Browse content similar to 29/08/2014. Check below for episodes and series from the same categories and more!
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The rumour mill has been in overdrive over the final three | :00:07. | :00:08. | |
On tonight's One Show - we'll speak to them live. | :00:09. | :00:13. | |
And who's going to be shaking this particular tush? | :00:14. | :00:21. | |
Welcome to your Friday One Show with Gabby Logan. | :00:22. | :00:40. | |
Now it's not all Strictly tonight - we're also joined | :00:41. | :00:44. | |
by an actor whose characters are always a force to be reckoned with. | :00:45. | :00:47. | |
From the unlikely hero Oskar Schindler in the Academy | :00:48. | :00:54. | |
To the great Scottish folk hero Rob Roy. | :00:55. | :00:57. | |
He was a formidable Jedi Master in Star Wars. | :00:58. | :01:00. | |
And electrified audiences in the Taken series. | :01:01. | :01:05. | |
Even when he's yellow and made of plastic! | :01:06. | :01:20. | |
Playing dumb, master builder. That is my favourite, it is Liam | :01:21. | :01:30. | |
Neeson, everyone! Welcome to the One Show. | :01:31. | :01:36. | |
Even in the Lego Movie, you play a tough character with the good side. | :01:37. | :01:41. | |
Always that moral fibre. What attracts you to those roles? They | :01:42. | :01:46. | |
are more interesting to play. It is boring to play someone who is always | :01:47. | :01:52. | |
one note. You know? And this film I am doing at the moment, "A Walk | :01:53. | :01:58. | |
Among The Tombstones", it is a kind of cinematic loner. He has a good | :01:59. | :02:06. | |
inner moral compass but shady. A complex character there. We will | :02:07. | :02:10. | |
talk about it later and see a clip. As far as dangerous roles are | :02:11. | :02:14. | |
concerned, what is the most dangerous role you have played? | :02:15. | :02:18. | |
Dangerous to you as a human being, not as an actor? Hmm... Not as an | :02:19. | :02:27. | |
actor, gosh, that is a tricky one, Chris. Let's move on. | :02:28. | :02:32. | |
We can't it is the link to the next film! Have you had to perform a | :02:33. | :02:38. | |
stunt where you thought that your life was in danger here? Give me a | :02:39. | :02:46. | |
clue... No. I will tell you why. Liam is health and safety conscious. | :02:47. | :02:50. | |
We are talking about workplace safety. You know why? The much | :02:51. | :02:57. | |
maligned Health and Safety Act is years old. | :02:58. | :03:02. | |
And the passion and the drive of a largely forgotten man was always | :03:03. | :03:07. | |
there. One man has made it his mission to | :03:08. | :03:14. | |
irritate... That must be a fire door. | :03:15. | :03:18. | |
Embarrass. And shamed people into being safety conscious. | :03:19. | :03:26. | |
His name was James Tie and he single mindedly made the world safer. | :03:27. | :03:33. | |
He explained his campaigning tactics as T AM E. It stood for his approach | :03:34. | :03:40. | |
to maximum embarrassment. The strategy was to grab as much | :03:41. | :03:46. | |
attention as possible. Believing it was shame that motivated people into | :03:47. | :03:49. | |
action. He was not a man shy of courting | :03:50. | :03:55. | |
controveersy. No question about it. He used this as a weapon. At times | :03:56. | :04:01. | |
causing upset, offending people but equally to help to create an | :04:02. | :04:06. | |
effective campaigning organisation. He knew what would grab the public | :04:07. | :04:10. | |
and the media's attention. This is the worst position in the | :04:11. | :04:15. | |
world for a petrol tank... It worked. The identity for publicity | :04:16. | :04:21. | |
was hugely influential about bringing about safety improvements | :04:22. | :04:25. | |
that we take for granted today. He campaigned to make seat belts | :04:26. | :04:33. | |
compulsory. To enprove the efficiency of life jackets. To | :04:34. | :04:37. | |
ensure that taxi doors were strong enough not to be blown open. No-one | :04:38. | :04:45. | |
was above his campaigning zeal. In 1977 he even up braided Princess | :04:46. | :04:51. | |
Anne. Leaving hospital with her new-born son, Peter, and failing to | :04:52. | :05:01. | |
fasten her seat belt. A training Shichito was set up in | :05:02. | :05:06. | |
1957 and it ran for nearly 30 years. Health and safety was more than just | :05:07. | :05:12. | |
a job. But it was a calling, a crusade. | :05:13. | :05:18. | |
Did people like him? Not really. He was a very effective safety | :05:19. | :05:23. | |
campaigner and also an arch self-publicist. Not always a man | :05:24. | :05:32. | |
that I liked but he did have impact. As Tie's boat came into dock. He and | :05:33. | :05:38. | |
his colleagues decided to throw lifejackets into the sea to | :05:39. | :05:42. | |
celebrate. The jackets sank to the bottom of the ocean. This prompted | :05:43. | :05:47. | |
him to jump feet first in front of the cameras to Demme trait the | :05:48. | :05:50. | |
problem. It is a disgusting state of affairs. | :05:51. | :05:57. | |
This does not conform. But for all of his charisma and | :05:58. | :06:04. | |
attention-grabbing stunts, he was deadly serious about his mission. | :06:05. | :06:09. | |
That is still keenly felt today. Lawrence Waterman was in charge of | :06:10. | :06:13. | |
health and safety for the Olympics. He now does the same job as the | :06:14. | :06:19. | |
Olympic Park is redeveloped. This is the first Olympic built | :06:20. | :06:26. | |
without fatality. It was believed that it was possible to work safely. | :06:27. | :06:31. | |
Good health and safety means that people go home to their family at | :06:32. | :06:34. | |
night. He irritated a lot of people? Anyone | :06:35. | :06:40. | |
that nudges for change, on an agenda that the politicians don't have is | :06:41. | :06:45. | |
always a bit of an irritant. He was a great campaigner! It is hard to | :06:46. | :06:50. | |
imagine how one person is so instrumental in improving safety in | :06:51. | :06:54. | |
the country. You may think it was the result of armies of bureaucrats. | :06:55. | :07:00. | |
But legislation and the health Health and Safety at Work Act has | :07:01. | :07:06. | |
improved safety no end. Since the introduction 40 years ago, the | :07:07. | :07:10. | |
deaths at work have fallen by an astonishing 80%. | :07:11. | :07:14. | |
This man succeeded as he was so committed. He fought against the | :07:15. | :07:17. | |
odds and in the end won because he was right. As a result, the world is | :07:18. | :07:23. | |
a safer place. So, well done. | :07:24. | :07:30. | |
Health and safety is everywhere. You are an ex-builder? I worked on | :07:31. | :07:36. | |
sites when I was 14 or 15. Nobody wore a hard halt! You just did not. | :07:37. | :07:45. | |
I worked as a fork lift truck driver in the Guinness factory. Constantly | :07:46. | :07:48. | |
without a hat. A dangerous place. | :07:49. | :07:53. | |
Yes, much maligned but very important for all of us. Now, your | :07:54. | :07:58. | |
new film, "A Walk Among The Tombstones", out September the 19th, | :07:59. | :08:04. | |
an ex-cop, alcoholic, troubled. A lot is going on there... Yeah, he is | :08:05. | :08:09. | |
not relationship material! You can see how he would struggle to hold | :08:10. | :08:13. | |
one down with that going on. So take it from there and tell us what | :08:14. | :08:20. | |
happens? You are right, he is an ex-NYPD guy. Something terrible | :08:21. | :08:25. | |
happens to him that makes him leave the force. I will not tell you what | :08:26. | :08:30. | |
it is, it is in the film. But investigative work is in his DNA so | :08:31. | :08:35. | |
he takes up life as an unlicensed private investigator. He is brought | :08:36. | :08:40. | |
in to solve these heinous horrible crimes. | :08:41. | :08:43. | |
Here is the moment where your character is hired to bring the | :08:44. | :08:47. | |
killers to justice. If you are asking me to run a bag, | :08:48. | :08:51. | |
deliver money, that is not something... I already paid them. | :08:52. | :08:57. | |
When? Last night. And your wife? Where is she? She is | :08:58. | :09:03. | |
dead. . I paid them but they killed her | :09:04. | :09:11. | |
anyway. Now, there is a lot of rain in this | :09:12. | :09:20. | |
film. Because of course, that is the old way of Hollywood increasing the | :09:21. | :09:32. | |
drama on the scene. How did it work? We shot eight weeks of night shift | :09:33. | :09:37. | |
in New York. A lot of the time it was real rain. How did does it work | :09:38. | :09:44. | |
with the rain machines that they had? How big are they? They are as | :09:45. | :09:50. | |
high as the ceiling. Was it rain off, rain on? Yes but | :09:51. | :09:55. | |
varying degrees. Can you request temperatures? It is | :09:56. | :09:58. | |
cold. It makes the action more real. | :09:59. | :10:03. | |
One thing you are good at is fighting. You were a bit of a boxer? | :10:04. | :10:10. | |
I did. I boxed for several years. Not just one thing that you are good | :10:11. | :10:16. | |
at, by the way but lots of things! You did box to quite a high level as | :10:17. | :10:22. | |
a kid? I was the Ulster champion a few years, three years... Do you | :10:23. | :10:27. | |
still box? No, I train. I use a heavy back. | :10:28. | :10:35. | |
-- bag. You look fit. I was asked to ask you | :10:36. | :10:45. | |
about the Mohammed Ali story? The Mohammed Ali story. I met him. He | :10:46. | :10:51. | |
was over here promoting a terrible film. He was playing a slave. The | :10:52. | :10:59. | |
lady I was with was invited to this preshow. It was a meeting with | :11:00. | :11:06. | |
Mohammed Ali. There were various British celebrities there, Freddie | :11:07. | :11:10. | |
Star, people like that. About ten of us. Mohammed Ali came into the room. | :11:11. | :11:14. | |
There he was. He still had one more fight in him. He was like a God to | :11:15. | :11:20. | |
me. Well we all formed a little line. He came along each of us to | :11:21. | :11:27. | |
shake our hands. As he came closer to me, my knees literally started to | :11:28. | :11:32. | |
shake. He got to me. I remember looking at him asking him to sign | :11:33. | :11:38. | |
this for my father. He asked what was his name. I said it was Barney. | :11:39. | :11:47. | |
He started to sign it and I lost it saying "Mohammed Ali, I love you! " | :11:48. | :11:54. | |
So he gave me a big hug. I think that my girlfriend was disgusted. I | :11:55. | :12:01. | |
became like an eight-year-old. More later about strict strict but | :12:02. | :12:07. | |
first, more farmers are turning crops into Bayeux feel. Jane has | :12:08. | :12:16. | |
finding out how it may transform Britain's landscape. | :12:17. | :12:22. | |
A beautiful summer's day, the corn is so high. Now, Bayeux crops, | :12:23. | :12:31. | |
should they be used for food or turned to green energy? At this | :12:32. | :12:35. | |
farm, this are aiming to achieve both. They have expanded to become | :12:36. | :12:40. | |
the biggest supplier of sweetcorn in the UK. Dealing with the waste of | :12:41. | :12:47. | |
the crop. We eat 75 million a year. If you | :12:48. | :12:51. | |
consider that a quarter is discarded as waste before it gets to the shop | :12:52. | :12:56. | |
it is a lot of spare roughage. The sweetcorn comes to the field | :12:57. | :13:02. | |
with the husk in tact. We remove that. The consumer does not want it | :13:03. | :13:07. | |
in their kitchen. What did you do with it before? We sent it to | :13:08. | :13:13. | |
farmers to use in beef cattle. Now we put it into a machine that is fed | :13:14. | :13:23. | |
with green waste and the product is digested within the tanks, within | :13:24. | :13:29. | |
the stomach, to produce, rather than milk or meat but to produce Bayeux | :13:30. | :13:39. | |
gas -- bio gas. So like an enormous part? Exactly. | :13:40. | :13:46. | |
We produce two megawatts 24 hours a day. Using the first part for energy | :13:47. | :13:53. | |
for the factories, and the rest to the grid. | :13:54. | :13:59. | |
So by eating up 30,000 tons of waste a year, the digesters are well on | :14:00. | :14:05. | |
their way to saving ?4. 5 million. Digesters are a great idea with lots | :14:06. | :14:09. | |
of waste. But what if farmland is used to grow crops to feed these | :14:10. | :14:15. | |
beasts, rather than us? If farmers are offered subsidies by the | :14:16. | :14:19. | |
Government to produce bio fuels, is there the risk of diverting farmland | :14:20. | :14:27. | |
to energy production? Dr Ian Shield is a bio energy research scientist. | :14:28. | :14:37. | |
I think there are certain renewable energy subsidies that encourage a | :14:38. | :14:42. | |
reasonably large scale planting of crops, that help with the energy | :14:43. | :14:46. | |
system. It is not the waste product of another food crop. | :14:47. | :14:50. | |
Do you think it is a problem going forward? There are situations where | :14:51. | :14:55. | |
the energy crops can be grown where the alternatives are few. But if you | :14:56. | :15:01. | |
are using good land to produce digestible crops, that is taking | :15:02. | :15:04. | |
away the food production. Certainly there is a future for the bio energy | :15:05. | :15:09. | |
in this country coming from our farmland. It just must be targeted | :15:10. | :15:19. | |
carefully. This maximises land use for food and energy production. How | :15:20. | :15:24. | |
technical a business is it growing sweet corn? Increasingly more. When | :15:25. | :15:30. | |
we drill the crop in the spring, the tractors are guided by GPS signals. | :15:31. | :15:36. | |
It can tell him how deep the tool is and how straight he's driving. It | :15:37. | :15:40. | |
all adds to the bigger picture to produce a healthy crop. What about | :15:41. | :15:46. | |
know whenning it's time to -- when it's time to harvest? It still needs | :15:47. | :15:52. | |
us. We come along, look at the corn. You look for the brown silk, but | :15:53. | :15:56. | |
there's a feel. Can you feel the grain at the end of the husk and | :15:57. | :16:02. | |
there we are. Nice, bright yellow, just what we want. If we're able to, | :16:03. | :16:10. | |
you can see if it passes mutter. I can just eat that. Absolutely. | :16:11. | :16:14. | |
Blimey, that's sweet. That technology has worked to a benefit. | :16:15. | :16:19. | |
Thank you. A perfectly ripe corn on the cob, grown in a cycle whereby | :16:20. | :16:23. | |
the waste for this year's crop goes to feed next year's. With a growing | :16:24. | :16:29. | |
population making increasing demands on this green and pleasant land we | :16:30. | :16:33. | |
have to be clear that what we're planting will provide enough food | :16:34. | :16:37. | |
for future generations. Some great shots there. Well done | :16:38. | :16:42. | |
everybody making that film. You were taken with his pinstripe corn field | :16:43. | :16:49. | |
look. Real country attire. Liam Neeson is with us. | :16:50. | :16:57. | |
Let's remind ourselves of Liam in one his most powerful | :16:58. | :16:59. | |
performances, Schindlers List, with an emotional scene from | :17:00. | :17:01. | |
the end of the movie where Oskar Schindler expresses his regret over | :17:02. | :17:09. | |
I could have got more out. I could have got more. If I just... I could | :17:10. | :17:17. | |
have got more. There are 1100 people alive because of you. Look at them. | :17:18. | :17:28. | |
If I'd made more money. I threw away so much money. | :17:29. | :17:34. | |
Schindler's list was an extraordinary film | :17:35. | :17:39. | |
Will you make a film with such an impact? I don't think so. When the | :17:40. | :17:48. | |
film came out, it profoundly affected Stephen Spielberg too. He | :17:49. | :17:53. | |
had made a lot of films, entertainment films, blockbusters, | :17:54. | :17:56. | |
but I think he was profoundly affected by the power of cinema when | :17:57. | :17:59. | |
that film came out. It really did have an effect. A lot of people, | :18:00. | :18:04. | |
still is, shown at schools and colleges and stuff. And it should | :18:05. | :18:09. | |
be. Every school child should see that. We hear, rightly or wrongly | :18:10. | :18:13. | |
and we're about to find out that you weren't happy with that performance | :18:14. | :18:16. | |
of yours? That last scene, no, I wasn't. That's why I couldn't look | :18:17. | :18:20. | |
at it. What's wrong with it? It's too long to go into, Chris. It was | :18:21. | :18:26. | |
the very last shoot, it was a night shoot. It was the last scene of the | :18:27. | :18:30. | |
film of the whole complete shoot. I wanted to do it a different way. I | :18:31. | :18:37. | |
didn't want him to be standing in the midst of all his Jewish friends | :18:38. | :18:41. | |
and giving this speech and stuff. I felt he should be cringing up | :18:42. | :18:45. | |
against the side of a car. Even now, 20 years later? That scene just | :18:46. | :18:50. | |
always... I love the film. Do you ever come away and think you've | :18:51. | :18:54. | |
nailed it? All the time. LAUGHTER | :18:55. | :19:01. | |
Thank heaven he said that. Is there another Shindler's List smouldering | :19:02. | :19:07. | |
in you? I think I've done it with the bios. Playing these action guys | :19:08. | :19:12. | |
is much more fun. Doing well with the action heroes, the kind of | :19:13. | :19:17. | |
thriller, the gritty guy that solves everything and saves the day. Sure, | :19:18. | :19:22. | |
I know. And Hollywood is still sending me the action scripts, which | :19:23. | :19:26. | |
is amazing. I'm 62 years of age. What about the mini series, the TV | :19:27. | :19:32. | |
megaseries now, started with 24 and Wire and the West Wing, have you | :19:33. | :19:37. | |
been offered one of those? No, I haven't. Strangely enough, it's not | :19:38. | :19:41. | |
strange, they are attracting the best writers in Hollywood because | :19:42. | :19:45. | |
they have a chance to develop characters and story lines over a | :19:46. | :19:48. | |
long period of time. Do you fancy one? In a movie it's a two-hour | :19:49. | :19:58. | |
slot. You fancy that? Sure, I do. You are available right now? Phone | :19:59. | :20:03. | |
Follow the up. Money, honey. In a moment we meet the final three | :20:04. | :20:07. | |
contestants to be confirmed for Strictly 2014. | :20:08. | :20:14. | |
That's right after a vertigo-inducing climb up Britain's | :20:15. | :20:16. | |
The United Kingdom skyline is constantly changing, towering above | :20:17. | :20:23. | |
us, the latest record-breaking addition is the Shard in London, | :20:24. | :20:29. | |
standing at 306 metres. These buildings are dwarfed by the UK's | :20:30. | :20:35. | |
tallest free-standing stuckure. This tower in -- structure. This tower in | :20:36. | :20:41. | |
Yorkshire. This is a vertical-inducing construction | :20:42. | :20:45. | |
starting at 330 metres high. It transmits television and radio | :20:46. | :20:47. | |
channels across the north of England. This wasn't the first tower | :20:48. | :20:52. | |
on this site. Before it was constructed -- before was a | :20:53. | :20:57. | |
construction 50 metres taller. It formed a central column, during the | :20:58. | :21:01. | |
winter, these vast sections would attract layers of ice. On 19th | :21:02. | :21:07. | |
March, 1969, this coat of ice was to be the mast's down fall. The sheer | :21:08. | :21:12. | |
weight of the ice and gale-force winds caused the mast to buckle and | :21:13. | :21:17. | |
collapse. The sound of the impact of the falling structure could be heard | :21:18. | :21:22. | |
for miles. The huge sections of the tower buried themselves five feet | :21:23. | :21:26. | |
into the earth upon impact, luckily no-one was killed or seriously | :21:27. | :21:30. | |
injured in the accident. However, television and radio signal was lost | :21:31. | :21:36. | |
to over six million viewers in the area. Television technician is were | :21:37. | :21:45. | |
on the scene. I went home to watch the news on the television and it | :21:46. | :21:48. | |
wasn't there. I thought there was a problem. I rang the control desk and | :21:49. | :21:52. | |
they said yes, the mast has fallen down. I jumped in my car and drove | :21:53. | :21:58. | |
up there to see the mast in pieces. A new tower was needed. One that | :21:59. | :22:03. | |
could with stand the elements. They decided to build a tower out of | :22:04. | :22:08. | |
concrete and laid the foundations in 1969. This was the first concrete | :22:09. | :22:12. | |
television mast ever to be built in the UK and to this day, remains the | :22:13. | :22:18. | |
tallest. It's an unmistakable feature of the Yorkshire landscape, | :22:19. | :22:22. | |
bur actually, it's inside that the scale of this monster comes clear. | :22:23. | :22:32. | |
-- becomes clear. That is a long, long way to the top. Paul French is | :22:33. | :22:42. | |
head of field operations here. It's his job to make sure this tower | :22:43. | :22:48. | |
stays up. Paul, this is an outstanding, just quite intimidating | :22:49. | :22:51. | |
piece of engineering. Why is it so tall? If you imagine a lighthouse | :22:52. | :22:56. | |
and you imagine the TV signals coming out of the tower, similar to | :22:57. | :23:03. | |
the way the light beam comes from a lighthouse, then a hill gets in the | :23:04. | :23:07. | |
way and the signal is stopped. The higher you go the further the signal | :23:08. | :23:12. | |
goes. To get to the top, it's a seven-minute journey in the lift or | :23:13. | :23:16. | |
there's another way. The 865 rung ladder. You would have to be really, | :23:17. | :23:21. | |
really fit to climb that. That sounds like a challenge. It's | :23:22. | :23:26. | |
time for me to kit up and have a go. Best get started. 290 feet done. I | :23:27. | :23:42. | |
have 710 feet to go. Maybe a cup of tea at the end of this. | :23:43. | :23:53. | |
Well, that was hard work. It's a long way up. But worth the effort, | :23:54. | :24:02. | |
because what an absolutely spectacular view. | :24:03. | :24:06. | |
The team have to constantly check the structure's integrity to avoid a | :24:07. | :24:11. | |
repeat of the events of 1969, which gives me an opportunity to get a | :24:12. | :24:13. | |
once in a lifetime view. That's it, I'm standing on the very | :24:14. | :24:33. | |
edge of Britain's tallest free-standing structure. This | :24:34. | :24:38. | |
building has received Grade II listed status, thanks to the hard | :24:39. | :24:41. | |
work and efforts of the guys here, it will stand for generations to | :24:42. | :24:49. | |
come. Great climbing Andy. During that film, Liam has turned into the | :24:50. | :24:53. | |
Strictly come dancing trophy. Touch it, come on. I know you want | :24:54. | :25:00. | |
to. Infamously exited Strictly in 2007? Yes, 2007. Seven years ago. | :25:01. | :25:11. | |
There were protestations outside the BBC because people thought she | :25:12. | :25:15. | |
should never have left. The judges voted her off, before the public | :25:16. | :25:19. | |
vote. The reason isser it's mooted that the reason is... Stop! Stop! | :25:20. | :25:28. | |
Because Rhod Stuart is booked to appear -- Rod Stewart was booked to | :25:29. | :25:33. | |
appear the week later. Not true. The show is great, a wonderful | :25:34. | :25:36. | |
experience. # Wake up Penny, I think she's got | :25:37. | :25:38. | |
something to say to you. Over the past fortnight the Strictly | :25:39. | :25:42. | |
producers have been revealing the From CBBC, wildlife presenter, | :25:43. | :25:45. | |
Steve Backshall. Mark Wright | :25:46. | :25:54. | |
from the Only Way is Essex. And Simon Webbe | :25:55. | :26:03. | |
from the boyband Blue. From Mrs Brown's Boys, | :26:04. | :26:10. | |
actress Jennifer Gibney. Bargain Hunt's Tim Wonnacott | :26:11. | :26:45. | |
and Masterchef's Greg Wallace. APPLAUSE | :26:46. | :26:58. | |
You three, shimmy over here, come on. | :26:59. | :27:04. | |
Welcome to the show. The journey starts here. Hi Tim, how are you | :27:05. | :27:10. | |
doing? Looking fit already. Are you ready? There's the trophy there. I'm | :27:11. | :27:19. | |
glad you said that, yes. I said I want your tips. You didn't mishear | :27:20. | :27:24. | |
me did you? No, I didn't. Jennifer you are in for the ride of your | :27:25. | :27:29. | |
life. It's just the best show to do. It's so much fun. But there are | :27:30. | :27:33. | |
these stories that rumble underneath that people are falling in love with | :27:34. | :27:36. | |
their partners and there have been a couple of real romances on the show. | :27:37. | :27:40. | |
Is Brendan worried that this is going to happen with you? Not a | :27:41. | :27:45. | |
chance! Absolutely not a chance. I am married to an amazing man and I | :27:46. | :27:49. | |
love him to bits. APPLAUSE | :27:50. | :27:54. | |
Who do you think you are? Tim, you're looking fitter and trimmer | :27:55. | :27:57. | |
than ever before. That's kind of you. Training today, how was that? | :27:58. | :28:02. | |
Extraordinary. It's like being in a mad house, isn't it? These | :28:03. | :28:07. | |
completely disassociated people, right, 30 of them, that only met the | :28:08. | :28:13. | |
day before, are doing this kind of freak act OK it's choreography... | :28:14. | :28:18. | |
It's intimate very early. Greg, you're now being judged having | :28:19. | :28:21. | |
previously been the judge. How will you take that? That irony is not | :28:22. | :28:26. | |
lost on me. We had Craig on Celebrity MasterChef. I'm thinking | :28:27. | :28:30. | |
back now desperately... Pay back time. Was I nice to him? Of course | :28:31. | :28:35. | |
not! Have a look back at the tapes? Really? No, we haven't got them. You | :28:36. | :28:40. | |
have seven days to the launch show. Good luck with your partners. 7th | :28:41. | :28:44. | |
September it starts. Thank you to Liam of course for being here as | :28:45. | :28:54. | |
well. Matt and Alex are back on Monday with a week-long music Thanks | :28:55. | :28:58. | |
to festival. Our Strictly contestants here. Have a great | :28:59. | :28:59. | |
weekend. Bye! | :29:00. | :29:05. |