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I tell you what, I'm feeling incredibly cult toured tonight. Is | :00:11. | :00:17. | |
that because Dame Helen Mirren is on the show? One of the reasons, but | :00:18. | :00:22. | |
the main reason is Lang Lang's here. You crack on and we'll start the | :00:23. | :00:26. | |
rest of the show. See you later. See you! | :00:27. | :00:39. | |
Hello. Welcome to the One Show with Alex Jones. And Matt Baker. Today we | :00:40. | :00:48. | |
are joined by Royalty, Lang Lang, who will perform later, for day two | :00:49. | :00:54. | |
of the One Show music festival. First, we are joined by the Queen of | :00:55. | :00:59. | |
stage and screen, it's Dame Helen Mirren. | :01:00. | :01:04. | |
APPLAUSE Welcome, Helen. Welcome to the outside of the | :01:05. | :01:08. | |
studio. Very American. Helen. Welcome to the outside of the | :01:09. | :01:12. | |
studio. Very We thought it was such lovely weather and make the most. | :01:13. | :01:16. | |
End of the summer. As we were saying, we have incred Kibble | :01:17. | :01:19. | |
classical music and you were brought up with a real appreciation for it? | :01:20. | :01:24. | |
My dad was a classical musician and he played the viola and one of my | :01:25. | :01:28. | |
early memories is of my dad practising. My parents, or at least | :01:29. | :01:36. | |
my mum, would not let me listen to rock'n'roll music. I used to listen | :01:37. | :01:40. | |
to radio Luxembourg. Did you like that? I loved it. It was very much | :01:41. | :01:48. | |
disapproved of in my family. I listen to classical music, as my | :01:49. | :01:54. | |
music of choice. Indian classical music I love. Right. And obviously, | :01:55. | :02:01. | |
European too. I'm not knowledgeable at all. I don't know my Mozart from | :02:02. | :02:09. | |
my Beethoven. But I love it. Speaking of Indian classical music, | :02:10. | :02:14. | |
your film is based on an Indian family and we thoroughly enjoyed it. | :02:15. | :02:18. | |
We'll talk about that later and show you in action. Yes. If ever there | :02:19. | :02:22. | |
was a film to make you hungry, in one is it. Helen has won awards | :02:23. | :02:32. | |
during her arrear, Emmys, BAFTAs and Golden Globes and an aS core. There | :02:33. | :02:37. | |
is one that you will never win -- never ever going to get the award. | :02:38. | :02:47. | |
It's called the carbunkle Cup. There's an air about the archers. It | :02:48. | :02:56. | |
is hard to believe how one critic described St Paul's, this great | :02:57. | :03:02. | |
building, back when it was first built. Architecture is an industry | :03:03. | :03:06. | |
that will heap praise on you if you get it right, but if you get it | :03:07. | :03:11. | |
wrong, it will name and shame. Building exien magazine's the | :03:12. | :03:15. | |
Carbunkle Cup has a shortlist of six. The Chancellor's Building in | :03:16. | :03:22. | |
Bath. Trinity Square in Gateshead and the other are all in London. -- | :03:23. | :03:28. | |
others are all in London. One reading of the magazine described | :03:29. | :03:33. | |
Unite's Stratford One in East London, "If I was a dictate O, I | :03:34. | :03:38. | |
would be very -- dictator, I would be very proud of this building." A | :03:39. | :03:43. | |
bit harsh. This is the favourite to win the Cup and this is what a | :03:44. | :03:48. | |
former councillor had to say, "An obstacle on Woolwich's road to | :03:49. | :03:53. | |
recovery and I regret my role as its midwife." Ouch! | :03:54. | :03:56. | |
This looks like telly buBy land around the outside of -- telly tubby | :03:57. | :04:03. | |
land around the outside. People say it's one of the you wiliest | :04:04. | :04:07. | |
buildings in Britain? It's not true. I like it. I wish to be there. Is it | :04:08. | :04:15. | |
attractive? No, it's a monstrosity. The Vauxhall Tower is the jewel in | :04:16. | :04:19. | |
the crown here and another contender for the title. Some critics have | :04:20. | :04:25. | |
said that this side of the Thames with the towers is beginning to | :04:26. | :04:29. | |
resemble Mordor from The Lord of the rings' films and I can see what they | :04:30. | :04:37. | |
mean. I like to see more natural products involved. Not just glass | :04:38. | :04:43. | |
and steel. Beautiful? What is beautiful about it? I build it. Were | :04:44. | :04:50. | |
you a building on it? Yes. The last of the offenders is given as an | :04:51. | :04:57. | |
example of the gross overdevelopment around Arsenal's Emirates Stadium. | :04:58. | :05:02. | |
The QN 7 flats in north London. The winner will be announced tomorrow. | :05:03. | :05:08. | |
This is an industry in which beauty is in the eye of the beholder. | :05:09. | :05:16. | |
We'll cut from that section of London to this beautiful section. | :05:17. | :05:20. | |
There were some horrors in there. Yes. Absolutely! Can you imagine | :05:21. | :05:26. | |
being on that list? There are so many changes with time and very | :05:27. | :05:30. | |
often you have the shock of the new. I'm not saying necessarily any of | :05:31. | :05:34. | |
those buildings were that, but it is very often and I think that's a | :05:35. | :05:37. | |
tough thing with architecture. They have to have a vision for the | :05:38. | :05:42. | |
future. Do you have a favourite building? I love the MI5 building. | :05:43. | :05:48. | |
It looks magical and strange. There is another lovely building I love in | :05:49. | :05:54. | |
the City, I call it the Witchy building. It's modern and it has | :05:55. | :05:58. | |
pointy roofs on it. I agree with the guy who was saying why is it always | :05:59. | :06:04. | |
glass? What about natural materials? I do agree. Wood and stone. There's | :06:05. | :06:11. | |
no glass buildings in the new film. It is shot beautifully out in | :06:12. | :06:15. | |
France. Tell us about where it was shot and what the story is. It was | :06:16. | :06:21. | |
shot in an area north of Toulouse and incredibly beautiful part of | :06:22. | :06:24. | |
France. I had never been there before. Amazing Medieval villages, | :06:25. | :06:30. | |
talk about architecture. It's very, very beautiful and it looks exactly | :06:31. | :06:35. | |
like it looks in the film. It's a fantasy of France. It's the light. | :06:36. | :06:40. | |
It's the light. The little markets, and they look like that. And it's a | :06:41. | :06:45. | |
film about food. It's absolutely about food, about the appreciation | :06:46. | :06:50. | |
of food, about the making of food. It's about food as a cultural | :06:51. | :06:58. | |
signifier and a sig -- signifier, and a signifier of family. It's not | :06:59. | :07:04. | |
serious. It's enjoyable. Not to be watched hungry. Make reservations in | :07:05. | :07:08. | |
a restaurant or go and find one you like and go there after the movie. I | :07:09. | :07:15. | |
think you'll have a great time. We were absolutely starving. We went to | :07:16. | :07:19. | |
the screening and we were a bit late and they'd laid out all the lovely | :07:20. | :07:23. | |
food that we missed. You had to rush past. We were eating our own arms | :07:24. | :07:30. | |
coming out, we were there hungry. You say it's not serious, but | :07:31. | :07:35. | |
there's a lot of messages in there. I found it emotional. It's about | :07:36. | :07:40. | |
family and about immigration and issues in Europe in general. Why did | :07:41. | :07:47. | |
this film particularly appeal tow, because your character, she is quite | :07:48. | :07:52. | |
hard? She turns, though, doesn't she? She does. That is always a nice | :07:53. | :07:57. | |
thing. You look for that in a character who starts off Oneway and | :07:58. | :08:02. | |
finishes up another way. You see the softening and the sweetness in her. | :08:03. | :08:09. | |
I love France and I wanted to do a French film. It's not French, but | :08:10. | :08:14. | |
it's American, but I love pretending to be French and of course it was | :08:15. | :08:19. | |
produced by Steven Spielberg. You never turn that down. We'll look at | :08:20. | :08:25. | |
you in action, the moment that your character's tastebuds tell us | :08:26. | :08:34. | |
something. This is flavour that is fighting against the chicken. I I | :08:35. | :08:42. | |
added some spices, sauce and coriander and vegetables. Why change | :08:43. | :08:49. | |
the recipe that is 200 years old? Because, madam, maybe 200 years is | :08:50. | :09:01. | |
long enough. APPLAUSE | :09:02. | :09:04. | |
It's a version of the Bake Off. You must have been treated to some | :09:05. | :09:09. | |
lovely food. Somebody told us that Om Puri did some home cooking while | :09:10. | :09:16. | |
you were on set? He did and he's Indian and he cooked incredible | :09:17. | :09:21. | |
Indian food which is not easy to find in France, especially in a | :09:22. | :09:25. | |
small town. It's the food that I miss when I'm abroad is Indian food. | :09:26. | :09:32. | |
Do you go very, very spicy? I like spice. Not everything, but I like | :09:33. | :09:39. | |
it. What more could you want from a Film Set, beautiful surroundings and | :09:40. | :09:44. | |
gorgeous food? I know, sometimes you think that you're a very lucky | :09:45. | :09:49. | |
person and I do feel that. It was very nice to watch. The Hundred Foot | :09:50. | :09:54. | |
Journey is out next Friday, 5th September. Sorry, this Friday. In | :09:55. | :10:00. | |
this digital age you might think that the old exraple of -- scam of | :10:01. | :10:05. | |
turning a car mileage clock back was a thing of the past. We have | :10:06. | :10:10. | |
discovered it's anything but. Car clocking's on the rise. It's | :10:11. | :10:16. | |
reckoned one in every 20 cars on Britain's roads has fake mileage. | :10:17. | :10:21. | |
HPI check the vehicles all over the UK and they've recorded a massive | :10:22. | :10:28. | |
increase with cars with bogus mileage. It masks the fair wear and | :10:29. | :10:34. | |
tear that a car may have done, so when you wind it back, the danger | :10:35. | :10:39. | |
that you are putting not only the occupant the car, but every other | :10:40. | :10:45. | |
road user at, is phenomenal. It's a problem right across the country. | :10:46. | :10:53. | |
But PI believes -- HIP believes the West Midlands -- HPI believes the | :10:54. | :10:59. | |
West Midlands is the capital. We called seven firms offering a | :11:00. | :11:02. | |
mileage correction service, but we didn't want them to fix a faulty owe | :11:03. | :11:07. | |
Dom teR, which would be legal. We told them we wanted to wind back the | :11:08. | :11:14. | |
mileage before selling it. Five refused, but two were more than | :11:15. | :11:18. | |
happy to do the work. This is the car they're going to be clocking. | :11:19. | :11:22. | |
It's done more than 120,000 miles, but it's not in bad shape. If we can | :11:23. | :11:26. | |
half the mileage, the value is going to rocket. Time to go undercover. We | :11:27. | :11:32. | |
rented this house in Birmingham, rigging it with secret cameras and | :11:33. | :11:36. | |
invited the mobile car clockers to work on our car. First up, this guy. | :11:37. | :11:43. | |
His name is Jason and he works for a company called Dr Dashboard. When we | :11:44. | :11:53. | |
ask our motor medic to knock 30,000 miles off our car, he doesn't need a | :11:54. | :11:56. | |
second opinion. Jason scrubs up and gets to work on | :11:57. | :12:08. | |
our motor. He's a busy man and it seems this particular doctor's | :12:09. | :12:10. | |
always on call. With the doctor's work done, our car | :12:11. | :12:33. | |
now have 97,000 miles on the clock. But can we get it any lower? On to | :12:34. | :12:40. | |
mileage correction firm number two. This time it's Tony from Midland | :12:41. | :12:43. | |
Mileage Correction. Just like Jason, Tony's more than | :12:44. | :12:51. | |
happy to turn a blind eye. Watch what happens when we ask for a | :12:52. | :13:12. | |
receipt for the ?100 fee. Yeah, probably best not to have a paper | :13:13. | :13:16. | |
trail when you're breaking the law. In a little more than two hours, we | :13:17. | :13:20. | |
have almost halved the mileage on our car, adding hundreds to the | :13:21. | :13:26. | |
selling price. Time to find out what the experts think. Gerald Taylor is | :13:27. | :13:32. | |
motoring guru at the Trading Standards institute. I want him to | :13:33. | :13:37. | |
look at the fat oodge. Why have these broken the law? You've gone to | :13:38. | :13:41. | |
them and you've told them specifically that you want to clock | :13:42. | :13:45. | |
the vehicle to sell it and I don't think that any court in the land | :13:46. | :13:52. | |
would not convict them on the evidence. The One Show contacted | :13:53. | :13:57. | |
both firms, who are not connected to any companies with similar names. | :13:58. | :14:02. | |
Jason from Dr Dashboard maintains they did not think what he was doing | :14:03. | :14:07. | |
was illegal, but the company say they've stopped the service. As for | :14:08. | :14:12. | |
Tony, he didn't respond but the company he worked for, Midland | :14:13. | :14:18. | |
Mileage correction told us that Tony thought he was fixing a faulty | :14:19. | :14:25. | |
odometre. Beware, car clockers are still around and if you're thinking | :14:26. | :14:29. | |
of buying a car they might well have you clocked. | :14:30. | :14:40. | |
scenes look older than the milage... -- it's tricky when the car looks so | :14:41. | :14:45. | |
good. We were just saying that you like to do stunts in your films. I | :14:46. | :14:50. | |
like too, if I can. I once had to drive a car in a prime suspect | :14:51. | :14:55. | |
episode, and the camera was in the car. I've had to drive very fast | :14:56. | :15:03. | |
down a set thing and I'm completely forgot that the camera was mounted | :15:04. | :15:06. | |
on the side of the car, and I'd took a corner and smashed the camera off | :15:07. | :15:14. | |
the car. I'll arrived back going, I'm really sorry, I'm afraid I've | :15:15. | :15:17. | |
destroyed your camera! That was embarrassing. But I'd like to drive. | :15:18. | :15:23. | |
The quickest you have ever gone in a car? In Germany, I was and driving, | :15:24. | :15:35. | |
but probably 140. It was unbelievable. Fantastic. | :15:36. | :15:38. | |
In the 100 Foot Journey you play a French woman and this week it's | :15:39. | :15:41. | |
the One Show Music Festival and we thought we'd combine to the two. | :15:42. | :15:49. | |
Over here we have Alexa Sage, an expert French accordion player. | :15:50. | :15:52. | |
She's going to play a burst of a song that has a connection to you. | :15:53. | :16:07. | |
We can chat while the music is going on. This song had a profound effect | :16:08. | :16:25. | |
on you? It did. I heard it on radio Luxembourg, with my ears squashed up | :16:26. | :16:32. | |
against the radio. And I had never heard anything so sexy or so | :16:33. | :16:36. | |
incredible. The first time you hear Elvis, if you have never heard him | :16:37. | :16:41. | |
before, the first number is heartbreak Hotel, so beautiful and | :16:42. | :16:47. | |
sexy. Very memorable to me. On we go. | :16:48. | :16:51. | |
Slightly tenuous, this one. It refers to Queen, and is it right | :16:52. | :17:11. | |
that you are reprising the role of the Queen soon? I am in, and I do | :17:12. | :17:18. | |
want to break free! But I cannot for while. I am still joined at the hip | :17:19. | :17:27. | |
to Her Majesty, at least until June next year. I am doing it in New | :17:28. | :17:31. | |
York. That will be great on Broadway. How will it be received? I | :17:32. | :17:35. | |
don't know. It is very much about British history. But the Americans | :17:36. | :17:40. | |
that saw it in London absolutely loved it. They wanted to do it in | :17:41. | :17:46. | |
America, so we will give it a whirl. But from that point on, never again. | :17:47. | :17:52. | |
Much as I've respect, I am sure she wants to be rid of me as well. Will | :17:53. | :17:55. | |
that woman ever stop?! It's time for a bit of | :17:56. | :18:00. | |
Lionel Ritchie with Say You Say Me. Go, Alexa. Now, is this correct? | :18:01. | :18:20. | |
This reminds me of my husband. He used Lionel Richie in one of his | :18:21. | :18:29. | |
movies, which movie was at? Whiteknights, exactly. But he had | :18:30. | :18:35. | |
used him before, in a film before that. It seems incredibly romantic. | :18:36. | :18:40. | |
You very romantic together? Not at all! Now, we never go out for a | :18:41. | :18:49. | |
romantic evening. We never give each other valentines cards. I'll | :18:50. | :18:52. | |
occasionally get a bunch of flowers if irony bully him into it. That | :18:53. | :18:59. | |
makes me feel a lot better! -- if I really believe. Thank you very much, | :19:00. | :19:07. | |
Alexa. Well done, once again. I love address as well. That was lovely. | :19:08. | :19:14. | |
I'd bought an accordion at an auction a couple of weeks ago is | :19:15. | :19:17. | |
that you will have to give me a election. -- a lesson. | :19:18. | :19:19. | |
Yesterday we told you about the wildlife project that's | :19:20. | :19:21. | |
attempting to reintroduce a rare bird of prey to parts of Europe. | :19:22. | :19:24. | |
It all started in Scotland but has spread its wings of far as Spain | :19:25. | :19:28. | |
Just over three weeks ago, 11 osprey chicks were safely taken from nest | :19:29. | :19:37. | |
in Scotland to be transported to a new home. As in Britain, this bird | :19:38. | :19:43. | |
of prey was persecuted in Spain. Until there were no breeding pairs | :19:44. | :19:47. | |
left in the north of the country. At close to the city of Bilbao, all of | :19:48. | :19:49. | |
that could be about to change as close to the city of Bilbao, all of | :19:50. | :19:54. | |
that could be these Scottish chicks are part of a plan to create a new | :19:55. | :19:58. | |
breeding population. And now they are ready to be policed in the | :19:59. | :20:04. | |
Basque country. -- ready to be released. The birds have been well | :20:05. | :20:08. | |
looked after in large cages since their arrival. This is so that they | :20:09. | :20:14. | |
forget any memory of Scotland and now regard what they are looking at | :20:15. | :20:19. | |
as their new home. At seven weeks old in the wild, the birds fledge | :20:20. | :20:24. | |
from the nest. So the Spanish project leader is keeping a close | :20:25. | :20:30. | |
eye on the chicks to look out for the tell-tale signs that let him | :20:31. | :20:34. | |
know that they are ready to leave. First, they begin flapping. That is | :20:35. | :20:39. | |
the first signal. Then when they jump onto the perches, that is the | :20:40. | :20:44. | |
second signal. And the last signal is when they begin to grab onto the | :20:45. | :20:49. | |
mesh. When we see that they are grabbing, we know that we have to | :20:50. | :20:55. | |
release them in three days or so. Roy Dennis, who pioneered the return | :20:56. | :21:02. | |
of ospreys, has spent the last couple of years helping Spanish | :21:03. | :21:05. | |
conservationists decide the best place for their new home. This | :21:06. | :21:09. | |
estimate is just superb. It fills up with water and it is full of grey | :21:10. | :21:17. | |
mullet. The coast is a great place to try to get ospreys to breed | :21:18. | :21:21. | |
again. Tomorrow morning, two of the birds will be released into their | :21:22. | :21:31. | |
new home. It is almost 6am on liberation day. The team are just | :21:32. | :21:36. | |
about to open the front of the cages, and hopefully, as the sun | :21:37. | :21:39. | |
rises, they will come to the front and take their maiden flight. It | :21:40. | :21:43. | |
does not get much more exciting than this. Lo and behold, the sun is up | :21:44. | :21:50. | |
and Dawn is happening. The birds have come to the edge straightaway. | :21:51. | :21:55. | |
Once the lead is down, they will come out like that. The birds have | :21:56. | :21:59. | |
already been satellite tagged so when they do fly off, the team can | :22:00. | :22:04. | |
follow them here and when they migrate to Africa. But it is taking | :22:05. | :22:09. | |
longer for them to fly from the cages than I anticipated. Two and a | :22:10. | :22:15. | |
half hours later, we're still waiting for them to leave. But the | :22:16. | :22:20. | |
longer we wait, it is actually good news. This is much better. Give them | :22:21. | :22:24. | |
plenty of time. The most important thing is that when they do their | :22:25. | :22:28. | |
first flight, they stay in this area and they do not get lost. After | :22:29. | :22:35. | |
three hours of waiting, this looks promising. It's gone. It's gone! | :22:36. | :22:45. | |
Look at that, its first-ever flight. After a survey of its new home, it | :22:46. | :22:49. | |
perches in a tree. A good sign is that it has not flown off. Five | :22:50. | :22:53. | |
minutes later, the second one takes to the air. How does it feel, Roy, | :22:54. | :22:59. | |
seeing it flying? You plucked this bird out of the nest a month ago. | :23:00. | :23:04. | |
Well, I feel very personal. From Scotland, with love. Absolutely. | :23:05. | :23:10. | |
Once the birds are released, they will stay here for around one month | :23:11. | :23:13. | |
before they begin the long migration south. They will spend the next two | :23:14. | :23:19. | |
years in West Africa before hopefully returning right back here | :23:20. | :23:23. | |
and being among the first ospreys for decades to breed back in the | :23:24. | :23:29. | |
Basque country, thanks to a little bit of help from Scotland. I think | :23:30. | :23:35. | |
Mike is no after a trip to West Africa. | :23:36. | :23:36. | |
We've migrated from the sofa to the stage to meet | :23:37. | :23:39. | |
the superstar of classical music, it's Lang Lang everybody! | :23:40. | :23:52. | |
It is lovely to be this close to the piano. | :23:53. | :23:55. | |
You've sold out venues all around the world but when you were | :23:56. | :23:59. | |
young, growing up in a small bedsit in Beijing, your neighbours weren't | :24:00. | :24:02. | |
I was practising, scales, and my neighbours knocked on the door. | :24:03. | :24:29. | |
Stop! And it all started when you are incredibly young, two or three. | :24:30. | :24:33. | |
How did you parents know that that was the thing for you? I was | :24:34. | :24:39. | |
watching a Tom and Jerry cartoon, and they were playing piano, flying | :24:40. | :24:43. | |
around. Remember that Tom had fingers like spaghetti. And I was | :24:44. | :24:50. | |
like, wow, that's cool! Had a little piano, about the size of his piano. | :24:51. | :24:57. | |
So since then, you have kind of wanted to be Tom, inspiring children | :24:58. | :25:03. | |
all over the place. There will be children watching you doing that, | :25:04. | :25:06. | |
thinking, let me have a goal. That is part of the reason. Are you | :25:07. | :25:12. | |
musical, Helen? I am completely not musical. My father was a musician, | :25:13. | :25:19. | |
professionally. But I did not inherit that gene. I think it is | :25:20. | :25:22. | |
very much inherited. And I think it is also a profound talent, that you | :25:23. | :25:28. | |
are actually born with in the way that Lang Lang was. And it comes up | :25:29. | :25:34. | |
very early. That kind of artistry is born within you. But you still have | :25:35. | :25:39. | |
to practice and learn. These books could be helpful. There is a whole | :25:40. | :25:47. | |
course out. I am a big fan of you and think everything you do is | :25:48. | :25:51. | |
amazing. Actually, I have preferred a book for you, level two. Thank you | :25:52. | :26:05. | |
very much. Fantastic. Wonderful. Have fun with the piano. That's it, | :26:06. | :26:10. | |
have fun. You watch little kids playing and they do not know what | :26:11. | :26:13. | |
they're doing but they just having fun. That is the way to start. | :26:14. | :26:19. | |
Absolutely. Thank you. And were we talking earlier about you having an | :26:20. | :26:23. | |
orange either side of the piano? Explain that. When you are learning | :26:24. | :26:31. | |
the piano, you need to be holding an apple or an orange, as the basic | :26:32. | :26:36. | |
shape. That is the basic handshake. You need to come up, round, and hold | :26:37. | :26:43. | |
it. I've realised that there was a Pita Akhi play with an orange. -- | :26:44. | :26:57. | |
there was a piece I could play. Amazing. Thank you. Genius! | :26:58. | :27:04. | |
Thanks also to Helen Mirren, her new film The Hundred Foot | :27:05. | :27:06. | |
Lang Lang is going to play is out with Prelude in E minor by Chopin. | :27:07. | :27:11. | |
And you can watch Lang Lang's full set by pressing | :27:12. | :27:14. | |
the red button straight after the show. Take it away, Lang Lang. | :27:15. | :27:17. | |
They have fun together. Play. They play. | :27:18. | :29:35. | |
And I like them because they're really funny and they don't care. | :29:36. | :29:44. | |
He kind of tells adventures. He tells stories. Yeah. | :29:45. | :29:48. |