Browse content similar to 02/12/2015. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show, with Matt Baker... | :00:18. | :00:19. | |
We met them 10 weeks ago and later we'll catch up with | :00:20. | :00:28. | |
the Wrights and find out how much weight they've lost as a family | :00:29. | :00:32. | |
Also, the fascinating story of the adopted daughter who cared | :00:33. | :00:39. | |
for her birth mother, but kept her own identity a secret. | :00:40. | :00:47. | |
Ireland's biggest family band are back - The Corrs are here! | :00:48. | :00:54. | |
Our very own family member, turned Strictly sensation, Anita Rani | :00:55. | :00:57. | |
APPLAUSE You give them a bit of music and | :00:58. | :01:07. | |
they can't stop dancing, can they? And, on the sofa now, a family man | :01:08. | :01:11. | |
with four sons, who was also He is now starring in a play | :01:12. | :01:14. | |
about the ego-driven battle between You are leaving here and going | :01:15. | :01:32. | |
straight on stage, aren't you tonight? Jumping on a taxi bike off | :01:33. | :01:38. | |
to the Trafalgar studios. Have you a fizz in your body? I will when I | :01:39. | :01:43. | |
leave here, I'm worried about being later. My cost umm up is a man's | :01:44. | :01:48. | |
suit much I will do a change of the hair and stuff. It's about family | :01:49. | :01:53. | |
tonight. We have a lovely picture of you and Martin here, as little boys. | :01:54. | :01:58. | |
Ah. Look at you there. My hair was wet with sweat, I had been playing | :01:59. | :02:04. | |
football in t playground I remember. There was an incident where you | :02:05. | :02:08. | |
tried to make Martin sweeter? When he came home from hospital he was in | :02:09. | :02:14. | |
a cot, I was jealous. I got a tin of golden syrup in the kitchen and | :02:15. | :02:18. | |
pouring that on you are face, followed by a bag of sugar. Covered | :02:19. | :02:22. | |
his face. I remember seeing air bubbles popping up through the | :02:23. | :02:29. | |
sugar. My mum ran in. Now, it's a yearly condition! He's sweet enough. | :02:30. | :02:33. | |
That is why he's so good-looking! We will talk as we go through tonight's | :02:34. | :02:36. | |
programme. You may have seen in the news today | :02:37. | :02:43. | |
the story of the very brave Lee Their incredible courage has | :02:44. | :02:47. | |
benefited two other people's lives after she became Britain's | :02:48. | :02:50. | |
youngest organ donor. To help combat a decline in donors | :02:51. | :02:52. | |
a new system, which has been successful in Europe, was introduced | :02:53. | :02:55. | |
in Wales yesterday, in which everyone will have to opt-out or | :02:56. | :02:57. | |
they're automatically opted in. A big change here in Wales. If you | :02:58. | :03:05. | |
are over the age of 18 it's assumed you are happy to be an organ donor | :03:06. | :03:09. | |
unless you've opted out. So what do people here in Cardiff make of the | :03:10. | :03:15. | |
new law and what have decided to do? I'm hitting the street with a list | :03:16. | :03:19. | |
of organs people can donate and I have a tablet to sign them up here | :03:20. | :03:26. | |
and now. Organ donation has changed in Wales. Best thing ever. Why? My | :03:27. | :03:31. | |
dad had a kidney transplant. The law has changed? Good. Everybody should | :03:32. | :03:36. | |
do it. Would you be persuaded to do it now, I don't want to pressure | :03:37. | :03:41. | |
you, only if you feel comfortable? No, that's fine. If I can help | :03:42. | :03:48. | |
someone live longer it is all right when I'm gone. I don't want to be an | :03:49. | :03:57. | |
organ donor. My boy is ill. Anyone could save my son's life. Would you | :03:58. | :04:01. | |
donate all of these organs to somebody? Not really. My kidneys are | :04:02. | :04:07. | |
my kidneys, my heart is my heart. Everyone is opted in unless they | :04:08. | :04:12. | |
opt-out? I think it's good. Do you? People won't get off their lazy back | :04:13. | :04:16. | |
sides. Don't go on Facebook and moan saying we need this and that unless | :04:17. | :04:22. | |
you do something about it. On most occasions I object to being opted | :04:23. | :04:26. | |
in. I prefer the choice being mine. In this case I'm fine with it. Are | :04:27. | :04:30. | |
you signed up? Am I? I don't think so. I don't think so. It takes two | :04:31. | :04:36. | |
minutes if you would like to opt-in here and now? OK. Is that something | :04:37. | :04:40. | |
you have been meaning to doo-doo for a while? It is. I never get round to | :04:41. | :04:44. | |
doing it. Today you have the One Show to thank. Is there anything on | :04:45. | :04:48. | |
there you wouldn't want to to donate. My skin and bone. I would | :04:49. | :04:53. | |
give him my kidneys if they have to. He can have everything if it's worth | :04:54. | :04:59. | |
having. Other than my eyes. I find that too personal. The lot. Kidneys, | :05:00. | :05:05. | |
bone? Yeah. Lungs? My lungs are shocking, I smoke. No point giving | :05:06. | :05:11. | |
them them. Only Wales doing this so far, but the organs will go to treat | :05:12. | :05:15. | |
anyone in the UK? That's not fair, is it? If its saves somebody's life, | :05:16. | :05:21. | |
we shouldn't look at it that like. If it is Wales it should be | :05:22. | :05:26. | |
restricted until the same thing is applied across the board. Pull your | :05:27. | :05:29. | |
finger out, England, Scotland and Northern Ireland. That is what I | :05:30. | :05:34. | |
say. You tell them. Gary, are you in favour of this new opt-out system I | :05:35. | :05:38. | |
think it's a good idea. I would. I've been lazy enough or not thought | :05:39. | :05:43. | |
about it and put my name down. If people are concerned they will | :05:44. | :05:49. | |
opt-out as opposed to opt-in. The rest of the UK and how it will work | :05:50. | :05:54. | |
with Wales? There is only one organ donor register. It's a UK one. Any | :05:55. | :05:59. | |
point you can opt-in or out. Anyone can go online or call up the NHS | :06:00. | :06:03. | |
Blood and Transplant and do it in two minutes. Very easy. If you don't | :06:04. | :06:08. | |
opt-in and out like Gary. If you live in Wales and you are over the | :06:09. | :06:12. | |
age of 18 you will be automatically enrolled. That doesn't happen in the | :06:13. | :06:18. | |
rest of the UK. So in Wales it will be presumed deemed consent will be | :06:19. | :06:22. | |
presumed that you are happy for your organs to be donated. When you die | :06:23. | :06:25. | |
your family will be approached on that basis. Those organs do spread | :06:26. | :06:30. | |
across the UK then it's not just Wales? Yes. As you saw in the film. | :06:31. | :06:38. | |
An organ donation register for the UK not just Wales. How much | :06:39. | :06:43. | |
difference is that going to make to organ donor numbers The law changed | :06:44. | :06:47. | |
yesterday. Up until that point 34% of people in Wales had opted in. 3% | :06:48. | :06:53. | |
of people had opted out. That left 63% who had done neither. OK. Those | :06:54. | :06:58. | |
people are effectively now on the register. If you look at it in those | :06:59. | :07:03. | |
terms, 97% of people are theoretically on the register in | :07:04. | :07:06. | |
Wales. I would say the most important thing in all of this is, | :07:07. | :07:10. | |
not just to make a decision, but talk to your family you don't have | :07:11. | :07:13. | |
to be on the register. If you are not on the Regster your family will | :07:14. | :07:16. | |
be asked what your wishes were. In this case you might be for it, but | :07:17. | :07:20. | |
if you haven't spokenen to your family and you ask them, or they are | :07:21. | :07:24. | |
asked in the event of your death what you wanted - They might be | :07:25. | :07:31. | |
precious about it? They might. In situations where people can donate | :07:32. | :07:37. | |
43% of families say no because they didn't know the wishes of their | :07:38. | :07:40. | |
loved ones. Talk to your family and make them aware. The run-up to that | :07:41. | :07:44. | |
potential donor is key. That is why you need to have people on the | :07:45. | :07:47. | |
register. They have to find a potential match in the last few | :07:48. | :07:52. | |
days? There are teams of special lists in every hospital working hard | :07:53. | :07:55. | |
and doctors and nurses who will work with the families. Families are | :07:56. | :07:58. | |
consulted on the decision. In terms of those families making the right | :07:59. | :08:03. | |
decision, ones they are happy with, make it easy for them. Tell your | :08:04. | :08:09. | |
family what you want. It's the best way of making sure your wishes - | :08:10. | :08:13. | |
It's better to be on the list? If you are in Wales and automatically | :08:14. | :08:18. | |
enrolled and die in England you are not on the register. The Welsh law | :08:19. | :08:27. | |
doesn't apply in Scotland or England. -- apply. The UK is lagging | :08:28. | :08:31. | |
am we are not one of the best in Europe at this. Spain is leading the | :08:32. | :08:35. | |
way. We have a lot to do. It will be interesting if this makes a | :08:36. | :08:36. | |
difference. Joe thank you very much. For more information | :08:37. | :08:40. | |
on organ donation head to Ed Roller Derby is gaining momentum | :08:41. | :09:02. | |
over here. We have skaters outside the studio tonight. They are padded | :09:03. | :09:10. | |
up. Angellica is with them. Right now the North Cheshire Victory | :09:11. | :09:14. | |
Rollers are playing against Rainy City Roller Girls Bet Lynch Mob. | :09:15. | :09:20. | |
Courtney, are responsible for (loss of sound)... I certainly am, yes. | :09:21. | :09:25. | |
Right now the North Cheshire Victory Rollers are playing against the | :09:26. | :09:28. | |
Rainy City Roller Girls Bet Lynch Mob. I'm joined by Courtney. You are | :09:29. | :09:31. | |
responsible for bringing the game over to the UK. Tell us what it is | :09:32. | :09:37. | |
about in a nutshell? The game is a full contact sport played on roller | :09:38. | :09:41. | |
skates. There are two teams on the track. Watch out. One girl from each | :09:42. | :09:47. | |
team is the jammers much they will try to score as many points as they | :09:48. | :09:52. | |
can. It's a full contact sport with body slams and action and jumps. | :09:53. | :09:57. | |
Everyone is getting involved. Why is it so popular? It's a unique sport. | :09:58. | :10:02. | |
Where can ladies get their aggression out and play full contact | :10:03. | :10:06. | |
sport. It has a cheeky fun attitude to it. I like it. Join us later to | :10:07. | :10:10. | |
find out what the score is. This is interesting. It's a way to get | :10:11. | :10:14. | |
aggression out. Does this appeal to you? No. About 20 years agricultural | :10:15. | :10:22. | |
my son I took to buy rollerblades. I thought I will be a cool dad and get | :10:23. | :10:29. | |
a pair too. That evening he had to sit with me in Accident Emergency. | :10:30. | :10:34. | |
I came off and broke a wrist! I'm off of those. Fail. As we said you | :10:35. | :10:38. | |
are heading off to the theatre tonight because you are in Harold | :10:39. | :10:44. | |
Pinter's Homecoming. It's one of his most popular plays, it's about a | :10:45. | :10:49. | |
struggle within a family. Give it to us in a nutshell. 1965, the mother | :10:50. | :10:55. | |
died a few years before. It's an old man, the dad, Max, and Lenny, one of | :10:56. | :10:59. | |
the sons, and Joey Andreas uncle Sam. They bicker the whole time. In | :11:00. | :11:06. | |
a funny way. Hysterical way. I come home after six years. I have gone to | :11:07. | :11:11. | |
America. I'm an academic trying to get beyond this family. I bring back | :11:12. | :11:16. | |
this amazing looking woman, Ruth, who is my wife. They don't know | :11:17. | :11:21. | |
about her. She ends up running the house by the end, pretty much in an | :11:22. | :11:26. | |
extraordinary way. I don't think that is giving too much away. It's | :11:27. | :11:32. | |
quite a cast you are on stage with. Quite a cast. Lovely photos. Gemma | :11:33. | :11:36. | |
Chan is my wife, Ruth. Beautiful girl. Amazing, great actor. Ron Cook | :11:37. | :11:43. | |
is the old man. That is me at the back. John Simm, we know John. And | :11:44. | :11:52. | |
Keith Allen who is... John Macmillan. You feel a real | :11:53. | :11:57. | |
connection with Harold Pinter and his past? I loved Pinter growing up. | :11:58. | :12:05. | |
I loved his dialogue and making working-class languaged and | :12:06. | :12:07. | |
heightened it and got the rhythms in it and the humour of it. I tried to | :12:08. | :12:11. | |
put it on, actually. A friend of mine, when I was 18, we borrowed | :12:12. | :12:20. | |
this set from the Young Vic we set up in a church hall. How old were | :12:21. | :12:27. | |
you? 18. Very driven. There is a dumb waiter who played the dumb | :12:28. | :12:30. | |
waiter. It has to be operated by someone. Steve Norman, who is from | :12:31. | :12:38. | |
Spandau Ballet. He would operate the dumb waiter. It was warm in there. | :12:39. | :12:44. | |
He fell asleep in there. It didn't deliver the food. We had to kick it. | :12:45. | :12:49. | |
It was a great thing to do. I loved being part of that that play and | :12:50. | :12:52. | |
this language that he has. It's wonderful. Listening to the audience | :12:53. | :12:55. | |
enjoying it every night is fantastic. It seems inevitable | :12:56. | :13:00. | |
really that you have had this part because years agricultural, back in | :13:01. | :13:04. | |
the 90s, is it right that Gary Oldman suggested that you and him | :13:05. | :13:11. | |
should both be in this play My ex-of wife was working with Gary on | :13:12. | :13:14. | |
Dracula. He suggested it would be a good role for him as the Lenny part | :13:15. | :13:19. | |
and me as Teddy. I never thought anything of it, it never happened. | :13:20. | :13:23. | |
25 years later here I am playing Teddy. You think of you being on | :13:24. | :13:30. | |
stage with you being up for being an actor at 18. Was was music get in | :13:31. | :13:40. | |
the way? I started off as child actor, I worked with Phil Daniels, | :13:41. | :13:44. | |
and Cathy Burke. Then I got into music. There was a conscious moment | :13:45. | :13:48. | |
when I left that and went into music. I wanted to go back there. I | :13:49. | :13:55. | |
got the Kras and the Bodyguard. I don't prefer one to the other, but I | :13:56. | :13:58. | |
do prefer performance. I think being on stage, whether it is as an actor | :13:59. | :14:05. | |
or musician is the best part of both jobs. I'm lucky to have have done | :14:06. | :14:12. | |
both. You can feed off the audience Every night it's fresh, different | :14:13. | :14:15. | |
story every night. Let us hope tonight goes well. If you would like | :14:16. | :14:21. | |
to go and see Harold Pinter's Homecoming it's at the Trafalgar | :14:22. | :14:24. | |
Studios until February next year. It is. | :14:25. | :14:28. | |
Time now for the incredible story of a woman who spent 25 years looking | :14:29. | :14:32. | |
for her birth mother and then a further 24 years looking after her. | :14:33. | :14:35. | |
All the while keeping her true identity a secret from her. | :14:36. | :14:47. | |
when she was left at an orphanage. She was told nothing about her | :14:48. | :14:51. | |
mother and was later adopted by a local Catholic family. What was life | :14:52. | :14:56. | |
like with your adoptive parents? They were kind but I never fitted | :14:57. | :15:01. | |
in. There was lots of secrecy around the adoption and I was told both my | :15:02. | :15:08. | |
parents died of TB. I was only young and I had to believe what they said. | :15:09. | :15:14. | |
In her mid-20s, a trained nurse and with children of her own, she set | :15:15. | :15:19. | |
out on a journey to find her mother and had a breakthrough after months | :15:20. | :15:24. | |
of detective work. Suddenly after having nothing I had her name and | :15:25. | :15:31. | |
address and she was alive. Her birth mother Bridget Mary Larkin was not | :15:32. | :15:34. | |
only alive but living in the same City. There was something else, her | :15:35. | :15:40. | |
long lost mother was a chronic alcoholic, a troublemaker well known | :15:41. | :15:43. | |
to the police. Locals called vertebrae Mary Mary. None of this | :15:44. | :15:51. | |
put Phyllis of meeting her but she decided to go in her nurses uniform | :15:52. | :15:56. | |
as if she were a professional rather than her daughter. -- Tipperary | :15:57. | :16:03. | |
Mary. When you were about to meet your mother for the first time how | :16:04. | :16:07. | |
were you feeling? Extremely anxious, it was surreal. Did it feel | :16:08. | :16:12. | |
different being in your nurses uniform? I felt as though I was | :16:13. | :16:16. | |
protected being in my uniform and it helped me to hide behind that. | :16:17. | :16:23. | |
Phyllis was finally going to come face-to-face with the mother who had | :16:24. | :16:28. | |
given her away as a baby. That is where I first met my mother. Here? | :16:29. | :16:37. | |
Yes, each step she was taking I thought, my gosh, my mother is | :16:38. | :16:41. | |
getting closer. The door flung open and there she was. What did she say? | :16:42. | :16:49. | |
She did not seem to care who I was, just wanted to talk to someone. | :16:50. | :16:53. | |
Within minutes she mentioned Phyllis, the little girls she had | :16:54. | :16:57. | |
given away. I felt moved I was so important to her. Why didn't you | :16:58. | :17:02. | |
tell her the truth about who you were then? I wanted to tell her so I | :17:03. | :17:10. | |
could take the pain away. It was one of the hardest moments, not to tell | :17:11. | :17:14. | |
her. I had a family I had to consider. I was torn between them. | :17:15. | :17:20. | |
For the next eight years she visited as a nurse, never quite finding the | :17:21. | :17:25. | |
right moment to tell her the truth. I added it to my rounds and | :17:26. | :17:33. | |
officially and cared for her. Due to the alcoholism, she could not cope. | :17:34. | :17:37. | |
Bridget would often ramble about the baby daughter she had given up. She | :17:38. | :17:43. | |
said she always intended to come back for me but it was never going | :17:44. | :17:48. | |
to happen. How did you manage not to tell her that you were her daughter? | :17:49. | :17:53. | |
The alcohol affected her behaviour. As much as I wanted to tell her, I | :17:54. | :17:58. | |
was conscious that I couldn't have it disrupt my life. She was too | :17:59. | :18:04. | |
damaged? That is a good way of putting it, sadly she was. That is | :18:05. | :18:09. | |
the awkward part. I could only have her in my life on my terms. With her | :18:10. | :18:15. | |
mother 's mental state deteriorating Phyllis made the decision to reveal | :18:16. | :18:22. | |
her chew identity -- true identity. I sat her and I held her hand and I | :18:23. | :18:26. | |
said, I'm Phyllis, the daughter you gave away. I thought, she does not | :18:27. | :18:31. | |
seem to be taking it in and I realised, mentally, the alcohol had | :18:32. | :18:38. | |
taken its toll to the point where she had got dementia. I should have | :18:39. | :18:43. | |
told her sooner and it was sad I left it so long. Soon after | :18:44. | :18:48. | |
Phyllis's mother was taken to a nursing home suffering from severe | :18:49. | :18:52. | |
dementia. Phyllis continued to visit her for 13 years until her mother | :18:53. | :18:57. | |
died, never realising that her loving nurse was really her long | :18:58. | :19:03. | |
lost daughter. Thank you, Wendy and Phyllis is with us now to talk about | :19:04. | :19:08. | |
this more. What a remarkable story, adventure that you went on. Going | :19:09. | :19:13. | |
through those trips and meetings with your mum. You must have learned | :19:14. | :19:17. | |
so much about yourself and discovered so much about your past. | :19:18. | :19:24. | |
Certainly. It was a very special relationship that we developed. | :19:25. | :19:28. | |
Because of the situation, I was a nurse and I was able to care for her | :19:29. | :19:33. | |
and I learned to love her as my mother in a way I would never have | :19:34. | :19:36. | |
been able to had I not been a district nurse at the time. We heard | :19:37. | :19:40. | |
that she struggled with alcoholism but were their qualities, lovely | :19:41. | :19:45. | |
qualities that you thought, I can see myself in her now. She really | :19:46. | :19:53. | |
was likeable. I took to her straightaway. A very lively and | :19:54. | :20:00. | |
eccentric character. Very loud. She liked talking a lot and I'm quite a | :20:01. | :20:08. | |
chatterbox. Are you? ! We made that connection very quickly. Possibly | :20:09. | :20:14. | |
because I was a nurse I had that understanding of her vulnerability | :20:15. | :20:18. | |
and I was able to pick on that and really warmed to her that way. I | :20:19. | :20:23. | |
really just wanted to help her and make a difference to her life | :20:24. | :20:26. | |
because she had had such a hard life. It made me realise how hard it | :20:27. | :20:32. | |
was for her and what she had done, leaving me in an orphanage when I | :20:33. | :20:35. | |
was eight months old because she felt it would give me a better life | :20:36. | :20:38. | |
because she knew that she was addicted to alcohol. She must have | :20:39. | :20:44. | |
realised she had a dysfunctional life and she was struggling to bring | :20:45. | :20:47. | |
me up so she felt the best way would be to put me somewhere I would be | :20:48. | :20:54. | |
safe. She did her best. She did have my interests at heart but she was | :20:55. | :21:00. | |
torn because she wanted to keep me. Thinking back before you actually | :21:01. | :21:03. | |
went up to the house and the reasons you wanted to do it and what you are | :21:04. | :21:06. | |
letting yourself in for and your family as well. They would be | :21:07. | :21:11. | |
affected by it. Was it the right decision and would you do it again? | :21:12. | :21:16. | |
It was the only decision because of the condition she was in, any other | :21:17. | :21:22. | |
way, I would never have had chance to meet her because the relationship | :21:23. | :21:26. | |
would have broken down because of the problem is that she had and | :21:27. | :21:30. | |
because I had a family at the time that were young, obviously my | :21:31. | :21:33. | |
husband, I had to put their welfare first. Her dysfunctional life would | :21:34. | :21:39. | |
have caused problems. The relationship would not have worked. | :21:40. | :21:43. | |
I feel that that would have been hard for her to accept. Phyllis, | :21:44. | :21:49. | |
thanks so much for sharing this with us and it has been wonderful to meet | :21:50. | :21:52. | |
you. Phyllis has turned her story into a | :21:53. | :21:55. | |
book, Finding Tipperary Mary, that Word has it that you have been | :21:56. | :22:02. | |
approached about making the story into a movie. There is certainly | :22:03. | :22:07. | |
interest there, so that is quite exciting. Ridley Scott, potentially. | :22:08. | :22:14. | |
He is just one of them! We will have you back next year to talk about | :22:15. | :22:20. | |
that. It will be great. Moving away from families, we have a film about | :22:21. | :22:28. | |
wildlife now. When it comes to small, well, it is the best at | :22:29. | :22:33. | |
capturing its prey. The title of the most effective hunter in the animal | :22:34. | :22:37. | |
kingdom does not go to a shark, bird of prey or even a big cat. Twice as | :22:38. | :22:43. | |
effective as the most celebrated apex predator there is one animal | :22:44. | :22:48. | |
that hunts with a staggering 95% success rate. The dragonfly. | :22:49. | :22:53. | |
Dragonflies are evolution three marbles, capable of performing | :22:54. | :22:56. | |
almost any aerial manoeuvre. Hovering, gliding, somersaulting, | :22:57. | :23:03. | |
and flying close to 40 mph, their prey does not stand a chance. | :23:04. | :23:07. | |
Analysing a dragonfly in-flight is an alien possible with the naked eye | :23:08. | :23:12. | |
so I am hoping to film one in super slow motion. First I want to | :23:13. | :23:16. | |
understand what makes them so much faster than their prey. Simon Walker | :23:17. | :23:23. | |
is an expert in aerodynamics. The problem with wings, like on a | :23:24. | :23:28. | |
helicopter, aeroplane or insect, beyond a certain speed vibration | :23:29. | :23:33. | |
causes the aeroplane or insect to fall from the sky. The obvious | :23:34. | :23:37. | |
solution is to slow down but then you would not catch your prey. What | :23:38. | :23:41. | |
is interesting is that dragonflies have their own way of solving this, | :23:42. | :23:45. | |
a concentration of mass at the front of their wing, near the wing tip. | :23:46. | :23:50. | |
Without this they would not be able to fly as fast and obviously for | :23:51. | :23:54. | |
dragonflies that is important because they are aerial predators. | :23:55. | :23:59. | |
To film a dragonfly we first need to catch one and it's no wonder they | :24:00. | :24:02. | |
are hard to catch, they have been perfecting their skills for 300 | :24:03. | :24:11. | |
million years. That is true, they were a lot larger back then. But to | :24:12. | :24:16. | |
60 centimetres across. I'm not sure this would be good enough! We are | :24:17. | :24:21. | |
going to need a bigger net. Soon we have locked eyes with our target. He | :24:22. | :24:32. | |
is thinking about landing. Did you get it? Yes! Good catch. Good | :24:33. | :24:41. | |
skills. Well, this is a southern water dragonfly and it is one that | :24:42. | :24:48. | |
hunts its prey in the air. It is time we got this back to the lab. | :24:49. | :24:52. | |
Dragonflies don't survive for long in captivity so most of these are | :24:53. | :24:57. | |
conducted on wild dragonflies, this one will be returned after filming. | :24:58. | :25:02. | |
The animal flight group at Oxford University Works with cutting-edge | :25:03. | :25:05. | |
cameras to better understand flight in the natural world. Adrian | :25:06. | :25:11. | |
Thomas, a professor of biomechanics will help to analyse the wing beats | :25:12. | :25:16. | |
in super slow motion. How does this help us? These cameras are recording | :25:17. | :25:21. | |
4000 frames per second will stop slowing everything down 160 times. | :25:22. | :25:26. | |
If it works I should be able to see the flight of a dragonfly. For the | :25:27. | :25:33. | |
cameras it needs to take off in a specific direction. But that's | :25:34. | :25:40. | |
easier said than done. Then on the fifth attempt... | :25:41. | :25:50. | |
Each wing has an individual set of muscles which pull it down and up | :25:51. | :25:57. | |
and twisting and changing, the curve of the wing. They have total | :25:58. | :26:01. | |
control. It's flapping its wings out of phase. And then they start | :26:02. | :26:08. | |
flapping at the same time. It switches into that mode. They can | :26:09. | :26:13. | |
switch from one to another and that is why they are so agile. They are | :26:14. | :26:17. | |
unpredictable in the sense they can change what they are doing within a | :26:18. | :26:21. | |
wing beat butterfly, when you see them in your living room, they don't | :26:22. | :26:25. | |
go in smooth circles but circles with corners but dragonflies, you | :26:26. | :26:31. | |
can predict how it will turn and it will cut the corner. They are not | :26:32. | :26:36. | |
evolved to the peak of performance in terms of catching prey but in air | :26:37. | :26:42. | |
to air combat over territory. That's the secret, over engineering allows | :26:43. | :26:47. | |
the dragonfly to almost always catch prey, but then again it has had more | :26:48. | :26:52. | |
than 300 million years to perfect its deadly aerial agility. You | :26:53. | :27:00. | |
cannot beat footage like that! Wasn't the summer lovely? I can't | :27:01. | :27:06. | |
even remember now, it seems like ages ago. | :27:07. | :27:10. | |
Here are two more movers, shaking up the competition on this | :27:11. | :27:12. | |
Please welcome quarterfinalists Anita and Gleb. You obviously look | :27:13. | :27:28. | |
very happy, are you satisfied with a quarterfinal place? I can't believe | :27:29. | :27:33. | |
we have come so far, when I started obviously I thought it would be | :27:34. | :27:38. | |
great, let's learn to dance, but I did not appreciate how hard it would | :27:39. | :27:42. | |
be and everyone is so good. We want to go as far as the British public | :27:43. | :27:51. | |
wants us to go. How far! I feel as though we have this wave of public | :27:52. | :27:57. | |
support and they have got behind us. The girl from Countryfile is doing | :27:58. | :28:06. | |
what? ! You had never danced before? Yes, this is totally new and it's | :28:07. | :28:12. | |
thanks to this guy. I have to say it is difficult sitting between these | :28:13. | :28:22. | |
two! I feel sorry for Alex! Carreon! Let's have a look at the | :28:23. | :28:29. | |
competition. You, Helen George, Jay, Katie Derham, Georgia and Kellie. | :28:30. | :28:36. | |
Out of them, who is your stiffest competition? All of them are | :28:37. | :28:40. | |
brilliant. You are not going to get anything out of me. I am my own | :28:41. | :28:48. | |
stiffest competition. As a choreographer, Gleb, you are be | :28:49. | :28:50. | |
asleep trying to create routines that the public will love. You have | :28:51. | :28:55. | |
done Strictly all over the world, how does Britain compared? It's the | :28:56. | :29:02. | |
best. This programme is broadcast all over the world! Carreon. It is | :29:03. | :29:08. | |
the same concept in every country but little things are different, the | :29:09. | :29:15. | |
production is different. For example in America we are allowed to do | :29:16. | :29:19. | |
lists in pretty much every single dance. -- lifts. You have to learn | :29:20. | :29:27. | |
the technique and the steps. Don't give away our tips! We just ring up | :29:28. | :29:33. | |
the pluses and cover up the minuses and that's what we do every week. He | :29:34. | :29:38. | |
brings out the best in me is what he is trying to say. It is hard because | :29:39. | :29:43. | |
people who have trained have ways of focusing on a point in the room and | :29:44. | :29:47. | |
I have none of that. What is the thing that you struggled with and | :29:48. | :29:57. | |
overcome? The dancing, period! It is hard to learn from scratch every | :29:58. | :30:00. | |
week and it's a different dance every week, where to place your | :30:01. | :30:04. | |
feet. If you don't know how to point, turn, spot turn coming you | :30:05. | :30:09. | |
just have too, whatever Gleb teaches me and I do on Saturday. This is | :30:10. | :30:16. | |
your highest score? Yes, you get into character very well and that is | :30:17. | :30:19. | |
the most important thing on the show. I imagine you would be good at | :30:20. | :30:25. | |
the paso doble, Gary! I don't think it would suit me, actually! | :30:26. | :30:32. | |
Somehow I found this, I love getting into the character. I notice that. | :30:33. | :30:38. | |
Your face is so powerful in everything you do. It's important. | :30:39. | :30:42. | |
We learn the technique. Oh, yeah, look at that. So dramatic. What a | :30:43. | :30:48. | |
finish. Spectacular. What about this week then? It's musical week, isn't | :30:49. | :30:55. | |
it this week? What are you doing Talk about character, we are doing | :30:56. | :31:02. | |
Chicago and cell block Tango. It's the Argentine Tango. That will be | :31:03. | :31:07. | |
done beautifully. Look how full of life she is because of this show. | :31:08. | :31:12. | |
There is rumours of a Spandau Ballet musical, is there not People have | :31:13. | :31:15. | |
been muting the idea. It's about the story. You have to find a good | :31:16. | :31:19. | |
story. The songs are, I'm sure they will work. People will sing-a-long. | :31:20. | :31:23. | |
Unless you string them along with a good tale they don't really work. | :31:24. | :31:27. | |
Maybe our viewers could help. Email in your thoughts. It's interesting | :31:28. | :31:38. | |
because I have this calendar it's telling me it's the Chris office | :31:39. | :31:42. | |
party season. While we have Gleb here. We will get thoughts on how to | :31:43. | :31:48. | |
style it out on the dance floor. It might feel awkward. We will put | :31:49. | :31:53. | |
music on to help out. Don't take your shirt off. You are welcome to | :31:54. | :31:59. | |
get up and show us. Well, just be cool. Put one hand in the pocket. | :32:00. | :32:07. | |
Just feel the music. Feel the music. Pretend. If you don't know how to | :32:08. | :32:11. | |
dance, pretend you know how to dance. He looks like Tony Hadley. | :32:12. | :32:19. | |
And the look. Give a look. There's the camera. YEAH! We hope that helps | :32:20. | :32:25. | |
to all the people at the office party. The chances are Gleb won't | :32:26. | :32:33. | |
stop doing this. I think everybody enjoyed that little egg meant there. | :32:34. | :32:38. | |
Gary you are due on stage in 30 minutes. Lovely having you here | :32:39. | :32:44. | |
tonight with us. Thank you. Good luck with the play tonight. See you | :32:45. | :32:53. | |
soon. Is -- segment. Anita, we are about to play the first of two your | :32:54. | :32:59. | |
two films you made with us. As if dancing isn't enough, you have made | :33:00. | :33:02. | |
programmes for the One Show as well. Will you do the honours. | :33:03. | :33:07. | |
On average, ?377 billion is transferred around the globe each | :33:08. | :33:20. | |
year via money transfer facilities, here are just a few stories | :33:21. | :33:23. | |
It's another busy day of trading. We send money all over the world. | :33:24. | :33:33. | |
Westgreen Road is an area of huge ethnic dies versety. Like many of | :33:34. | :33:38. | |
our cities across the UK, alongside the pound stores and betting shops | :33:39. | :33:41. | |
money transfer agents are bringing up on high streets. People with | :33:42. | :33:48. | |
families overseas turn to them. Every transaction tells a story. I | :33:49. | :33:53. | |
send money to my mum back in Hungary. This is the equivalent of | :33:54. | :33:59. | |
what they earn in one month. The money is to support the funeral. The | :34:00. | :34:04. | |
money will go to my grandmother's medication. Money sent in this way | :34:05. | :34:09. | |
is known as remittances. The number of transactions we do yearly I would | :34:10. | :34:17. | |
say is over 50,000. We transfer over ?5 millionberg year. Today's rate is | :34:18. | :34:24. | |
180.55. We click on send and within a matter of minutes the money is on | :34:25. | :34:28. | |
the other side of the world. Sometimes the receiver will be at | :34:29. | :34:31. | |
the location in the queue, that is how quick it is. The amounts sent | :34:32. | :34:40. | |
home vary. Some may send home ?400 to ?500 a month. Other tran actions | :34:41. | :34:48. | |
are smaller. I had somebody who wanted to send ?6 money for lunch or | :34:49. | :34:54. | |
bus fare. Despite the small scale of transactions in 2014, an estimated | :34:55. | :35:00. | |
?377 billion worth of remittances were sent globally. ?16 billion sent | :35:01. | :35:06. | |
from the UK. Britain is the fourth largest sender after the US, Saudi | :35:07. | :35:16. | |
Arabia and the United Arab Emirates. Two men who use this shop regularly | :35:17. | :35:23. | |
are Daniel and Arden. Daniel left with the intention of sending money | :35:24. | :35:30. | |
home to Romania. He does a variety of labouring and maintenance jobs. | :35:31. | :35:33. | |
Whafrp he can find. We joined him working as a removal man. Loft | :35:34. | :35:40. | |
conversions, plumbing, electric, tiles, plastering, painting. | :35:41. | :35:43. | |
Building work. Everything that involves the hands and the brain, I | :35:44. | :35:49. | |
do everything. London it OK. A nice city. It's green, trees, parks. They | :35:50. | :35:58. | |
have to work to pay their rent and bills. He manages to sent home ?2 in | :35:59. | :36:04. | |
every ?3 he earns. In contrast to Daniel, three years agricultural | :36:05. | :36:07. | |
Arden moved to the UK from den Kenya with his English wife. They live | :36:08. | :36:12. | |
here in the leafy suburbs of North London with their two children. He's | :36:13. | :36:19. | |
three-and-a-half. He was born in Kenya. And his brother is 18 days | :36:20. | :36:27. | |
old. He was born in Whiting don Hospital in London. Arden workses as | :36:28. | :36:33. | |
a programme manager. He held a similar job back in Kenya. This is a | :36:34. | :36:37. | |
picture of the town where I was born. There is a lot of poverty. | :36:38. | :36:43. | |
Very poor. Despite the demands of a newborn baby he sends a quarter of | :36:44. | :36:47. | |
his monthly salary to his family all of whom are still living in Kenya. | :36:48. | :36:53. | |
My brother, the money that I send to him is essentially to support his | :36:54. | :37:03. | |
university fees, ?400 per semester. I have to support the people without | :37:04. | :37:07. | |
the means. Instead of spending his wages on nights out life for Daniel | :37:08. | :37:13. | |
is spent watching TV and relaxing before another hard day labouring. I | :37:14. | :37:18. | |
miss my family, country and friends. I haven't seen my son in | :37:19. | :37:21. | |
four-and-a-half years. He is growing up without his father and he doesn't | :37:22. | :37:29. | |
know me. When I go home I'm scared he doesn't recognise me. It's the | :37:30. | :37:34. | |
last Friday of the months. The busiest period for the money | :37:35. | :37:37. | |
transfer shop. As local workers receive their pay and come in | :37:38. | :37:42. | |
straightaway to send some home. Daniel and Arden are transferring | :37:43. | :37:54. | |
money much-needed by their siblings. I'm sending a message to send him | :37:55. | :37:58. | |
the code number so he can collect it tomorrow from the branch in Nairobi. | :37:59. | :38:05. | |
Sent. I'm happy. Why? I help my sister. I feel good I'm sending him | :38:06. | :38:12. | |
the money. It's for my family, not for somebody else. Do stay tuned to | :38:13. | :38:17. | |
see how far that money goes. Fascinating. We follow it back to | :38:18. | :38:23. | |
Daniel's and Arden's home countries. Angellica is out there with the | :38:24. | :38:26. | |
ladies outside. What is the score so far? The score is that the North | :38:27. | :38:31. | |
Cheshire Victory Rollers, in yellow, and the Bet Lynch Mob have 53. It's | :38:32. | :38:36. | |
fast and furious and there is all to play for. We will give you the final | :38:37. | :38:41. | |
score at the end of the show. I would go Bet Lynch Mob. What a great | :38:42. | :38:48. | |
name that is. Massive earrings. The animal print. | :38:49. | :39:06. | |
But don't worry, in just a moment we've got Ireland's | :39:07. | :39:08. | |
most sucessful family band, The Corrs, gracing our sofa. | :39:09. | :39:10. | |
But now, a family who we met 10 weeks ago. | :39:11. | :39:13. | |
The Wright family from Wolverhampton. | :39:14. | :39:14. | |
They opted to take part in a council-funded scheme to lose | :39:15. | :39:17. | |
With 70% of people in Wolverhampton either overweight or obese, the City | :39:18. | :39:24. | |
Council decided enough was enough and launched a healthy living | :39:25. | :39:25. | |
programme targeting entire families. Yes. It's an apple. Is it a thumbs | :39:26. | :39:30. | |
up. The Wrights were signed up to the five-star family scheme after | :39:31. | :39:34. | |
twins were flagged as technically obese by their school nurse. It's a | :39:35. | :39:40. | |
big opportunity to make life a lot healthier. Ten weeks on I'm here to | :39:41. | :39:47. | |
find out how they have got on and whether the council's gamble in this | :39:48. | :39:51. | |
time of austerity has been money well spent. How are you? Fine, thank | :39:52. | :39:56. | |
you. Look at you. I don't need to ask if it's working? It's working | :39:57. | :40:01. | |
very well. Thank you. You have lost a lot of weight? Over three stone. | :40:02. | :40:04. | |
Fantastic. You must be really pleased? I am very pleased, thank | :40:05. | :40:08. | |
you. Let us see what is happening tonight? Let's go. Come on then. Why | :40:09. | :40:17. | |
it's a welcome side affect weight loss isn't the be all of the course. | :40:18. | :40:21. | |
Families learn about exercise, nutrition and portion control. Have | :40:22. | :40:26. | |
you been surprised at how relatively easy you have found it? Very. I | :40:27. | :40:29. | |
didn't think it would be as easy as it is. I was sceptical when I first | :40:30. | :40:35. | |
started much I thought I would struggle, especially getting the | :40:36. | :40:39. | |
children to change their habits much I didn't manage I could do it, but | :40:40. | :40:45. | |
they have done well. Helen helped to develop the scheme. Having someone | :40:46. | :40:49. | |
who really wanted to do it but presumably not every family is like | :40:50. | :40:53. | |
that? No, it is really, really difficult much they need to do - to | :40:54. | :40:58. | |
want that themselves. If they feel a change in themselves they feel | :40:59. | :41:01. | |
healthier, happier, they will want to do it. How difficult is it for | :41:02. | :41:05. | |
people when theyth programme stops and then they are out there and they | :41:06. | :41:09. | |
have to motivate themselves? That's when the real work starts. There is | :41:10. | :41:14. | |
no doubt about it. But we are up for it in Wolverhampton. The course | :41:15. | :41:19. | |
costs the council ?139 for each family. Ten weeks agricultural seven | :41:20. | :41:24. | |
other families were lined up alongside the Wrights, two have | :41:25. | :41:29. | |
since dropped out. Even so, it's money well spent, according to | :41:30. | :41:34. | |
Wolverhampton's Cabinet member for Health and Wellbeing, Sandra | :41:35. | :41:38. | |
Sammuals much we can't crack it on our own as a local authority. We | :41:39. | :41:41. | |
need schools and workplaces to encourage individuals. We have to | :41:42. | :41:44. | |
make some impact. We will do. We will do. The course has made an | :41:45. | :41:50. | |
impact on the Wright family's daily life. They now walk to school and | :41:51. | :41:55. | |
have yoga sessions led by big sister. A major change, learned on | :41:56. | :42:00. | |
the course, is mum Heather's simple way to ensure he is not overloading | :42:01. | :42:06. | |
the family's plates at meal times. These are the children's hands. Each | :42:07. | :42:11. | |
centre of these is a portion size. That portion size, did that come as | :42:12. | :42:14. | |
a bit of a surprise to you? Yeah. It did. Having this now as a guide is | :42:15. | :42:20. | |
easier than just piling it on and thinking - that looks right, when | :42:21. | :42:24. | |
it's not. Even dad, Stuart, has seen an improvement. I think I've lost | :42:25. | :42:29. | |
about a stone since I've been doing it. Can you see a difference in the | :42:30. | :42:33. | |
children? Yeah. They seem to be more lively. A little bit more energy. | :42:34. | :42:40. | |
They enjoy it. Go for it. That's it. How confident are you that you can | :42:41. | :42:46. | |
keep it going into the future? I'm very confident, it's working. I need | :42:47. | :42:51. | |
to keep it going for them really, for their health, their future. The | :42:52. | :42:55. | |
schemes have been a success. 50 new groups are being started in January. | :42:56. | :42:58. | |
Good luck to everybody who takes part. | :42:59. | :43:06. | |
Now from 1990 to 2005 one group of Irish siblings were regularly | :43:07. | :43:13. | |
topping the charts with some of the most beuatiful, | :43:14. | :43:15. | |
# Leave me breathless # I have run away, yeah, yeah | :43:16. | :43:30. | |
# Because we are so young now # We are so young, so young now | :43:31. | :43:44. | |
# And when tomorrow comes we can do it all again... # | :43:45. | :43:47. | |
We are singing every word. It takes us back. | :43:48. | :43:59. | |
I am so delighted that you are back together. Thank you! A ten year | :44:00. | :44:14. | |
break, who instigated the restart? That was me. I personally wanted to | :44:15. | :44:18. | |
do some music again together and I called everyone up and planted the | :44:19. | :44:23. | |
seed. Everyone was enthusiastic. Were you sensing that it was going | :44:24. | :44:30. | |
to happen all were use a prized? It felt right, when Caroline made the | :44:31. | :44:35. | |
call it felt like the right time. For us, you know, we had an amazing | :44:36. | :44:41. | |
career. We wanted to have children, and we have done that and we have | :44:42. | :44:46. | |
eight gorgeous kids between us at this stage. That took up the | :44:47. | :44:51. | |
intervening ten years. There is something very organic about music | :44:52. | :44:55. | |
and being family and what we do. It felt like the right time. It is | :44:56. | :45:00. | |
lovely. Really great. When you listen to the new album you | :45:01. | :45:08. | |
instantly know it's the Corrs. It is taking us back again. You were | :45:09. | :45:11. | |
worried that the spark may have diffused? Did it happen naturally | :45:12. | :45:16. | |
again or did it come easily, or was it tougher? Fortunately it did flow | :45:17. | :45:23. | |
from the beginning but I suppose there was a bit of anxiety because | :45:24. | :45:25. | |
you never know. Writing is mysterious. In that you don't know | :45:26. | :45:32. | |
if you will be inspired, between you, will you still have the magic? | :45:33. | :45:37. | |
Fortunately we realised pretty quickly that we did. Was the writing | :45:38. | :45:42. | |
process like it used to be or did you find others were coming up with | :45:43. | :45:46. | |
different ideas, you never used to come up with ideas, what's going on? | :45:47. | :45:52. | |
! Well, we just brought ideas that we had to the table and started | :45:53. | :45:58. | |
working on them. We were inspired pretty much straightaway. Including | :45:59. | :46:07. | |
Ellis Island. We have a good working relationship and we all work on the | :46:08. | :46:11. | |
songs at the end of the day. It's been great fun. Very relaxed this | :46:12. | :46:17. | |
time. That was important. There is a lovely dedication to your parents on | :46:18. | :46:21. | |
the back of the album, they have sadly passed away now. How | :46:22. | :46:24. | |
influential were they and how hands-on were they ten years ago? | :46:25. | :46:31. | |
Well, mum and dad... Man has been gone longer than that now, but we | :46:32. | :46:36. | |
grew up with music and mum and dad had a band together. It was their | :46:37. | :46:42. | |
passion, music was their passion. Their band was called the Sound A | :46:43. | :46:50. | |
Fair, like a love affair. We grow up with month taping songs from the | :46:51. | :46:54. | |
radio that they used to sing at the weekend around the local clubs. We | :46:55. | :46:58. | |
were in the bin this without thinking it was different. Dad | :46:59. | :47:02. | |
taught us piano and we went on to different instruments. -- we were | :47:03. | :47:07. | |
surrounded by this without thinking it was different. Musically they did | :47:08. | :47:14. | |
tell us to chase our dreams. Am I right in saying that you first | :47:15. | :47:17. | |
perform together at your dad 's funeral? Obviously that was an | :47:18. | :47:24. | |
incredibly emotional time. We felt we needed to do it for him and | :47:25. | :47:28. | |
certain songs that we wanted to play. And we did it for him. There | :47:29. | :47:34. | |
is a song on the album called Gerry's Real. It has a lot of Irish | :47:35. | :47:41. | |
rhythm. Is that how you put it together? It kind of has his | :47:42. | :47:48. | |
personality but you react in different ways to loss. One of our | :47:49. | :47:52. | |
big reactions was defiance, in a certain way. You know, rather than | :47:53. | :47:59. | |
being melancholy, the record obviously has had a huge impact on | :48:00. | :48:03. | |
the songs that we have written. The record on the whole is really life | :48:04. | :48:06. | |
affirming actually. In the face of the loss of... Grab it while you | :48:07. | :48:15. | |
can, kind of thing. Gerry's Real does have that. The new album White | :48:16. | :48:25. | |
Light is out now and the Corrs will be performing at the end of the | :48:26. | :48:27. | |
show. Now, as we have | :48:28. | :48:30. | |
a world famous family right in front of us let's meet family number two | :48:31. | :48:32. | |
on The One Show Advent Calendar. The calendar will be made up of | :48:33. | :48:35. | |
One Show viewers, expecting an Andrea, please can you introduce | :48:36. | :48:38. | |
who's behind door number two? Joshua's proud parents, | :48:39. | :48:45. | |
James and Suzanne from Nottingham, say he is the best early Christmas | :48:46. | :48:52. | |
present ever because he wasn't due He's one week old today | :48:53. | :48:56. | |
and is still in an incubator Despite being nine weeks premature, | :48:57. | :49:03. | |
James and Suzanne say he is doing Although he may not be home | :49:04. | :49:08. | |
in time for Christmas, it will still be a very special time | :49:09. | :49:11. | |
for all the family. So a very happy One Show Christmas | :49:12. | :49:17. | |
to the Hayden-Harle family! If you've got a reason why Christmas | :49:18. | :49:20. | |
is going to be particularly special email us at the usual address | :49:21. | :49:23. | |
and you could make up this year's Are you going to get some | :49:24. | :49:33. | |
roller-skates for Christmas after seeing what's going on outside? They | :49:34. | :49:41. | |
are still battling out there in the roller derby, it is a full contact | :49:42. | :49:46. | |
sport which is growing rapidly. Surely the carnage is now coming to | :49:47. | :49:54. | |
an end. Come on over, girls, let's find out the final score. North | :49:55. | :49:59. | |
Cheshire Victory Rollers 78, the Bet Lynch Mob 95. Well done! Tell me why | :50:00. | :50:08. | |
you love playing this sport. It is empowering for women to play an | :50:09. | :50:11. | |
aggressive game and you can take your kids along. It's really | :50:12. | :50:16. | |
inclusive and you have people of different ages and sporting | :50:17. | :50:20. | |
abilities and it's really good fun. It's not just for women but men as | :50:21. | :50:25. | |
well. Men are starting to get in on the action but women are still | :50:26. | :50:30. | |
dominating the sport. We hope we have inspired you and if you would | :50:31. | :50:37. | |
like to find out there is a documentary currently on BBC iPlayer | :50:38. | :50:40. | |
and tell the 19th of December. Well done everybody and thanks for being | :50:41. | :50:46. | |
here! That is brilliant. There you are, next time they get together I | :50:47. | :50:47. | |
will be there! Earlier we met Romanian-born Daniel | :50:48. | :50:49. | |
and Kenyan born Arden who both work in the UK and send their hard-earned | :50:50. | :50:52. | |
money back to their home countries From north London to the teeming | :50:53. | :51:05. | |
City of Nairobi in Kenya. And to a tiny village in northern Romania. We | :51:06. | :51:09. | |
are following remittance payments from sender to receiver. London | :51:10. | :51:18. | |
office worker Arden has sent ?320 to his brother in Kenya, it is to pay | :51:19. | :51:23. | |
his university tuition fees three times a year. And Romanian handyman | :51:24. | :51:29. | |
Daniel has sent a regular monthly transfer to his sister from London | :51:30. | :51:33. | |
to a small grocery store near her home. TRANSLATION: To be honest it | :51:34. | :51:40. | |
breaks my heart because I know my brother works hard for this money | :51:41. | :51:44. | |
but I really need the money because I have three kids, two are in | :51:45. | :51:47. | |
school. It's important. Ibrahimovic is in the busy district of Eastleigh | :51:48. | :51:55. | |
in Nairobi, the $500 sent from London is a lot of money so security | :51:56. | :52:02. | |
measures have to be put in place. If you put it in your wallet the money | :52:03. | :52:07. | |
will be detected by gangs and you could be robbed. Any time I pick up | :52:08. | :52:10. | |
money, this is what I do. I just keep watching for any suspicious | :52:11. | :52:17. | |
person, they could come from any side. I just act as though I'm not | :52:18. | :52:23. | |
carrying anything. An estimated ?900 million was sent to Kenya in | :52:24. | :52:27. | |
remittances, 30% from the UK. These transfers are crucial to people's | :52:28. | :52:33. | |
livelihoods here and across the continent. Millions of pounds was | :52:34. | :52:38. | |
transferred to sub Saharan Africa, millions more -- 20% more than | :52:39. | :52:50. | |
overseas aid. It keeps him in school. There is a lot of investment | :52:51. | :52:55. | |
to start businesses and it will help people to be independent in the | :52:56. | :52:59. | |
future. Back in Rome any of the first thing Karina does with the | :53:00. | :53:03. | |
money that Daniel sent from the UK is to make sure there is enough food | :53:04. | :53:09. | |
on the table to feed her family. Food prices in remain your are not | :53:10. | :53:14. | |
much cheaper than the UK so spending ?30 today will not last very long. I | :53:15. | :53:20. | |
bought meat, chicken livers, cereal for the children. It should last | :53:21. | :53:27. | |
three days. Food is the first priority but Karina spends the | :53:28. | :53:30. | |
majority of the money builders merchant. Today she is buying three | :53:31. | :53:41. | |
bags of cement. And this is why. Seven years ago Karina and her | :53:42. | :53:45. | |
husband started building their own home bit by bit with the cash sent | :53:46. | :53:53. | |
from the UK. We are very poor. For us, a house is something wholly. | :53:54. | :53:57. | |
It's not just Karina that shares that view, everywhere you look in | :53:58. | :54:01. | |
this small village there are houses being built with cash sent from | :54:02. | :54:08. | |
abroad. Everyone invests in houses. They all build their houses | :54:09. | :54:12. | |
according to their budget, some people build big houses and some | :54:13. | :54:19. | |
smaller, some are just one room. At Kenya university it is Ibrahimovic | :54:20. | :54:22. | |
's' final year of his business IT degree. -- Ibrahim's final year. As | :54:23. | :54:35. | |
a fee-paying student he thinks his brother paying his these is giving | :54:36. | :54:40. | |
him the best start. It is better to concentrate on your studies and | :54:41. | :54:45. | |
after you finish you can concentrate on getting a job and I am very lucky | :54:46. | :54:52. | |
because I'm getting this education. I can at least make a difference in | :54:53. | :54:59. | |
Kenya. While remittance payments are creating great opportunities the | :55:00. | :55:02. | |
other side of the tale is the heartache which comes with not | :55:03. | :55:05. | |
seeing loved ones for years or decades. We showed Karina and her | :55:06. | :55:10. | |
family footage of Daniel in London and they broke down. They have not | :55:11. | :55:15. | |
seen him for seven years. We get money and can afford a better life | :55:16. | :55:19. | |
but the negative side is the fact that there are many families that | :55:20. | :55:23. | |
break-up, children are abandoned by their parents. Now we see them as | :55:24. | :55:33. | |
desperate people trying to make a future for their children. A big | :55:34. | :55:41. | |
thank you to Daniel and Arden is gave families for letting us follow | :55:42. | :55:45. | |
their stories. That's nearly it. Good luck the quarterfinals. | :55:46. | :55:58. | |
Strictly is on on Saturday. Tomorrow we will have Josh Grogan and | :55:59. | :56:00. | |
Florence and the Machine. But now from their new album | :56:01. | :56:02. | |
White Light - here are the Corrs Let's hope we've always summer | :56:03. | :56:06. | |
Yeah bring on the night, I don't care | :56:07. | :57:35. | |
Turn on the dark, I'm not scared Spirit money to a flame | :57:36. | :57:40. | |
Ask that I'll see you again (that Yeah bring on the night, I don't | :57:41. | :57:55. | |
Wherever it is you left me behind I'll follow you down the path of my | :57:56. | :58:03. | |
Yeah bring on the night, I don't care | :58:04. | :58:51. | |
Wherever it is you left me behind I'll follow you down the path of my | :58:52. | :59:05. |