ever, Wales would eventually make it to an international competition. | :27:07. | :27:07. | |
COMMENTATOR: History beckons as the Russians kicked off. It is Wales | :27:08. | :28:13. | |
zero, Russia one. The whistle-blowers. The dream is dead. | :28:14. | :28:17. | |
# Chrissy Coleman, Gunter, Chester | :28:18. | :28:48. | |
# Hennessey, Allen, King and Collins | :28:49. | :28:51. | |
everyone's getting ready for a day-long celebration of music | :28:52. | :29:56. |