03/06/2016 The One Show


03/06/2016

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Imagine a day that celebrates the very best in music. Imaginate set

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among the most use of full plans from around the planet. Sounds like

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Eden? It is. Welcome to the one Show with Patrick

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Kielty... That is awkward, has anybody seen him?

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Come on! It is OK. We are here. And Brive. You love a subtle entrance.

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Lovely to be here. We are alive. How nice is this? We have over 2 million

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plants and 5000 varieties. We've cultivated our own audience! Let us

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tell you exactly where we are. Let's look at the outside. We are in the

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Mediterranean Biome, it is like Spain here. It is so hot. It must be

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the warmest outside broadcast we've ever done. We've almost got a

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time-share. If it gets chilly we could head over there to the

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Rainforest Biome. It is 35 degrees. You would get a bit sweaty in their

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but it is well worth a visit. Via I am looking at the biggest flowering

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plant ever in the world. It smells of a dead corpse. Then on the

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viewing platform above the rainforest, which is absolutely

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incredible. Lots of steps. Wherever rest. It is an unbelievable venue

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but it is all about the music today. Today is BBC music they and we have

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three magnificent guests tonight. # It's time to take

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the pressure off... Please welcome Simon and John from

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Duran Duran and the fantastic Nile Rodgers. Happy music today. -- happy

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music day. You are dressing like the ambassador tonight, John, you've got

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the Ferrero Roche. Isn't it brilliant that the centrepiece to

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the whole day is happening in this fantastic location? It is amazing.

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We played here a couple of years ago and it is one of my favourite places

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to play. This is my first time here. I was saving up a time when I could

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play a show here and that is what we are doing. It is very special. That

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is almost a link. It is very Chelsea Flower Show meets Glastonbury. It

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will not be for much longer. As you can hear in the background, the

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voice of the BBC Euro 2016 team is playing, Izzy Bizu. We get you guys

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for the next hour. It is very good news. Up and down the country all

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day, people have been celebrating home -- how music can bring people

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together and we will start with one of the most ambitious projects. This

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one is ambitious because bridges have been bringing people together

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and communities together for centuries but today over 40 bridges

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around the UK have been coming together to bring communities

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together in music. # But I can't seem

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to find my way over # Wade in the water,

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wade in the water One bridge that has taken

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celebrations to the next level is Middlesbrough Transporter Bridge.

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They've really gone for it. They've taken us through the decades,

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playing music from a different decade every hour. Angelica is

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helping them bring that to a crescendo. We will be heading to

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Glasgow to the famous barren land and chatting to Fran Healy. The

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attempt is to put a classic spin on Travis's hits. -- Glasgow's famous

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Barrowlands. We will be going to Stormont for a very special

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performance of Game of Thrones. First, we know that Duran Duran

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started out in Birmingham and have been celebrating BBC music in

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Birmingham, there was a surprise for commuters this morning as Ruby

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Turner, the gospel singer, turned up.

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What a lovely way to start your morning. That is what this day is

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all about. Bringing people together. You guys got together when? 1983. We

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were at a party in Melbourne and we heard this record, made them play

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again. We met backstage at Blondie concert. He wanted to meet me

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because... I had heard the INXS song which was produced by Nile Rodgers

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and it drove us crazy. We had to have that sound. It was a meeting of

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minds because at the end of the Blondie gig you ended up playing

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hide and seek? We were very juvenile that night. Especially and the

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comedy was a little out of control. That is not like him at all. I

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remember you to cast a studio 54. -- you to us. I said to John, I want to

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take you to the studio, you thought I meant the recording studio but I

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meant studio 54. I like that you are piecing this together. I remember

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when you brought this charismatic singer into the dressing room, she

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was chewing gum and flicking it around her finger, and it was

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Madonna. It was. After that, when did you start working together? It

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was the Reflex. We were not in the room together but what had happened

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was the concept of remixes were starting to get popular and they

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asked me to remix it and I said I could not do it but what I will do

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is do it as if you called me in the first place. I have re-visualised

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it. The rest is history. What the song. It's a classic. Is it

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true that the record company were not fans of that? It was difficult.

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They did not know what to tell us about it. They kept using words

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like, a bit too arrogant. They finally said, the record is too

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black and the band was like, we want to sound like this. I still remember

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getting a phone call from Nick, he was sort of sad about it. He did not

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know how to explain it to me. I got really angry and I said, I think the

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record is brilliant, just put it out. Let's see what happens. Look

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what happened. The biggest single ever. We know that you've been

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playing music since an early age and our team of researchers have worked

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really hard this week. You are going to love this because they unearth

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this clip. # Slow down, you're

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moving too fast... # You've got to make

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the morning last Looking quite shell-shocked. Do you

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recognise him? I've never seen the actual film. I've seen stills from

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it. Why did he not go through the interesting harmony notes? He always

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goes to different notes that you would not expect. He sang the

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regular song. What happened? I was pleased they sang it in tune! I

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thought it was very nice. It is time to head to Belfast, where Colin

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Murray has got into the corridors of power for an orchestral arrangement

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of Game of Thrones. Colin, what is the craic? What a brilliant Davis

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says. Me forgetting nostalgic. -- excuse me for getting nostalgic. I

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used to try and sneak in to Patrick's club with fake ID. Look at

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you now. What a historic day we have, all these beautiful people,

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this is just my family. This is the choir. Give me a wave, Ulster

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Orchestra. Look at our wonderful musicians. Are you all right? Ready

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to rock. This man cannot stay off the programme. We've got a musical

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treat for you but first I want to take you away from the madding crowd

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and into a really quiet part. Patrick Kielty is not allowed in

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here because he is still on a couple of lists. This is the chamber. If

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you don't follow Northern Irish politics this is where they come in

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and agree on everything and have total harmony! You are only allowed

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one person in at a time, cameraman, you need to leave. Northern Ireland

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has become a hotbed for TV and film. The daddy of them all is Game of

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Thrones, filmed just down the road. As a little treat, I've got the

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Ulster Orchestra sitting in the great Hall of Stormont. I thought

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I'd get them to do the theme tune. MUSIC:

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Game of APPLAUSE.

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So harmonious! A good finish. A big finish! Now, Nile, we heard

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from a good source, you are a bit of a telly addict. That the Game of

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Thrones box set is up there with one of your favourites. So we pictured

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Nile Rodgers had his pants watching Game of Thrones, is that right? All

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the time. Whenever in Belfast, we go to see

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the set. What did you think of that, could

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you add funk? I would not. It like the theme tune the way it is.

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It is cool. It is a classic that cannot be

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improved? Well, we could interpret it, we could do, f, f, flex! Well,

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this show is about the amazing project here at the Eden Project. It

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is all down to one man. We sent Joe to meet the man himself,

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his name is Sir Tim Smit. Standing here it is so difficult to

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believe that 20 years ago this site was just a muddy abandoned hole in

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the ground. Everything you see here today was simply a dream in the mind

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of one man. Since its opening in 2001, Sir Tim

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Smit's creation of a large-scale educational charity and

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entertainment venue has received more than 18 million visitors and

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put more than ?1.5 billion into the local economy. So did the man who

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transformed this quarry, into a moonscape, ever think it would be

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this way? It is a wonderful feeling. I sometimes pinch myself a little

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bit. I share the excitement that A the visitors are still coming in

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drove but also the drive to kick on and do something more. We promised

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ourselves if we went to this effort and all that was there was a theme

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park in the hole in the ground it would be a dreadful waste of time.

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Where did the idea come from? From Arthur Conan Doyle's Lost World. I

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think that we all love adventures. What I learned is that the bigger

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you make the idea of an adventure, the more people that there are that

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think they would love to do that. Did people think it was impossible?

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Impossible or inappropriate. Too big a success for Cornwall.

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Eden's success has been terrific. The people doing it had the faith to

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leap. The fear of being a coward is the biggest of all if you make a

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leap and don't look aside, things come right for you.

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This is not the first time Sir Tim Smit had brought hope to a project

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where there was none. In 1981, part of a group restoring the Last

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Gardens of Hellegin. We were the first time to tell the

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story of this stately home, not from the point of view of the lords and

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the ladies but from the point of view of the ordinary men and women

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who made it a great place. Am I right in thinking you did not

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know much about gardening? Often those who know nothing, are the

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people that should do it, as they don't come to the table with the

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preconceptions of we have more gardens, more than eve no-one the

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Victorian times, and why? Because it is fantastic! The success of the

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Lost Gardens of Hellegin and the Eden Project has spurred Tim on. Now

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he has his sights set on a third attraction. This is where the new

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idea could spring from. To you and me it looks like a couple of fields

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near to a motorway. But if anyone can transform this into an

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incredible reality it is him. So, you built these project,

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encourage people to come but when they are here, how do you engage

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them? I hope that people look at nature in a different way and look

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more kindly on themselves and their ability to change things. It is

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about the notion that is deep inside everybody of putting something back.

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I think that is what we do. I want the kids to think at school that

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they want to be a farmer, a historicalist, you know what I mean?

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Well, I reckon that we need to find out more about the project in Devon.

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You have to spill the beans, Tim. Come on, Tim.

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What do you want to know? Your plan, when is the opening? Does it have a

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zip line. Will Duran Duran be playing there? In reverse order,

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yes, I hope, yes. No. I can't tell you where the new project is but it

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will be dedicated to nutrition and well-being. That is peddled as

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hippie. But it will be the change of the whole medical system globally.

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So focussing on that. We are build in Australia, we are building in

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Canada, where we are working with First Nation, a local tribe and

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building a huge Eden Project in China which started just now.

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So much stuff. But sitting here tonight and listening to the birds

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and the music outside, is this your greatest achievement? It is a huge

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achievement by a lot of people. The trouble with these situations is

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that the media think it is is you but it is not. It is a combination

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of a lot of people in concert together. Anybody with the good

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fortune to have the attention of the world on them at certain times is

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humbled, as by the grace of God, it would be so different if it were not

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for others. Some incredible things have happened

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here over the years. Let's have a look at this bit of footage. Halle

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Berry did not pay the entrance fee but came down through a zip wire

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through the middle that is one way to get in.

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Patrick, you know about that. But the biomes are an amazing feat of

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engineering, the idea came from a mundane task, didn't it? It did. We

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had a problem designing the place as the foundations were moved by giant

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diggers. The architects got fed up. A junior architect was doing the

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washing up and happened to notice how the bubbles settled on the

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drying board. He came in with a great idea. This is it.

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Here we are in the bubble. It is the strongest structure in the

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world. But they are the weakest until the last piece goes in, when

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it becomes the strongest. It imitates nature. Which of course is

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what the Eden Project is all about. Now, let's talk about a charity, Big

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Lunch? We began in 2009. My friend Peter Stuart had the idea to see if

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we could get people up and down the country knocking on doors to ask

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them for lunch. We wanted to do it without celebrities. As celebrities

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sometimes is seen as a fad. Loneliness is not a fad it is about

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all of us taking responsibility on helping. So last year 70,000 people

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participated. And last year across the world, 72 million people

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participated it is happening on Sunday week on the 12th. We are

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hoping to go past the 10 million. It shares on that Sunday, the birthday

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of Her Majesty the Queen. So auspicious. So we will disembowl a

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foul and hope that the portent will be fine! We wish you the best. Not

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only are you a visionary entrepreneur but you have dabbled in

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the music business. Not only dabbled, oh, only on a number one

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hit. Don't you roll your eyes, Simon Le

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Bon! I'm having job insecurity. This man had a number one hit in

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questioner many. Check this out... # Eyes for you

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# Only there for you # Only there for you. He has more

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hair there! I thought I recognised him when he walked in.

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A number one is a number one. I should have said you were Holland.

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Were you a composer? Not of that piece.

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That is the only video I appeared in. I am sad it happened.

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You looked great in a yellow jacket. Thank you, I like you too! So, is

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there a place for Tim in Will Chic? We can make it funky. L.

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Now, Glasgow's Barrowland Ballroom has been the host to so many bands

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over the years, The Clash and The Smiths to Muse and Foo Fighters.

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Earlier we spoke to Fran Healy from Travis as he prepared to hand over

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the back catalogue to the BBC Scottish Symphony Orchestra.

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We have been a four-piece for 20 years. This is the first time we

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have been a 60 piece. I like our sound as the four of us but with a 7

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of the best musicians in the country behind you, it's taking it to

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another level. I could get used to it -- 57.

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You guys, can you come on the road with us?

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ALL SPEAK AT ONCE Yes! If it were not enough to

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arrange the songs and turn it into a big thing, we only had a council of

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days for the rehearsal. I think we are doing pretty good.

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The Barrowlands is a place, they call it one of the places to do the

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best gigs. There is something about the venue, how it sounds when you

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play in it and what it does to an audience. We have never played with

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an Orchestra, ever. So to play with a an Orchestra at the Barrowlands is

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just another thing completely. If a band does something like this

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with an Orchestra, you usually do it over at their bit. Tonight they are

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doing it over at our bit. They have built out the stage,

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almost two-and-a-half times more. They would not have been able to fit

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the Orchestra on, you would have had the classic guy with the violin

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poking his mate in the eye! The bands rehearse and do a sound check,

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then come off stage and the Orchestra sound check so we are not

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#12e7ing on each other's toes. Then we go and do it together.

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Finding a balance between the Orchestra and the bands, and putting

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the arrangements together it is using your imagination, I suppose.

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You are there to give colour and to add depth to the sound of the band.

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I've not played in the Barrowlands before but I did see a lot of

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concerts here. Some of the first I came to see were Travis, so I'm

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really excited. I have two grown up sons and a 13-year-old daughter, and

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they are jealous as I am now the rock and roll mum.

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Throughout each album there has been a little orchestral piece here and

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there. Even in Why Is Always Raining, there are the strings at

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the start. This is called Why Does It Always Rain On Me.

:30:01.:30:02.

# Why does it always rain on me... That's a keeper. If you're not lucky

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enough to be one of the thousand people who got tickets, you can

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listen to us, I've got to check the time... Today on BBC Radio six and

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from APM. -- BBC Radio six and -- Scotland. I'm a little bit jealous.

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I love Travis and I would love to be a that gig. We are with some people

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who've honoured today because of the way they've changed lives through

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the power of music. You established a children's choir in 2012. Not only

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hitting the high notes with that choir but raising money for a

:31:23.:31:30.

special project. We've had a very specific dream in our hearts. All

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the way from 2012 we've had one goal and purpose beside singing and

:31:35.:31:46.

having fun, we get to release so much joy for children. We are

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building them a school. How is the fundraising going? I had the help of

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my children and the dream so expansively that this was never a

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difficulty for them. Within three years we have realised the target

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and raised more than it. Now we will build them a playground and we have

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done way more than we would have ever dreamt. I believe you're going

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over to the school and your husband is going with you even though he is

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petrified of flying. Patrick, who argue with? You are the man behind

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Core Music in Hexham. This is why you've been nominated. Mike is a bit

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of a legend. He's come up with this great idea of making sure everyone

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who wants to access music can access music. He first came to Core Music

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and is 14 now, he was eight when he started. Because of his autism he

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gets very anxious and I was looking for somewhere inclusive. Core Music

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is exactly that. He is an incredible guy but he is very modest. He needs

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recognition. How good is that? How does it feel?

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Brilliant. I don't know what to say. I'm a bit shocked to be honest

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because I just like to be behind the scenes most of the time. It is about

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having your moment and we are giving it to you tonight. Somebody else

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having their moment is Jane, nominated by Tom. You set up an

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inclusive drumming group for adults with mental health problems. How has

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this group helped you and what has it brought to your life? In 2008 I

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was particularly unwell and Jane invited me along. I had never tried

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drumming before. I kept going, the weeks turned into months, in two

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years. I turned myself around and I credit Jane with giving me my life

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back. I am a support worker with the NHS now and I volunteer and it is

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all down to Jane. It is so humbling to see you all. You have got the

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choir with the greatest name. It is called aChoired Taste.

:34:47.:34:51.

It is a female choir. A lot of women I knew enjoyed music and I thought

:34:52.:35:03.

it would be a nice social event. It has grown from around 15 to a lot of

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members. It is important for a lot of them and it is about the music,

:35:13.:35:20.

coming together, who would not want over 100 friends? It is not just

:35:21.:35:26.

about the stars denied, we have more on stage. We have got a great

:35:27.:35:31.

audience here and I'm going to get them to sing a Beach boys classic.

:35:32.:35:37.

50 years ago they released an album that was so influential, John Lennon

:35:38.:35:43.

called it the most influential album ever made. Here is more on the Pet

:35:44.:35:45.

Sounds story. # God only knows what

:35:46.:35:56.

I'd be without you Pet Sounds. It is not an ounce --

:35:57.:36:15.

not a record of animal noises, but is consistently voted as the best

:36:16.:36:20.

album ever made. Bizarre then that not many people have heard of it or

:36:21.:36:25.

listen to it. It fundamentally challenged the idea of what pop

:36:26.:36:31.

music could achieve. It gave the Beatles something to think about. If

:36:32.:36:36.

only other albums could do that. Wouldn't it be nice? Brian Wilson

:36:37.:36:42.

first appeared with his brothers Carl and Dennis alongside Mike Love

:36:43.:36:55.

and Al Jardine. In December 1964, he had a severe panic attack on board a

:36:56.:37:01.

plane. With the pressures of playing live taking their toll the band

:37:02.:37:05.

would too without him and he concentrated on recording something

:37:06.:37:09.

rather special instead. The new project was pet sounds, but to make

:37:10.:37:15.

the record he wanted to make he intentionally turned his back on the

:37:16.:37:19.

formula which had sold millions of records. He was not talking about

:37:20.:37:29.

car and girls. He was talking about his feelings. It took guts. I'm

:37:30.:37:34.

trying to create an atmosphere of love and harmony.

:37:35.:37:45.

The album would showcase symphonic arrangements, elaborate vocal

:37:46.:37:50.

harmonies coupled with bizarre sound effects. All treated with a wall of

:37:51.:37:59.

sound mix. It meant their music sounded fuller and richer than ever

:38:00.:38:06.

before. Throughout 1965, aged 23, he arranged, composed and produced Pet

:38:07.:38:15.

Sounds using session musicians and not his bandmates. When they return

:38:16.:38:18.

from touring he introduced them to the songs. They did not like it. I

:38:19.:38:26.

was confused and could not understand why they did not like it.

:38:27.:38:32.

Then they started liking it. The recording process was hard work and

:38:33.:38:37.

was not easy. We had to adjust to the demands under Brian. I said, we

:38:38.:38:43.

are going to show the world a good love album. I felt it in my chest

:38:44.:38:45.

and in my heart. # God only knows what

:38:46.:38:54.

I'd be without you. I was nervous as hell recording it

:38:55.:39:11.

because I really wanted it to sound good. I wanted Carl to have a chance

:39:12.:39:19.

to sing because... His voice had been hidden?

:39:20.:39:25.

When Pet Sounds was completed it was unfortunately not the hit they hoped

:39:26.:39:28.

for. But he was convinced he needed to make more adventurous music and

:39:29.:39:36.

the next single they released, recorded during the sessions, proved

:39:37.:39:43.

him right. The biggest hit to date, Good Vibrations.

:39:44.:39:53.

Brian comes in... That is pure. After the album he went into a state

:39:54.:40:07.

of physical and mental decline but the album continues to grow in

:40:08.:40:14.

reputation. It is the best album for expressing love we made. He

:40:15.:40:19.

influenced thousands of great artists over decades since. The good

:40:20.:40:27.

news is 50 years later he is still showing the love.

:40:28.:40:40.

Cue the music! Wouldn't it be nice if we were older, then we wouldn't

:40:41.:40:54.

have to wait so long. Wouldn't it be nice to live together in the kind of

:40:55.:41:03.

world where we belong. Now going to make it that much better wouldn't it

:41:04.:41:11.

be nice? Then we wouldn't have to wait so

:41:12.:41:24.

long. Wouldn't it be nice to live together in the kind of world where

:41:25.:41:26.

we belong? Stay forever... We've done those types of things

:41:27.:41:53.

before and actually, the crowd at the Eden Project are probably the

:41:54.:41:56.

best we've had yet! They really were. Stunning. Good news for fans,

:41:57.:42:06.

the Pet Sounds 50th anniversary tour has been extended into September and

:42:07.:42:10.

the album is also being reissued as a special box set. Present for dad.

:42:11.:42:18.

You were just saying how amazing they sound. We did a gig with them

:42:19.:42:23.

and they were extraordinary. They sounded better than before.

:42:24.:42:32.

Obviously they love the beach. Duran Duran, slightly more obscure name?

:42:33.:42:40.

We are just music lovers. Who are you named after? We are at the

:42:41.:42:53.

sci-fi villain from Barbarella. Names are a funny thing. We were

:42:54.:43:03.

talking about Le Freak, not cold that to begin with. It is quite

:43:04.:43:07.

convoluted how that song came about. Take us back to that night. We were

:43:08.:43:14.

invited by Grace Jones to see her show at studio 54. It was 1977 going

:43:15.:43:25.

into 1978. We'd never met her but we spoke to her that one time on the

:43:26.:43:30.

phone and she has a very affected accent so we thought she was telling

:43:31.:43:41.

us how we should ask for her. We knocked on the door and said,

:43:42.:43:44.

hollow, we are personal friends of Miss Grace Jones. He slammed the

:43:45.:43:50.

door in our faces and said to Galway. We said, we are personal

:43:51.:43:58.

friends. He said that he told us to go away. Me and my partner went

:43:59.:44:04.

around the corner, we purchased some bottles of Don Perrin E.ON. We went

:44:05.:44:22.

to the apartment round the corner and we said...

:44:23.:44:32.

Then it changed to freak off. Then we changed it to freak out. And then

:44:33.:44:49.

the world could hear it. We would not have got away with the original

:44:50.:44:56.

lyrics. Your new album, full of meaning for you? It is very

:44:57.:45:03.

important for us because we felt we had to do something meaningful and

:45:04.:45:14.

we took a long time to write it. We finally hit the really rich seam and

:45:15.:45:20.

it is one of the tracks and it is about one of -- it is about modern

:45:21.:45:31.

life and hopefully it is true. Your back working a long time after your

:45:32.:45:38.

single. How has the relationship changed? It is better.

:45:39.:45:44.

fringe I think it is better. We have an amazing tour. It really

:45:45.:45:52.

is the greatest show in town. As Nile said, people leave suffering

:45:53.:45:56.

from hip fatigue, as there is just... . I think I coined that

:45:57.:46:02.

phrase, actually. Sorry, Simon, he does not value his

:46:03.:46:09.

own front man! We are going to talk about your festival Fold Festival.

:46:10.:46:15.

You created it yourself. It is at Fulham Palace. At the end of the

:46:16.:46:17.

month. . Tell us who is head lining your

:46:18.:46:21.

festival. Three nights in a row! We don't call

:46:22.:46:29.

it headlining, even though we play every night. I came up with the

:46:30.:46:36.

concert four years ago, in Switzerland they wanted to honour

:46:37.:46:40.

me. So I called Mark Ronson and a bunch of good friends. I realised it

:46:41.:46:45.

is like what we have, when you see friends playing together it changes

:46:46.:46:49.

the whole vibe of the awedence. It is like we are all in it together.

:46:50.:46:55.

We had 11 hours of dance music. It was amazing. So now with the Fold

:46:56.:47:01.

Festival, I curate all of the people on the show, they are all friends of

:47:02.:47:05.

mine. So there is no bickering. We play every night. It is OK. We are

:47:06.:47:10.

not the headliners, sometimes we open the show, many nights we open

:47:11.:47:13.

the show. We look forward to that. And we have

:47:14.:47:19.

to say we are sorry if anyone was offended by your naughty language.

:47:20.:47:27.

We are apologising for that but also thankful you did not tell the full

:47:28.:47:35.

story with the full vocabulary. Now, we have to send you off as you

:47:36.:47:39.

are performing on the main stage shortly. We will be with you over

:47:40.:47:44.

there. Also, Laura Mvula is performing on the show, she is

:47:45.:47:48.

closing The One Show. We are really looking forward to that. You saw

:47:49.:47:54.

performances from 41 Bridges from around the UK. It is now over to

:47:55.:47:59.

anning gel car, bringing this to a beautiful finale! Hello and welcome

:48:00.:48:06.

to Middlesbrough! Where I am... Thank you! Where I am standing in

:48:07.:48:11.

front of this amazing historical bridge that literally has been

:48:12.:48:18.

travelling through the ages. Since this morning the Tees Transporter

:48:19.:48:25.

Bridge has been carrying musicians and performers here and there. As

:48:26.:48:30.

you said we have been celebrating a different decade every hour. The

:48:31.:48:35.

bridge was built in 1911 up to now. We have had all sorts of music here.

:48:36.:48:39.

And look at these cars, it is brilliant. I love this. A Morris,

:48:40.:48:46.

built in 1923. As you say, we have to bring the celebrations to a close

:48:47.:48:50.

right now. If you see the bridge, it has had a rebrand today. There is a

:48:51.:48:56.

letter missing. So I have the help of the Apollo Street Band who play

:48:57.:49:01.

before every home game for Middlesbrough FC. You are giving us

:49:02.:49:06.

a count down to reveal the missing letter? That's right.

:49:07.:49:09.

Let's do it, come on! CHEERING AND APPLAUSE.

:49:10.:49:30.

Excellent! Now, there is the Y, the Y is down. Brilliant. We have it.

:49:31.:49:36.

Oh, and we have fireworks! Now, I want to talk to you, John, Iverson,

:49:37.:49:42.

you have been working for the bridge for 20 years. Give us a sense of the

:49:43.:49:48.

history it has been a real part of the community since the Second World

:49:49.:49:52.

War? Yes, since the Second World War, a bomb raid hit the bridge and

:49:53.:49:57.

blue up the car deck. After three days of repairs it was back in

:49:58.:50:01.

service for the public. Robert, music is important here?

:50:02.:50:05.

Yes, it is a vibrant scene. Everyone is behind it. I think there is a

:50:06.:50:11.

legacy of Chris Rea and the steel river where we are now.

:50:12.:50:17.

Also a massive thank you to the Military Band up there right now and

:50:18.:50:23.

the Puma Cheer Leaders. If you are inspired by Music Day and want to

:50:24.:50:28.

take up an instrument and get involved in a virtual Orchestra on

:50:29.:50:35.

The Last Night of the Proms, get involved. Now, this is The One Show

:50:36.:50:43.

and Richard Mainwaring is not playing on a musical instrument, he

:50:44.:50:48.

is playing it! The Welsh triple harp... And the Menai Bridge.

:50:49.:50:55.

Now, I've noticed that these two Welsh icons look a little bit alike.

:50:56.:51:00.

The vertical rods on the bridge look like the strings of a harp, which

:51:01.:51:06.

has me thinking... Can I play the Menai Bridge like a giant harp? The

:51:07.:51:11.

people that manage the bridge have given The One Show the special

:51:12.:51:16.

permission to try out a crazy idea. Expert sound recorder, Gary Moyes is

:51:17.:51:21.

helping. First, rerecord the sound of the rods separately to see if

:51:22.:51:24.

they change in pitch. Here is the moment of truth.

:51:25.:51:30.

That is a really interesting sound? It is a medium strand, no

:51:31.:51:34.

recognisable note on that. No. Using musical principles, small

:51:35.:51:42.

rods should be higher and big rods lower? Well, yes but it is not like

:51:43.:51:50.

a harp. Let's try the bigger rods. It should

:51:51.:51:54.

make a difference in terms of pitch. It is exactly the same! It is

:51:55.:52:01.

exactly the same! Is it equal tension on the wires? Would that

:52:02.:52:07.

make a difference like tuning? Yes, you are right.

:52:08.:52:16.

It just sounds like a bucket! Oh, that's a bit better. So the rods are

:52:17.:52:21.

not resonating like the harp strings and there is not much variation in

:52:22.:52:25.

the pitch. But I do like the sounds I'm getting from the bridge. They

:52:26.:52:29.

are dramatic and in keeping with its history. I think there is something

:52:30.:52:35.

that I can do here. The bridge inspires music, the construction saw

:52:36.:52:39.

the village here known in English as Menai Bridge spring up on the

:52:40.:52:45.

Anglesey side of the Menai Straight. For the past 120 years, it has been

:52:46.:52:54.

the home of the Menai Band. Back in 1825, as 150 labourers held the

:52:55.:53:00.

chains into the place, the bands were there throughout the process,

:53:01.:53:03.

helping to keep the men hauling in time. And the Menai Bridge features

:53:04.:53:12.

in Lewis Carroll's Alice Through The Looking Glass, with a debtee

:53:13.:53:16.

claiming it can be kept rust free by boiling it in warm. In reality, the

:53:17.:53:21.

metal was soaked in warm linseed oil. Gary and I are now getting

:53:22.:53:25.

enthusiastic about the sounds we can produce here.

:53:26.:53:36.

It is like a snare drum back... I bet you a pound, I can get a tune

:53:37.:53:41.

out of the Menai Bridge. Wow! I never knew, a Menai Bridge on

:53:42.:53:56.

?1! I call this reverb. It is fantastic, the acoustic properties

:53:57.:53:59.

of the bridge. With the sounds collected it is time to listen and

:54:00.:54:04.

compose. We are going to have to make something that is percussion.

:54:05.:54:09.

In a way, the bridge has told us what to do.

:54:10.:54:15.

I do. I can't believe you have such a complex set of sounds from the

:54:16.:54:18.

bridge. Incredible. It is my hammer! I brought the

:54:19.:54:24.

hammer to the party, you hit it. With the bridge's rich past as

:54:25.:54:30.

inoperation, my composition, using sounds taken only from the bridge is

:54:31.:54:32.

complete... MUSIC:

:54:33.:54:57.

Music of the Menai Bridge. Gary, thank you very much.

:54:58.:55:04.

Well, we made it. Look who we found, Laura Mvula and

:55:05.:55:09.

Nile Rodgers of course, come on! Let's hear it for Laura Mvula and

:55:10.:55:19.

Nile Rodgers! Yes! Nile and Laura, here is our lovely Cornwall

:55:20.:55:21.

audience. CHEERING AND APPLAUSE.

:55:22.:55:26.

We loved your sing song, by the way, fantastic. Really, really good.

:55:27.:55:30.

We have been talking about the importance of music, over the last

:55:31.:55:34.

hour, Laura, it has been a big thing on the BBC today. What has music

:55:35.:55:41.

given you as anything as an artist? This! The privilege of sharing what

:55:42.:55:46.

I write with people, this is what I live for, truly. Coming out to

:55:47.:55:50.

experience live music is the most magical thing on earth. Well, we

:55:51.:55:55.

can't wait to hear you perform. We have to say a big thank you to Simon

:55:56.:56:00.

and John. You can see Duran Duran live at Eden Project at 11.00pm on

:56:01.:56:05.

Sunday night. You can go up to BBC Radio Two to hear the rest of the

:56:06.:56:09.

concert as well. Where are you Patrick? That's it from us, enjoy

:56:10.:56:13.

the rest of the night. So, this woman, we did a record

:56:14.:56:23.

earlier this year called come. Over I was overcome, let me tell you

:56:24.:56:28.

something. Let me tell you something, people, artists like this

:56:29.:56:33.

only come along once in a very short time. Right. It doesn't happen every

:56:34.:56:41.

day that you meet someone like this. When I first heard her, I was blown

:56:42.:56:47.

away. I had to work with her. I met her, I cornered her. I said we had

:56:48.:56:52.

to do something together together. We did Overcome, it was amazing. Now

:56:53.:57:01.

she is going to do her new song... It almost sounds redundant! Because

:57:02.:57:10.

it is call Phenomenal Woman! Laura Mvula! Phenomenal Woman! Check it.

:57:11.:57:13.

Wow! # Nobody ever told her she was

:57:14.:57:30.

beauty # One day she realised she was

:57:31.:57:34.

already free # The colour in her eye was fire

:57:35.:57:43.

# She found a lion on her new horizon

:57:44.:57:44.

# Oh, my # She fly

:57:45.:57:49.

# Phenomenal woman # Oh, my oh, my

:57:50.:57:53.

# Oh, my # She fly

:57:54.:57:57.

# Oh, my, my # Oh, my

:57:58.:58:05.

# She fly # Oh, my, my

:58:06.:58:16.

# Oh, my, she fly # She fly through on every kind of

:58:17.:58:21.

tribulation # Every adventure and imagination

:58:22.:58:29.

# She never listened to no Hayter, liars

:58:30.:58:31.

# Oh, my, my # Oh, my, she fly

:58:32.:58:36.

# Phenomenal woman # Oh, my, my

:58:37.:58:41.

# She fly # Oh, my, she fly

:58:42.:58:46.

# Phenomenal # Oh, my, my

:58:47.:58:51.

# Oh, my, she fly # Oh, my, my

:58:52.:58:59.

# Oh, my, she fly # It don't matter

:59:00.:59:02.

# What people say # Cos they don't know you

:59:03.:59:05.

# Where you come from # Or where you going

:59:06.:59:10.

# It don't matter # What people say

:59:11.:59:13.

# As they don't know you # Where you come from

:59:14.:59:17.

# Where you going # You are

:59:18.:59:20.

# Phenomenal woman # You are

:59:21.:59:24.

# Phenomenal # Oh, my, my

:59:25.:59:32.

Oh, my, my # Oh, my, she fly

:59:33.:59:36.

# Come on now # Oh, my, my

:59:37.:59:42.

# Oh, my, she fly # Phenomenal woman

:59:43.:59:45.

# Oh, my, my # Oh, my, she fly

:59:46.:59:52.

# Phenomenal. CHEERING AND APPLAUSE.

:59:53.:59:55.

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