Browse content similar to 03/02/2016. Check below for episodes and series from the same categories and more!
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SCREAMING Welcome to aville, very loud One | :00:23. | :00:29. | |
Show with Matt Baker... Yes, unbelievable all these people out | :00:30. | :00:33. | |
for us tonight. No, no. The One Show, riding high! I'm not sure | :00:34. | :00:40. | |
they're here for us. Eh! They are here because Shawn Mendes... Shawn | :00:41. | :00:45. | |
Mendes will be performing his number one single, Stitches, before the end | :00:46. | :00:48. | |
of the show. First time on British telly. He will be here shortly. | :00:49. | :00:53. | |
Don't worry. There is a lot more to scream about on tonight's programme. | :00:54. | :00:56. | |
Giving us Goosebumps this evening are four stars of the new children's | :00:57. | :01:01. | |
horror film. It's released on Friday. No, don't open it. | :01:02. | :01:12. | |
You have released every monster I've ever created. Go on without me. Save | :01:13. | :01:21. | |
yourself. OK, good luck. We've seen it. It's good. It's Jack Black, | :01:22. | :01:31. | |
Odeya Rush, Dylan Minnette and Ryan Lee. Good to see you. Nice to have | :01:32. | :01:36. | |
you with us. Good to be here. We have seen the film. We loved. It we | :01:37. | :01:40. | |
will talk about it. You are with us for the next hour, aren't you? Yes. | :01:41. | :01:45. | |
It's amazing you can hear people screaming outside. Are you used to | :01:46. | :01:49. | |
that! They are right there. I didn't realise. It's single glazing here, | :01:50. | :01:54. | |
Jack. They can't believe the guest list tonight and all the stuff we | :01:55. | :01:58. | |
will get through. # Oh, oh... # | :01:59. | :02:03. | |
Where will we start At the beginning, my first memory... ! It | :02:04. | :02:10. | |
was in the womb. That's impressive. A good one that. We try to bend the | :02:11. | :02:14. | |
show as best we can. We are starting with ambulances. That is perfect. | :02:15. | :02:17. | |
Cool. Every time an ambulance takes a patient to hospital it costs the | :02:18. | :02:23. | |
NHS around ?150. With an average of over 23,000 call-outs a day, that of | :02:24. | :02:26. | |
course is a lot of money. But there is a GP in Sussex who thinks that he | :02:27. | :02:31. | |
has come with the answer. He's bought his own ambulance and Lucy's | :02:32. | :02:38. | |
been to meet him. It looks like an ambulance. But this is an ambulance | :02:39. | :02:42. | |
with a difference. Instead of rushing patients to the A, this | :02:43. | :02:47. | |
ambulance is all about keeping people out of hospital. It belongs | :02:48. | :02:54. | |
to Sussex GP, Dr Jim Oliver. He bought it to ease the pressure on | :02:55. | :03:00. | |
his hospital. It's not for 999 calls but other types much urgent and | :03:01. | :03:05. | |
clinical care. It cost him and his partners at the practice ?1 ?15,000. | :03:06. | :03:12. | |
Why did you come up with the idea? We are in a rural position. 15 miles | :03:13. | :03:17. | |
from any A We had had a couple of instances where we had to wait for | :03:18. | :03:22. | |
long ambulance times. It got us thinking we should do something | :03:23. | :03:25. | |
about it. A lot of patients don't need to go to casualty. We have the | :03:26. | :03:29. | |
facilities here, you don't need to go to hospital. Local businessman, | :03:30. | :03:35. | |
Peter Oates helps out with the funding and driving. I joined him on | :03:36. | :03:38. | |
his first patient pick-up of the day. Why have an ambulance? You | :03:39. | :03:42. | |
could send them in a car? You could send them in a car. We are sending | :03:43. | :03:48. | |
out a proper robust clinical environment out to the patient you | :03:49. | :03:52. | |
wouldn't have that equipment in the back of a car. There is a lot riding | :03:53. | :03:58. | |
on its success. We would like to prove over a period of six to 12 | :03:59. | :04:03. | |
months it's a viable project and we managed to keep enough patients out | :04:04. | :04:08. | |
of hospital and then maybe we can attract some funding to make sure we | :04:09. | :04:12. | |
keep the service going. Ready and waiting at a local care home is | :04:13. | :04:16. | |
88-year-old Jeffrey Williams. He needs minor surgery to remove a skin | :04:17. | :04:23. | |
tag and with him is his care assistant. If this ambulance wasn't | :04:24. | :04:26. | |
available today how would Jeffrey have got to the surgery? I would | :04:27. | :04:31. | |
have taken him down in my car. They are not very mobile you have to help | :04:32. | :04:37. | |
them in. Get the wheelchairs in, the zimmers in. Something like this is a | :04:38. | :04:42. | |
good idea. Jeffrey, is it nice to know that the surgery has this | :04:43. | :04:48. | |
facility? Yes. It would be helpful certainly if I had anything more | :04:49. | :04:52. | |
serious. Whether it is cost effective for the surgery I wouldn't | :04:53. | :04:56. | |
like to say. Do you think this is a mechanism that releaves pressure on | :04:57. | :05:00. | |
hospital beds? I think so. Yeah. If they go into the surgery and have | :05:01. | :05:06. | |
little operations like Jeff has to have it saves blocking beds. It's a | :05:07. | :05:13. | |
good idea. In the past year a record 1.59 million hospital days in | :05:14. | :05:16. | |
England were lost to bed-blocking. Caused by delays in getting patients | :05:17. | :05:21. | |
who were well enough to leave out of those valuable NHS beds. It's a | :05:22. | :05:27. | |
problem Dr Jim believes GP ambulances like his can help solve. | :05:28. | :05:30. | |
If you look at the money that's saved, it's actually a no brainer. | :05:31. | :05:37. | |
If you think about Jeffrey, that process and aftercare would come to | :05:38. | :05:40. | |
less than ?80. How much would it have been in a hospital? If you have | :05:41. | :05:44. | |
to take someone like Jeffrey to hospital you have probably got at | :05:45. | :05:49. | |
least two hospital visits. Each will be a minimum of ?300. You have | :05:50. | :05:56. | |
surgical procedure, which would be near another ?800 to ?1,000. A | :05:57. | :06:00. | |
couple thousand of pounds to sort someone out which we did for a small | :06:01. | :06:06. | |
sum of money. The surgery has two ambulances and today the second one | :06:07. | :06:10. | |
is helping ferry people living with dementia to a weekly meeting at a | :06:11. | :06:16. | |
local pub. Peter Caulder runs the group. What difference does the | :06:17. | :06:21. | |
Ambulance Service provided by the Medical Centre make to you and this | :06:22. | :06:26. | |
group here? It makes an immense difference. Without the service the | :06:27. | :06:31. | |
people you see around us today a lot of them would not be able to attend | :06:32. | :06:38. | |
them live in rural areas because of their medical conditions they have | :06:39. | :06:41. | |
had driving licences withdrawn. Bus services don't exist in rural areas | :06:42. | :06:44. | |
any more. I live three-and-a-half miles away. To get a taxi to and | :06:45. | :06:49. | |
from this venue would be ?17. If you are a pensioner, it's not | :06:50. | :06:52. | |
affordable. The Ambulance Service gives them the ability to get out | :06:53. | :06:57. | |
and about and enjoy life again. Did you think - what am I doing | :06:58. | :07:00. | |
purchasing an ambulance, is this a good idea? No. I was so excited. | :07:01. | :07:05. | |
Every time I see one, I want another one. Maybe we can roll it out to | :07:06. | :07:09. | |
others if there is other budding physicians out there who want to buy | :07:10. | :07:13. | |
an ambulance. It's about trying to change something and make a | :07:14. | :07:17. | |
difference. Introducing new services at a time when everyone talks about | :07:18. | :07:22. | |
cuts to the NHS might seem counter intuitive, but certainly the medical | :07:23. | :07:27. | |
centre here are pretty confident that this represents value-for-money | :07:28. | :07:29. | |
and puts the patient in the driving seat. Thank you so much. Hopefully | :07:30. | :07:37. | |
it won't be long until Jim has a fleet of them Exactly. Could have | :07:38. | :07:42. | |
started something. Inspire other GP surgeries to do do the same. Peter | :07:43. | :07:48. | |
from Lancashire said you should call that Heals on Wheels. Good | :07:49. | :07:52. | |
suggestion. Goosebumps, a lot of people may know the series of books, | :07:53. | :07:58. | |
children's horror written by RL Stine, who you play, Jack. That's | :07:59. | :08:02. | |
right. The trailer has been out in movie cinemas for a while. What can | :08:03. | :08:06. | |
we all expect? Who wants to start? I will start. It's about the author of | :08:07. | :08:11. | |
the Goosebumps series and all of his monsters that he ever created escape | :08:12. | :08:17. | |
from the books and the whole movie is basically them trying to | :08:18. | :08:21. | |
recapture the beasts and put them back in the books. Is that you with | :08:22. | :08:29. | |
RL Stine Yes. It's a sweet guy. He looks mean in that photo. He is | :08:30. | :08:36. | |
quite funny. Had you met with him before you started - I met with him, | :08:37. | :08:40. | |
I wanted to get his blessing. He loved the script heaven has a great | :08:41. | :08:44. | |
sense of humour. That is good. I play an evil version of him. He's | :08:45. | :08:50. | |
not really evil, he's's just misunderstood. He is a little | :08:51. | :08:56. | |
prickly. To say the least, Jack. It's a brilliant premise for a | :08:57. | :08:59. | |
children's horror. All the characters come to life. Let's have | :09:00. | :09:00. | |
a look. Come on, come on! Go! Come on, come | :09:01. | :09:36. | |
on, come on! Ha! Let's see him get through that. | :09:37. | :09:46. | |
APPLAUSE The thing is, right, picture the scene. We were in the | :09:47. | :09:51. | |
cinema, Matt and I on our own in a screening. Matt has his coat up | :09:52. | :09:55. | |
here, you were frightened in some parts. Not a fan of horror. Jumpy. | :09:56. | :10:01. | |
Do you think it's too scary for young kids, have your kids seen it? | :10:02. | :10:07. | |
My boys loved it. My boys love monsters, part of the reason I made | :10:08. | :10:12. | |
it, I wanted a movie scary to thrill, but not enough to give a | :10:13. | :10:17. | |
nightmare. A good balance. He didn't want us to traumatise the kids. That | :10:18. | :10:21. | |
is his audience. He has a kid audience. With the monsters coming | :10:22. | :10:25. | |
from the imagination and computers and what have you after the acting | :10:26. | :10:31. | |
happened. When you saw the premier were you happy with your reactions | :10:32. | :10:36. | |
or did you think - I overreacted or not enough, what did you think? A | :10:37. | :10:42. | |
mix of both. Sometimes it's, man, I didn't think they would be this | :10:43. | :10:45. | |
large, I would have been a lot more scared than I was. The preying | :10:46. | :10:54. | |
mantas, you don't think - I wouldn't have survived, probably. You are | :10:55. | :10:59. | |
heroic when your' not irska of anything. Who was the biggest fan of | :11:00. | :11:06. | |
the Goosebumps franchise? It was me. I read almost all the books when I | :11:07. | :11:11. | |
was growing up. It was a a really big part of my childhood. What a | :11:12. | :11:15. | |
moment when you got the call to play the character that you were? So | :11:16. | :11:20. | |
exciting. It's still surreal. It's been a while since I've seen the | :11:21. | :11:24. | |
movie, being here doing this is reminding me of it all over again. | :11:25. | :11:31. | |
It's crazy. You are a fan of Slappy. There is the Abominabl Snowman, but | :11:32. | :11:35. | |
Slappy is your favourite, Jack, is that right He is the ringleader of | :11:36. | :11:39. | |
all the monsters in Goosebumps. The most creepy. The smallest, but the | :11:40. | :11:46. | |
most dangerous. He's pure evil. He is a dummy. We have a picture of | :11:47. | :11:52. | |
your son dressed as Slappy. Oh, that's my boy. Tommy. That was his | :11:53. | :11:57. | |
idea much he wanted to be Slappy. He is obsessed with him. Yeah, it was | :11:58. | :12:02. | |
like a Hallowe'en-theme premier. Everyone got in costumes. That's a | :12:03. | :12:08. | |
great stare. He's pretty intense. Ryan, is it right that you were | :12:09. | :12:17. | |
discovered by JJAbrams? Yeah. What is the story. I was in Texas | :12:18. | :12:25. | |
auditioning. It ended up being a JJ Abrams movie. I had no idea. He | :12:26. | :12:29. | |
called me out to LA. I was like - yeah, sure, I will come out. I got | :12:30. | :12:34. | |
the part. It's pretty surreal. For sure. Trying to keep it Hoping for a | :12:35. | :12:39. | |
up. Part in the next Star Wars. Exactly. He hasn't called me yet. | :12:40. | :12:44. | |
Early days. It'll come. At least you know he has your number. May get a | :12:45. | :12:48. | |
couple more. This is the first time that many people will have seen you | :12:49. | :12:53. | |
on the big screen. What was it like on set. It must have been weird | :12:54. | :12:56. | |
having lunch with all these people dressed as different characters? | :12:57. | :13:00. | |
Yeah, it was like the opening scene of Mean Girls where they have the | :13:01. | :13:04. | |
different lunch tables and you describe. People hung out with their | :13:05. | :13:10. | |
yliches, the ghouls would sit together. We would sit together. You | :13:11. | :13:14. | |
related with the people that you were dressed up as. We didn't mean | :13:15. | :13:20. | |
for it to happen. It's just the way it was. The ghouls were very | :13:21. | :13:29. | |
clicque. The aliens were all in one pact. Take a cushion. Or a big coat | :13:30. | :13:37. | |
like Matt. Jack you did an advert for a video game. See what you | :13:38. | :13:40. | |
remember about this. We've got it. Is I remember it like it was | :13:41. | :13:44. | |
yesterday. Just last night I was lost in the jungle, surrounded by | :13:45. | :13:48. | |
giant scorpians and man-eating crocodiles. Wow! | :13:49. | :13:55. | |
APPLAUSE You always remember your first gig. I can't remember any | :13:56. | :13:59. | |
lines from School of Rock I remember that whole commercial. Just last | :14:00. | :14:05. | |
night I was losted in the jungle... You haven't changed a bit! Thank | :14:06. | :14:11. | |
you. It wasn't so much man-eating crocodiles that our next video game | :14:12. | :14:15. | |
enthusiasts had to worry about. It was online hack hackers in the | :14:16. | :14:23. | |
virtual world of football. Here is one of Norwich City's biggest fans | :14:24. | :14:24. | |
to tell us more. It is the biggest video game series | :14:25. | :14:36. | |
of all time, the Fifa series has netted EA Bought billions of pounds | :14:37. | :14:41. | |
with the latest release already selling 2.5 million copies, but | :14:42. | :14:45. | |
trouble could be brewing from the virtual terraces. Part of the game, | :14:46. | :14:50. | |
a profitable part, lies in the in game options, allowing gamers to | :14:51. | :14:55. | |
purchase online content, but now it seems cyber thieves making these | :14:56. | :15:00. | |
expensive extras their goal. They are stealing star players from | :15:01. | :15:05. | |
people who have spent good money building their dream teams. The | :15:06. | :15:09. | |
online packs give you the chance of having the likes of Rooney, Ronaldo, | :15:10. | :15:15. | |
Messi, even where's Hoolahan in your team, but costing as much as ?80 per | :15:16. | :15:20. | |
pack, they are certainly not cheap, and there is no guarantee you will | :15:21. | :15:25. | |
get a star player. Last year, high-profile Fifa gamers like these | :15:26. | :15:30. | |
were targeted by hackers. I spent a lot of money, around ?2000! And a | :15:31. | :15:39. | |
superstar players in a expensively assembled teams were stolen. In most | :15:40. | :15:47. | |
cases, the company which makes Fifa 16, EA Sports, refund and the | :15:48. | :15:56. | |
YouTube gamers. But some people were not so lucky. Oliver wrote to the | :15:57. | :16:00. | |
One Show to warn us about this type of cyber theft. I got money for | :16:01. | :16:06. | |
Christmas, and I decided to spend it on packs for Fifa, players like Eden | :16:07. | :16:10. | |
Hazard, David Silva. Goodbye is quite a valuable team. Then what | :16:11. | :16:16. | |
happens? I turn on my PlayStation in the morning, the players had gone, | :16:17. | :16:20. | |
they had changed the team name. Someone had taken your players and | :16:21. | :16:28. | |
changed your team name to LOL, they are laughing at you a bit? Yeah. One | :16:29. | :16:34. | |
of the motivations for stealing a sort of the player is to improve | :16:35. | :16:41. | |
your own team, but they can also be sold for real money. -- sought-after | :16:42. | :16:50. | |
players. Players on eBay like Ronaldo can go for ?50 or ?100, | :16:51. | :16:55. | |
people are seizing this opportunity where money is involved. It is like | :16:56. | :17:00. | |
the wild West, where you can just cause chaos, and there is really | :17:01. | :17:05. | |
nothing anyone can do to stop you. The One Show wrote to EA Sports | :17:06. | :17:09. | |
about breaches of in game security and its refusal to refund all other. | :17:10. | :17:14. | |
In a statement, it said that player security is a top priority, adding | :17:15. | :17:18. | |
that they constantly take steps to protect gamers, including updating | :17:19. | :17:23. | |
account safety advice on their website, but are they doing enough? | :17:24. | :17:27. | |
They are doing an incredible amount to stop people from breaching these | :17:28. | :17:31. | |
accounts. The problem with the industry is that if someone wants to | :17:32. | :17:34. | |
get access to your account, they can be a way to do it. So you think you | :17:35. | :17:41. | |
are that vulnerable? If they'd know your address, your e-mail account, | :17:42. | :17:44. | |
online banking, if someone wants to get access to it, they will find a | :17:45. | :17:53. | |
way, gaming is no different. In Oliver's case, his team had been | :17:54. | :17:56. | |
stolen by a game he knew in the real world. After we got in touch, EA had | :17:57. | :18:02. | |
a change of heart and refund at him. But it has left Oliver nervous about | :18:03. | :18:08. | |
starting again. Will you put so much money in next time? Not so much, I | :18:09. | :18:13. | |
will be more careful. What gets me is the different added Judith that | :18:14. | :18:17. | |
people have to theft online. You would not steal cash out of your | :18:18. | :18:21. | |
friend's pocket, but in the virtual world it seems the rules of the | :18:22. | :18:28. | |
beautiful game there to broken. I thought he was going to kick the | :18:29. | :18:32. | |
ball at the end! That would have been nice to watch. You are the | :18:33. | :18:39. | |
perfect game for this item, because your sons have been wrapped up in | :18:40. | :18:48. | |
this. Yeah, they have discovered the in-app purchases, I gave them the | :18:49. | :18:52. | |
mistake of giving them the password, I can see what is being bought on my | :18:53. | :19:03. | |
phone. Go on, how much? Over $1000. Yeah, I was shocked, horrified, I | :19:04. | :19:07. | |
went home and had to explain what money is. It is not just, you know, | :19:08. | :19:12. | |
video game jewels that he is purchasing. I actually sent a letter | :19:13. | :19:20. | |
to retrieve some of my money back, I got some money back, so I feel OK | :19:21. | :19:25. | |
about it. But I am not a fan of in-app purchases, I feel like an old | :19:26. | :19:29. | |
man, but I remember a time when you bought a game and it was bought! Now | :19:30. | :19:34. | |
you have to keep on buying it! I am with you, he does not get in-app | :19:35. | :19:44. | |
purchases. Have you got a handy analogy? Funny you should say that, | :19:45. | :19:48. | |
I have! If you think about the football game, in the 80s and 1990s, | :19:49. | :19:52. | |
you may have collected stickers, you would want a particular sticker, so | :19:53. | :19:58. | |
you would keep going to the newsagent and buying packs of | :19:59. | :20:01. | |
stickers. You would hope the players would be an appliance, but if not, | :20:02. | :20:05. | |
you would keep buying them. Fifa is still the if you want a better team, | :20:06. | :20:14. | |
you buy packs of random players for ?10 a time. If you do not get the | :20:15. | :20:19. | |
one you want, you keep buying in-app. There is no guarantee you'll | :20:20. | :20:26. | |
get the players. So someone leaving, stealing something really valuable | :20:27. | :20:30. | |
if you have spent a lot of money on this, that is the idea? There is | :20:31. | :20:34. | |
real wealth, you are spending real money, then his real value to these | :20:35. | :20:38. | |
players, and if someone steals that from you, as we saw in the film, you | :20:39. | :20:42. | |
have lost everything you invested. -- there is. You have some | :20:43. | :20:50. | |
extraordinary statistics. For the first time last day, the ONS | :20:51. | :20:54. | |
included online fraud and cyber crime in the crime figures for | :20:55. | :20:58. | |
England and Wales. As a result, the figures more than doubled, they went | :20:59. | :21:04. | |
up by 107%, which is staggering. To give you an idea, we look at online | :21:05. | :21:10. | |
fraud, there were an estimated 5.1 incidents of online fraud, using a | :21:11. | :21:16. | |
stolen and 2.5 cyber crimes, things like hacking, and on average one in | :21:17. | :21:28. | |
22 of us were victims of cybercrime. Everything you say turns into a | :21:29. | :21:40. | |
video game! Do you class yourself as gamers? I am not very good. My | :21:41. | :21:49. | |
brothers, I have six brothers, they are obsessed. They are really into | :21:50. | :22:00. | |
Madden. We are more Monopoly! We like title ties game of life! Gets | :22:01. | :22:16. | |
in a moment we will meet five women who we met last year and who have | :22:17. | :22:19. | |
just returned after rowing across the Pacific Ocean. | :22:20. | :22:26. | |
APPLAUSE First we sent Richard Taylor-Jones | :22:27. | :22:32. | |
for his very own watery encounter. Deep in the south-west of England, a | :22:33. | :22:36. | |
remote corner of the countryside is under 24-hour surveillance. Every | :22:37. | :22:44. | |
square inch is covered by an array of infrared camera traps and CCTV | :22:45. | :22:50. | |
cameras. The slightest movement triggers an alarm system back in a | :22:51. | :22:55. | |
nearby house, where TV screens broadcast any activity that passes | :22:56. | :23:01. | |
the lens. However, this is not a countryside crime story. In fact, | :23:02. | :23:04. | |
this elaborate setup is designed to record the secret life of. River | :23:05. | :23:16. | |
otters are mostly nocturnal and very shy, but the lives of the animals | :23:17. | :23:20. | |
here have been filmed in amazing detail. It is all thanks to be hard | :23:21. | :23:26. | |
work of a local vet, Stephen. I can see from what I am watching here, | :23:27. | :23:30. | |
you have put an incredible amount of work into this, but what is it that | :23:31. | :23:35. | |
got you started? I have always had an interest in wildlife photography | :23:36. | :23:41. | |
and wildlife in general, and I saw some otter sprained by the river. | :23:42. | :23:50. | |
Otters mark their territory with droppings known as spraint. The | :23:51. | :23:56. | |
resident otters have grown to trust Stephen completely. I go to the | :23:57. | :24:02. | |
river every morning, so they have become acclimatised, so what we have | :24:03. | :24:06. | |
now is sensors on the river, and if they go through one, the alarm goes | :24:07. | :24:14. | |
off, I dropped everything and go. Over the last few years, Stephen has | :24:15. | :24:18. | |
got to know the resident female otter particularly well. He often | :24:19. | :24:22. | |
sees her hunting for trout in the fast-growing water. She has been | :24:23. | :24:30. | |
christened Hammerscar because of the scar on her nose. Last year she | :24:31. | :24:40. | |
trusted him another two show him her cubs. -- trusted him enough to. But | :24:41. | :24:55. | |
will she show me? White glowing eyes, otters! We have just seen the | :24:56. | :25:02. | |
otter on the TV screen, and that means we have just got a few minutes | :25:03. | :25:05. | |
to get down to the river before it disappears. I cannot quite believe | :25:06. | :25:16. | |
this is going to happen. Oh, the anticipation is too much. Come on, | :25:17. | :25:23. | |
otter! Fortunately, we are only left waiting for a few minutes. There she | :25:24. | :25:27. | |
is, right in front of us, my goodness, she is out on the bank. We | :25:28. | :25:32. | |
have to be quiet now. Do you think this is Hammerscar? I would put | :25:33. | :25:37. | |
money on it, because she is so relaxed. | :25:38. | :25:43. | |
Oh, Stephen, to see an otter hunting like that with us here, she is so | :25:44. | :26:00. | |
relaxed. To be able to share it with other people is just magical. I | :26:01. | :26:07. | |
cannot thank you enough. Lovely! A big thank you to Richard, | :26:08. | :26:12. | |
how lovely that we all got to witness that. Back in April, we were | :26:13. | :26:16. | |
joined by a team of women who were about to set off on the voyage of a | :26:17. | :26:21. | |
lifetime from San Francisco across the Pacific Ocean. | :26:22. | :26:24. | |
We have been following their progress the whole way, and two days | :26:25. | :26:28. | |
ago they finally crossed the finishing line in northern | :26:29. | :26:30. | |
Queensland. They did all of this in a rowing | :26:31. | :26:35. | |
boat, would you believe? They have flown all the way from Australia, | :26:36. | :26:39. | |
they landed last night, so let's give a very warm welcome to the | :26:40. | :26:48. | |
team! Where do you start with the congratulations?! First of all, we | :26:49. | :26:52. | |
both so pleased that you are back in one piece, because when you told us | :26:53. | :26:57. | |
what you were about to do, we could not believe it. Jack, 257 days these | :26:58. | :27:04. | |
ladies spent on a rowing boat out on the Pacific. Unfathomable! How is it | :27:05. | :27:11. | |
to be back on dry land? Started off a bit wobbly, but it is good now, we | :27:12. | :27:15. | |
are a bit more stable. It is great to be back, see family and friends. | :27:16. | :27:21. | |
Apart from coming into London with rush-hour traffic. The life that you | :27:22. | :27:29. | |
have had for the past 200 or so days, just bobbing around in | :27:30. | :27:33. | |
complete silence, with wildlife as well, the most remarkable wildlife | :27:34. | :27:37. | |
experience, who wants to talk about that? It was incredible, we had | :27:38. | :27:41. | |
Wales breaching meters from the boat, we had a whale circle as four | :27:42. | :27:50. | |
hours, and we got sprayed by their blowhole. We talked about Ben Ando | :27:51. | :27:59. | |
the shark... We did! We met Eduardo, he was bigger and better. Scary! I | :28:00. | :28:06. | |
think we have a photo of Eduardo here, I am interested who was taking | :28:07. | :28:10. | |
the shot, because it is quite incredible, how did you get that? | :28:11. | :28:17. | |
That was me about to hit him with the oar. Did you feel like he was | :28:18. | :28:27. | |
circling for food? No comity was our friend. He came to visit us. When | :28:28. | :28:41. | |
you are back on the piazza in April, you brought the rowing boat, Doris, | :28:42. | :28:47. | |
really pretty, but tiny. I got on board, I went into where the four of | :28:48. | :28:52. | |
you would sometimes be together, how was it living in such close quarters | :28:53. | :28:58. | |
to each other? Pretty cosy! We got to know each other pretty well. | :28:59. | :29:02. | |
Really sweaty, especially when there are really big waves outside and we | :29:03. | :29:06. | |
had to keep all the hatches close, it was like being in a sauna, kind | :29:07. | :29:13. | |
of squashed together. If you needed a bit of quiet time, how did you | :29:14. | :29:18. | |
cope with that, get through the day? We did have a second cab in which we | :29:19. | :29:22. | |
sometimes used at night, but Turing the day it was too hot. Our time-out | :29:23. | :29:30. | |
was when we were on the oars, that was your headspace to get away from | :29:31. | :29:36. | |
it all. Were you able to get e-mail? We had a satellite phone on the | :29:37. | :29:42. | |
boat, and we were able to send e-mails, and we got lots of support, | :29:43. | :29:47. | |
not just from family, but people who have been following our journey, | :29:48. | :29:50. | |
which is really great. It was always a good time of day when we turned it | :29:51. | :29:55. | |
on. Because of the currents and the way the ocean works, at times you | :29:56. | :30:00. | |
must have been going backwards, what was the hardest bit? I think that | :30:01. | :30:05. | |
was the hardest. Was it the doldrums, where we spoke to you? | :30:06. | :30:11. | |
That was pretty tough. It was an incredible journey, Jack, you will | :30:12. | :30:15. | |
love this, we have got your best bits here. The highlights? | :30:16. | :30:29. | |
The main reason to test myself. Life is too short. You have to live it. | :30:30. | :30:36. | |
That's why we're doing what we're doing. . It military 154 days to go. | :30:37. | :30:42. | |
We haven't seen the sun shine for about a If anything that week. Makes | :30:43. | :30:48. | |
mess upset it's always about my family and - what am I putting them | :30:49. | :30:54. | |
through? He's huge. If something was to happen I know that I've had no | :30:55. | :31:00. | |
regrets in my life whatsoever. APPLAUSE I've goosebumps from | :31:01. | :31:08. | |
watching that. You made it back. We know you finished, but you haven't | :31:09. | :31:14. | |
it verified you did actually manage to break two world records. We can | :31:15. | :31:21. | |
confirm this now can't we. Oh! Yes, you have. You are officially the | :31:22. | :31:28. | |
first team to row the Pacific and the first all female team to row the | :31:29. | :31:36. | |
Pacific East to West. Get in! Congratulations. I'm more than proud | :31:37. | :31:41. | |
to be in team colours as well. Very good. Although we crossed our | :31:42. | :31:47. | |
literal Pacific everyone has their own Pacific to cross. Everybody | :31:48. | :31:51. | |
faces challenges. We are doing it for the women supported by our | :31:52. | :31:55. | |
charity. We are still fundraising and donating. If people could follow | :31:56. | :31:59. | |
us and help us that would be amazing. Yeah. I'm sure you have | :32:00. | :32:02. | |
inspierpd the whole country, to be fair. Lovely to see you. Keep in | :32:03. | :32:08. | |
touch with us. Thank you. Jack, you said your career really took off | :32:09. | :32:11. | |
when you combined music and acting. Yeah. Before we talk about - It all | :32:12. | :32:18. | |
sounds so small now I'm sitting next to these heroes. We will move them | :32:19. | :32:22. | |
out of the way. Rowed the Pacific. Anyway, back to me. Why yes, where | :32:23. | :32:28. | |
we were. Let us remind ourselves of those moments when music and acting | :32:29. | :32:33. | |
were combined beautifully. Your highlights Oh, my highlights now. . | :32:34. | :32:35. | |
Military # The show was must go on. ... ... | :32:36. | :32:52. | |
Ah - yeah # There's... There's... | :32:53. | :33:00. | |
# APPLAUSE | :33:01. | :33:07. | |
High pressure -- | :33:08. | :33:18. | |
APPLAUSE Tenacious D is in some people's you | :33:19. | :33:22. | |
view, hugely popular, in some people's view a take on rock songs a | :33:23. | :33:28. | |
comedy take. You take it incredibly seriously don't you? It's a combo. | :33:29. | :33:32. | |
Making fun of it and loving it at the same time. It's confusing | :33:33. | :33:34. | |
really, when you think about it. What the hell are we doing? | :33:35. | :33:38. | |
Tenacious D is still a big part of my life. We are,ing on a new album. | :33:39. | :33:43. | |
We have a little animated series we are developing. We do a comedy music | :33:44. | :33:52. | |
festival every year in LA called Festival Supreme. You just make me | :33:53. | :33:58. | |
laugh. What else should I say? That is perfect. Since you came in here | :33:59. | :34:05. | |
and every opportunity you sing. Music is just so ingrained new? It's | :34:06. | :34:10. | |
true. Do you see yourself more as a musician or an all-round performer. | :34:11. | :34:16. | |
We saw there combining the two? I don't really differentiate. I'm an | :34:17. | :34:19. | |
entertainer. I will sing for you, I will act for you, I will put on a | :34:20. | :34:23. | |
show. I like putting on a show. If it wasn't for music I don't thinked | :34:24. | :34:29. | |
I'd have a film career. If you look at High Fee dill was my first good | :34:30. | :34:34. | |
role role. I had a musical number at the end School of Rock, the combo is | :34:35. | :34:39. | |
there. I'm obsessed with comedy and music combination. It's sort of my | :34:40. | :34:44. | |
calling. When the cameras are away and you want to relax, do you play | :34:45. | :34:48. | |
music to chill out? Yeah. The music never stops. All right. At home and | :34:49. | :34:59. | |
my wife is very musical too. The Haden triplets put out an album they | :35:00. | :35:04. | |
sing old country songs. A musical household. Your late brother who got | :35:05. | :35:08. | |
you into music in the first place and shaped your taste in a way? | :35:09. | :35:12. | |
Yeah. Howard. He took me to my first concert. It was Devo, on the Freedom | :35:13. | :35:19. | |
of Choice Tour for people who remember they did that song Whip It. | :35:20. | :35:29. | |
It was theatrical. It started off with a strange movie with these | :35:30. | :35:33. | |
characters they created. They had the concept with the costumes, the | :35:34. | :35:37. | |
weird pyramid hats. It was inspiring to he m. They were trailblazers in | :35:38. | :35:43. | |
the combination of music and thee at Ricks. You talked a lot about your | :35:44. | :35:46. | |
family tonight. Is this a passion you are passing on to them as well, | :35:47. | :35:51. | |
you and your wife, is it a musical household? Yes, our kids love music. | :35:52. | :35:56. | |
They love to listen to different songs. I play them different things | :35:57. | :36:01. | |
I get in trouble my wife says - why are you playing that. You can't play | :36:02. | :36:10. | |
them Kanye. Yeah. We haven't really gotten them into the lessons yet. I | :36:11. | :36:15. | |
want them to want to - To feel it. They will ask when they are ready, | :36:16. | :36:19. | |
won't they? Exactly. What about Shawn Mendes then, are you a fan? | :36:20. | :36:23. | |
You just have to say the name. That's why they're screaming! I | :36:24. | :36:31. | |
thought it was for me. He's my arch rival. It is both. He will be along | :36:32. | :36:38. | |
shortly. I sing, too! Jack, as a songwriter and a fan of music you | :36:39. | :36:42. | |
will know the importance of ending a son properly. Oh, year. It's not | :36:43. | :36:51. | |
always as easy it sounds. Some hits fade away. Songwriters have been | :36:52. | :36:59. | |
faced with a tricky challenge. I've written the lyric, crafted the | :37:00. | :37:04. | |
melody and a killer hook all the ingredients needed for a | :37:05. | :37:08. | |
chart-topping smash hit. There is only one problem - how to end the | :37:09. | :37:13. | |
song. Military an easy answer to this question arrived with the | :37:14. | :37:17. | |
invention of this little device, the fader. For over 70 years this humble | :37:18. | :37:23. | |
slider has provided artists and engineers with a quick and easy | :37:24. | :37:26. | |
solution to ending a troublesome track. It became such a popular | :37:27. | :37:38. | |
technique that in 1987 nine of the top ten tracks ended in a fade. Last | :37:39. | :37:42. | |
year there wasn't one. Why has the Al Fayeded away? Steve, many people | :37:43. | :37:52. | |
der ride the fadeout as a copout? You have to look back to the | :37:53. | :37:55. | |
original recording technology available. 78 had two to three | :37:56. | :37:59. | |
minutes maximum. They got to there and they were still playing there | :38:00. | :38:04. | |
was nothing - They were mid bar. Yeah. Towards the end of the 60s | :38:05. | :38:09. | |
many artists are getting creative with the way they record in the | :38:10. | :38:16. | |
studioth Beatles, Hey Jude that has a long extended fade. It's worth | :38:17. | :38:21. | |
remembering the fade is nearly half of the record. If we move to Elvis | :38:22. | :38:33. | |
Presley, another great example. Suspicious Minds. It fades and comes | :38:34. | :38:38. | |
back up again. # Don't you know | :38:39. | :38:45. | |
# We're caught in... # The fade has gone completely out of | :38:46. | :38:49. | |
fashion? We don't have time limitations. Technology made the | :38:50. | :38:52. | |
fade essential in the beginning. It's your choice now. Steve has | :38:53. | :38:57. | |
given me an idea. What if the One Show could give a classic fadeout | :38:58. | :39:01. | |
track a brand new ending. What better than the soundtrack to a | :39:02. | :39:08. | |
million breakups, 10CC's - I'm Not in Love. Released in 1975, this | :39:09. | :39:15. | |
smash hit catapulted the band to global stardom. Co-writer Graham | :39:16. | :39:23. | |
Gouldman still plays the song today. The fade is a vital ingredient in | :39:24. | :39:27. | |
the song, isn't it? The feeling is we didn't want it to end. It fades | :39:28. | :39:33. | |
and it's a long fade we gently take you out of this mind-set, you know, | :39:34. | :39:37. | |
a song should take you to another How do you world. Feel about me | :39:38. | :39:40. | |
having a go at writing some endings? I would be interested to see what | :39:41. | :39:43. | |
you've got. I have no other comment to make until I hear it. I have a | :39:44. | :39:49. | |
feeling this isn't going to be easy, but I've got a few musical tricks up | :39:50. | :39:55. | |
my sleeve. Steve has kindly lent me his studio to try them out. Here is | :39:56. | :40:00. | |
my endings. First one, if we take the classic idea of an ending, the | :40:01. | :40:04. | |
cliche is two chords to make a kind of what we call a perfect hadence. | :40:05. | :40:15. | |
It heys horrible! It's too normal, isn't it? How about a kind of jazz | :40:16. | :40:22. | |
ending then Let's see what you've got. Kind of... Yeah. And then. | :40:23. | :40:32. | |
Next! This isn't going to plan. Thankfully, Graham's here to help. | :40:33. | :40:41. | |
I've got a couple of ideas. We could go. And, again. One more time. Then | :40:42. | :40:49. | |
do that end. I really like that. That's nice. You | :40:50. | :41:01. | |
can have that one. Thank you very much. Success at last. In truth, I | :41:02. | :41:07. | |
don't think it's possible to top the original's classic ending. It's true | :41:08. | :41:13. | |
what they say, great pop songs don't die, they just fade away. | :41:14. | :41:21. | |
It's gone. There we are. We will have some live music later on the | :41:22. | :41:28. | |
show when Shawn Mendes will be playing us out. Yes. | :41:29. | :41:35. | |
SCREAMING It must be freezing there. I sound like a grandmother again. We | :41:36. | :41:38. | |
would like to play a game with you now, Jack. If that is OK. The game | :41:39. | :41:40. | |
is called The End Game. We think you are going to like it. | :41:41. | :41:52. | |
We hope you are. All you have to do is identify iconic songs by | :41:53. | :41:55. | |
listening to the end bit of the song. I'm not going to be good at | :41:56. | :42:00. | |
this game. We think you will. Let's get the first one going then. | :42:01. | :42:04. | |
This is the end of the song to reiterate. Clearly, The Doors. | :42:05. | :42:26. | |
Come on guys they are basically, The Doors. It was the keyboards. Press | :42:27. | :42:35. | |
play on the next one. This is the end of the next song. This is | :42:36. | :42:43. | |
obviously Nirvana. Smells Like Teen Spirit. Let us rewind and play some | :42:44. | :42:47. | |
lyrics. There you are. That's it. I'm betting at lip syncing than | :42:48. | :43:01. | |
guessing the ending. Let's do the third one then. | :43:02. | :43:05. | |
It's obviously Led Zepplin. Yeah, big finish. I'm going to say, Moby | :43:06. | :43:23. | |
Dick. Go on. No, then I will get two wrong in a row. I have all the heavy | :43:24. | :43:34. | |
metal heads angry at me. I do a cover of that song too. It's tough | :43:35. | :43:39. | |
listening to the end. This last one one, this is really tough. This is | :43:40. | :43:43. | |
the end of the last song - It's been a long time since I rock-and-rolled | :43:44. | :43:49. | |
that's why I forgot. A horrible joke. I'm making it worse. | :43:50. | :43:56. | |
Oh, well lchlt that's Tenacious D Tribute. Let us rewind and hear you | :43:57. | :44:04. | |
sing it. Oh, what if I got that one wrong! | :44:05. | :44:08. | |
Great record as well. Thank you. Thank goodness you got that one. I | :44:09. | :44:15. | |
know. I never would have lived that down. Are you a fan of the fadeout | :44:16. | :44:22. | |
or do you prefer - I do like the fadeout, floating off softly and | :44:23. | :44:26. | |
gently into infinity. It's a lost art the fadeout much I was thinking | :44:27. | :44:32. | |
while watching that bit I would put a fadeout on the new album. You tend | :44:33. | :44:38. | |
to do ends? Big finish. The show March thing. Shawn did you do a | :44:39. | :44:43. | |
fadeout. Sorry, we are not supposed to talk to you yet. What do you say? | :44:44. | :44:47. | |
Sometimes, yeah. I'll do one for you. It's tough. What is tough is | :44:48. | :44:52. | |
doing a fadeout live when you are playing a show. You have to sing | :44:53. | :44:57. | |
quieter. I have one for you. It must be hard for a band, we are going | :44:58. | :45:03. | |
slow, going slow. Is I tell you what - those ladies are not going to | :45:04. | :45:06. | |
fadeout. They will be screaming as loud as they can until the end of | :45:07. | :45:10. | |
the show. Shawn Mendes is up soon. Jack, as you may or may not know, we | :45:11. | :45:16. | |
try to tailor - It stops the screams as soon as my face comes up. No! | :45:17. | :45:27. | |
SCREAMING Just keep cutting. Those are pity screams. You don't have to | :45:28. | :45:31. | |
scream. What were you saying, your train of thought? We try to tailor | :45:32. | :45:37. | |
the films to whoever is sitting on the green sofa. We have gone from | :45:38. | :45:43. | |
Jack Black to Jet Black. We have gone blacker than that. Have a look. | :45:44. | :45:44. | |
Here is Marty. Inside these laboratory lies a dark | :45:45. | :45:56. | |
secret, something so dark it transforms any surface it touches | :45:57. | :46:07. | |
into an apparent abyss. This is a normal piece of tinfoil with the | :46:08. | :46:12. | |
lumps and bumps you expect, until I turn it around, and they disappear. | :46:13. | :46:16. | |
It is like staring into a black hole. This is Vantablack, the | :46:17. | :46:24. | |
blackest black ever created. It seems to remove all the features of | :46:25. | :46:29. | |
the surface it is on. Let me show you just how black it is. I have | :46:30. | :46:34. | |
gathered together a collection of black objects. Crucially, my super | :46:35. | :46:41. | |
black material here. The thing is, if I shine a beam of light onto each | :46:42. | :46:46. | |
of them, some of the light is reflected back to me, until, that | :46:47. | :46:51. | |
is, I go onto my super black material. The beam of light | :46:52. | :46:58. | |
disappears. The reason why it is so black is because it absorbs | :46:59. | :47:05. | |
virtually all light, 99.965%, to be precise. This achievement is the | :47:06. | :47:12. | |
work of a British technology company, Surrey NanoSystems. Ben is | :47:13. | :47:17. | |
their chief technologist. Why create something so very black? We were | :47:18. | :47:22. | |
tasked originally with making a material that had 1% reflectivity, | :47:23. | :47:26. | |
for use in satellite imaging systems. When it is inside a | :47:27. | :47:30. | |
telescope, it absorbs the stray light that comes in, so that more of | :47:31. | :47:34. | |
the target light hits the detector and you get a clearer signal. The | :47:35. | :47:41. | |
secret to the substance's amazing light absorbing properties is the | :47:42. | :47:45. | |
material it is made from, microscopic carbon nanotubes just | :47:46. | :47:50. | |
one atom thick. Imagine these black straws are carbon nanotubes. When a | :47:51. | :47:59. | |
particle of light comes in, rather than bouncing off the surface, it | :48:00. | :48:04. | |
ricochets down between the nanotubes until it is absorbed. But how do you | :48:05. | :48:13. | |
paint something with carbon nanotubes? Ben is going to show me | :48:14. | :48:16. | |
by coding something more complex than they have ever done before. A | :48:17. | :48:23. | |
bronze mask of my face. We are going to plunge it into darkness. This is | :48:24. | :48:29. | |
a real thirst for us, it is an incredibly complicated shape, we are | :48:30. | :48:32. | |
not sure how it is going to come out. First, a black layer of carbon | :48:33. | :48:40. | |
nanotubes is carefully sprayed onto the master's surface. It is very | :48:41. | :48:44. | |
black. That is typically the performance you get from the paint | :48:45. | :48:50. | |
they use inside the space telescope. So good but not exceptional. To make | :48:51. | :48:56. | |
it exceptional, Damascus placed inside a plasma reactor. This breaks | :48:57. | :49:01. | |
down some of the bonds between the nanotubes, allowing the light | :49:02. | :49:04. | |
particles to enter and be absorbed. Ten minutes later, the super black | :49:05. | :49:11. | |
coating is complete. That is very strange indeed! Look at that. You | :49:12. | :49:16. | |
cannot actually see any of the details, you cannot see my | :49:17. | :49:23. | |
moustache, the beard, my eyes are not there. That has come out really, | :49:24. | :49:30. | |
really well. Looking at the mask from the side, I can make out my | :49:31. | :49:36. | |
profile and the outline of my face. As it turns around, it completely | :49:37. | :49:41. | |
disappears. It is only when you look at the ordinary black finish that | :49:42. | :49:44. | |
you realise just how black it really is. I am really impressed with this | :49:45. | :49:49. | |
stuff. This is more than just some sort of clever techie optical | :49:50. | :49:55. | |
illusion. This stuff has enormous practical application, and it could | :49:56. | :49:58. | |
revolutionise the way that we see the universe. | :49:59. | :50:06. | |
Utterly mind-boggling. We were all quiet! If you would like to see that | :50:07. | :50:11. | |
foil self, the mask will be on display at the Signs Museum from | :50:12. | :50:19. | |
February the 12th. -- Science. They have got to send somebody up to the | :50:20. | :50:24. | |
Hubble and sprayed the black paint on the thingies. This is remarkable, | :50:25. | :50:29. | |
because your parents were... Much smarter than me! My mother worked on | :50:30. | :50:35. | |
the Hubble Space Telescope programme. So yeah, she would | :50:36. | :50:39. | |
probably be interested in this blacker than black stuff. I just | :50:40. | :50:46. | |
think of Spinal Tap, blacker than black, nonblack. You can take some | :50:47. | :50:54. | |
fact back home, she will love those. They sometimes use that kind of | :50:55. | :50:57. | |
thing on expensive watches for visual effect, and it can transform | :50:58. | :51:05. | |
3D paper, it appears 2D with that surface on it. We thought you might | :51:06. | :51:10. | |
like these. That is one of the least impressive things it does, it takes | :51:11. | :51:20. | |
3D and makes it 2D! If it turned it into 4D, that would be something! We | :51:21. | :51:28. | |
have got some sweets for you, Blackjacks. Do you have these in the | :51:29. | :51:38. | |
United States? No, I smell a lawsuit, someone is making candy out | :51:39. | :51:44. | |
of my name! They will turn your tongue black. Whose tongue will go | :51:45. | :51:55. | |
the blackest? Anyway, someone has gone stratospheric in recent months, | :51:56. | :51:59. | |
our next guest, who is single, Stitches, here we go, is number one | :52:00. | :52:08. | |
in the charts. Please welcome Shawn Mendes come on in and take a seat, | :52:09. | :52:15. | |
my friend. Congratulations on going to number one. If we could | :52:16. | :52:19. | |
concentrate for just a moment, give them a wave! Your career is quite | :52:20. | :52:25. | |
extraordinary, because you have kind of involved through the internet. | :52:26. | :52:35. | |
Patent as -- how did you start from playing songs in your bedroom to | :52:36. | :52:44. | |
knocking Justin Bieber off? It is Vine, I put 6.5 second up, and | :52:45. | :52:50. | |
overnight they kind of snowballed into something huge, my following | :52:51. | :52:55. | |
was going up 10,000 every week. In the first year, from these little | :52:56. | :53:00. | |
covers I was putting on Vine, full covers on YouTube, my social blew | :53:01. | :53:05. | |
up, Twitter, Instagram and everything. In my first year, I had | :53:06. | :53:10. | |
800,000 followers, even before I released a song or anything. And | :53:11. | :53:14. | |
then obviously my manager got hold of me, I went out to New York, met | :53:15. | :53:21. | |
with labels, wrote some songs. SCREAMING | :53:22. | :53:29. | |
There has been a breach! Martin will sort it out! Stages took 17 weeks to | :53:30. | :53:36. | |
get to number one, didn't it? That is unprecedented, isn't it? It is | :53:37. | :53:41. | |
scary, because we have to have a lot of people on my team having faith in | :53:42. | :53:46. | |
the song to do well. I am really happy. Of course, everybody wants to | :53:47. | :53:50. | |
know where they can see you in the UK. I have been here, I will be | :53:51. | :53:57. | |
doing a show in May at the Apollo, I think it is called, I will be back, | :53:58. | :54:04. | |
hopefully bigger. As this chord you by surprise? Honestly, when I went | :54:05. | :54:08. | |
for those videos in my bedroom, that was for my mum and my friends to | :54:09. | :54:15. | |
see, just a joke. What do your parents make of it? You are huge in | :54:16. | :54:20. | |
the US and here, what do your family make of it? They are great, | :54:21. | :54:25. | |
honestly, my parents had concerns, they still have concerns, when your | :54:26. | :54:30. | |
kid wants to do something as crazy as being a singer song writer, | :54:31. | :54:34. | |
artist, but they saw how passionate I was about it, I kind of had a one | :54:35. | :54:39. | |
track mind, there was no option Rob for me. When I found how much I | :54:40. | :54:44. | |
loved it, and I knew it was a possibility, I went for it, they | :54:45. | :54:51. | |
work behind me 100%. Because of all the screaming, my technology has | :54:52. | :54:54. | |
gone down, have we got time to show this clip? Matt pointed out a link | :54:55. | :55:04. | |
between you two this morning. In Jack's film, the invisible man plays | :55:05. | :55:08. | |
a part, you have got to act with the invisible man. In your video, Matt | :55:09. | :55:13. | |
was like, you almost in the same film! | :55:14. | :55:30. | |
APPLAUSE ? | :55:31. | :55:39. | |
He made a cameo! We did this on purpose! We were talking way back, | :55:40. | :55:46. | |
way back, planning this out. It is one of the great special effects, it | :55:47. | :55:51. | |
is very cost effective. Yeah, it is just... It is absolutely free. We | :55:52. | :55:59. | |
have got something for you, second week at number one, and on behalf of | :56:00. | :56:04. | |
the Official Chart Company... Thank you so much! That is so awesome. | :56:05. | :56:14. | |
That is about it. Thank you to our guests, goose Goose bumps is out on | :56:15. | :56:23. | |
Friday. Do you want me to hold that? Thank you to the residents of Hebden | :56:24. | :56:26. | |
Bridge for making as so welcome last night! If you are in Halifax on | :56:27. | :56:31. | |
Friday, there will be a special fundraiser for victims of the flood | :56:32. | :56:37. | |
at the Victoria theatre, a special preview of Happy Valley followed by | :56:38. | :56:41. | |
questions and answers. If you want to go, details are on the website. I | :56:42. | :56:45. | |
think he is in position! With his first ever live UK television | :56:46. | :56:53. | |
performance, Shawn Mendes with Stitches. Thank you, whenever you | :56:54. | :56:55. | |
are ready! # I thought that I'd | :56:56. | :56:57. | |
been hurt before # But no-one's ever | :56:58. | :57:01. | |
left me quite this sore # Now I need someone | :57:02. | :57:04. | |
to breathe me back to life # But I know that | :57:05. | :57:17. | |
I'll make it out alive # You watch me bleed | :57:18. | :57:23. | |
until I can't breathe # And now that | :57:24. | :57:31. | |
I'm without your kisses # And now that | :57:32. | :57:38. | |
I'm without your kisses # Gotta get you out of my head, | :57:39. | :57:50. | |
get you out of my head # Gotta get you out of my head, | :57:51. | :58:13. | |
get you out of my head # Gotta get you out of my head, | :58:14. | :58:18. | |
get you out of my head # You watch me bleed | :58:19. | :58:26. | |
until I can't breathe # And now that | :58:27. | :58:28. | |
I'm without your kisses # And now that | :58:29. | :58:34. | |
I'm without your kisses SCREAMING | :58:35. | :58:48. | |
APPLAUSE Hello, I'm Elaine Dunkley | :58:49. | :59:05. | |
with your 90 second update. First, the Zika virus and people | :59:06. | :59:07. | |
who've been to countries affected by it will be banned | :59:08. | :59:10. | |
from giving blood for a month. The virus is linked | :59:11. | :59:13. | |
to birth defects. | :59:14. | :59:16. |