Browse content similar to 01/09/2014. Check below for episodes and series from the same categories and more!
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finally here. We have them all. I can't wait until the summer. | :00:30. | :00:44. | |
Hello and welcome to the One Show with Alex Jones. And Matt Baker. | :00:45. | :00:52. | |
This week we are bringing you The One Show Music Festival and unlike | :00:53. | :00:55. | |
most festivals, this one is especially for you at home. From | :00:56. | :01:01. | |
world-class pianist Lang Lang to Robert Plant. Each night, we are | :01:02. | :01:04. | |
going to end the show with a live performance and then you'll be able | :01:05. | :01:08. | |
to catch the full sets later on iPlayer and the red button. The | :01:09. | :01:13. | |
first band on our stage are The Vamps. | :01:14. | :01:22. | |
APPLAUSE First, the perfect guest to kick off this | :01:23. | :01:26. | |
musical week, it's the man who brought music to Motown. | :01:27. | :01:32. | |
# People say I'm the life of the party | :01:33. | :01:32. | |
# Because I tell a joke or two... # # Take a good look at my face | :01:33. | :01:56. | |
# You see the smile.. # # And mamma told me... # | :01:57. | :02:05. | |
# I don't care about anything else, but being with you, being with | :02:06. | :02:09. | |
you... # The man himself is here. Please | :02:10. | :02:15. | |
welcome smokey rock inson. APPLAUSE | :02:16. | :02:19. | |
-- smokey rock inson. APPLAUSE We are going to be talking | :02:20. | :02:24. | |
about your new duets album very shortly. Welcome to the world of the | :02:25. | :02:28. | |
One Show, because also in a minute, Anita will be clearing up just what | :02:29. | :02:33. | |
is Watt what it comes to the vaccums that are going to be banned thanks | :02:34. | :02:38. | |
to EU regulations. It doesn't look very comfortable. You could come | :02:39. | :02:44. | |
over here. If you've struggled to get an appointment at your local | :02:45. | :02:48. | |
surgery then here's the bad news, it might be about to get a lot worse. | :02:49. | :03:00. | |
A typical day in a very busy urban GPs' surgery. We've all heard | :03:01. | :03:08. | |
stories about longer waits for appointments and complaints from | :03:09. | :03:10. | |
doctors that surgeries don't have the funds to cut waiting times. The | :03:11. | :03:14. | |
next appointment I've got is going to be about ten days. If you feel | :03:15. | :03:18. | |
it's more urgent I can put you on triage. Money - when it comes to the | :03:19. | :03:22. | |
budget, about half the money received is paid per patient, not | :03:23. | :03:27. | |
per patient visit. To that, regardless of how old they are or | :03:28. | :03:32. | |
sick or home times they visit. Nationally we are visiting GPs more | :03:33. | :03:38. | |
often. It's estimated the number of consultations has risen by 0 million | :03:39. | :03:42. | |
over five years, that's 8 million extra appointments a year. This | :03:43. | :03:50. | |
surgery here in Swinton claims to be overstretched and short of cash. The | :03:51. | :03:55. | |
average patient sees a GP six times a year, but even that's double the | :03:56. | :03:58. | |
number of visits from a decade ago. That's a level of demand that the | :03:59. | :04:03. | |
British medical association says far outstrips capacity. Mum, Hannah is | :04:04. | :04:09. | |
here with Alfie. They show just how much individual needs can vary even | :04:10. | :04:13. | |
in one family. Alfie comes regularly? He has suffered with bad | :04:14. | :04:18. | |
chest infections. I'm coming two or three times a month. At worst he | :04:19. | :04:24. | |
would see a doctor 35 times a year? Yep. That's huge? It is, yep. How | :04:25. | :04:30. | |
often do you see the doctor? I come every three month. One patient at | :04:31. | :04:35. | |
this surgery requires a phone consultation every day and has had | :04:36. | :04:39. | |
56 surgery appointments and 12 home visits in the past year and the | :04:40. | :04:42. | |
surgery's payment for all that, the flat rate of ?71. Doctor Krishnan is | :04:43. | :04:54. | |
a partner at the surgery, which looks after more than 9,000 | :04:55. | :04:58. | |
patients. Why are people waiting three weeks to see you? The health | :04:59. | :05:01. | |
needs of the population has changed in terms of patients are now living | :05:02. | :05:04. | |
longer with more chronic conditions than in the past. We used to have a | :05:05. | :05:09. | |
policy where you are waiting longer than a week we used to employ locums | :05:10. | :05:15. | |
to bring it down to less than a week. Because more and more is | :05:16. | :05:20. | |
pushed our way, we've had to cut back. The money you get per patient | :05:21. | :05:27. | |
goes up every year, right? It goes up marginally, but not in line with | :05:28. | :05:31. | |
inflation or the costs that go up every year. I head out with the | :05:32. | :05:37. | |
doctor on one of his home visits. Good afternoon. How are you? I'll | :05:38. | :05:43. | |
pop this on. It will be tight around your arm. It's all right. When I ask | :05:44. | :05:53. | |
how many people are happy with their GP they seem as high as ever. We are | :05:54. | :05:57. | |
just about staying afloat, but we are reaching a point where general | :05:58. | :06:02. | |
practice is about to collapse. It's been reported that on average GP | :06:03. | :06:08. | |
partners earn over ?100,000 a year. I don't make that kind of money. Are | :06:09. | :06:14. | |
you over 90? Nowhere closement I've not done my tax return, but I | :06:15. | :06:19. | |
probably get 60, if that. I'm not asking for my pay to go up, but if | :06:20. | :06:23. | |
you can find some way of getting me an extra GP we'll be able to do | :06:24. | :06:27. | |
more. It must be tempting not to take on patients who have got type | :06:28. | :06:34. | |
two diabetes or heart problems or a kid with asthma. You can't do that. | :06:35. | :06:39. | |
We are trained to look after the health needs. The practice partner, | :06:40. | :06:44. | |
Dr Ian Turner has worked for the NHS for 12 years, but he's so | :06:45. | :06:48. | |
disillusioned he's quit and is moving to Canada. Why is the grass | :06:49. | :06:53. | |
so much greener? My role is to look after patients and not to tick | :06:54. | :06:56. | |
boxes. We have a perfect storm brewing. We have 25% or more of GPs | :06:57. | :07:06. | |
over the age of 55. We have a recruitment crisis in general | :07:07. | :07:11. | |
practice and you end up with people becoming under pressure and | :07:12. | :07:16. | |
increasingly burnt out and at that point mistakes will happen and harm | :07:17. | :07:24. | |
comes to patients. We put the concerns of the GPs to the | :07:25. | :07:30. | |
Government and they told us they understand the pressures and they | :07:31. | :07:34. | |
are training thousands more GPs by 2020. Now, today sees the | :07:35. | :07:39. | |
introduction of a piece of EU legislation that we may just have to | :07:40. | :07:45. | |
suck up. It's difficult. It's the ban on high-power vacuum cleaners. | :07:46. | :07:49. | |
Now, Anita is here to tell us a little more. Go on then. As of | :07:50. | :07:58. | |
today, there is a ban on the import and manufacture, steady, this is | :07:59. | :08:01. | |
quite interesting, of vacuum cleaners with a wattage above 1600 | :08:02. | :08:07. | |
Watts. That is it. You won't be able - you can still buy them, but all | :08:08. | :08:12. | |
the ones that are in stock have been sold they'll no longer exist. This | :08:13. | :08:16. | |
is all about energy efficiency. Basically, across the EU they're | :08:17. | :08:21. | |
trying to save 30% energy by 2030. It will save us about ?8 a year in | :08:22. | :08:29. | |
real terms. Will we have to go over the same patch every time? Surely | :08:30. | :08:34. | |
we'll have to work twice as hard, but the spokesperson from the | :08:35. | :08:37. | |
Commission has said it shouldn't really make much difference. Smokey, | :08:38. | :08:43. | |
good suggestion on your old vacuum cleaners in the States? Absolutely. | :08:44. | :08:46. | |
What difference will it make other than the fact you have to go over | :08:47. | :08:51. | |
the same place several times. It doesn't end there. It all started | :08:52. | :08:56. | |
with light bulbs. It's not the personal energy. Think of the | :08:57. | :08:59. | |
exercise you'll be getting. Lots of exercise. It's not just stopping | :09:00. | :09:04. | |
there. In fact, you may be quite shocked by this - 2017 they'll | :09:05. | :09:08. | |
reduce the wattage on vaccums even more and they will be no more than | :09:09. | :09:14. | |
900 Watts, so unsurprisingly there has been a rush on vaccums. People | :09:15. | :09:22. | |
need to pick stuff up off the floor. In the future, kettles, lawn mowers | :09:23. | :09:28. | |
and hair dryers. Wet hair and a messy floor. Disaster. All in one | :09:29. | :09:31. | |
hit. But we are saving energy. We are. It's all about energy saving. | :09:32. | :09:38. | |
Thank you. It comes as no surprise when Smokey decided to put together | :09:39. | :09:42. | |
an album of duTS he discovered some -- duets, he discovered some | :09:43. | :09:47. | |
big-hitting fans. Smokey Robinson first came into my life when I was a | :09:48. | :09:56. | |
teenager collecting song records. I was lucky enough to pick Track of My | :09:57. | :10:02. | |
Tears, because I've always loved the song. It may be the greatest upon | :10:03. | :10:09. | |
song ever. -- pop song ever. He still plays and he's rele vent and | :10:10. | :10:15. | |
sings great. -- relevant and sings great. He's a national treasure. | :10:16. | :10:22. | |
APPLAUSE Smokey, 12 duets on here. Where did the idea | :10:23. | :10:27. | |
come from for this particular album? Actually, my production manager and | :10:28. | :10:32. | |
my manager got together to discuss doing this particular record and | :10:33. | :10:36. | |
they thought it would be a twist if we did songs that I had rin and | :10:37. | :10:45. | |
contacted the artists. Randy Jackson from American Idol, he's the | :10:46. | :10:49. | |
producer of the record, so they contacted Randy and he contacted the | :10:50. | :10:55. | |
artists. They chose their favourite song and the songs that you hear | :10:56. | :11:00. | |
them singing on this record is their favourite song. It was a joy for me | :11:01. | :11:08. | |
because all I had to do was sing and didn't have to worry about it. All | :11:09. | :11:11. | |
the artist put their twists on the song. You've got loads of people on | :11:12. | :11:16. | |
the album. Steve Tyler and John Ledgened and Jessie J, but were you | :11:17. | :11:20. | |
surprised with some of the songs. Were you happy? I was very happy. | :11:21. | :11:29. | |
When another person loves one of my songs, as a songwriter that is my | :11:30. | :11:33. | |
dream come true, so whatever song they would have picked would have | :11:34. | :11:37. | |
been fine with me. I don't care and Randy let them put their own twists | :11:38. | :11:43. | |
on before I got to the studio. You didn't mind the twists? Not at all, | :11:44. | :11:48. | |
man. There are millions of songs. There are millions and millions of | :11:49. | :11:52. | |
songs and most of the people are songwriters so if they chose one of | :11:53. | :11:57. | |
mine, I loved it. Obviously, your songs mean something different to | :11:58. | :12:00. | |
everybody, but where do you start then when you get a tune or is it | :12:01. | :12:05. | |
the lyric that you start with? Where does it begin firstly? Yes, it's the | :12:06. | :12:12. | |
lyrics and sometimes it's the Manchester Citiy. It starts where it | :12:13. | :12:16. | |
starts. There's no start point for me. Whenever I'm inspired or | :12:17. | :12:21. | |
whenever I get a couple of words or something that insurance spires me, | :12:22. | :12:25. | |
you might say -- inspires me, you might say something and you might | :12:26. | :12:29. | |
give you credit if it's a great song. Go on then. It just starts | :12:30. | :12:37. | |
where it starts. I'm not a songwriter who has to take two | :12:38. | :12:41. | |
months off and go to the mountains so I rest and be inspired. It might | :12:42. | :12:46. | |
happen on the plane. On the bus. When did it happen last? It last | :12:47. | :12:52. | |
happened the night before last. Can you give us the tune? No, because | :12:53. | :12:58. | |
you know what I do, I'm not in a position to really just do that, so | :12:59. | :13:03. | |
before I lose it I call my Voice Mail and I put it on my Voice Mail, | :13:04. | :13:07. | |
so if I can play it back for you, you could hear it. Do you have a | :13:08. | :13:12. | |
title? No, I don't have anything. I have the view words and a melody, so | :13:13. | :13:16. | |
I quickly called my Voice Mail and put it down before I forgot it. | :13:17. | :13:26. | |
We'll listen to that later. Yes. Bob Dylan said you were one of the | :13:27. | :13:30. | |
greatest poets, but you have performed poetry as well as singing? | :13:31. | :13:35. | |
I do. I have a show I do called Words and it's a night where I go | :13:36. | :13:39. | |
and I do about an hour and 15 minutes of just my poetry. I do it | :13:40. | :13:45. | |
in theatres, just like a concert or something, but it's called Words and | :13:46. | :13:48. | |
that's what I do. You do a bit of everything? The album is released on | :13:49. | :13:57. | |
8th September. If you haven't heard and apparently half of us haven't, | :13:58. | :14:01. | |
there's a small piece of paper that costs quite a lot of money which is | :14:02. | :14:04. | |
going to be obsolete come the end of this month. Yes, we are talking | :14:05. | :14:10. | |
about... Wait for it, the car tax diS being and Tom -- disc and Tom | :14:11. | :14:18. | |
has been finding out why. I pay my income tax, my council tax, national | :14:19. | :14:24. | |
insurance and trust me, plenty of VAT. But you wouldn't be able to | :14:25. | :14:29. | |
tell that by looking at me, because until now the only tax I had to | :14:30. | :14:38. | |
display to prove I had to prove it was -- I had to display to prove I | :14:39. | :14:44. | |
had paid it is the tax Disc. It first appeared in 1921, costing | :14:45. | :14:49. | |
about two weeks' wages. Back then there were only 600,000 cars on -- | :14:50. | :14:56. | |
600 cars on the world, but with almost two billion tax discs being | :14:57. | :15:06. | |
given out, the DVLA explain why. We think it's a waste of money. How | :15:07. | :15:11. | |
will you tell if people are driving around with a tax? We know on the | :15:12. | :15:15. | |
system whether you have or not. The first thing is to pay it as soon as | :15:16. | :15:20. | |
you can, otherwise we'll pick it up and make sure you are heavily | :15:21. | :15:23. | |
reminded. The key is the number plate. The DVL's portable cam -- | :15:24. | :15:30. | |
DVLA's portable cameras will send you a fine. | :15:31. | :16:23. | |
longer need this. -- as the of October. | :16:24. | :16:28. | |
On this record player, we have six faces | :16:29. | :16:30. | |
You have worked with so many. When it stops, we will ask you a question | :16:31. | :16:41. | |
on that particular person. Ready? The Beatles. Lots of people would be | :16:42. | :16:50. | |
amazed to know that they recorded one of your songs on their second | :16:51. | :16:54. | |
album. How did that come about? I don't know. But this is what was | :16:55. | :17:01. | |
talking about earlier. People picking your songs, the Beatles sang | :17:02. | :17:10. | |
one of mine, and I was elated. They had two or three Motown songs on | :17:11. | :17:14. | |
that album. For them to pick up one of my songs, | :17:15. | :17:15. | |
that album. For them to pick up one gosh, what can I say? What could be | :17:16. | :17:20. | |
better?! And did they come directly to you? They do not have to. To | :17:21. | :17:26. | |
record another artist's song, you just record it and the record | :17:27. | :17:29. | |
company gets the license to release it. That is it. If they had come to | :17:30. | :17:35. | |
me, I would have said, absolutely, immediately! And was it a good | :17:36. | :17:41. | |
version? Absolutely. On we go. Jackson five. Hang on, six, | :17:42. | :17:54. | |
according to this. Who is Joel? Amazingly, you were at their | :17:55. | :17:59. | |
audition, the very first audition. I was. What did you make of the young | :18:00. | :18:06. | |
boys at that point? I thought they had a great future at that point, | :18:07. | :18:09. | |
especially considering Michael was out front. He was nine or ten when I | :18:10. | :18:15. | |
saw him. And he was actually 40! I had never seen a kid like that | :18:16. | :18:20. | |
before. He was so talented and incredibly poised. I was thought of | :18:21. | :18:27. | |
his life as being a paradox because when he was a little boy, he was a | :18:28. | :18:31. | |
man, and when he was a man, he was a little boy. But faculty was | :18:32. | :18:37. | |
fantastic. But the overall picture, I have been watching entertainers | :18:38. | :18:44. | |
all my life. I have a film, the first video, of people like Count | :18:45. | :18:50. | |
Basie and Bessie Smith, and the overall picture of being able to | :18:51. | :18:55. | |
sing and perform, and dance, Michael was the best I have ever seen. Well, | :18:56. | :19:00. | |
we have some youngsters out here that we think you will enjoy because | :19:01. | :19:04. | |
coming up we have the first live performance of the one show music | :19:05. | :19:13. | |
Festival, the vans with a Simon and Garfunkel classic. | :19:14. | :19:17. | |
But first, some peace and tranquility. | :19:18. | :19:19. | |
Mike Dilger discovers a Scottish wildlife project that is spreading | :19:20. | :19:23. | |
The spree had suffered from persecution for decades. | :19:24. | :19:32. | |
Historically, it was widespread across Britain by the 1950s, there | :19:33. | :19:42. | |
was only one breeding pair. Whilst working for the RSPB, Roy Dennis | :19:43. | :19:48. | |
championed the return of the osprey. Next to his work, there are now more | :19:49. | :19:53. | |
than 300 breeding pairs. They went in Africa before returning to the | :19:54. | :19:57. | |
same nesting site. After right's success, other countries are seeking | :19:58. | :20:01. | |
his help to re-establish their breeding populations. This man is | :20:02. | :20:06. | |
from the Basque country in northern Spain. In the northern peninsula, | :20:07. | :20:12. | |
they disappeared many years ago, probably due to persecution and | :20:13. | :20:17. | |
habitat destruction. Now we have ospreys passing through the Basque | :20:18. | :20:21. | |
country every autumn. But they do not breed there. So passing through | :20:22. | :20:26. | |
is one thing but how do you persuade them to breed there? The best way is | :20:27. | :20:32. | |
to locate young birds and when they grow up and are released, they think | :20:33. | :20:36. | |
that this is home. And after years in Africa in the winter, they will | :20:37. | :20:40. | |
come back there and they will choose that is the place to breed. And that | :20:41. | :20:47. | |
first step will create a population of breeding ospreys. Ospreys are | :20:48. | :20:53. | |
doing extremely well in Scotland so by taking a number of Scottish | :20:54. | :20:59. | |
checks to Spain, it should make the European population stronger. Last | :21:00. | :21:03. | |
year, and a special licence, right sent 12 osprey checks to the Basque | :21:04. | :21:09. | |
country, and this year he is doing the same. He is about to get his | :21:10. | :21:23. | |
ninth. That is a typical nest. Chicks will be brought down by Ian, | :21:24. | :21:29. | |
an expert handler. Ospreys can have up to three chicks, but there are | :21:30. | :21:35. | |
only two in this nest. Does it represent a problem if you take only | :21:36. | :21:41. | |
one away? I don't think so. With this sort of work, we have to be | :21:42. | :21:44. | |
professional but some of the nests we go to, we find the chicks dying. | :21:45. | :21:51. | |
Lots of chicks, it is kind of natural. We will take one to Spain | :21:52. | :21:55. | |
for the project and the other will be there. The parents will come back | :21:56. | :22:00. | |
and it will get more food. We have a female circling overhead. As soon as | :22:01. | :22:07. | |
we walk away, she will, perch or go to the nest. Both chicks are removed | :22:08. | :22:12. | |
but Roy needs to check them over before deciding which one to choose. | :22:13. | :22:17. | |
Look at that! Beautiful! before deciding which one to choose. | :22:18. | :22:23. | |
Look at It is just a perfect size. Gorgeous feathers, hardly any down. | :22:24. | :22:29. | |
Both males. I'd prefer them because they are more likely to come back to | :22:30. | :22:34. | |
the release site. If they start to breed, they attract females to join | :22:35. | :22:40. | |
them. Once the chicks are measured, Roy makes his decision. This one is | :22:41. | :22:47. | |
quite aggressive. They are both perfect for the size that we want. I | :22:48. | :22:50. | |
am happy with either. I think that one is a bit feistier, so I would | :22:51. | :22:58. | |
rather have the quieter one. The feisty chick is returned. And the | :22:59. | :23:01. | |
other one is carefully transported back to right's house. -- Roy's | :23:02. | :23:17. | |
house. Valuable cargo. Coming here. These two I don't earlier. I'm going | :23:18. | :23:24. | |
to put them in. Most people have jumped in their garage, but you have | :23:25. | :23:29. | |
osprey chicks! Are you happy that the birds are ready for Spain? They | :23:30. | :23:34. | |
are great. They have beautiful eyes. That is the most important thing. If | :23:35. | :23:41. | |
they are unwell, the eyes are dull. For the next 48 hours, the chicks | :23:42. | :23:45. | |
will be well looked after. Once they have been given a final health | :23:46. | :23:48. | |
check, they will be taken to Spain to start their new lives. And I'll | :23:49. | :23:54. | |
be there to see them when they take their maiden flight. | :23:55. | :24:04. | |
And you can see how the ospreys find life in Spain tomorrow night. Also | :24:05. | :24:14. | |
tomorrow, Helen Mirren will be here, and the music will be from the line. | :24:15. | :24:26. | |
-- Lang Lang. Smokey, from all the things you've | :24:27. | :24:29. | |
seen tonight, what is the one thing you will be most likely to write a | :24:30. | :24:33. | |
song about? The fact that you are losing so many things in the future, | :24:34. | :24:36. | |
the car tax and the powerful vacuum cleaner! That is the lesson from | :24:37. | :24:47. | |
tonight's show. Time now for The Vamps with their version of Simon | :24:48. | :24:51. | |
and Garfunkel, Cecilia, from their gold selling album, Meet The Vamps. | :24:52. | :25:09. | |
Taken away lads! -- take it away. # Cecilia, you're breaking my | :25:10. | :25:12. | |
heart. # You're shaking my confidence | :25:13. | :25:17. | |
daily. # Put your hands up, you're | :25:18. | :25:26. | |
surrounded, I found it. # The top is never good, now I've | :25:27. | :25:33. | |
got everything except you. # No doubt in my heart, I've still got | :25:34. | :25:36. | |
the blues. # Turn my radio up and it's just my | :25:37. | :25:43. | |
luck, turn my TV on, it's the same old song. # Why are you following | :25:44. | :25:46. | |
me? # I've been missing you, yes. | :25:47. | :25:53. | |
# Everybody knows, everywhere I go, the whole world is singing to me. | :25:54. | :25:59. | |
Cecilia, you're breaking my heart. # You're shaking my confidence | :26:00. | :26:02. | |
daily. # Here we go! | :26:03. | :26:09. | |
# Cecilia, I'm down on my knees. # I'm begging you, please, to come | :26:10. | :26:12. | |
home. # Come on home. | :26:13. | :26:25. | |
# At the girl of my dreams and now she's all gone. | :26:26. | :26:30. | |
# Thought it could last forever but I was or wrong. | :26:31. | :26:34. | |
# She doesn't even want to see my face any more. | :26:35. | :26:41. | |
# I do what it takes, take the time and place. | :26:42. | :26:45. | |
# Turn the radio up and it's just my luck. | :26:46. | :26:49. | |
# Turn my TV on and it's the same old song, why are you following me? | :26:50. | :26:59. | |
# It's like everybody knows, everywhere I go, all world is | :27:00. | :27:01. | |
singing to me. # Cecilia, you're breaking my heart. | :27:02. | :27:08. | |
# You're shaking my confidence, daily. | :27:09. | :27:16. | |
# Cecilia, I'm down on my knees. # I'm begging you, please, to come | :27:17. | :27:20. | |
home. # Come on home. | :27:21. | :27:32. | |
# Over where many miles apart, I still feel her. | :27:33. | :27:40. | |
# There will never be another part like -- one like my Cecilia. | :27:41. | :27:45. | |
# You're like and see, please, tell me you still care about me. | :27:46. | :27:50. | |
# Comeback too come back to me. Sing it back! | :27:51. | :27:57. | |
# You're shaking my confidence daily. | :27:58. | :28:04. | |
# Cecilia, I'm down on my knees, I'm begging you, please, to come home. | :28:05. | :28:07. | |
# I'm begging you, begging you! London, let me hear you make some | :28:08. | :28:26. | |
noise! Thank you so much to the one show for having us here today. We | :28:27. | :28:31. | |
have been The Vamps and you guys have been very, very awesome. See | :28:32. | :28:36. | |
you soon. One two, three! # Cecilia, I'm down | :28:37. | :28:43. | |
on my knees. # I'm begging you, please, to come | :28:44. | :28:58. | |
home. Thank you so much! | :28:59. | :29:06. |