Browse content similar to 03/07/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker. | :00:17. | :00:18. | |
Now, we've often said we're a bit of a dysfunctional family | :00:19. | :00:26. | |
here on the One Show so tonight's guest should fit right in. | :00:27. | :00:30. | |
Yes, he's the award winning star of films | :00:31. | :00:32. | |
such as Horrible Bosses, Juno and Zootopia. | :00:33. | :00:34. | |
And in the cult American sitcom 'Arrested Development' | :00:35. | :00:36. | |
he was the only sane member of one of the most dysfunctional | :00:37. | :00:39. | |
Why does everyone think I'm scared of girls? Because you are a chicken. | :00:40. | :00:54. | |
Michael had women? , I haven't found the right girl, when I do I will ask | :00:55. | :00:59. | |
her out. Has anyone in this family even a chicken? | :01:00. | :01:02. | |
CHEERING Good to see you, Jason, nice to have | :01:03. | :01:19. | |
you here. Nice to be here. People say Arrested Development is the most | :01:20. | :01:24. | |
funny thing on television. Those of the stone is. LAUGHTER | :01:25. | :01:29. | |
That it was cancelled by series III and now came back via popular demand | :01:30. | :01:33. | |
and now it has a cult status. I don't know how popular the demand | :01:34. | :01:37. | |
was, Netflix was just getting started at that point and they | :01:38. | :01:42. | |
launched House of Cards and Arrested Development in their first year. | :01:43. | :01:45. | |
They wanted to have some original programming on it, so they threw us | :01:46. | :01:51. | |
a lifeline. We were very happy to take it, because we really had a lot | :01:52. | :01:55. | |
of fun doing that show. We are going to start doing some more in about | :01:56. | :01:58. | |
three weeks. Which is brilliant news. A whole new series? Yes, I | :01:59. | :02:07. | |
think 15 of them. The original cast? Yes. That must've been tricky | :02:08. | :02:13. | |
because you have gone off the great thing is, everybody. The show | :02:14. | :02:17. | |
definitely rehabilitated my career and the same for a bunch of the rest | :02:18. | :02:21. | |
of the cast. It kept very busy since then. We will talk more all about it | :02:22. | :02:27. | |
and about Ozark coming your new Netflix offering very shortly. | :02:28. | :02:31. | |
Tonight we are kicking off a whole week living at a very common issue, | :02:32. | :02:35. | |
how many of you at home are currently on your mobile phones, | :02:36. | :02:41. | |
sending a message, updating social media? I have got mine here! | :02:42. | :02:51. | |
According to new figures given to us by Deloitte as part of their annual | :02:52. | :02:54. | |
Mobile Consumer Survey - a staggering 15.5 million | :02:55. | :02:56. | |
people in the UK think they use their phones too much. | :02:57. | :02:59. | |
So if you think you are one of them and you think you should start | :03:00. | :03:03. | |
cutting down, we want your help to create this, The one Show phone | :03:04. | :03:06. | |
plan. If you would prefer capped data, Ltd calls and fewer messages | :03:07. | :03:10. | |
in your lives, then we will be asking for your practical solutions | :03:11. | :03:15. | |
on how to achieve that shortly. It is a good idea, but will it catch | :03:16. | :03:19. | |
on? I don't know. Before that, Alex Riley has met one family who are | :03:20. | :03:23. | |
rarely far from their screens. Meet the farm with family, from Bolton in | :03:24. | :03:30. | |
Lancashire. Grace is 16 and like any typical teenager loves her | :03:31. | :03:35. | |
smartphone. I have Snapchat, Instagram, Facebook, Twitter. Her | :03:36. | :03:40. | |
younger brother Jacob is 13 and almost as obsessed. I get quite a | :03:41. | :03:44. | |
lot of messages, at least one a minute. Dad John relies on his phone | :03:45. | :03:51. | |
for the news. It is pretty boring. Mum Lindsay is a big fan of social | :03:52. | :03:57. | |
media. I am a bit of a voyeur on Facebook. But Lindsay is worried | :03:58. | :04:02. | |
that her family's phone use is getting out of hand so we have set | :04:03. | :04:05. | |
them a challenge to monitor their phone use. We will be over to see | :04:06. | :04:10. | |
how much they have come to rely on them. Thanks, Alex. As well as | :04:11. | :04:16. | |
giving them the handy cam, we have also installed software that will | :04:17. | :04:19. | |
monitor everyone's mobile habits over the next 48 hours and I will | :04:20. | :04:25. | |
reveal the results to them later. Adjusted know where it is going, we | :04:26. | :04:29. | |
are in danger of becoming robots lost in our own world and I don't | :04:30. | :04:33. | |
like it. Exclusive statistics given the The one Show reveal that 15.5 | :04:34. | :04:37. | |
million people, around one in three of us who own a smartphone, are | :04:38. | :04:41. | |
worried they are using their devices too much. It is Friday evening and | :04:42. | :04:46. | |
mum Lindsay is already snooping on Grace. Grace, what are you playing | :04:47. | :04:50. | |
at, you are drying your hair, you are on your phone! The person on the | :04:51. | :04:55. | |
phone the most is definitely Grace. Even I agree with that myself, and | :04:56. | :05:01. | |
that says something! She is on her phone when she comes home from | :05:02. | :05:03. | |
school, in the kitchen, in her bedroom. It makes her quite | :05:04. | :05:08. | |
introverted really. It bothers me. You feel like you were doing more on | :05:09. | :05:13. | |
your phone then you are things in reality. But Grace is not the only | :05:14. | :05:16. | |
family member who can't put her phone down. What are you doing? | :05:17. | :05:23. | |
Reading the news. It is taking our phones to bed that is one of the | :05:24. | :05:28. | |
biggest issues with a third of submitting to checking our phones in | :05:29. | :05:31. | |
the middle of the night. Here's another one. It is just pointless, | :05:32. | :05:35. | |
they are keeping up with things that are better on, I think we are better | :05:36. | :05:40. | |
off without phones. But mum Lindsay isn't as innocent as she looks. Say | :05:41. | :05:48. | |
hi, ma'am. Mum, say hi. The Queen's visiting Grenfell Tower. And what | :05:49. | :05:55. | |
about young Jacob? I watch films on Netflix, and it is not addictive, | :05:56. | :06:00. | |
just something to do really. Around two thirds of young people use their | :06:01. | :06:02. | |
mobile phones while walking and Jacob is one of them. Jacob Resch | :06:03. | :06:09. | |
and Mark Jacob! Jacob put your phone away, please. As for family | :06:10. | :06:16. | |
mealtimes, around half of all family meals at home are interrupted by a | :06:17. | :06:22. | |
smartphone use, that is a whopping 20 million a week. It can be very | :06:23. | :06:25. | |
annoying when we go to a restaurant, they want to go on the phones. You | :06:26. | :06:30. | |
are completely oblivious to everything going on. So at the end | :06:31. | :06:34. | |
of the weekend, do the Farnworths realise how much they have been on | :06:35. | :06:38. | |
their phones? I have been watching back the footage with psychologist | :06:39. | :06:44. | |
Dr Lee had Lincoln. We see two concept here, FOMO, the fear of | :06:45. | :06:52. | |
missing out, and the fear of having no access to your phone. You are | :06:53. | :06:56. | |
losing out because you are missing that connection to the internet. But | :06:57. | :07:00. | |
how long have the family spent on their phones? Time to reveal the | :07:01. | :07:04. | |
results, by calling them on their smartphones, obviously. Are you | :07:05. | :07:10. | |
ready for the results? No! I am going to do with them anyway. We | :07:11. | :07:15. | |
start with you Lindsay. I am never on my phone. On Saturday you on your | :07:16. | :07:20. | |
phone for only half an hour. John, you were on the phone three hours a | :07:21. | :07:25. | |
day, does that surprise you? I am not surprised. You were using the | :07:26. | :07:31. | |
phone to speak to people. He doesn't speak to me for an hour a day! | :07:32. | :07:37. | |
Grace, there is an app that released and is out. Snapchat! Gas! You spend | :07:38. | :07:44. | |
six hours a day on Snapchat, how many messages to you think you sent | :07:45. | :07:49. | |
over the weekend? I honestly do not know. 260! I'm horrified! The person | :07:50. | :07:55. | |
who was on the phone the most was Jacob. On Sunday alone, you were on | :07:56. | :08:01. | |
your smartphone for nine hours 52 minutes. LAUGHTER | :08:02. | :08:06. | |
So the final figure for all of you collectively is that over the | :08:07. | :08:12. | |
weekend, you spent 32 hours on your phones. That is over a day. Awful. | :08:13. | :08:19. | |
Phones are going, things are changing at this house. STUDIO: | :08:20. | :08:27. | |
Things are changing, you say. How have they got to this point, | :08:28. | :08:32. | |
Lindsay? You were clearly shocked. Absolutely mortified, watching that | :08:33. | :08:36. | |
footage, I thought I knew my family, but clearly not. We have to say | :08:37. | :08:43. | |
thank you for doing that film because you are doing this on behalf | :08:44. | :08:46. | |
of lots of families would be the same in Britain, so thank you and | :08:47. | :08:51. | |
for being incredibly brave. Do you feel, Lindsay, that you have lost | :08:52. | :08:55. | |
control? I think we have. We bought the phones for our children when | :08:56. | :08:59. | |
they were in year six at primary school. We wanted them to be | :09:00. | :09:03. | |
contactable when they went out to school and going into the teenage | :09:04. | :09:07. | |
phase, and now they don't actually answer the phones or texture when | :09:08. | :09:11. | |
you want them to reply to you. When they have gone off shopping, because | :09:12. | :09:15. | |
they are on social media and doing their own things with phone. That is | :09:16. | :09:19. | |
the thing about a smartphone, they only need a phone to phone you, but | :09:20. | :09:23. | |
because they have the internet it is just so tantalising, and they are on | :09:24. | :09:28. | |
it. It is like a magnet. It is, and one of the big things in controlling | :09:29. | :09:32. | |
it is when you first take out that Harris that you do have some | :09:33. | :09:36. | |
control. Mobile phone packages are sold to you on the basis that you | :09:37. | :09:39. | |
get this and you get that and the other. We all sort of get roaring to | :09:40. | :09:42. | |
that. I think that Israeli important. That you turn things off. | :09:43. | :09:49. | |
You turn the Wi-Fi off at night. You socialise with your kids. Webb you | :09:50. | :09:54. | |
are doing six hours on the phone. Grace. On Snapchat only! That is how | :09:55. | :10:00. | |
lots of people your age communicate these days, but can you see it is a | :10:01. | :10:03. | |
problem and it is having a big effect on your family? Welcoming | :10:04. | :10:11. | |
yes. Just hearing what my mum says. But what is the problem? LAUGHTER | :10:12. | :10:18. | |
Well this is interesting. What if the dinner is quiet and boring at | :10:19. | :10:23. | |
home, and you could check to see if your friends are all right? Or it | :10:24. | :10:27. | |
could be a good conversation starter, oh, Jennifer just got in a | :10:28. | :10:30. | |
car accident, you know, she has always been a bad driver. This is | :10:31. | :10:36. | |
why I don't drive with her! LAUGHTER It is a very interesting point, | :10:37. | :10:41. | |
that, Grace. Do you see it as being a problem, can you put your phone | :10:42. | :10:46. | |
down? I can, but I prefer not to. She is much better when Jupiter | :10:47. | :10:50. | |
Ferndown. We went to the Lake District this weekend with no | :10:51. | :10:54. | |
phones. We were in an area, walking with the door, it was absolutely | :10:55. | :11:01. | |
brilliant. We conversed together! Grace, when you couldn't get a | :11:02. | :11:05. | |
signal, were you panicking, I am missing out? Not really, because I | :11:06. | :11:09. | |
was doing other things, but if there were not of the things going on, | :11:10. | :11:15. | |
then yes, I would. Maybe it is not such a big issue. But you have some | :11:16. | :11:22. | |
stats that do suggest. Early findings from the Lloyd's annual | :11:23. | :11:25. | |
mobile consumer survey says that on average we check our fence 40 times | :11:26. | :11:28. | |
a day and the people of the age of Grace, 16 to 18, that is 90 times a | :11:29. | :11:32. | |
day. That is a lot of stuff you're not doing because you are checking | :11:33. | :11:35. | |
your phone and are fixated on what is going on in that. One in ten | :11:36. | :11:38. | |
years their mobile phone while crossing the road. That is something | :11:39. | :11:45. | |
I do. Almost one in ten 25 to 34-year-olds will admit to using | :11:46. | :11:49. | |
their smartphone while driving, which is dangerous. So what are we | :11:50. | :11:53. | |
going to do about this? We are going to come up with The one Show mobile | :11:54. | :11:59. | |
phone plan. And we want suggestions on what we can do to try and limit | :12:00. | :12:02. | |
our use of mobile phone so that we are in charge of them. So it could | :12:03. | :12:05. | |
be for example not bringing your phones into the bedroom, it could be | :12:06. | :12:09. | |
something like switching them off at a certain time, checking your | :12:10. | :12:13. | |
messages only once an hour. We saw people sat round a table, having | :12:14. | :12:18. | |
meals, and not talking to each other, just looking at their phones. | :12:19. | :12:21. | |
It could be something to do with that, but I don't want to guide what | :12:22. | :12:25. | |
everyone is doing, because the Farnworths have agreed to implement | :12:26. | :12:30. | |
this one show phone plan. Have we? Mum has. Did I? Yes, we have got it | :12:31. | :12:39. | |
in writing, a contract. They will implement this for a week and we | :12:40. | :12:43. | |
will get them to come back and tell us what effect it has had on their | :12:44. | :12:47. | |
lives. Good luck to you and your brother. LAUGHTER | :12:48. | :12:52. | |
He is not going to like it. Sent him a message on Snapchat. Thank you | :12:53. | :12:57. | |
very much. We will allow you the usual phones just for one little | :12:58. | :13:01. | |
text, message anybody alive long as you know and tell them to watch this | :13:02. | :13:06. | |
next film because it contains some really spectacular images. Mike has | :13:07. | :13:10. | |
been the witness a nocturnal metamorphosis, and if you are a fan | :13:11. | :13:12. | |
of gymnastics, you will like this. It is just before 10pm, and I have | :13:13. | :13:25. | |
received a call to come and see one of nature's greatest transformations | :13:26. | :13:30. | |
that's happening right now. It's late May, and this is the time of | :13:31. | :13:34. | |
year when one of our most majestic insects enters the final stage of | :13:35. | :13:38. | |
its life come of transforming from an underwater larvae to the glorious | :13:39. | :13:44. | |
Emperor dragonfly. Initially, they start life hatching from eggs | :13:45. | :13:47. | |
underwater to become what is known as a nymph, and after either one or | :13:48. | :13:51. | |
two years, when the weather is right, they will start to make their | :13:52. | :13:57. | |
way to the surface, to begin the transformation into a dragonfly. | :13:58. | :14:00. | |
This could happen at almost any time, but with luck we are going to | :14:01. | :14:04. | |
capture this final stage, in all its glory. Steve white is passionate | :14:05. | :14:11. | |
about dragonflies, and has been monitoring and filming them here at | :14:12. | :14:13. | |
the National Trust Pintus Field estate in North Somerset for the | :14:14. | :14:20. | |
last five years. And he is convinced that conditions are perfect night | :14:21. | :14:23. | |
for this mini wildlife spectacle. Steve, they are emerging all over | :14:24. | :14:29. | |
the place. Yes, it is very temperature dependent, once darkness | :14:30. | :14:32. | |
falls, and gets woman of colour they get it over as quickly as possible, | :14:33. | :14:36. | |
they will be out and ready by midnight, then maybe an hour trying | :14:37. | :14:40. | |
their wings off, then waiting for first light to fly. Although they | :14:41. | :14:44. | |
can emerge at any time, they prefer to come out under the cover of | :14:45. | :14:48. | |
darkness, as they are vulnerable during this transition to being | :14:49. | :14:51. | |
preyed upon. So far we have spotted nine coming to the surface already, | :14:52. | :14:56. | |
and to capture this metamorphosis, Steve has rigged the pond with a | :14:57. | :15:00. | |
number of cameras, covering this spectacle from all angles. Where is | :15:01. | :15:05. | |
this one going to settle? It is just wandering around, looking for the | :15:06. | :15:09. | |
perfect spot, I presume? Quite a long way, it has come all the way | :15:10. | :15:13. | |
over the wall out of the top. Once they find a spot, they start to | :15:14. | :15:16. | |
swing their abdomens around to make sure they have enough room to hatch | :15:17. | :15:20. | |
out. They have to make sure they have enough space for those wings to | :15:21. | :15:23. | |
expand and get damaged, because if they get damaged in that part of the | :15:24. | :15:27. | |
emergence, then they are in trouble and they would be able to fly. Once | :15:28. | :15:31. | |
happy and secure, the dragonfly starts to break free. | :15:32. | :15:43. | |
By the backflip? The flight muscles are the strongest part. The | :15:44. | :15:52. | |
breakthrough crawler crack the shell, the shoulders come through | :15:53. | :15:56. | |
and the head peels backwards, the whole body comes out backwards. They | :15:57. | :16:00. | |
hang the air until the legs had enough and then they swing back up, | :16:01. | :16:04. | |
hang the shell that they've come out of and peel the end the abdomen | :16:05. | :16:11. | |
through. They start pumping body fluids into them which will harden | :16:12. | :16:17. | |
in preparation for flight. With the morning breaking there are signs | :16:18. | :16:23. | |
that some are ready to take off. Dawn is just around the corner, I | :16:24. | :16:30. | |
can hear the first Robins singing and suddenly the dragonflies have | :16:31. | :16:33. | |
popped their wings out. There it goes. The first one has flown in | :16:34. | :16:42. | |
front of me. Maiden flight. Absolutely brilliant. It's a good | :16:43. | :16:48. | |
job because they will be looking for food right about now. As the sun | :16:49. | :16:52. | |
continues to rise, more and more will take to the ear. Most of them | :16:53. | :16:59. | |
have gone but what a privilege to see them throughout the night. | :17:00. | :17:05. | |
Spectacular night of dragonfly action, really happy to have seen | :17:06. | :17:11. | |
it. The Emperor dragonfly will live for a couple of weeks. After two | :17:12. | :17:19. | |
years of hard effort that is the only evidence of the shed skin. It | :17:20. | :17:25. | |
is flown off and it will come back in a few days to either made for a | :17:26. | :17:35. | |
lay its eggs and start the cycle all over again. That wildlife footage | :17:36. | :17:47. | |
blows my mind. From the transformation of the dragonfly to | :17:48. | :17:52. | |
the transformation of Jason Bateman. We know you for your comedy roles | :17:53. | :17:59. | |
like Juno and Horrible Bosses but you are now doing your darkest role | :18:00. | :18:10. | |
in Ozark. It's a story about a family, the character that I play | :18:11. | :18:14. | |
has made a bad decision with his wife some years earlier to do a | :18:15. | :18:19. | |
short cut on his attempt to grab the peace of the American dream. I don't | :18:20. | :18:26. | |
know why it's exclusive to America, everybody wants to have a house with | :18:27. | :18:31. | |
some money. That is the arrogance of our country. You start with these | :18:32. | :18:45. | |
incredible statistics. Yes, it can force you into a lot of bad | :18:46. | :18:51. | |
decisions. He does a short cut, he's a financial planner, he has an | :18:52. | :18:54. | |
opportunity to launder money for a Mexican drug cartel to make a lot | :18:55. | :18:59. | |
more money. We meet this family eight years later when everything is | :19:00. | :19:05. | |
falling apart and he's going to start paying the bill for that | :19:06. | :19:10. | |
illegal decision. And so we kind of just caught him and his family is | :19:11. | :19:14. | |
trying to negotiate this dangerous world. And Ozark is the name of a | :19:15. | :19:27. | |
place. Yes. There's more sure Elaine banned the state of California. -- | :19:28. | :19:36. | |
sure Elaine -- there is more beach than California. He moves down | :19:37. | :19:43. | |
because there's a lot of loose cash. He thinks it would be a good place | :19:44. | :19:49. | |
to launder money. And here's the moment when your character withdraw | :19:50. | :20:01. | |
the money. Where's my money? We cannot tell you. There is two | :20:02. | :20:08. | |
federal agency which means you would not take the chance so if you don't | :20:09. | :20:14. | |
produce it immediately I will walk in the lobby and we will see how | :20:15. | :20:21. | |
long it takes to go viral. If I put all 700 million dollars into a hot | :20:22. | :20:26. | |
tub, get naked and play Scrooge Macduff that is what is my business. | :20:27. | :20:38. | |
Where's my money. Thank you. Jason, there's a lot going on in the first | :20:39. | :20:41. | |
episode and you directed this particular one. There's ten | :20:42. | :20:48. | |
episodes. I directed the first two and the last two. How do you switch | :20:49. | :20:55. | |
to being the actor and then the director? It's not that complicated. | :20:56. | :21:03. | |
These dragonflies are up to much more complicated stuff. I've been | :21:04. | :21:08. | |
doing it for so long, I'm still comfortable doing it. I could see | :21:09. | :21:19. | |
the crane was drifting and I can sense it. You build up a periphery | :21:20. | :21:27. | |
you can incorporate. It's fun to take on more responsibility. And we | :21:28. | :21:37. | |
can all binge on it. Did you binge read? Was that why you chose it? The | :21:38. | :21:46. | |
first two were written and everybody had to base their decision on it to | :21:47. | :21:51. | |
come and get involved. Once they said OK then we had to write the | :21:52. | :21:58. | |
other eight. It is like a ten chapter film. It's one story with a | :21:59. | :22:06. | |
beginning and an end. That allows you to take a different sort of | :22:07. | :22:10. | |
pacing with every piece and you leave little breadcrumbs across the | :22:11. | :22:18. | |
way and you hope it is satisfying as opposed to having typical episodes. | :22:19. | :22:31. | |
How many can you watch every night? I think you can do for Mac. It | :22:32. | :22:42. | |
depends what you are drinking. It starts on the 21st of July on net | :22:43. | :22:50. | |
flicks. It is always nice to start the week with some congratulations. | :22:51. | :23:00. | |
The wedding photos can be added to another photograph which means a lot | :23:01. | :23:03. | |
to them. Here they are trying to recreate it. I knew that we were | :23:04. | :23:12. | |
each other's port in a storm. As you can see, we've only just met and I | :23:13. | :23:17. | |
moved in on him. This is Jeff, my partner. As soon as I saw his flat I | :23:18. | :23:28. | |
thought, this is very nice. It was like the great escape in reverse. I | :23:29. | :23:33. | |
brought my stuff in little bits by little bit. I started with the make | :23:34. | :23:37. | |
up bag then a spare pair of knickers. This is 1983. I was a | :23:38. | :23:47. | |
field actress and I'd started performing punk poetry. I was a bit | :23:48. | :23:55. | |
lost. I'd had an eating disorder. London is so hard when you've not | :23:56. | :24:06. | |
got your footing in it. It had all fallen apart and suddenly Jenny | :24:07. | :24:16. | |
arrived in my life. I saw him tinkering with his Porsche. I needed | :24:17. | :24:25. | |
somebody to put the fruit on the accelerator. Jeff spent the first | :24:26. | :24:29. | |
six months offering to run me back to the bus stop. It was very much | :24:30. | :24:37. | |
MySpace, these alien things arrived. That was when I realised she was | :24:38. | :24:45. | |
about to stay. There was a moment when my daughter stood here and the | :24:46. | :24:52. | |
juxtaposition of me in this photograph had her and I thought, | :24:53. | :25:02. | |
that's weird. It was like home did that. It has been 26 years since we | :25:03. | :25:11. | |
were in this flat. It's quite exciting thinking we are going to | :25:12. | :25:17. | |
have the keys and let ourselves in. Do you recognise it? I don't. Did | :25:18. | :25:22. | |
you live in the middle? Come on home. I recognise that failing, the | :25:23. | :25:31. | |
lino that you put down. They've knocked through to the kitchen. | :25:32. | :25:37. | |
That's a good idea. The bones they are the same. I can't believe you | :25:38. | :25:47. | |
had this entire place. It was the 80s, you had everything. Before you | :25:48. | :25:53. | |
were born it was his study. It was my bachelor pad. Terribly familiar. | :25:54. | :26:02. | |
It is as if we were here three days ago. It is so different. Obviously | :26:03. | :26:10. | |
our work will not be done here. Great picture. Uncanny similarity | :26:11. | :26:30. | |
between Jenny and her daughter. The 4th of July tomorrow. What would you | :26:31. | :26:37. | |
be doing? They are here with me. We are going to Wimbledon. I'm very | :26:38. | :26:42. | |
excited to see that. It's not a big holiday here. Well Mac it is not. We | :26:43. | :26:49. | |
can give you your moment. Wimbledon is a good way to celebrate. Thanks. | :26:50. | :27:02. | |
To Jason. It will be on Wembley soon. Tomorrow will be chatting to | :27:03. | :27:10. | |
Colm Meaney. And we end with a tribute to Barry Norman. The | :27:11. | :27:13. | |
legendary film critic sadly passed away on Friday aged 83. Mac we have | :27:14. | :27:21. | |
Dave Arch from strictly at the piano to play us out with a familiar tune. | :27:22. | :27:31. | |
MUSIC: WISH I KNEW HOW IT FEELS TO BE FREE | :27:32. | :27:43. | |
It's a picture that has been attended by so much hype that I | :27:44. | :27:48. | |
sometimes think I must have been reading about it all my life. Sadly, | :27:49. | :27:55. | |
he did not win the Best actor prize. One trophy he won't have to polish. | :27:56. | :28:01. | |
The parts don't look at small to me. You must have been 15 when that was | :28:02. | :28:05. | |
made. 15-year-olds are not what they were. You're glamorising such | :28:06. | :28:16. | |
people, a murderer, a crook. The gangster has always been glamorised. | :28:17. | :28:21. | |
You were left with the impression there was a more thoughtful film | :28:22. | :28:24. | |
here but at some point the mice got at it. Now it's OK, you can let the | :28:25. | :28:31. | |
tears flowed unchecked. I will probably shed a couple myself as we | :28:32. | :28:40. | |
bow out to the accompaniment of Billy Taylor and the best theme tune | :28:41. | :28:41. | |
on television. You only see really see the true | :28:42. | :29:08. | |
face of the Whoniverse | :29:09. | :29:19. |