Browse content similar to 02/12/2013. Check below for episodes and series from the same categories and more!
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Hello and welcome to your Monday The One Show with Alex Jones. And Matt | :00:19. | :00:26. | |
Baker. Tonight's guests do not strike you as the kind of people who | :00:27. | :00:32. | |
go out of their way to visit the Shire Horse Museum and the Living | :00:33. | :00:36. | |
Museum of the North. But according to them and they almost certainly | :00:37. | :00:42. | |
are. Please welcome Steve Punt and Hugh Dennis. Great to see you. What | :00:43. | :00:47. | |
is it with this must see list of museums? When you tour you have a | :00:48. | :00:53. | |
lot of free time and we pick out museums and go to them during the | :00:54. | :00:58. | |
day. They are not the weirdest. What is the weirdest? Barometer world. | :00:59. | :01:10. | |
Where is it? I cannot remember where it is. It is in Devon. Also the lawn | :01:11. | :01:22. | |
mower Museum. That is good. And the pencil Museum. We will continue this | :01:23. | :01:29. | |
conversation as we go through the show. You can suggest one. But now | :01:30. | :01:37. | |
as the search of the scene of Friday night's helicopter crash continues, | :01:38. | :01:41. | |
messages of support from around the world have poured in. Earlier today | :01:42. | :01:47. | |
Glasgow City Council opened its book of condolences. | :01:48. | :01:54. | |
For most Glaswegians the events of Friday night have not yet sunk in. | :01:55. | :01:59. | |
At the Glasgow city Chambers they have opened a book of condolence and | :02:00. | :02:03. | |
it is providing people with a focal point and a way of showing their | :02:04. | :02:09. | |
respect. Glasgow is Scotland's greatest city, but it is still a | :02:10. | :02:15. | |
village. I, like many others, have been deeply affected by what has | :02:16. | :02:19. | |
happened. So many people have already signed the book. Everybody | :02:20. | :02:24. | |
cares for everybody else and that was shown by the behaviour of people | :02:25. | :02:30. | |
on Friday night. I was struck in the media coverage by how people felt. | :02:31. | :02:37. | |
It is to show we are all part of this, really. It has been upsetting | :02:38. | :02:44. | |
since I heard the news. I have just come from where people are standing | :02:45. | :02:48. | |
paying their respects with great sadness, but a healthy heart. My | :02:49. | :02:56. | |
Scottish roots are very deep. I felt it was important to let the Scottish | :02:57. | :03:01. | |
people know that people from all over the world are mourning this | :03:02. | :03:07. | |
loss as well. Our sympathies go out to not just those directly affected, | :03:08. | :03:12. | |
but to all the people of Glasgow and Scotland. Watching television in | :03:13. | :03:17. | |
recent days you feel, God help these people who have lost relatives and | :03:18. | :03:21. | |
friends. I am thinking of those who have lost relatives and friends. In | :03:22. | :03:29. | |
this city you see the true spirit of the people. I was out on Friday | :03:30. | :03:36. | |
night and it can touch anybody. It is so sad. We want to let everybody | :03:37. | :03:44. | |
know we are thinking of them. Nothing prepares you for a | :03:45. | :03:47. | |
catastrophe like this. Not in a million years do you think anything | :03:48. | :03:53. | |
like this could happen. I feel like I should do something. When you go | :03:54. | :04:00. | |
down you feel the sadness. A police officer was crying. It is one of | :04:01. | :04:07. | |
these events where you will remember where you were. In years from now | :04:08. | :04:14. | |
when that book is read, it is what people felt at the time. For some of | :04:15. | :04:21. | |
us to be able to express what so many want to express, which is | :04:22. | :04:26. | |
condolence, for those who were buried, it is pride. Our thoughts | :04:27. | :04:41. | |
are with all of those. Lucy joins us now. Do we have any more details as | :04:42. | :04:48. | |
to what the helicopter was doing? We know the helicopter and the support | :04:49. | :04:53. | |
crew were scrambled to attend a call that came in around 8:20pm off | :04:54. | :04:58. | |
trespassers on the railway line. They were only about two miles away | :04:59. | :05:04. | |
from their base and they were attending this routine operation | :05:05. | :05:09. | |
which tragically turned out to be anything but routine. | :05:10. | :05:14. | |
Are we any clearer about the calls? Not really, we have to be careful | :05:15. | :05:18. | |
not to speculate. But the Air Accidents Investigation Branch world | :05:19. | :05:23. | |
peace through the wreckage and sift through all the eyewitness reports | :05:24. | :05:27. | |
to try and work out what has happened. They have confirmed the | :05:28. | :05:33. | |
helicopter did not have a flight data recorder, however the | :05:34. | :05:37. | |
helicopter has been described as very sophisticated by a number of | :05:38. | :05:42. | |
experts, so it is full of modern electronic systems which may contain | :05:43. | :05:47. | |
data which they will hopefully be able to piece together. It was a | :05:48. | :05:51. | |
twin engine helicopter, so it could have operated on one engine. We also | :05:52. | :05:57. | |
know there was no Mayday signal received. That is what we know at | :05:58. | :06:04. | |
the moment. This is a very popular model of helicopter. There are about | :06:05. | :06:09. | |
1000 in service around the world with ambulance and police services | :06:10. | :06:14. | |
around the world. It is very popular and sophisticated. But this | :06:15. | :06:20. | |
helicopter has been tested before and has crashed before now? There | :06:21. | :06:26. | |
were reports in France in July of a crack in the same model and after | :06:27. | :06:32. | |
that this helicopter underwent intensive investigation, but it was | :06:33. | :06:37. | |
declared safe for routine operations. There was a crash about | :06:38. | :06:41. | |
six years ago in Essex where the pilot and his wife escaped. The | :06:42. | :06:46. | |
model before that crashed about a decade ago. It was intensely | :06:47. | :06:52. | |
investigated and declared fit. And this helicopter has been taken | :06:53. | :06:57. | |
to find borough. Security at home is something most | :06:58. | :07:01. | |
people take very seriously. When you leave the house you lock up, put the | :07:02. | :07:07. | |
light on and set the alarm. But would you pay so much attention to | :07:08. | :07:12. | |
security if you were staying in and expecting visitors. If you are | :07:13. | :07:17. | |
selling your house, maybe you should. This ?400,000 home in | :07:18. | :07:22. | |
Darlington had been on sale for three months. When the estate agent | :07:23. | :07:26. | |
rang to say there were cash buyers interested, the owner Janet Bland | :07:27. | :07:32. | |
was very excited. They seemed really keen on the house and they were | :07:33. | :07:37. | |
making all the right noises, saying how nice they thought the house | :07:38. | :07:42. | |
was. They were here for the day. I felt quite comfortable with them. | :07:43. | :07:47. | |
But what Janet did not realise is this couple had no intention of | :07:48. | :07:52. | |
buying the house. They called themselves Mr and Mrs Bent and they | :07:53. | :07:56. | |
were not there to buy, they were there to steal. She steered me | :07:57. | :08:01. | |
towards the lounge to discuss the fire and she took me away and he | :08:02. | :08:08. | |
could then go and wander around the house on his own without me knowing. | :08:09. | :08:13. | |
Somebody is looking at your house and you let them, don't you? You | :08:14. | :08:18. | |
think you are going to get a sale, so you want them to look around. And | :08:19. | :08:24. | |
in Janet's house look around they did and they hit the jackpot getting | :08:25. | :08:28. | |
away with precious jewellery worth ?5,000. My diamond ring and a | :08:29. | :08:36. | |
necklace had been taken. It was things my late husband had bought | :08:37. | :08:40. | |
for me which I was keeping for my daughter. It was of sentimental | :08:41. | :08:46. | |
value and could not be replaced. It seems Janet's house was not the only | :08:47. | :08:52. | |
one being targeted. There were other victims with very similar stories | :08:53. | :08:56. | |
about a couple of suspicious house-buyers. My initial thought was | :08:57. | :09:01. | |
it was the same people who had done this. We needed to find out who they | :09:02. | :09:07. | |
were. The other victims were able to help even though the couple gave | :09:08. | :09:12. | |
false names. One thing was consistent, the description of their | :09:13. | :09:18. | |
van. It was a crucial league for the police who started looking back at | :09:19. | :09:23. | |
CCTV. There are lots of cameras around and we were able to identify | :09:24. | :09:27. | |
the registration number of the vehicle. The van had been registered | :09:28. | :09:33. | |
in their real names. The police finally knew who they were. Karen | :09:34. | :09:41. | |
Coombs and James Patterson. Now the couple had been identified | :09:42. | :09:44. | |
detectives needed to find them and the next breakthrough, they used the | :09:45. | :09:51. | |
same mobile telephone to call the estate agents. The use of the | :09:52. | :09:54. | |
telephone was vital because we have the Trail of the call data from the | :09:55. | :10:00. | |
mobile phone providers showing the calls to a particular estate agent. | :10:01. | :10:06. | |
Checking the telephone led police to this CCTV showing James Patterson | :10:07. | :10:13. | |
topping up the mobile in a shop in Darlington. The evidence was | :10:14. | :10:17. | |
mounting and the police were closing in. The crooks were finally caught | :10:18. | :10:20. | |
when they were spotted by traffic officers. When police searched the | :10:21. | :10:27. | |
van they found this, the couple's that naff, and on it they found the | :10:28. | :10:32. | |
addresses of the homes that had been burgled and the true scale of their | :10:33. | :10:39. | |
crimes was uncovered. And they had been on some road trip. They had | :10:40. | :10:44. | |
travelled the length and breadth of England, targeting 38 homes and | :10:45. | :10:50. | |
stealing ?20,000 worth of jewellery. They were eventually found guilty of | :10:51. | :10:56. | |
conspiracy to commit burglary. It was a massive breach of trust. It | :10:57. | :11:02. | |
was a callous way to click their way into people's houses. They still | :11:03. | :11:08. | |
items of sentimental value that were not replaceable. The good news is | :11:09. | :11:12. | |
they now have somewhere to call home, prison. Between them they were | :11:13. | :11:17. | |
sentenced to six years and eight months for their crimes. | :11:18. | :11:26. | |
So brazen. Unbelievable. I cannot believe they called themselves Mr | :11:27. | :11:32. | |
and Mrs Bent. You said you were burgled 13 times. Looe I lived in a | :11:33. | :11:39. | |
vicarage, my dad was a vicar, and they attract burglars. It was ten | :11:40. | :11:46. | |
times in 13 years or 13 times in ten years, but we had nothing worth | :11:47. | :11:53. | |
stealing. The last time we were burgled, when I was 12, the day | :11:54. | :11:57. | |
before I got a new school uniform and all they stole was about six | :11:58. | :12:08. | |
pairs of my pants. They went through the entire house. What was missing? | :12:09. | :12:15. | |
My pants. Weren't a nice? They were white. They are important for PE. It | :12:16. | :12:23. | |
is time to look back at the financial news of the 3rd of | :12:24. | :12:29. | |
October, 1990, as presented by you in your very first TV outing | :12:30. | :12:35. | |
together. What happened in the market today? I got some dodgy | :12:36. | :12:44. | |
assets for ?1 99. Wolseley and British Gas is a late kick-off. | :12:45. | :12:50. | |
Shares slipped back when supply figures were released. It was | :12:51. | :12:57. | |
because of the menu in the canteen. Dealers were sent into panic | :12:58. | :13:11. | |
selling. Nothing has really changed. I am doing an impression of Eric | :13:12. | :13:16. | |
idle and he is doing an impression of Ronnie Barker. That was from | :13:17. | :13:25. | |
1990, but today's financial news is that people are spending ?900,000 | :13:26. | :13:32. | |
online shopping up to Christmas. Are you buying each other stuff? I am | :13:33. | :13:40. | |
not sure we have bought each other anything. I have bought is six pairs | :13:41. | :13:47. | |
of pants. That happened when I was 12. Not even a coffee at the | :13:48. | :13:56. | |
barometer museum? I bought him a bottle of champagne once. We do not | :13:57. | :14:02. | |
do Christmas. We are blokes. You are back on tour and it is Ploughing On | :14:03. | :14:09. | |
Regardless. What are you Ploughing On Regardless of? Fashion, style, | :14:10. | :14:18. | |
age, love. Is this a standard tour, and idea sketches? Byes, but we have | :14:19. | :14:26. | |
not finished writing it yet. You looked a bit vague. I hope we have a | :14:27. | :14:35. | |
finished show. We do not start until January. You can only really develop | :14:36. | :14:43. | |
comedy in front of an audience. You cannot do a show sitting down. You | :14:44. | :14:49. | |
do not know what works. You have to go in freestyle for the first show? | :14:50. | :14:56. | |
And hopefully you get rid of some bits and it tightens. You are not | :14:57. | :15:05. | |
doing a DVD. Are you nuts? Who told you that? If you do, you can come | :15:06. | :15:16. | |
back. Maybe we should. You have worked together for so long and you | :15:17. | :15:23. | |
can just go with the flow, but did it always used to be like that? We | :15:24. | :15:33. | |
had a reputation for not changing our material enough. David Baddiel | :15:34. | :15:37. | |
once had a go at us. To be fair, he was right. When we started, we | :15:38. | :15:48. | |
started in clubs. We used to do the comedy clubs. If you did the | :15:49. | :15:51. | |
midnight show you did not get on until two o'clock in the morning. We | :15:52. | :15:59. | |
tried to develop a heckle proof show which left no gaps at all. I had a | :16:00. | :16:09. | |
big bag of hats. Steve would do a story and I played all the | :16:10. | :16:12. | |
characters and I had to dive in and do this. It was very structured. We | :16:13. | :16:22. | |
used to add little bits now and then. Since then we have learnt that | :16:23. | :16:27. | |
actually, you can write stuff about almost anything. When the news | :16:28. | :16:32. | |
throws stuff at you for you find yourself writing things a couple of | :16:33. | :16:36. | |
days before you would have thought, we cannot do that, but you can't | :16:37. | :16:48. | |
talk about almost anything. Lester wants to keep him but others | :16:49. | :16:53. | |
say the City of York should Richard III. He is looking good! While at | :16:54. | :17:04. | |
legal wrangle carries on, Cerys Matthews uncovers the tragic story | :17:05. | :17:10. | |
behind the painting of his nephews. Innocent, angelic and afraid. When | :17:11. | :17:17. | |
melee created the painting, he was telling a tragic story of two young | :17:18. | :17:21. | |
royals and the enigmatic figure, Richard III. When King Edward IV | :17:22. | :17:28. | |
died in 1483 he left behind two young sons. The errors to the throne | :17:29. | :17:33. | |
were placed under the protection of their uncle, Richard, and brought to | :17:34. | :17:38. | |
the tower of London. Soon after they were declared illegitimate, Richard | :17:39. | :17:42. | |
became king and the boys disappeared. Rumours spread that | :17:43. | :17:44. | |
they had been murdered Richard's orders. Art historian Laura | :17:45. | :17:51. | |
McCulloch has studied the painting which shows boys waiting in fear for | :17:52. | :17:59. | |
their assassin to arrive. Millais deliberately chooses the most magic | :18:00. | :18:02. | |
moment, when we know the boys are going to be murdered but they do | :18:03. | :18:06. | |
not. They are just waiting, knowing something bad is about to happen. | :18:07. | :18:11. | |
Now we are not sure if they were killed. The Victorians certainly | :18:12. | :18:13. | |
believed that their villainous uncle had had their murdered. I love the | :18:14. | :18:25. | |
fact that their hands are clasp together. Almost 200 years after the | :18:26. | :18:34. | |
Princes' disappearance, work men made a discovery of the skeletons of | :18:35. | :18:38. | |
two children. We do not know for certain if the remains are the two | :18:39. | :18:41. | |
princes but it was widely believed they were at Millais used the | :18:42. | :18:45. | |
details of the discovery in his painting. He shows them a black | :18:46. | :18:53. | |
velvet. They believed when the bones were dug up the velvet was clinging | :18:54. | :19:01. | |
to it. Who is this shadowy figure coming down the staircase? We think | :19:02. | :19:07. | |
it is one of Richard's men. That is what the Victorians believed. He is | :19:08. | :19:12. | |
faceless. That is part of the psychological drama. It is | :19:13. | :19:15. | |
incredible that one painting can tell this story. Are they a true | :19:16. | :19:20. | |
likeness to the Princes? Millais would not have known what they look | :19:21. | :19:25. | |
like. He was painting 400 years afterwards. Like many artists, | :19:26. | :19:30. | |
Millais used models. Who were these two boys who posed as the Princes? | :19:31. | :19:35. | |
Peter Davies has carried out lots of research and he believes they were | :19:36. | :19:38. | |
his great uncle Eddie and his grandad, Percy. He wants to compare | :19:39. | :19:45. | |
photographs of his relatives with the original painting at Royal | :19:46. | :19:51. | |
Holloway University of London. You have not seen the original before? | :19:52. | :19:59. | |
Element I have not seen it ever. -- I have not seen it ever. , that is | :20:00. | :20:07. | |
fantastic. It is so much bigger and brighter and more alive than I | :20:08. | :20:12. | |
thought it would be. That is my grandfather, Percy. Do you break it | :20:13. | :20:21. | |
may seem? I do, the facial features are striking. That is a painting of | :20:22. | :20:32. | |
my family. That is Percy on the left. You can really see the nose, | :20:33. | :20:41. | |
can't you? And that is Edward, a cheeky chap. You can see the nose. | :20:42. | :20:53. | |
Millais's son told a story about how my great grandmother took the boys | :20:54. | :20:57. | |
to Millais and he was struck by them, and he immediately started | :20:58. | :21:03. | |
painting them the next day. The story was he could never look at it | :21:04. | :21:07. | |
afterwards without feeling annoyed because he was always reminded of | :21:08. | :21:13. | |
the crunch of sweets under his feet. The boys were constantly eating them | :21:14. | :21:20. | |
during the painting. In contrast to the Royals, Peter's relatives lived | :21:21. | :21:24. | |
long, fulfilling lives, both becoming headmasters. Whatever | :21:25. | :21:31. | |
happened to the last princes, in Millais's painting they remain | :21:32. | :21:34. | |
frozen in time, clinging to each other as the shadowy figure of the | :21:35. | :21:43. | |
assassin approaches. Similar hairdo to mine! Rumours are | :21:44. | :21:53. | |
rife about what happened? We do not know much, which is why it is one of | :21:54. | :21:56. | |
the greatest mysteries in our history. While the young princes | :21:57. | :22:03. | |
were still around, they were a threat so Richard III put them in | :22:04. | :22:08. | |
the Tower. After the summer of 1483, they were not seen again. If | :22:09. | :22:14. | |
you put two comedians in a tower and they disappeared there would be | :22:15. | :22:18. | |
rumours, but when it is princes, rumours abounded. Have the rumours | :22:19. | :22:26. | |
become fact? After Richard III was defeated, Henry Tudor took to the | :22:27. | :22:39. | |
throne. There was lots of rumour and it then became accepted fact. | :22:40. | :22:43. | |
Shakespeare then cements the story. Let's assume he is a nice guy for a | :22:44. | :22:53. | |
moment. What if they east gate? -- escaped. There is no proof. There is | :22:54. | :23:01. | |
a bricklayer theory. There is one that Edward dies quite young but | :23:02. | :23:06. | |
Richard escapes, goes to live with his mother and has to keep his head | :23:07. | :23:10. | |
down so becomes a bricklayer. There was a Richard Plantagenet in Essex | :23:11. | :23:16. | |
who could speak and read Latin, which is intriguing, so there might | :23:17. | :23:24. | |
be something in it. Is that not all that he had the same name and date | :23:25. | :23:31. | |
with his mother? I guess it was a double bluff. There is also a doctor | :23:32. | :23:36. | |
who claimed that both were smuggled out and that Richard became a | :23:37. | :23:44. | |
doctor. -- there are also a story which claims that. Also, there is | :23:45. | :23:53. | |
the impersonator story. One guy claimed to be a few different | :23:54. | :23:57. | |
people, so he probably had form. Another guy called Perkin wore back | :23:58. | :24:02. | |
could have been. The boy's aren't said it was him but Henry VII hanged | :24:03. | :24:04. | |
him. -- the boy's aren't. There is a Scottish loch with | :24:05. | :24:22. | |
something stored beneath its -- something strange beneath its | :24:23. | :24:26. | |
surface. Loch Creran on the West coast of Scotland hides a beautiful | :24:27. | :24:30. | |
secret. Beneath these chilly waters lies the spectacular and colourful | :24:31. | :24:36. | |
reef. It is one of the most important habitats in Europe. The | :24:37. | :24:42. | |
living reef below these waters is not made up of coral, but | :24:43. | :24:46. | |
circulates, which are a type of Chiba. -- chewed worm. They are | :24:47. | :25:01. | |
widely distributed. There are some localised spots where damage has | :25:02. | :25:05. | |
been caused by fishing. Now it is a special area of conservation. So the | :25:06. | :25:14. | |
future is right? -- right? Yes. The reefs can only survive in certain | :25:15. | :25:17. | |
areas and they have to have the right environmental conditions. | :25:18. | :25:23. | |
Fresh water pours in from the mountains, but just behind me at the | :25:24. | :25:27. | |
entrance, it is sea water. The sea water rushing backwards and forwards | :25:28. | :25:37. | |
brings plenty of plankton. The abundance of food makes this spot | :25:38. | :25:41. | |
the best place to get in, dive down and see them. Cerpulids are not | :25:42. | :25:50. | |
plans so they do not need like to survive but the food they eat does. | :25:51. | :25:55. | |
I am only heading down ten metres. These worms need a solid base and | :25:56. | :26:01. | |
most of the sea bed is covered in a muddy bottom. That is not what they | :26:02. | :26:15. | |
need. If you go a few metres you have got this always is. And then | :26:16. | :26:20. | |
they disappear. This is a reaction to movements in the water around | :26:21. | :26:26. | |
them. This quick reaction is their defence from predators. Each of | :26:27. | :26:40. | |
these has a little trapdoor. They are so successful they do not have | :26:41. | :26:43. | |
any predators in the lock, that is why they are thriving. If I wait | :26:44. | :26:50. | |
patiently, hopefully they will come out. For the worm, this is home. But | :26:51. | :27:04. | |
whilst inside they cannot eat so I am hoping the hunger will entice | :27:05. | :27:09. | |
them to appear. Here they come. That is beautiful. The colours are | :27:10. | :27:15. | |
exquisite. They may look like flowers bursting from their buds but | :27:16. | :27:18. | |
actually, they are animals coming out to feed. It is thought that each | :27:19. | :27:26. | |
individual worm can detect when its neighbour has come back out. Speeded | :27:27. | :27:31. | |
up, it is easy to see them appearing in a chain reaction. This one has | :27:32. | :27:39. | |
really caught my eye. It is a lot higher than its neighbours. They are | :27:40. | :27:44. | |
filter feeders, they will feed on anything floating past. They are in | :27:45. | :27:48. | |
competition with each other so there is a real incentive to grow taller | :27:49. | :27:54. | |
and higher than the rest. Not only are these creatures stunningly | :27:55. | :27:56. | |
beautiful, but these reefs are crucial to the lock's -- to the | :27:57. | :28:10. | |
loch's biodiversity. They provide a unique habitat in a featureless | :28:11. | :28:16. | |
loch. These worms only grow at about three centimetres a year. It will | :28:17. | :28:24. | |
take them time to regain ground they have lost due to man's inadvertent | :28:25. | :28:30. | |
activities. I hope now that the area is protected these beautiful | :28:31. | :28:34. | |
creatures and the habitat they produce has at least got a chance. | :28:35. | :28:45. | |
Gorgeous, isn't it? Barometer World have been in contact. It is | :28:46. | :28:54. | |
north-west of Okehampton. Listen to this, this is wonderful. We went to | :28:55. | :29:04. | |
Chainsaw World. Then we went to Simon World -- Salmon World, where | :29:05. | :29:11. | |
we did not take photos. Is there a new series of Outnumbered? Its start | :29:12. | :29:20. | |
in January. -- it starts in January. You have got a busy month, get | :29:21. | :29:39. | |
writing! No, we have already filmed it. 10th January. -- 10th January. | :29:40. | :29:41. |