Browse content similar to 02/09/2011. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome to The One Show for their haul hour. Tonight, we are working | :00:24. | :00:30. | |
with children and animals. There goes the first rule of telly. The | :00:30. | :00:37. | |
first ever One Show dog show. We have the wackiest tale. That is the | :00:37. | :00:47. | |
:00:47. | :00:48. | ||
dogs, but who are the kids? Only the funniest kids on telly. Ramona | :00:48. | :00:58. | |
:00:58. | :01:02. | ||
Her hello. Nice to have you here. Thanks for coming on. You are so | :01:02. | :01:07. | |
famous, you three. It is not a question, just a statement. Lots of | :01:07. | :01:11. | |
kids going back to school. Any of you been back? Today was my first | :01:11. | :01:18. | |
day. How was it? I guess it was a bit tiring. We had random tests. | :01:18. | :01:25. | |
And got all of our books. What was the test? To put you into your | :01:25. | :01:32. | |
learning groups. How did you do? think I've failed. Tyger, why are | :01:32. | :01:37. | |
you laughing? It is a big, new school for him, he must have been | :01:37. | :01:42. | |
nervous. Are you looking forward to going back to school, Ramona? | :01:42. | :01:51. | |
because... My friend before the holidays, a while before, left to | :01:51. | :01:59. | |
go somewhere, and she has been away for six weeks. More than that. | :01:59. | :02:06. | |
have missed her? Yes. That's nice, you will see them soon. Are you the | :02:06. | :02:13. | |
most famous kid at your own school? Yeah. How does that go down? If I | :02:14. | :02:17. | |
went around saying that, I would probably get beaten up. We know | :02:17. | :02:22. | |
that, but who is the most famous apart from you? Previously, Jeremy | :02:22. | :02:30. | |
Vine and Tim Vine. That's enough. Thanks very much. Earlier this week, | :02:30. | :02:34. | |
Dom took us on a trip to the stunning island of Fetlar in the | :02:35. | :02:39. | |
Shetlands. It is a gorgeous, tranquil place whose 70 inhabitants | :02:39. | :02:45. | |
enjoy peace and quiet. They did until movie stardom came calling, | :02:45. | :02:50. | |
when they went audition crazy. This is what happened. | :02:50. | :02:54. | |
Having recently visited Fetlar for the first time and got to know some | :02:54. | :03:00. | |
of its inhabitants, among them Bob the postman and young advocate for | :03:00. | :03:03. | |
the island, Rachel box or, I discovered a beautiful but remote | :03:03. | :03:08. | |
place, still in desperate need to promote itself. And now, a British | :03:08. | :03:12. | |
movie with a �5 million budget is being filmed right here on Fetlar. | :03:12. | :03:17. | |
That could be its chance to put itself on the map. The film, | :03:17. | :03:20. | |
Between Weathers, is a drama about remote island life and the | :03:20. | :03:24. | |
producers are holding auditions for the movie, attracting folk from | :03:24. | :03:28. | |
Fetlar and across the Shetlands. What is the significance of this | :03:28. | :03:33. | |
film? The story was ready to go, I didn't have a location. I was | :03:33. | :03:37. | |
sitting at Heathrow, waiting to get a plane to Aberdeen, I looked up | :03:37. | :03:41. | |
and Shetland was on. It looked fantastic. I thought immediately, | :03:41. | :03:45. | |
this is where the movie has to be said. What sort of people are you | :03:45. | :03:49. | |
looking for? You have heard the people speak, they have a certain | :03:49. | :03:53. | |
look about them, a song to their voice. I wanted to capture all of | :03:53. | :03:57. | |
that. Having the right voice isn't all it is about. I wanted to see | :03:57. | :04:03. | |
how people were getting along with learning their lines. You look just | :04:03. | :04:12. | |
the same. That's you. No, it is still you. | :04:12. | :04:15. | |
With nerves on the knife-edge, it was time to impress the judges. On | :04:15. | :04:25. | |
:04:25. | :04:34. | ||
the panel, the head of casting, the Next. I saw the video blog. Why did | :04:34. | :04:40. | |
you do it, it is not how it is. enjoyed that. You confused me when | :04:40. | :04:48. | |
I was standing here. Next. This one will close when I leave. Fantastic. | :04:49. | :04:52. | |
It wasn't long before a few familiar Fetlar faces had to face | :04:52. | :04:57. | |
the panel as well. You have gone greyer, it suits you. You look just | :04:57. | :05:03. | |
the same. Well done. I have had my life put on hold for the past 10 | :05:03. | :05:09. | |
years. If that makes me sound a bit bitter, I am sorry. Oh! I'm not | :05:09. | :05:17. | |
going to argue with you! Hello. survived. I wasn't quite as nervous | :05:17. | :05:22. | |
as I thought I might be. Do you think you got it? No. Don't say | :05:22. | :05:27. | |
that! Be optimistic. Yes, for sure! Would I get the part or not is | :05:27. | :05:31. | |
irrelevant. This film will be good for the island. It was fun, or | :05:31. | :05:37. | |
taking part. It is the love for the island that has also prompted local | :05:37. | :05:39. | |
businessman George to invest in the film. You will get your money back | :05:39. | :05:44. | |
if it is successful but you're not getting a profit, are you? It is a | :05:44. | :05:46. | |
social investment and we want to make sure that anything that comes | :05:46. | :05:49. | |
out of the movie goes back to the people on the island. It is to make | :05:49. | :05:53. | |
sure we look after communities like this, because if we don't, they | :05:53. | :05:58. | |
will die off and the islands will empty. Back inside, the auditions | :05:58. | :06:02. | |
were hotting up, with one special role being fought over by man's | :06:02. | :06:08. | |
best friend. Who is auditioning here? Both of us. What special | :06:08. | :06:15. | |
skills that has he got? He eats. All dogs eat. He eats a lot. | :06:15. | :06:20. | |
panel had already spotted who is top dog around here. You have got | :06:20. | :06:26. | |
the part. Now get out before you mess him -- mess up my cross. | :06:26. | :06:34. | |
dog can get a part, why not me? it you come. I think they have | :06:34. | :06:39. | |
given you do wrong outfit. Take it in your own time. The lure of money, | :06:39. | :06:44. | |
ambition, and success has slowly drained the life blood of this | :06:44. | :06:48. | |
island, Fetlar. I would say with the arrival of your good people, | :06:48. | :06:54. | |
that blood will once again course through the veins of Fetlar. That | :06:54. | :07:01. | |
was terrific. I would be needing to use this, then, will I? The | :07:01. | :07:05. | |
experience of coming to Fetlar is one I shall always remember. I have | :07:05. | :07:09. | |
learned to experience -- appreciate the tranquillity of the lifestyle | :07:09. | :07:14. | |
here, and this city boy may well be coming back soon. | :07:14. | :07:19. | |
It is so beautiful. Would you go back? Yeah, tomorrow. It is | :07:19. | :07:25. | |
stunning. I would be cautious about the winter. That could be harsh. | :07:25. | :07:30. | |
But when I was there, lovely. Tuesday we spoke about the | :07:30. | :07:34. | |
population problem. Lots of people e-mailed him, asking how they could | :07:34. | :07:38. | |
move there. Are their properties, houses for sale, do they still need | :07:38. | :07:44. | |
people? In 2007, there were about 800 inquiries and the people said, | :07:44. | :07:47. | |
we didn't really have the infrastructure in place to handle | :07:47. | :07:51. | |
those inquiries. That has changed. A lot of things are changing. There | :07:52. | :07:55. | |
houses which have been empty for hundreds of years, they are being | :07:55. | :07:59. | |
encouraged by the owners to sell them on. They are putting in a new | :07:59. | :08:03. | |
harbour, so that fishing boats can more there. And the fact that | :08:03. | :08:06. | |
employment would start to increase as well. They are hoping to get | :08:07. | :08:10. | |
fibre-optic broadband. There are loads of things happening to make | :08:10. | :08:15. | |
it possible for people to move there. Fetlar have a website, we | :08:15. | :08:23. | |
will put that on our website. You can start making inquiries. Who got | :08:23. | :08:28. | |
through the auditions? Bob, the postman, has got through, and he is | :08:28. | :08:32. | |
playing the part of Bob the postman. It is not easy to play yourself. | :08:32. | :08:40. | |
was a natural. Rachel is going to play the part of the check-in girl | :08:40. | :08:50. | |
We saw you audition, what is the news? I only know a little bit of | :08:50. | :08:59. | |
the news. I have heard I have got a part. But... I haven't got a Scooby | :08:59. | :09:07. | |
Doo what that is yet. We have that information. You so impress the | :09:07. | :09:12. | |
director, not only do you have a part, but they have written a part | :09:12. | :09:17. | |
specifically for Dominic Littlewood. Really? You will be throughout the | :09:17. | :09:25. | |
whole film and you will play... A bus driver. Congratulations. I need | :09:25. | :09:29. | |
some tips, what would I need to play a bus driver? Get to know your | :09:29. | :09:37. | |
way around London. Actually, Fetlar. There are probably not that many | :09:37. | :09:43. | |
roads. There is not that many in anything. Don't give him a hard | :09:43. | :09:49. | |
time, you asked for his advice! presume you have a driving licence. | :09:49. | :09:59. | |
:09:59. | :10:07. | ||
Could point. -- good pointer. Dom The show is back tonight, full of | :10:07. | :10:11. | |
family events where they embarrass their parents. Our next film is | :10:11. | :10:15. | |
about a devoted dad who was already he would embarrass his daughter. | :10:15. | :10:18. | |
Simon Boazman went to see how he hoped to get through one of the | :10:18. | :10:28. | |
:10:28. | :10:29. | ||
It is every father's dream to see their daughter walk down the aisle. | :10:29. | :10:33. | |
My little girl is only 10 and I am already starting to think about her | :10:33. | :10:37. | |
big day. For most ads, the highlight is getting to sing their | :10:37. | :10:40. | |
daughters praises to all and sundry during the father of the bride | :10:40. | :10:45. | |
speech. But for one bad, it has become a very daunting prospect. 18 | :10:45. | :10:51. | |
months ago, 53-year-old Mark Lawson was diagnosed with early onset | :10:51. | :10:59. | |
Parkinson's. In some patients, the disease can affect speech. It just | :10:59. | :11:08. | |
came on and it... It... This seemed to be like... It was... A... Little | :11:08. | :11:14. | |
bit. The more I tried to get... Get the words out, the harder it | :11:14. | :11:18. | |
actually became to say it, and the more stressed you get about not | :11:18. | :11:25. | |
being able to say it... The more difficult everything becomes. | :11:25. | :11:29. | |
used to go out quite a lot, with friends. Or of a sudden, he didn't | :11:29. | :11:37. | |
want to do anything, at all. Once a speech stammer started, he started | :11:37. | :11:41. | |
withdrawing in a crowd. He couldn't say things quick enough, or think | :11:41. | :11:45. | |
things quick enough. With his daughter's wedding fast approaching, | :11:45. | :11:48. | |
soon, all eyes will be on Mark, as he delivers the father of the | :11:48. | :11:55. | |
bride's speech. I am absolutely terrified of... Of embarrassing | :11:55. | :12:02. | |
myself... And... And embarrassing her as well. I have only got this | :12:02. | :12:06. | |
one opportunity to say... To say what I want to save. You don't get | :12:06. | :12:11. | |
any second chances. The worst scenario is totally drying up. | :12:11. | :12:17. | |
Not... Not... Not... Being able to get anything out. And I know them, | :12:17. | :12:23. | |
the more I am struggling, the more difficult it is going to be... | :12:23. | :12:28. | |
Probably break my heart and cry. This is lovely. | :12:28. | :12:32. | |
In an attempt to put his mind at ease, Mark has come for look around | :12:33. | :12:40. | |
the wedding venue. Hello. Is this where it is going to be? Now you | :12:40. | :12:46. | |
can see it, it is all becoming very real. Is this helping? It is, I can | :12:46. | :12:50. | |
visualise myself in the right position. Where I am visualising it, | :12:50. | :12:55. | |
I am in front of thousands of people. Determined not to let his | :12:55. | :12:58. | |
illness spoil his daughter's big day, Mark approached speech | :12:58. | :13:02. | |
therapist Mike Richards at Weston- super-Mare Hospital, to see if | :13:02. | :13:06. | |
anything could be done to help him. Over half of people with | :13:06. | :13:10. | |
Parkinson's disease will find they have speech problems. Some of those | :13:10. | :13:15. | |
people will find they have stammer like symptoms. Mike decided to try | :13:15. | :13:19. | |
altered or degree feedback technology. But it doesn't work on | :13:19. | :13:25. | |
anyone -- everyone. When we talk normally, we subconsciously listen | :13:25. | :13:30. | |
to what we are saying, so there is a feedback process. Altered | :13:30. | :13:37. | |
auditory the feedback changes that, by picking up the speech and | :13:37. | :13:43. | |
playing it in a different way. It is something that can be seen in | :13:43. | :13:47. | |
the film, the King's Speech, when the king is wearing headphones and | :13:47. | :13:51. | |
it disrupts his normal feedback process. The effect is to slightly | :13:51. | :13:55. | |
slow the speech down, giving the brain time to catch up, and | :13:55. | :13:59. | |
therefore reducing the stammer. While this old technique might be | :13:59. | :14:04. | |
fit for a king, it can also cost a king's ransom. The device | :14:04. | :14:07. | |
traditionally used for this kind of therapy is not widely available on | :14:07. | :14:12. | |
the NHS and can cost over �1,000, which is too much for Mark. But | :14:12. | :14:18. | |
modern technology might offer him a much more affordable alternative. | :14:18. | :14:22. | |
found there was a smart phone up that found it -- claimed it could | :14:22. | :14:28. | |
do the same job -- a smart phones app. It was less than �10. It | :14:28. | :14:32. | |
seemed too good to be true. This is it, the thing that has changed your | :14:32. | :14:39. | |
life. How does it work? It is an ordinary Bluetooth earpiece. When I | :14:39. | :14:46. | |
press this button, you will see an immediate change in how everything | :14:46. | :14:51. | |
happens. Tension is starting to build. The question that still | :14:51. | :14:55. | |
remains, is Mark's gadget going to save the day. There's only one way | :14:56. | :15:05. | |
:15:06. | :15:06. | ||
I would like to welcome you to the wedding of Andrew and Melissa. This | :15:07. | :15:11. | |
is my little girl and she always will be. I love her dearly. Look | :15:11. | :15:15. | |
after her. Ladies and gentlemen, I would like you to stand and drink a | :15:15. | :15:23. | |
bumper toast. The actual wedding was on Sunday | :15:23. | :15:27. | |
and it was a private affair so we did not gatecrash it. Mark is here | :15:27. | :15:34. | |
tonight. How did it go? How was your speech? Everything went fine. | :15:34. | :15:38. | |
I was so confident the technology would work that I stood up to do | :15:38. | :15:43. | |
the speech without plugging it in. I welcomed the guests, apologised, | :15:43. | :15:47. | |
switched on the technology and carried on with the speech. And you | :15:47. | :15:55. | |
have it with you now. Yes. Is it helping you now? When I'm using it, | :15:55. | :16:00. | |
I do not have any problems. Thank you for being with us. A round of | :16:00. | :16:10. | |
:16:10. | :16:11. | ||
applause for Mark. In the film we saw there, we saw a clip of the | :16:11. | :16:14. | |
King's Speech and you played Princess Margaret in that. Shall we | :16:14. | :16:19. | |
have a look? Actually, we are not having a look, we are just going to | :16:19. | :16:25. | |
talk about it. Well, can you still curtsey? Would you like to curtsy | :16:25. | :16:33. | |
for us? OK, shall I stand? Queen has seen this, apparently. | :16:33. | :16:41. | |
Look at that, brilliant. Oscar- winning! The Queen has seen the | :16:41. | :16:46. | |
film, likes it and things you were great. How does that make you feel? | :16:46. | :16:51. | |
Don't be shy. You are by royal appointment. That means she has | :16:51. | :16:59. | |
given you her seal of approval, like jam. It's true. It is strange. | :16:59. | :17:05. | |
I think it would be more strange for the girls -- for the girl that | :17:05. | :17:10. | |
actually plays her when she was little. That would be strange. | :17:10. | :17:16. | |
is going to play Stephen Fry? Who has played a young Stephen Fry? | :17:16. | :17:24. | |
Tell us about that. #ColourCyan well, it was quite strange. Why are | :17:24. | :17:34. | |
:17:34. | :17:36. | ||
you playing a young Stephen Fry? it was for a short series of films | :17:36. | :17:39. | |
called Little Crackers. #ColourYellow is it true that | :17:39. | :17:49. | |
:17:49. | :17:55. | ||
Stephen Fry played your headmaster? Were you asking him for tips? | :17:55. | :18:01. | |
Star Trek -- star-struck. He was very friendly. He talked with my | :18:01. | :18:06. | |
dad, making him coffee every morning. For some strange reason! | :18:06. | :18:12. | |
In the end, he said I played him better than he ever would. | :18:13. | :18:20. | |
Typically Stephen. Both of you are in a documentary about sitcoms. And | :18:20. | :18:25. | |
did you say that My Family, your rival, is a bit predictable? Would | :18:25. | :18:31. | |
you like to expand on that? So I am macro I knew this would come back | :18:31. | :18:41. | |
:18:41. | :18:43. | ||
to haunt me. -- I knew this would come back to haunt me. | :18:43. | :18:46. | |
surprised the audience in Outnumbered, so you keep them | :18:46. | :18:50. | |
compelled. Let's see a clip. Who'd you think once the vote by our | :18:50. | :19:00. | |
:19:00. | :19:03. | ||
viewers for the best club from We are gathered in the bosom of | :19:03. | :19:08. | |
Jesus to say goodbye to this mouse, killed before its time. We have | :19:08. | :19:12. | |
given it cheese and bread for its journey to heaven, or at least if | :19:12. | :19:19. | |
it goes to hell it will have cheese on toast. Next, the Pope. Dust to | :19:19. | :19:25. | |
dust, for richer or for poorer, in sickness or in health. May the | :19:25. | :19:35. | |
:19:35. | :19:38. | ||
Force be with you, because you are worth it. Amen. Ramona, you know | :19:38. | :19:42. | |
you make all mothers and fathers want to have more kids? That is | :19:42. | :19:46. | |
down to you. We will have more from our favourite kids as the show goes | :19:46. | :19:52. | |
on. Last week, I had a chat on my radio show to a lady who teaches | :19:52. | :19:56. | |
the old grooming. We thought, can we have a go? Seriously, how hard | :19:56. | :20:02. | |
can it be to make a dog look good? We went to see if we could cut it. | :20:02. | :20:08. | |
And blow-dry it. In the world of DOH beauty. We are going to learn | :20:08. | :20:13. | |
to groom some dogs and head towards a competition. We are going to | :20:14. | :20:22. | |
paint a pooch. I am not sure I like that phrase. Meet the clients. The | :20:22. | :20:31. | |
instructor, and the equipment. Enough larking around. Time to find | :20:31. | :20:37. | |
out what this is all about. going to get them in the bath and | :20:37. | :20:42. | |
wash them. The instructor took us through a crash course of how to | :20:42. | :20:46. | |
groom dogs the professional way, and it was harder than we imagined. | :20:46. | :20:53. | |
I am not sure about this. It is far too serious and responsible for two | :20:53. | :20:59. | |
stupid people. Soon it was time for us to get our hands dirty. Time to | :20:59. | :21:06. | |
wash you. There is only one shower. I am already winning. How is the | :21:06. | :21:15. | |
temperature? He is basically drowning him. You are so well | :21:15. | :21:23. | |
behaved. I am nearly done. I don't know if you have noticed, but I am | :21:23. | :21:28. | |
protecting his eyes, unlike Alex, who is leaving him to fend for | :21:28. | :21:36. | |
himself. Cheers for that! Well, not the best start, but let's get them | :21:36. | :21:43. | |
dry. He is not enjoying himself quite as much. Well, you have | :21:43. | :21:50. | |
finally palled, that is for sure. You are very good. My wife takes | :21:50. | :21:54. | |
one hour to dry her hair and now I understand why that is. Do not let | :21:54. | :21:59. | |
them feel your stress. I am stressed, I will be honest. Look at | :21:59. | :22:07. | |
you, with your drying machine. not get a machine to do it? We | :22:07. | :22:16. | |
thought we would chill-out. We are reading the magazine. Alex seems to | :22:16. | :22:21. | |
have forgotten where she is. It is a bit girly to have your nails done | :22:21. | :22:26. | |
like that. Would you like paint on your nails? Chris is finding that | :22:26. | :22:35. | |
it is not as easy as it looks. seems to be the only dog that comes | :22:35. | :22:45. | |
:22:45. | :22:45. | ||
out looking worse than when he came in. Sorry. You have got the rosette. | :22:45. | :22:54. | |
Surprise, surprise, she has won it. Yes! Welcome to the first One Show | :22:54. | :22:57. | |
dog show. Of time for our first event, dogs who look like their | :22:57. | :23:07. | |
:23:07. | :23:12. | ||
Nice graphics! Ramona and Daniel, you will be judging this round. Are | :23:12. | :23:20. | |
you ready? Let's meet the contestants. Lookalike number one, | :23:20. | :23:25. | |
Suckey with owner Dennis. A seven- year-old miniature dachshund, who | :23:25. | :23:29. | |
suffers from a short dog syndrome. Apparently he does not just look | :23:29. | :23:34. | |
like his owner, but he snores like him. Let's have a look at the owner | :23:34. | :23:44. | |
:23:44. | :23:44. | ||
with his dog. Very good. Who is next? No. Two, Miss Totty and her | :23:44. | :23:51. | |
owner, Susanna. This lovely lady as a dark side. She steals the balls | :23:51. | :23:56. | |
in the park. That is the animal, not the owner. This is a two-year- | :23:56. | :24:00. | |
old Cocker spaniel and her favourite toy is a squeaky duck. | :24:00. | :24:09. | |
But how similar do they look? similar. Do you like the way that | :24:09. | :24:19. | |
:24:19. | :24:20. | ||
Susanna has co-ordinated her outfit with the dog? Yes. No. 3, Monty | :24:21. | :24:26. | |
with owner roared. Monty is a five- year-old Labradoodle, and as he | :24:26. | :24:31. | |
sleeps upside down you will see him in an unusual pose. Like Miss Totty, | :24:32. | :24:41. | |
he steals balls, but how much does he look like his owner? They are | :24:41. | :24:47. | |
exactly the same! Here is the trophy for the lookalikes. U2, go | :24:47. | :24:52. | |
and award the trophy to the dog that looks most like its owner. | :24:52. | :25:02. | |
:25:02. | :25:04. | ||
Very exciting. Who will they go for? It has got to be Monty. Thank | :25:04. | :25:14. | |
you. We look forward to round two. Here in the UK we have a long | :25:14. | :25:19. | |
tradition of making fantastically funny films. One studio celebrating | :25:19. | :25:24. | |
his 80th birthday made some of the greatest. Anita Rani is feeling the | :25:24. | :25:29. | |
love for Ealing. The movies made at Ealing Studios | :25:29. | :25:35. | |
in its heyday in the 1940s and 1950s have become a cherished part | :25:35. | :25:40. | |
of British film history. understand you have rooms to let. | :25:40. | :25:45. | |
It was back in 1931 that Associated talking pictures founded that | :25:45. | :25:49. | |
studio. Although they made war films, and even a horror movie, the | :25:49. | :25:52. | |
company and the studios became world famous for his certain brand | :25:52. | :26:02. | |
of classic comedy. -- a certain brand. Michael Bolton took over the | :26:02. | :26:04. | |
studios in 1938 under his leadership heralded the golden era | :26:04. | :26:09. | |
of the Ealing comedies. Passport to Pimlico, Whisky galore, Kind Hearts | :26:09. | :26:13. | |
and Coronets, the Lavender Hill Mob, the man in the white suit and the | :26:13. | :26:18. | |
Lady Killers. Mark, you are working on a season about the Ealing | :26:19. | :26:23. | |
comedies. What makes them so distinct? They have a sense of | :26:23. | :26:27. | |
their time. There is lightness of touch, a delicate wit and something | :26:27. | :26:32. | |
warm about them, as well as the darker strain that we love. And a | :26:32. | :26:37. | |
real reflection of post-war Britain. Passport to Pimlico is about an | :26:37. | :26:41. | |
escape from rationing, so the premise involves the rediscovery of | :26:41. | :26:45. | |
long-lost papers that proved that part of London actually belongs to | :26:45. | :26:53. | |
the Duke of Burgundy. You mean they are technically from Burgundy? | :26:53. | :26:57. | |
There is a sense in which some of them off the change but then they | :26:57. | :27:00. | |
welcome the status quo back. You see that when after the fantasy of | :27:00. | :27:04. | |
being outside of rationing, they are happy to become British again. | :27:04. | :27:09. | |
But some of them are really dark. Kind Hearts and Coronets is | :27:09. | :27:12. | |
fabulously dock. This is the story of the young man who feels he has | :27:12. | :27:18. | |
been cheated of his inheritance. He should have been the heir to the | :27:18. | :27:21. | |
money and he murders his way through the family, famously all of | :27:21. | :27:26. | |
them played by Alec Guinness. Alec Guinness is fabulous and a star of | :27:26. | :27:30. | |
Ealing, a comedy giant at that time. The Lady Killers is a similar sort | :27:30. | :27:34. | |
of film. We watch the villains murder each other as they are | :27:34. | :27:40. | |
attempting to bump off this sweet monster -- this sweet old mother. | :27:40. | :27:48. | |
And yet, strangely, we kind of want them to finish her off. I thought | :27:48. | :27:55. | |
you might like a cup of tea. you shouldn't! There seems to be a | :27:55. | :27:59. | |
trend of the little guy taking on the system. This was part of the | :27:59. | :28:04. | |
way that Britain saw itself, seeing off the mighty hunt. Ealing was | :28:05. | :28:09. | |
also a small studio battling bigger studios in Britain. You can see the | :28:09. | :28:13. | |
underdog on so many levels. might recognise these as the | :28:14. | :28:17. | |
entrance to the police training school in the Lavender Hill Mob, | :28:17. | :28:20. | |
but they really lead to the Gunnersbury Park Museum, round the | :28:20. | :28:24. | |
corner from the studios. The museum has a collection of memorabilia | :28:24. | :28:29. | |
from the studios. What is this model? There was a gentleman who | :28:29. | :28:33. | |
used to make models to go into the local shops to promote what ever | :28:33. | :28:38. | |
Ealing Studios film was going to be on at the local cinema. And the art | :28:38. | :28:41. | |
director actually gave him the original designs for Passport to | :28:41. | :28:47. | |
Pimlico and then he made this model. They constructed entire buildings. | :28:47. | :28:50. | |
Yes, and you can see at the back there is nothing there, just | :28:50. | :28:56. | |
framework. And it was the framework of collaboration, under the | :28:56. | :29:01. | |
leadership of the director, that gave the studios the identity. | :29:01. | :29:04. | |
critics said it was an exclusive school with me as the headmaster, | :29:04. | :29:09. | |
but at least we produced films with a definite style and with a sense | :29:09. | :29:15. | |
of national pride, and I don't think that is happening today. | :29:15. | :29:19. | |
even though Ealing studios are still open and working today, they | :29:19. | :29:24. | |
are simply studios for hire. It is the old comedies that gave a unique | :29:24. | :29:28. | |
insight into the British psyche that will remain forever in our | :29:28. | :29:34. | |
hearts. Most exhilarating! Gyles Brandreth, you could have | :29:34. | :29:41. | |
come from an Ealing comedy yourself. I feel I am still living in one. In | :29:41. | :29:48. | |
my other life I am Terry-Thomas. I live in a world peopled by Alec | :29:48. | :29:52. | |
Guinness, Margaret Rutherford. Is there a greater happiness? I think | :29:52. | :29:56. | |
not. You are the king of the archives but you are about to be | :29:56. | :30:01. | |
beaten. I am also about to be hooked to my TV. I am going to | :30:01. | :30:05. | |
start watching BBC Two from Monday night for the next four weeks at | :30:06. | :30:09. | |
6:30pm because they have something called reel to reel. Essentially | :30:09. | :30:13. | |
what is happening is that they have dug into the British Film Institute | :30:13. | :30:16. | |
archives and other archives and have come up with documentary | :30:16. | :30:21. | |
features from 1900 up to 1970, E Johns before your grandparents were | :30:22. | :30:28. | |
born. These films have been re- edited and they found people who | :30:28. | :30:32. | |
were in the original documentaries and confronted them with their past. | :30:32. | :30:36. | |
They found this Ministry of Technology Cinema, centred around | :30:36. | :30:40. | |
the country and show people what they were light years ago. A great | :30:40. | :30:47. | |
idea. For example, they have gone back to 1977, the Queen's silver | :30:47. | :30:54. | |
jubilee. The year I was born! you get a Jubilee Cup, because if | :30:54. | :30:58. | |
you were born on the day of the Coronation you got one. My daughter | :30:58. | :31:02. | |
got one. It is not about your daughter and it is not about you, | :31:02. | :31:08. | |
it is about the Queen. And also about a special beauty queen. Let | :31:08. | :31:18. | |
:31:18. | :31:18. | ||
me take you back to 1977 and It was a big thing. You feel like a | :31:18. | :31:22. | |
film star. You're never going to be a film star, but that is how I felt. | :31:22. | :31:26. | |
I can laugh, because I am embarrassed about what I look like. | :31:26. | :31:30. | |
Thank you to whoever took that footage. I have something to show | :31:31. | :31:40. | |
my four girls, and that is special. What a lovely film. It is called | :31:40. | :31:46. | |
the real history of Britain, -- it is called the Reel History of | :31:46. | :31:49. | |
Britain. It warns people up for our programme. This girl was a princess | :31:49. | :31:56. | |
then, she is a queen now. Across 34 years, please welcome, Nicola | :31:56. | :32:06. | |
:32:06. | :32:06. | ||
Grossman! That can't have been you 34 years ago, it is impossible, | :32:06. | :32:16. | |
:32:16. | :32:17. | ||
You were the Ramona of your day. How did you feel watching that film | :32:17. | :32:22. | |
34 years on? It is amazing, it was really emotional. I had never seen | :32:22. | :32:26. | |
it. I remember it vividly, but when BBC rang me up and told me what | :32:26. | :32:30. | |
they were doing, it was amazing, to think I was going to be seeing | :32:30. | :32:34. | |
something that happened so long ago. When I saw it, it just takes you | :32:34. | :32:41. | |
back. It was an amazing thing to have happened. You had duties, you | :32:41. | :32:46. | |
open a park bench. I did, I kicked off a football match in high heels | :32:46. | :32:51. | |
as well. And we had a float and a fade, and the vicar, and the whole | :32:51. | :32:55. | |
of the village was left. It was great, it was fabulous. It is great | :32:55. | :33:02. | |
to see it will now. This show is going to be a massive hit. It is | :33:02. | :33:09. | |
very touching, real stories going back to the First World War. Bury a | :33:09. | :33:14. | |
lovely. Let's celebrate another unsung hero. There are loads of hit | :33:14. | :33:17. | |
songs with memorable solos and often that people would play them | :33:17. | :33:22. | |
don't get any credit whatsoever. It is our job to put them right and we | :33:22. | :33:25. | |
have met everyone from the Mull of Kintyre piper to the She's Leaving | :33:25. | :33:30. | |
Home Harper's. Tonight, the harmonica hero who helped Karma | :33:30. | :33:34. | |
Chameleon conquer the charts -- harpist. | :33:34. | :33:39. | |
Once upon a time this Mississippi steamer played an important part in | :33:39. | :33:45. | |
pop history. It is 1983 and Culture Club are at number one again with | :33:45. | :33:51. | |
the incredibly catchy calmer chameleon. | :33:51. | :33:56. | |
# Karma Chameleon. # You come and go. What makes Karma | :33:56. | :34:00. | |
Chameleon stick in your brain? That harmonica. It wasn't Boy George | :34:00. | :34:05. | |
playing it on the recording, or any other member of the ban. It was | :34:05. | :34:11. | |
session musician died Llandough. I am glad to say that 28 years on, | :34:11. | :34:15. | |
the Southern belle is still doing a roaring trade, ferrying tourists up | :34:15. | :34:25. | |
:34:25. | :34:28. | ||
and down the Thames, and Judd is It was 1983, the height of the New | :34:28. | :34:34. | |
Romantics, were you a new romantic? It is quite bizarre. I was an | :34:34. | :34:39. | |
executive at CBS Records, when the record was done. I had been a | :34:39. | :34:45. | |
session musician before the record company job. Steve Levine who was | :34:45. | :34:49. | |
producing culture club's album, he called me out of the blue, asking | :34:49. | :34:52. | |
me to create a line because there was a big hole at the beginning of | :34:52. | :34:56. | |
the track. It was trying to create something odd but something that | :34:56. | :35:02. | |
made a statement. This is the harm on a car used on the record. I just | :35:02. | :35:09. | |
need to worship. I will give you an example. -- the harmonica used on | :35:09. | :35:19. | |
:35:19. | :35:19. | ||
It is your harmonica that makes it sound so sudden. -- Southern. What | :35:19. | :35:24. | |
was the recording session like? was quite an uneventful think what | :35:24. | :35:28. | |
I would take my lunch time out from the executive job to - down the | :35:28. | :35:34. | |
studio. I had an idea to create something as a power statement. | :35:34. | :35:39. | |
many takes did it take? Only a couple. With the harmonica that I | :35:39. | :35:46. | |
used, it is in E flat. I created a little country like with a loop on | :35:46. | :35:56. | |
:35:56. | :36:04. | ||
It is that by brighter at the end Judge had hit the right note. His | :36:04. | :36:08. | |
distinctive sound lifted the track and made it instantly recognisable. | :36:08. | :36:14. | |
Karma Chameleon was the biggest hit of 1983, staying at number one for | :36:14. | :36:17. | |
six weeks. # I am a man without conviction. | :36:17. | :36:22. | |
Apart from George, you are the star of that song. I wasn't really the | :36:22. | :36:26. | |
start of the song, I was just a hired hand. How does it feel when | :36:26. | :36:30. | |
somebody else is miming to your parred? It annoys me, because I | :36:30. | :36:35. | |
know it is me who played the track. -- to your party. They invited me | :36:35. | :36:40. | |
to play at Wembley, and the guys were really nice. It was an | :36:40. | :36:44. | |
interlude of fun, and I went back to the real world. Did it make you | :36:44. | :36:48. | |
lots of money? A little. I got a fee. I think at the time it was | :36:48. | :36:54. | |
something like �70. Every time it gets played, I get a tiny bit. I | :36:54. | :36:58. | |
could have done with a little bit more. This song is still played so | :36:58. | :37:04. | |
much. In 2011, if it comes on the radio now, what are you thinking? | :37:04. | :37:11. | |
It is one of pride, satisfaction. I think, I created that, that is me. | :37:11. | :37:15. | |
And it is something for the kids so that when I am getting buried, as | :37:15. | :37:25. | |
:37:25. | :37:30. | ||
the coffin goes along, you will # Is it loving in your eyes... | :37:30. | :37:40. | |
:37:40. | :37:43. | ||
OK, time for our One Show dog show Three contenders. Which one has the | :37:43. | :37:51. | |
waggiest tail? Number one, please welcome Bubble. With her owner, and | :37:51. | :37:56. | |
Lottie. Bubble is a 2-year-old Dalmatian from Sheffield who was | :37:56. | :38:01. | |
born deaf. She even wax when she goes to see the vet, and she loves | :38:01. | :38:11. | |
:38:11. | :38:15. | ||
What about wagger number two? is Max with Kevin. Max is a 4-year- | :38:15. | :38:22. | |
old Jack Russell. He wagged so much it shakes his whole backside. He | :38:22. | :38:26. | |
likes adventures like hiking in the Alps and has been caving with | :38:26. | :38:34. | |
Kevin's daughter. What about the last wagger? Please welcome Megan, | :38:35. | :38:40. | |
with owner, Chloe. Megan is a 14 months old Cocker spaniel from | :38:40. | :38:45. | |
Horsham, whose family has a history of over wagging. The big brother, | :38:45. | :38:50. | |
Henry, wax so much that he hit his tail against a door frame and had | :38:50. | :38:57. | |
to be hospitalised. Don't worry, he is better now. Brilliant. We need | :38:57. | :39:02. | |
three people to count the wax. He could we ask? What about the kids | :39:02. | :39:12. | |
:39:12. | :39:35. | ||
You have one stock and one own age. We had a big meeting about this. | :39:35. | :39:42. | |
This is a wag... Sorry, you're absolutely right. 30 seconds on the | :39:42. | :39:52. | |
:39:52. | :39:55. | ||
clock, start wagging. Looking good with the old dhow nation. Megan was | :39:55. | :40:05. | |
:40:05. | :40:10. | ||
good in rehearsal -- the old 10 seconds left. Max looks tired. | :40:10. | :40:20. | |
:40:20. | :40:35. | ||
These stocks have been wagging all Megan, come forward. How many did | :40:35. | :40:45. | |
:40:45. | :40:59. | ||
What do you think, Tyger? I counted 84. Are you sure? Daniel, how many | :40:59. | :41:06. | |
did you count? I counted about the same as Tyger, about 84. | :41:06. | :41:11. | |
weren't even concentrating! There seems to be something wrong. It is | :41:11. | :41:15. | |
a draw. It is declared a draw because none of us really know what | :41:15. | :41:25. | |
:41:25. | :41:26. | ||
we are doing, but we are having It is the final round soon. Dogs | :41:26. | :41:32. | |
that are one of a kind. The stars of Outnumbered are here, because a | :41:32. | :41:36. | |
brand new series starts later at 9pm on BBC One. Here is a sneak | :41:36. | :41:43. | |
peek. It is always going up or down. We should go back to the old days | :41:43. | :41:51. | |
where we used livestock for money. What happens when you would like to | :41:51. | :41:56. | |
buy a chicken? You buy a chicken with chickens for but how much is a | :41:57. | :42:04. | |
chicken worth in chickens? How do you get change from a chicken? | :42:04. | :42:09. | |
-- eggs. You improvise, there are writers but you are allowed to | :42:09. | :42:12. | |
improvise. Was that line about the change from the chicken improvised | :42:12. | :42:17. | |
or written? I can't remember, I presume that would have been | :42:17. | :42:23. | |
improvised because that was an improvised section. The thing is | :42:23. | :42:28. | |
loosely scripted. When it is scripted, we can edit it with our | :42:29. | :42:34. | |
own words. There are actual sections, discussions and arguments, | :42:34. | :42:39. | |
where it is all improvised. It is labelled improvised on the script. | :42:39. | :42:43. | |
Do the writers get jealous that you are funnier than they are? I think | :42:43. | :42:48. | |
they pass it off as their own staff! You are going into the 4th | :42:48. | :42:52. | |
series tonight. The characters have changed, because you started when | :42:52. | :43:00. | |
you were six, and you are now... 10? Yes. What it is like when | :43:00. | :43:06. | |
you're looking back? Is it a bit embarrassing? I think it doesn't | :43:06. | :43:15. | |
really seem like me, it seems like it is hard to believe I was only | :43:15. | :43:19. | |
five because I look at people I know who are five, and I would have | :43:19. | :43:28. | |
been just starting school. It seems weird. Who is the funniest out of | :43:28. | :43:38. | |
you three? Not me. I do stupid In different ways. Tonight is about | :43:38. | :43:47. | |
death, gay Uncle Bob dies. He died a while ago. Your dad has got to do | :43:47. | :43:51. | |
the eulogy. Why do you want to go to the funeral? I don't know, Ben | :43:51. | :43:55. | |
doesn't have strong feelings about it. In Ben, he wants to see a dead | :43:55. | :44:02. | |
body burnt. Ramona, you want to go and you were a pretty dress and | :44:02. | :44:07. | |
caused controversy? Yes, my mum tells me it is a celebration, so I | :44:07. | :44:14. | |
were some fancy dress and she is a bit stuck. You say, why do I have | :44:14. | :44:20. | |
to wear black? I think it is brilliant. Are you hungry? Sort of. | :44:20. | :44:29. | |
Just say yes. Yes. We are going to meet Jay Rayner. Tonight I am | :44:29. | :44:32. | |
looking for absolutely culinary perfection. Crispy, greasy, smoky | :44:32. | :44:42. | |
or streaky, what makes the greatest My name is Jay and I am addicted to | :44:42. | :44:46. | |
pork. There is no savoury dish that cannot be improved by the addition | :44:46. | :44:51. | |
of a bitter of pig. No wonder our favourite comfort food is the bacon | :44:51. | :44:57. | |
sandwich. There is many a lapsed vegetarian who will admit that | :44:57. | :45:00. | |
nothing lures them from the straight and narrow like the | :45:00. | :45:04. | |
savoury smell of bacon. But for a devoted connoisseur like me, it | :45:04. | :45:12. | |
cannot be any old bacon. It has to be just right. So what makes the | :45:12. | :45:15. | |
perfect bacon butty? Good ingredients are a must. For | :45:15. | :45:20. | |
centuries, British households made their own bacon, curing a | :45:20. | :45:23. | |
slaughtered animal with salt and if they wanted it smoked they would | :45:23. | :45:26. | |
hang it in the chimney. It is more high-tech now, but that is still | :45:26. | :45:31. | |
the method they use at this award- winning butcher's near Taunton. | :45:31. | :45:35. | |
Back bacon comes from the line. Streaky bacon comes from the belly | :45:35. | :45:42. | |
pork, the underside. How do we go from here to bacon? We take the | :45:42. | :45:46. | |
burn-out, and then we dry cure it. That basically means rubbing salt | :45:46. | :45:50. | |
into the flesh, leaving it for a period of time and then hanging it | :45:50. | :45:55. | |
to dry and putting it on the slicer, straight into the frying pan. | :45:55. | :46:00. | |
you think they can should have a lot of that? Without question. A | :46:01. | :46:04. | |
body like mine takes training. You need some fat. These pigs have a | :46:04. | :46:09. | |
layer of fat and that is where the flavour comes from. Tender pork, | :46:09. | :46:14. | |
tender bacon. You pick up cheap bacon and it says, with added water. | :46:14. | :46:17. | |
All that you are buying is expensive water and it releases | :46:17. | :46:21. | |
during cooking, which is why you get water in the griddle. Is there | :46:21. | :46:27. | |
ever a good reason for adding water to bacon? If you are an accountant. | :46:27. | :46:32. | |
We all have an idea of what makes the perfect sandwich. Marco Pierre | :46:32. | :46:41. | |
White thinks the best way to cook bacon is in the microwave. This is | :46:41. | :46:48. | |
a crime against bacon. Researchers at Leeds University were even paid | :46:48. | :46:52. | |
by a bacon manufacturer to come up with a formula for the perfect | :46:52. | :46:56. | |
bacon butty. It took account of all sorts of variables like bacon type, | :46:56. | :47:01. | |
cooking method and what source you use. Toppled the pile, back bacon, | :47:02. | :47:07. | |
not too fatty, crisply grilled at 240 degrees Celsius, between thick | :47:07. | :47:11. | |
slices of white bread. It does go on a bit. The texture and crunch | :47:11. | :47:16. | |
were just as important as taste and smell. Now, I might not be a boffin, | :47:16. | :47:24. | |
might not be good at maths, but I do know what I like. And so does | :47:24. | :47:31. | |
Steve Nieve, a former patrolman of the year. Before the possession, he | :47:31. | :47:35. | |
got to travel the country sampling bacon butties and declaring a | :47:35. | :47:39. | |
winner. His company no longer offers that perk, but the patrolman | :47:39. | :47:45. | |
still run on the bacon butty. What makes the perfect bacon sandwich? | :47:45. | :47:50. | |
Crispy bacon, no fat... Hang on, bacon with no fat! That is like the | :47:50. | :47:54. | |
Pope without praying, claiming you are a little bit pregnant. It is | :47:54. | :48:01. | |
not really bacon. I just prefer the taste. So it is about the crunch of | :48:01. | :48:08. | |
the bacon between the soft quilt of the bread. Definitely. Perhaps the | :48:08. | :48:12. | |
perfect bacon sandwich, like the Holy Grail, is always out of reach. | :48:12. | :48:17. | |
My perfect sandwich, toasted on one side, tomato ketchup, bacon well | :48:17. | :48:21. | |
done and a smear of butter. It may not be your perfect bacon sandwich, | :48:21. | :48:25. | |
but whatever it is, the bacon sandwich is still, for me, a | :48:25. | :48:31. | |
national treasure and one that I could not do without. | :48:31. | :48:35. | |
Who is not hungry after watching that? By the way, it should be the | :48:35. | :48:41. | |
law that all butchers should have to look like Malcolm. He is the | :48:41. | :48:50. | |
perfect butcher, isn't he? We do not even hire him. Usually we would | :48:50. | :48:59. | |
ask the first question but Daniel has a question for you? Why did you | :48:59. | :49:03. | |
make us eat those sandwiches? needed someone to try them and we | :49:03. | :49:07. | |
thought you would like it. Let's look at what happened. These are | :49:07. | :49:14. | |
your strange sandwiches, tested by the kids. First, Tracey Wright with | :49:14. | :49:19. | |
banana and flake on cheap white bread with margarine. What is not | :49:19. | :49:25. | |
to like. It is just Banana and bread. Next, salad cream and | :49:25. | :49:29. | |
beetroot with cold baked beans. They thought it was torture, and so | :49:29. | :49:35. | |
did I. Ramona did not even feel the need to try it. Finally, the triple | :49:35. | :49:41. | |
Decker with peanut butter and Banana and courage chicken. What is | :49:41. | :49:47. | |
wrong with you people? Daniel did nothing very much of it. So, that | :49:47. | :49:54. | |
went down well and came up again even quicker! Very brave. You are | :49:54. | :49:59. | |
very good to have tried them. This was the winner, the Banana and | :49:59. | :50:08. | |
flake. That sounds really nice. Was it nice? It was OK. The the Banana | :50:08. | :50:12. | |
was... You could not really taste the flake, it was just squishy | :50:12. | :50:22. | |
:50:22. | :50:23. | ||
Banana. We have had lots of messages every week asking how big | :50:23. | :50:29. | |
are Jay's plums and will he ever bring them in. You could not resist. | :50:29. | :50:34. | |
I am just moving on. British plums are brilliant and we have loads of | :50:34. | :50:37. | |
them but British supermarkets are not stocking them. They are buying | :50:38. | :50:42. | |
them from abroad and doing enormous damage to our domestic plumbing | :50:42. | :50:46. | |
industry it. Go into the supermarket and demand British | :50:46. | :50:50. | |
plums. We have wonderful varieties. And we have a pudding here which is | :50:50. | :50:58. | |
quite nice. It is a clafoutis of plums, which is plums in a kind of | :50:58. | :51:02. | |
batter with a lot of sugar, to make up for feeding you beetroot | :51:02. | :51:12. | |
:51:12. | :51:21. | ||
sandwiches. There is no cream. Revenge! Marks out of 10, Ramona? | :51:21. | :51:26. | |
Seven. The final round of the One Show dog show, unique dogs coming | :51:26. | :51:31. | |
up next. First, time for Detective Dan to dive deep into late history | :51:31. | :51:37. | |
mystery under the high seas. The Thames estuary, for 2000 years | :51:37. | :51:41. | |
one of the busiest shipping lanes in Britain. But beneath the waves, | :51:41. | :51:45. | |
sunk into the silt, a graveyard strewn with shipwrecks and the | :51:45. | :51:52. | |
bones of the men who sailed in them. In 1665, HMS London left her birth | :51:52. | :51:57. | |
here at Chatham dock and sailed down river. She was the flagship of | :51:57. | :52:00. | |
Charles the second's Navy, bristling with cannon, ready to | :52:00. | :52:05. | |
take on the Dutch. But just a few miles into the Thames estuary, an | :52:05. | :52:10. | |
explosion tore apart the whole. 300 of her crew sank with her beneath | :52:10. | :52:18. | |
the waves. The HMS London was prepared for war, her magazines | :52:18. | :52:21. | |
tough -- stuffed with tons of gunpowder. It must have been a | :52:21. | :52:26. | |
terrific blast. Little wonder there were so few survivors. News of the | :52:26. | :52:30. | |
explosion reached Samuel Pepys and he wrote in his diary that just the | :52:30. | :52:34. | |
stern section of the ship had stuck out of the water and 25 desperate | :52:34. | :52:37. | |
survivors had been clinging to it. Samuel Pepys makes clear that one | :52:37. | :52:42. | |
of those rescued was not a sailor. Regulations stated that only crew | :52:43. | :52:46. | |
members were allowed on Navy vessels, so who was the stowaway | :52:46. | :52:51. | |
and why were they there? Today, I am joining marine archaeologist | :52:51. | :52:55. | |
Graham Scott and his team. We are going to dive the wreck of the HMS | :52:55. | :53:00. | |
London in the hope that they may be able to help me solve the mystery. | :53:00. | :53:03. | |
The Thames estuary is an aggressive piece of water. Is this wreck under | :53:03. | :53:09. | |
threat? It is not a stable site, so we can expected to deteriorate, | :53:09. | :53:17. | |
which is why doing archaeology now is important. Checked and tested. | :53:17. | :53:21. | |
In a very tidal river estuary there are only certain times of day when | :53:21. | :53:25. | |
you can dive. There is a lot of wind coming in later. We are up | :53:25. | :53:35. | |
:53:35. | :53:37. | ||
It is sobering to think that these murky waters are the resting-place | :53:37. | :53:41. | |
of over 300 souls. Unfortunately conditions today are too | :53:41. | :53:46. | |
challenging to be able to retrieve any artifacts from the site. That | :53:46. | :53:52. | |
is amazing. You can clearly make out the timbers of the 17th century | :53:53. | :53:56. | |
wreck, an incredible piece of iron work as well. But the visibility | :53:56. | :54:01. | |
was terrible. Graham has brought along one of the finds from last | :54:01. | :54:04. | |
year that will hopefully shed some light on this mysterious passenger. | :54:04. | :54:09. | |
What have you found? We found the structure of the ship itself, part | :54:09. | :54:13. | |
of the ship itself, and we are also finding lots of small artifacts | :54:13. | :54:17. | |
that tell us about life on board the ship and who was on board the | :54:17. | :54:25. | |
ship as well. Is that what I think it is? Yes. It is a skull. It is | :54:25. | :54:31. | |
the major part of a skull, the cranium. Is it possible to tell if | :54:31. | :54:38. | |
it is a man or a woman? No, the bones experts tell us that it is in | :54:38. | :54:43. | |
fact a woman. Women were not allowed aboard Royal Navy ships, so | :54:43. | :54:48. | |
what were these ladies doing on HMS London? David Davies and Richard | :54:48. | :54:52. | |
Endsor are experts in 17th century naval history. I was pretty | :54:52. | :54:57. | |
surprised to find women on board this 17th century ship. Is that a | :54:57. | :55:01. | |
shock to you? It seems surprising to people now, but it seems to have | :55:01. | :55:06. | |
been common in the 17th century navy. Women generally did go to the | :55:06. | :55:10. | |
sea at the start of the voyage for the first few nights. So the | :55:10. | :55:14. | |
sailors could say goodbye to their wives and girlfriends. That sounds | :55:14. | :55:18. | |
quite relaxed. Well, wives, girlfriends and perhaps other | :55:18. | :55:23. | |
female acquaintances. Yes, and in many respects the discipline of the | :55:23. | :55:26. | |
17th century navy was much more lenient than it became in later | :55:26. | :55:32. | |
years. You think of them, Richard, as preservers of manliness. The | :55:32. | :55:35. | |
guys would go out to sea and not see their wives and sweethearts | :55:35. | :55:39. | |
four months. You would not have found women on the pay books, you | :55:39. | :55:42. | |
would not have found their names, but they undoubtedly got on board | :55:42. | :55:48. | |
the ships under an assumed name, a man's name. How many there were, we | :55:48. | :55:54. | |
do not know. I hope the men did not get too distracted from their duty. | :55:54. | :55:57. | |
Slowly the Thames is starting to give up the secrets hidden for so | :55:57. | :56:01. | |
long on its river bed. The wreck of London, with the bones of the men | :56:01. | :56:05. | |
and the women who died on her is just one of the extraordinary tales | :56:05. | :56:15. | |
lying beneath its murky waters. What is going on with his hair? A | :56:15. | :56:21. | |
bit curly. It is what goes on with their hair. Time for the final | :56:21. | :56:24. | |
round of the One Show dog show and we are celebrating the dogs that | :56:24. | :56:27. | |
have something special about them, that probably never win anything at | :56:28. | :56:32. | |
a proper show, but the owners love them just the same. They are one of | :56:32. | :56:42. | |
:56:42. | :56:52. | ||
a kind. We have three contestants. First up, Lola, who likes to fall | :56:53. | :56:56. | |
asleep in front of the BBC Ten O'Clock News. We are sure they will | :56:56. | :57:06. | |
:57:06. | :57:08. | ||
be thrilled. Next, Alfie, with its owner, Sam. This is a two year olds | :57:08. | :57:12. | |
terrier who has long eyelashes and loves to dress up, especially as | :57:12. | :57:22. | |
:57:22. | :57:25. | ||
Batman. Finally, Sidley with owner, Jenny. Sydney is a one-and-a-half | :57:25. | :57:28. | |
year-old Chinese crested dog who likes to have his tongue sticking | :57:28. | :57:34. | |
out for most of the day. That is generally it. There we go, the | :57:34. | :57:39. | |
tongue is officially out. Who is the one of a kind one showed will | :57:39. | :57:49. | |
:57:49. | :57:51. | ||
win her 2011? Tyger, you are going to judge this. You have the trophy. | :57:51. | :58:01. | |
:58:01. | :58:03. | ||
Sidley, with Jenny, I think. Thank you. Let's get all of them together. | :58:03. | :58:09. | |
We are going to sing We Are the World, in the style of dogs. That | :58:09. | :58:13. | |
is all for tonight. Thank you to Ramona, Daniel and Tyger. | :58:13. | :58:19. |