Browse content similar to 03/05/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Alex Jones and Matt Baker. | :00:16. | :00:19. | |
Tonight's guest is an actress and author, probably best | :00:20. | :00:22. | |
known for playing TV's most vengeful ex-wife. | :00:23. | :00:27. | |
To make sure we started off on the right foot, | :00:28. | :00:30. | |
Alex popped down to the green room to see her before the show. | :00:31. | :00:38. | |
Joan, I am so excited to have you on the show and I have dressed for the | :00:39. | :00:47. | |
occasion. What do you want? I just popped down to make sure you got | :00:48. | :00:50. | |
everything you need, like cheese on toast. The caviar I'd trust is not | :00:51. | :00:59. | |
perfect? They told me you just wanted some crisps. I suggest you | :01:00. | :01:09. | |
tread very carefully. It is Dame Joan Collins. | :01:10. | :01:17. | |
What a surprise, you were Diane Carroll. To play opposite Alexis it | :01:18. | :01:25. | |
is such a treat. That was real caviar, but you were not having it. | :01:26. | :01:32. | |
We cannot afford it. We use real crisps. We | :01:33. | :01:38. | |
We cannot afford it. We use real character of Alexis on Donald Trump, | :01:39. | :01:44. | |
is that true? Partially, I wanted to have a businessman's approach to how | :01:45. | :01:46. | |
women would be have a businessman's approach to how | :01:47. | :01:50. | |
toughest businessman at that time was Donald Trump. | :01:51. | :01:56. | |
toughest businessman at that time early 80s. And that and the most | :01:57. | :02:00. | |
glamorous woman I know. But Donald did try to get into Dynasty. That | :02:01. | :02:06. | |
glamorous woman I know. But Donald true? He went to one of the casting | :02:07. | :02:10. | |
directors, one of the top man and he said I want to be in Dynasty, | :02:11. | :02:15. | |
directors, one of the top man and he was after three years. He said, I am | :02:16. | :02:20. | |
not an actor. He said, but I am Dynasty. I cannot remember his name, | :02:21. | :02:27. | |
Gary, he said, I am sorry, Donald, but we are cast. Six month later, | :02:28. | :02:31. | |
whenever, he but we are cast. Six month later, | :02:32. | :02:40. | |
If Gary had not filled the entire cast, we think this is the outcome | :02:41. | :02:45. | |
of what could have been. What is that? It is a bit creepy. He is | :02:46. | :02:57. | |
dressed as a me! That is horrible. That is disturbing. | :02:58. | :02:58. | |
dressed as a me! That is horrible. wanted to play the man, darling. | :02:59. | :03:07. | |
Here is a subject guaranteed to wipe the smile of even a Leicester City | :03:08. | :03:10. | |
fan today. The cost of insuring our cars has | :03:11. | :03:25. | |
accelerated in recent years with one group of motorists hit very hard. | :03:26. | :03:31. | |
The most senior drivers have seen their policies go up by an average | :03:32. | :03:35. | |
16% in the past year, in spite of the fact that we are some of the | :03:36. | :03:41. | |
safest motorists on the road. Research shows we do not suddenly | :03:42. | :03:45. | |
become more likely to have an accident when we pass 60. Compare to | :03:46. | :03:50. | |
other golden oldies, drivers in their 20s have more than twice as | :03:51. | :03:53. | |
many accidents. Why their 20s have more than twice as | :03:54. | :03:57. | |
companies charging so much for our car cover? Using the same address | :03:58. | :04:03. | |
and model of car, we searched online to see how much quotes can vary with | :04:04. | :04:09. | |
age. A 20-year-old with hardly any experience is looking at ?950. A | :04:10. | :04:16. | |
middle aged motorists came in at ?349. But a veteran driver who has | :04:17. | :04:21. | |
never made the claim could pay double that, and eye watering ?735. | :04:22. | :04:27. | |
The car insurance industry argues that elderly drivers cost more to | :04:28. | :04:31. | |
insure because they will cost more to fix if they have an accident. | :04:32. | :04:39. | |
Time for a little experiment. I have come to the Institute of Advanced | :04:40. | :04:43. | |
Motorists were our three volunteers are about to put their driving | :04:44. | :04:48. | |
abilities to the test. We are going to be tested against the advanced | :04:49. | :04:54. | |
driving test standard. It is a short assessment. It looks at the various | :04:55. | :04:59. | |
areas, but the most important thing is keeping it safe and legal at all | :05:00. | :05:03. | |
times. Let's get the show on the road. Here we go. Works, start | :05:04. | :05:13. | |
again. Sean is keeping his expert eye on everyone's driving. The | :05:14. | :05:23. | |
further back you stop from the vehicle, the wider the view around | :05:24. | :05:28. | |
it. That indicator did you need it or did you think you needed it? Then | :05:29. | :05:35. | |
it is back to base for the results. It is over, thank goodness. How did | :05:36. | :05:41. | |
we do? If you are asking me who is the safer driver, age counts for a | :05:42. | :05:45. | |
lot and our winner today would probably be Colin because his years | :05:46. | :05:50. | |
of experience behind the wheel was born today in our drive. Well done, | :05:51. | :05:56. | |
Colin. In what way was he fantastic and better than the rest of us? | :05:57. | :06:02. | |
Hazard planning, sometimes holding back before diving into getting on | :06:03. | :06:07. | |
with it. It is a lifetime of experience that counts. Our | :06:08. | :06:11. | |
83-year-old driver was judged safer on the road and the rest of us. I | :06:12. | :06:15. | |
wonder what the insurance industry has to say about that. I am eating a | :06:16. | :06:21. | |
director of the Association of British Insurers. A lot of older | :06:22. | :06:25. | |
drivers feel they are penalised purely on the basis of age. Why is | :06:26. | :06:31. | |
that? Age is one factor, but it is not the only one. The size of the | :06:32. | :06:37. | |
car, the engine, and where you live. Some people might look at the | :06:38. | :06:41. | |
insurance industry and save a few older people as cash cows. I do not | :06:42. | :06:47. | |
think it is something about the insurance industry penalising older | :06:48. | :06:53. | |
people. It is about giving you if you are older a policy that reflects | :06:54. | :06:57. | |
the risk that you post. If you are older and you are concerned your | :06:58. | :07:01. | |
premiums are going up, you should definitely shop around. So, I am | :07:02. | :07:07. | |
afraid it does not look as if the cost of car insurance for us oldies | :07:08. | :07:12. | |
is going to come down any time soon. Push is to fire and you might price | :07:13. | :07:19. | |
as off the road. Joan, we understand you are in the | :07:20. | :07:24. | |
middle of your own roadside drama at the moment. We have got some | :07:25. | :07:30. | |
pictures. Tell us what is happening. This is outside my flat in London | :07:31. | :07:37. | |
and it is a whole. We have been going on for about three months to | :07:38. | :07:44. | |
get filled. The council said they did make it, but now we have a | :07:45. | :07:49. | |
paddle. And you have taken action into your own hands. I have tweeted | :07:50. | :07:55. | |
a few pictures with my feet. If a taxi stops there, I cannot get out. | :07:56. | :07:59. | |
That is why I started wearing those sheepskin boots. You have taken | :08:00. | :08:05. | |
pictures of your feet. I am not going to go to the Wolseley | :08:06. | :08:12. | |
restaurant in that will stop your book, St Tropez Lonely Hearts Club, | :08:13. | :08:14. | |
it is out in paperback now. This is a brilliant read too hot things up | :08:15. | :08:21. | |
at the swimming pool in the summer. It is quite saucy. Certain parts | :08:22. | :08:28. | |
are. It is a romantic, murder mystery set in St Tropez, set in the | :08:29. | :08:34. | |
four months of the season and there are amazing characters in their | :08:35. | :08:39. | |
loosely based on some real people that I know. Yes, go on. There are | :08:40. | :08:46. | |
several murders and several romances and it is a great book to have by | :08:47. | :08:51. | |
the swimming pool or by the sea and it is coming out on Thursday. The | :08:52. | :08:55. | |
main character is stunningly beautiful and filthy rich. , is it | :08:56. | :09:02. | |
fair to say there is a bit of you in there? I wish! No, not at all. | :09:03. | :09:09. | |
Carlotta is one of the main characters. The other main character | :09:10. | :09:13. | |
who I really love is he is really bad, he is really naughty, but | :09:14. | :09:19. | |
lovable. He is called Fabrizio Zanotti and he is the local stars | :09:20. | :09:24. | |
and gets paid for doing things with certain people, ladies and gentlemen | :09:25. | :09:29. | |
sometimes. But he wants to be a singer and he wants to go on X | :09:30. | :09:35. | |
Factor in Kazakhstan. I don't know whether there is one in Kazakhstan, | :09:36. | :09:39. | |
but he is auditioning for it. He is having an affair with this mad | :09:40. | :09:44. | |
Russian woman who is divorced from a very rich oligarchs and he has to | :09:45. | :09:52. | |
moonlight to go and audition all the time because they do lots of | :09:53. | :09:57. | |
auditions. He is one of the characters. It is based on some of | :09:58. | :10:01. | |
the amazing parties and events that happen in St Tropez. They have the | :10:02. | :10:08. | |
most amazing parties. You live there part of the year? In the summer, I | :10:09. | :10:13. | |
spent quite a bit of time there. I love it, it is the most fabulous | :10:14. | :10:21. | |
place. One of the reasons there are these murders is because somebody is | :10:22. | :10:25. | |
trying to destroy St Tropez, destroy people going there. I do not want to | :10:26. | :10:32. | |
give too much away. When you are writing, could you set the scene? I | :10:33. | :10:36. | |
would like to imagine the scene, what are you wearing? Have you got a | :10:37. | :10:41. | |
cocktail, do you type all right longhand? I write longhand on yellow | :10:42. | :10:50. | |
pads or big exercise books. When I am really feeling it I will get up | :10:51. | :10:54. | |
in the morning and have a cup of coffee and start writing in bed in | :10:55. | :10:58. | |
my pyjamas or nightgown or sweater or shorts. In the South of France I | :10:59. | :11:08. | |
will write by the pool. I want your life! I have a desk, but I do not | :11:09. | :11:16. | |
like writing on a desk. I like to write on the sofa will stop I will | :11:17. | :11:22. | |
have a copy, I drink tonnes of coffee. I will usually have | :11:23. | :11:26. | |
something on television like MTV music. You have written 16 books. | :11:27. | :11:37. | |
Yes. You dedicate the book to your late sister, Jackie. Did you ever | :11:38. | :11:43. | |
swap notes and read each other's work? Did you correspond in that | :11:44. | :11:49. | |
way? It is interesting that you say that because Jackie and I used to | :11:50. | :11:54. | |
collaborate on books when we were very young, when we were teenagers. | :11:55. | :12:01. | |
She was a very young teenager and I was its teenager. Her nieces have | :12:02. | :12:06. | |
just found these books that are all about teenagers, written in her | :12:07. | :12:09. | |
handwriting and illustrated by me because I wanted to be a fashion | :12:10. | :12:14. | |
designer. Jackie would describe all of the characters and what they were | :12:15. | :12:19. | |
wearing and I would draw them. Then we would cut them out and stick them | :12:20. | :12:24. | |
in. It is fascinating. The girls found it about a month or so ago. It | :12:25. | :12:28. | |
would be great to publish that because it was a true collaboration. | :12:29. | :12:35. | |
Says something like the teenagers in France, England and America. She had | :12:36. | :12:40. | |
never been to France and America, but she wrote about them. She wrote | :12:41. | :12:45. | |
beautifully. Four at 12, 13 or 14-year-old she wrote beautifully. I | :12:46. | :12:54. | |
would love to see your drawings. Your book is out on Thursday. We | :12:55. | :13:00. | |
love a reunion and tonight we have got a real treat. Back together | :13:01. | :13:04. | |
after 45 years, three friends who met thanks to a truly magical film. | :13:05. | :13:10. | |
This met thanks to a truly magical film. | :13:11. | :13:13. | |
stellar cast, and met thanks to a truly magical film. | :13:14. | :13:16. | |
storyline. But has it been sidelined in Disney history? | :13:17. | :13:21. | |
storyline. But has it been sidelined one of the three | :13:22. | :13:24. | |
storyline. But has it been sidelined taken in by the witch, played by the | :13:25. | :13:28. | |
storyline. But has it been sidelined brilliant Angela Lansbury. They are | :13:29. | :13:31. | |
joined by David Tomlinson. brilliant Angela Lansbury. They are | :13:32. | :13:35. | |
to amuse and to even unlikely heroes search for the | :13:36. | :13:43. | |
missing components for a magic spell to | :13:44. | :13:47. | |
missing components for a magic spell Britain, aided by a magical bed. | :13:48. | :13:52. | |
missing components for a magic spell Walt Disney Studios in California, | :13:53. | :13:55. | |
the film remains quintessentially British, using the set to recreate | :13:56. | :14:00. | |
iconic London locations like Portobello Road. Portobello Road, | :14:01. | :14:10. | |
Portobello Road # Portobello Road, see where the riches of ages are | :14:11. | :14:15. | |
stowed. Comparisons to marry Poppins are more than just coincidental. The | :14:16. | :14:16. | |
films were set in the same location. are more than just coincidental. The | :14:17. | :14:24. | |
Julie Andrews was even considered for the main part. Because it | :14:25. | :14:32. | |
Julie Andrews was even considered well remembered. My co-stars are the | :14:33. | :14:42. | |
ones to refresh this in the mind of the public. Today we are being | :14:43. | :14:48. | |
reunited. And where else? In a bed shop. I am excited. My little Ron! | :14:49. | :15:01. | |
Finally, we have a chance to reminisce about how it all began. My | :15:02. | :15:07. | |
overriding memory is how well we got on. I do not remember any of us, | :15:08. | :15:14. | |
however young, being naughty. It was a professional engagement and Angela | :15:15. | :15:18. | |
set the tone and we upped our game because of her. She was very much an | :15:19. | :15:24. | |
inspiration. Like a mother. I had never sung before, I could not sing. | :15:25. | :15:29. | |
I was terrible then and I am terrible now. | :15:30. | :15:38. | |
Trying to get me just to do that was really difficult. I will always | :15:39. | :15:46. | |
remember the scene we did when we had no idea about the animation. | :15:47. | :15:51. | |
There's a fish over there, talk to the fish. Fish don't talk. Not too | :15:52. | :15:58. | |
bright, is he? He's me brother. Remember the one where we done that | :15:59. | :16:01. | |
scene and they put the bed nobody and it was brass and -- knob tanned | :16:02. | :16:06. | |
was brass and it changed to pink. We were finding out - how did that do | :16:07. | :16:11. | |
that? They wouldn't tell us. Disney magic. It was magic. Comparisons to | :16:12. | :16:21. | |
poppins aside, it was a success. Where better to bring you a special | :16:22. | :16:25. | |
one show screening, than where we had the premiere. Before the | :16:26. | :16:29. | |
screening, a message from New York comes as a complete surprise Hello | :16:30. | :16:35. | |
everyone, I'm so sorry I was unable to join you today to celebrate the | :16:36. | :16:41. | |
great film we made together. This film is enjoyed by children Britain | :16:42. | :16:48. | |
and the USA, in fact all over the world. I'm thrilled to have this | :16:49. | :16:51. | |
opportunity to celebrate this with you all today. You look great! | :16:52. | :17:02. | |
# Beautiful Bryony sea # -- briney. I'm thrilled to be | :17:03. | :17:10. | |
watching it together. We haven't watched it together for 45 years. | :17:11. | :17:14. | |
They're only animals. That's no excuse for dirty football. It's just | :17:15. | :17:17. | |
like we were there, back as kids again. We ain't going to have no fun | :17:18. | :17:24. | |
no more. Well, still got this, ain't I? It's been an extraordinary | :17:25. | :17:29. | |
reunion for the three of us. Lovely to see the film together. # it's | :17:30. | :17:33. | |
nice to think that the film, which had a huge impact on our childhood, | :17:34. | :17:37. | |
still has a place in the heart of the public. I loved that film. Heart | :17:38. | :17:45. | |
warming. Cup of tea on a Sunday and that, perfect. | :17:46. | :17:49. | |
Let's talk about child stars now. Your stage debut was in an Ibson | :17:50. | :17:56. | |
play a Doll's House. Did you know then that this world was for you? | :17:57. | :17:59. | |
Oh, no. I thought it wasn't for me. I was at a stage school because I | :18:00. | :18:04. | |
wanted to be an actress. I was picked to play a boy, because the | :18:05. | :18:09. | |
director wanted girls to play boys because boys were too ram burning | :18:10. | :18:18. | |
Saddam Hussein and you know what -- rambunctious, but after two weeks, | :18:19. | :18:24. | |
we got so board sitting back stage and -- border sitting back -- bored | :18:25. | :18:29. | |
sitting back stage, we were playing snakes and ladders and we missed our | :18:30. | :18:34. | |
cue. The director dragged us by the scruff of our neck. He took us to | :18:35. | :18:38. | |
the wings and threw us on. We tried to get through our lines. At the | :18:39. | :18:43. | |
end, he said, "Neither of you will ever become actresses. You have no | :18:44. | :18:49. | |
talent and you will never do it." And of course... How wrong was he. I | :18:50. | :18:55. | |
decided not to. I went back to ordinary school. We've got the child | :18:56. | :19:02. | |
stars from some of the most iconic films in British cinema. | :19:03. | :19:11. | |
We were wondering if you could recognise them. We start with loach | :19:12. | :19:18. | |
loach loach's -- Ken Loach's moving drama cause Kes. A film where Billy | :19:19. | :19:29. | |
Casper befriends a kestrel. Come on, Kes. | :19:30. | :19:33. | |
APPLAUSE Billy was played by an actor called | :19:34. | :19:38. | |
Dai Bradley. Can you spot Dai in the audience? Have a look. Is it this | :19:39. | :19:43. | |
gentleman? The cameraman is in the way. | :19:44. | :19:53. | |
I think it's the middle one. Will the real Dai Bradley please step | :19:54. | :20:00. | |
forward. Yes, it is. Come and have a seat next to Joan. You haven't | :20:01. | :20:07. | |
changed a bit. Hi, are you still an actor? Yes, I am. Good, good. Tough | :20:08. | :20:12. | |
job isn't it? It is when you get to my age. Hello. Listen, Dai, young | :20:13. | :20:21. | |
lad from Barnsley. Yes. This film was massive. It was huge. And in | :20:22. | :20:28. | |
1966, coming from a coal mining community and a working-class town, | :20:29. | :20:32. | |
those kind of opportunities didn't arrive. They didn't happen for you. | :20:33. | :20:38. | |
The closest I came to going to being a movie was Saturday morning | :20:39. | :20:42. | |
matinees at the age of 11 and watching the BFI films and things. | :20:43. | :20:47. | |
You weren't prepared then? No, not at all. I did a few school pantos, | :20:48. | :20:52. | |
we weren't a school that was renowned for doing drama. But we | :20:53. | :20:59. | |
were very lucky. The author of the film, who wrote the book, he taught | :21:00. | :21:04. | |
at the school that we see in the film and it was the school I | :21:05. | :21:08. | |
attended too and also was an 11-plus failure school. So all the kids that | :21:09. | :21:13. | |
you see in the film were 11-plus failures. Really? We're going to | :21:14. | :21:20. | |
move on now. Next up, from 1968, it's the hit musical Oliver. | :21:21. | :21:24. | |
It was nominated for 11 Oscars and won six of them | :21:25. | :21:35. | |
Please, Sir, I want some... More? MORE! | :21:36. | :21:42. | |
That was played by a boy called Mark Lester, but where is he hiding? Is | :21:43. | :21:52. | |
this Oliver? Or is this Oliver? Or... Is Dave Oliver? I think it's | :21:53. | :22:00. | |
the first one. Will the real Mark Lester, who played Oliver step | :22:01. | :22:02. | |
forward. APPLAUSE Come and have a seat. Hi | :22:03. | :22:12. | |
Mark. I think we've met before. Maybe once. Lovely to see you. I | :22:13. | :22:22. | |
loved that film. Brilliant. So good. We saw Harry Seacombe there as Mr | :22:23. | :22:26. | |
Bumble. The props department played a trick on him. Ti, was Harry's | :22:27. | :22:33. | |
birthday on that day. We were doing the "more" scene. Harry has to get | :22:34. | :22:37. | |
Oliver and drag him round the room by his ear. The prop department made | :22:38. | :22:41. | |
up a false ear that they put over the top of my ear. Harry was | :22:42. | :22:47. | |
terrified of touching me, I was some delicate thing, I don't know why. He | :22:48. | :22:52. | |
grabs my ear and make sure you firmly grab it. And marches me | :22:53. | :22:56. | |
around the room. He grabs the ear and the plastic thing comes off in | :22:57. | :23:05. | |
his hand and there was shock. Then "cut" everyone sang happy birthday. | :23:06. | :23:13. | |
Very quickly then. Finally 1963 is Day of theTriffids in which a meteor | :23:14. | :23:17. | |
shower blinds nearly everyone on earth and walking plants begin to | :23:18. | :23:19. | |
take over. Janina Faye played Susan who is | :23:20. | :23:39. | |
rescued by Bill Masen. What does he look like now? I didn't really see | :23:40. | :23:48. | |
what she looked like before. That one. Will the real Janina step | :23:49. | :23:53. | |
forward. APPLAUSE I never got a chance to | :23:54. | :24:03. | |
look at the picture. Nice to see you. Nice to meet you. Incredibly, | :24:04. | :24:08. | |
you've been in one of Joan's films. I have. I was very fortunate to be | :24:09. | :24:15. | |
in a film with you called the Sea Wife. Prior to my being cast in | :24:16. | :24:19. | |
various other roles, we were all sent out on little extra jobs. I was | :24:20. | :24:23. | |
an extra. I didn't really have a feature part with you, but nice to | :24:24. | :24:27. | |
work with you. Were you on the boat? I think I was on the boat. I was the | :24:28. | :24:33. | |
nun rescuing you from the boat... I believe so. Such a long time ago. We | :24:34. | :24:38. | |
said you love a reunion and there it is. This is perfect. Maybe you can | :24:39. | :24:44. | |
swap photos. Dai, Mark, Janina thank you. | :24:45. | :24:49. | |
Later this summer, the Pakistan cricket team will return | :24:50. | :24:52. | |
for their first Test series in the UK since the match | :24:53. | :24:54. | |
If you are going to make a film about cricket, you need | :24:55. | :24:58. | |
an all-rounder who knows his gully from his googlies. | :24:59. | :25:01. | |
Adil Ray would have been the perfect man for the job, | :25:02. | :25:03. | |
This film contains flash photography. | :25:04. | :25:15. | |
Hello. This is Mr Khan, let me tell you, it's all kicking off. I'm not | :25:16. | :25:25. | |
just talking about my Citizen Khan tour, no Pakistan are coming this | :25:26. | :25:28. | |
summer to beat the demrish at their own game -- the English at their own | :25:29. | :25:34. | |
game - cricket. I've come to my local club, just down the road from | :25:35. | :25:38. | |
Sparkhill to see if the players and fans are looking forted to it. -- | :25:39. | :25:42. | |
forward to it. If they're lucky they might get to see my googlies. Ah, | :25:43. | :25:49. | |
shot! I taught him that. Have you heard, the Pakistan team are looking | :25:50. | :25:52. | |
for a new coach. Yeah, I think they should get one of those 52 seaters | :25:53. | :25:57. | |
with a TV in front. Very nice. Yeah. I could be the Pakistani coach. | :25:58. | :26:03. | |
After we Pakistanis became independent in 1947, we showed the | :26:04. | :26:06. | |
world how good we were at cricket. Look, I need you to be more serious. | :26:07. | :26:13. | |
Your posture's not right. Your attitude, it's all wrong. On July | :26:14. | :26:19. | |
28, 1952, it was here in England that Pakistan was first given Test | :26:20. | :26:29. | |
Match status. Come here. Wasim Khan everybody. All Khans are related. | :26:30. | :26:43. | |
Imran, Wasim... Chakakhan. Are you looking forward to Pakistan coming | :26:44. | :26:47. | |
here? Yeah, first time in six years. How important is the | :26:48. | :26:50. | |
Pakistan-England tour then? Massively important for them, | :26:51. | :26:52. | |
because financially as well Massively important for them, | :26:53. | :26:56. | |
cricket credibility. Pakistani always thinking of money, very good. | :26:57. | :27:00. | |
A very big rivalry between Pakistan and England. Always. Why? Because | :27:01. | :27:03. | |
A very big rivalry between Pakistan the big population of Pakistanis in | :27:04. | :27:06. | |
this country. Who's going to win? We are. Who's we? Pakistan! Are they | :27:07. | :27:11. | |
this country. Who's going to win? We going to win, England are a good | :27:12. | :27:16. | |
side at the moment. The England Pakistani series has never been | :27:17. | :27:20. | |
short of a bit of controversy, whether it's ball tampering | :27:21. | :27:24. | |
accusations, forfeiting a Test Match or a bit of spot-fixing. With | :27:25. | :27:28. | |
Pakistan you can't have a tour without controversy. It's all part | :27:29. | :27:33. | |
and parcel of life, like a Pakistani marriage. Where are they? All right | :27:34. | :27:44. | |
boys, OK, ready for a good game today? Remember the rules. Hit the | :27:45. | :27:49. | |
ball to the boundary four runs. Hit the ball to the boundary no | :27:50. | :27:54. | |
bouncing, six runs. No ball, you get a Rolex watch. Good. What is the | :27:55. | :28:00. | |
real thing we'll be looking forward to, who are the players we should be | :28:01. | :28:05. | |
watching out for? The fact that Amir is back now. He will be a big one. | :28:06. | :28:08. | |
He's been accepted back into international cricket. Now he has | :28:09. | :28:13. | |
his four bedroom house. Five bedrooms. The England-Pakistan | :28:14. | :28:19. | |
series is all set to be very exciting this summer and for the | :28:20. | :28:23. | |
Pakistan cricket team it will feel extra special, as they can't play | :28:24. | :28:27. | |
their matches at home any more. So England will feel like home. | :28:28. | :28:31. | |
Birmingham especially, because Birmingham is just like Pakistan, | :28:32. | :28:35. | |
but with one tiny difference - we've got more Pakistanis. | :28:36. | :28:38. | |
APPLAUSE Any complaints, please send them | :28:39. | :28:40. | |
directly to Citizen Khan care If you want to see more | :28:41. | :28:43. | |
of Adil's comic creation, he is on tour with the show | :28:44. | :28:47. | |
Citizen Khan, They All Know Me Birmingham and Manchester | :28:48. | :28:50. | |
later in the week. We presume that you like cricket | :28:51. | :29:03. | |
because we found this photo. We think this is Bing Crosby. Yes and | :29:04. | :29:07. | |
Bob Hope. They were playing cricket and I went along and said, can I | :29:08. | :29:11. | |
have the bat, I can hit somebody over the head as they try to break | :29:12. | :29:15. | |
into my dressing room. That's all we have time for. | :29:16. | :29:17. | |
Thanks so much to Dame Joan danger Collins, the St Tropez Lonely | :29:18. | :29:20. | |
We will be back tomorrow with Louis Theroux, Lianne La Havas | :29:21. | :29:24. | |
and The Saint himself, Ian Ogilvy. | :29:25. | :29:27. |