Browse content similar to 03/09/2012. Check below for episodes and series from the same categories and more!
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Hello, welcome to The One Show with Alex Jones... And Matt Baker. We | :00:19. | :00:23. | |
are joined by a man who fully admits having a dog's life, and he | :00:23. | :00:29. | |
could not be happier. With him, some of our weekend medal winners. | :00:29. | :00:39. | |
:00:39. | :00:44. | ||
Please welcome Paul O'Grady and our I haven't won a medal. Can I just | :00:44. | :00:49. | |
say? I cannot run for the bus! must be pleased to be here. You | :00:49. | :00:53. | |
prefer the Paralympics? When I watch it, I forget about any | :00:53. | :00:58. | |
disability, it is about ability, not disability. It proves that | :00:58. | :01:05. | |
there is no such thing as cannot. It is amazing to watch. First, we | :01:05. | :01:08. | |
will head over to the Olympic Park, where Baroness Tanni Grey-Thompson | :01:08. | :01:13. | |
has been watching the medals coming in. We will start with Ellie | :01:13. | :01:17. | |
Simmonds? She had a brilliant afternoon. She won yet another gold | :01:17. | :01:22. | |
medal. It's amazing from seeing her this morning, when she got out of | :01:22. | :01:26. | |
the swimming pool, she said, what time was it? It was quicker. Then | :01:26. | :01:30. | |
going to winning tonight. There was so much pressure on her. It's easy | :01:30. | :01:34. | |
to forget she is still a teenager. She was 13 in Beijing. You think | :01:34. | :01:38. | |
that she has been in the sport forever. But she has not. She has | :01:38. | :01:45. | |
plenty more years to come. What about Lee Pearson? He had a chance | :01:45. | :01:51. | |
to match your medal tally? He got a bronze medal today. He's won a team | :01:51. | :01:55. | |
gold medal, and individual silver medal and a bronze medal. He's a | :01:55. | :01:58. | |
really good friend of mine and I wanted him to come here and when | :01:59. | :02:02. | |
Margaret three gold medals. It's tough, when you are beaten. But | :02:02. | :02:06. | |
he's been amazing, very magnanimous. He's been very kind and said he has | :02:06. | :02:11. | |
been beaten by better people on the day. I think it shows where | :02:11. | :02:15. | |
equestrian has got to. A few years ago, they were riding on borrowed | :02:15. | :02:20. | |
horses. Now every one of them is a thoroughbred. What about the latest | :02:21. | :02:25. | |
news with Oscar Pistorius and his complaint? He basically apologised | :02:26. | :02:30. | |
for the timing of his complaint, didn't he? Not what he actually | :02:30. | :02:38. | |
said? Yes, he was beaten in the 200 metres final, right on the line, by | :02:38. | :02:42. | |
the Brazilian Alan Oliveira. In the post-race interviews he said it was | :02:42. | :02:46. | |
not fair, that he has Longo legs, he is four inches taller than he | :02:46. | :02:51. | |
should be. -- longer legs. He has been petitioning the are you see to | :02:51. | :02:55. | |
get the rules changed. It's quite difficult. They have a maximum | :02:55. | :03:00. | |
height that each athlete is allowed to Dave. They were measured and the | :03:00. | :03:03. | |
IPC came out and said that he was completely within the rules, he has | :03:03. | :03:09. | |
not done anything wrong. When Oscar Pistorius wanted to run the | :03:09. | :03:13. | |
Olympics, he had to decide the length he wanted to use. He had to | :03:13. | :03:16. | |
pick a fairly standard height and went through the testing process. | :03:16. | :03:21. | |
He says if he wants to change the length of his legs, he has to go | :03:21. | :03:24. | |
back through the testing process and will not necessarily be allowed | :03:25. | :03:32. | |
to run mainstream again. Alan Oliveira has gone through the | :03:32. | :03:36. | |
testing, Oscar has disadvantaged himself in a way by going through | :03:36. | :03:41. | |
the rules to get into the Olympics. If he ran close to his personal | :03:41. | :03:44. | |
best, he would have beaten him. He was not on the best of form last | :03:44. | :03:48. | |
night. I think it is the emotion of the race, coming off the track he | :03:48. | :03:52. | |
felt very upset and felt it was important to say those things. The | :03:52. | :03:57. | |
IPC, very carefully, are pushing those issues away. They are going | :03:57. | :04:01. | |
to discuss it after the Games. But we could see a rule change. Very | :04:01. | :04:06. | |
quickly, for the rest of the week, who should we be looking out for? | :04:06. | :04:11. | |
In athletics, Dave Weir. He's in superb form and he's got three more | :04:11. | :04:18. | |
races. He could win another three gold medals. Thank you for keeping | :04:19. | :04:25. | |
us up to date. Let's introduced the medallists. Tandem cyclists | :04:25. | :04:32. | |
Anthoney and Craig, and the rowers, Naomi, Lily, David and James. David, | :04:33. | :04:38. | |
you were Team GB's last hope for in medal on the water. Did that put | :04:38. | :04:46. | |
extra pressure on you? Not really. We knew Tom's result. We heard it | :04:46. | :04:50. | |
coming over the Tannoy. We had a race plan, we trained all winter | :04:50. | :04:54. | |
for it and we focused on what we needed to do. We executed it and we | :04:54. | :05:01. | |
did not let anything else affect us. Naomi, James, you are visually | :05:01. | :05:07. | |
impaired. What was it like when you crossed the line? Is it really | :05:07. | :05:13. | |
something? It really is a roar. I had to ask to clarify we had won. I | :05:13. | :05:17. | |
wasn't entirely sure. It's the most incredible feeling. It only came | :05:17. | :05:22. | |
home to me when I heard somebody on the press pontoon say, Paralympic | :05:22. | :05:28. | |
champion. I thought, that is us, wow. Was it hard for you to | :05:28. | :05:31. | |
communicate to them? It was almost like they didn't really need a cox. | :05:31. | :05:36. | |
The crowd were doing my job for me. They were so loud. It clearly | :05:36. | :05:41. | |
worked. Legacy is the word of the moment since the Olympics and after | :05:41. | :05:44. | |
the Paralympics. We have all learned a great deal about his | :05:44. | :05:49. | |
ability, especially over the last week and a half. Do you think the | :05:49. | :05:54. | |
change in attitude will go on after the Games? Automatic, we will have | :05:54. | :05:57. | |
to wait and see. Paralympic sport is a bit different. -- ultimately | :05:57. | :06:02. | |
we will have to wait and see. I'm pretty confident that these guys | :06:02. | :06:05. | |
compete, and when they compete their disability is neither here | :06:05. | :06:09. | |
nor there. It doesn't matter. People that are not disabled will | :06:09. | :06:14. | |
probably not be able to relate to that. Disabilities are they on the | :06:14. | :06:18. | |
surface, people see and they relate to what they do see. I think it | :06:18. | :06:22. | |
will. You know, nobody can ignore what has been going on. Ultimately, | :06:22. | :06:27. | |
we will have to wait and see. you think it has made a difference | :06:27. | :06:33. | |
with it being a home games? With it not being abroad, there is more | :06:33. | :06:38. | |
ownership? There is a culture thing as well. The British are open to | :06:38. | :06:42. | |
have stuff. Other countries can hide disability, they do not like | :06:42. | :06:46. | |
disability. Well, nobody particularly likes disability. We | :06:46. | :06:49. | |
are open to the fact that it happens and it is there. It is | :06:49. | :06:54. | |
something you have to having your culture. Your faces on our | :06:54. | :06:58. | |
wonderful medal tally that we have over here. We have the game's | :06:58. | :07:06. | |
makers, Chris, Anne and Paula. They are a family, living together in | :07:06. | :07:11. | |
Paula's house. You have the latest face, Ellie Simmonds, to go on the | :07:11. | :07:16. | |
gold medal? I have Ellie Simmonds, her second gold medal of the | :07:16. | :07:21. | |
Olympics, for the women's 200 metre medley. And it was a world record. | :07:21. | :07:29. | |
Brilliant! Round of applause! And a big thank you to all of our | :07:29. | :07:35. | |
Paralympic champions. Brilliant. We are changing tack completely now. | :07:35. | :07:40. | |
love that girl, Ellie Simmonds. She is fabulous. You were saying that | :07:40. | :07:44. | |
you had learned to swim just a few years back? 10 years ago, I taught | :07:44. | :07:49. | |
myself. Are you teaching your grandchildren? No! I can hardly do | :07:49. | :07:55. | |
it myself! I get in it and I am like an old crocodile. I slide down | :07:55. | :08:01. | |
and back. I don't think you can even call it swimming. You had two | :08:01. | :08:07. | |
grandchildren. What type of grandfather are you? Of a morning, | :08:07. | :08:13. | |
I am Uncle Silas, pretty mean. Come afternoon, Mary Poppins. They know | :08:13. | :08:18. | |
in the morning, don't bother him. I don't get out of bed, I slither. I | :08:18. | :08:23. | |
come down and the pans are on the floor and I go mad. Put that back! | :08:23. | :08:27. | |
In the afternoon, they can do what they want, I'm not bothered. More | :08:27. | :08:31. | |
and more grandparents are taking on childcare duties. It's no surprise | :08:31. | :08:36. | |
that it can lead to disagreements on how best to bring up baby. | :08:36. | :08:40. | |
Imagine if you were about to give birth and your mother was Esther | :08:40. | :08:45. | |
Rantzen. You would stay in! I've reached a very important | :08:45. | :08:49. | |
milestone in my life. I'm joining a fabulous club with 14 million other | :08:49. | :08:53. | |
members in Britain, with the arrival of my first grandchild. But | :08:53. | :09:00. | |
how will that change my life? I hope that I will be as mischievous | :09:00. | :09:05. | |
as my grandmother was. I think that relationship, Grand trialled and | :09:05. | :09:15. | |
:09:15. | :09:18. | ||
grandmother is so lovely, when it I'm not sure how I feel about my | :09:18. | :09:23. | |
impending grandmother status. I first got pregnant and I told her, | :09:23. | :09:26. | |
she was really excited and happy. Quite soon afterwards she said she | :09:26. | :09:31. | |
did not want to be called Granny. She said, I'm not a granny, I'm at | :09:31. | :09:38. | |
glamorous. I cannot share with Becca the fact that I am nervous. I | :09:38. | :09:42. | |
don't want to make her nervous. Things can go wrong it. But if | :09:42. | :09:45. | |
things go sailing through beautifully and we have this | :09:45. | :09:51. | |
wonderful new baby, that would be terrific. Like me, Becca works in | :09:51. | :09:56. | |
television. A long, irregular hours can be really tough for a working | :09:56. | :10:02. | |
mother. In the 80s, I often took my children into work with me. Who is | :10:02. | :10:06. | |
that? Emily and my baby Rebecca, nine months old. | :10:06. | :10:10. | |
She will not be able to do that, she will need to find someone else | :10:10. | :10:13. | |
to look after her baby when she is at work. It's actually the case | :10:14. | :10:17. | |
that one in four Working families is forced to rely on grandparents | :10:18. | :10:24. | |
for an estimated �3.9 billion with of child care. But what happens if | :10:24. | :10:28. | |
granny does not see eye-to-eye on how to raise the baby? As you might | :10:28. | :10:37. | |
have guessed, I have strong opinions. You need to practise how | :10:37. | :10:43. | |
to swaddle. Do you know how to? know how anti-swaddle and I am? | :10:43. | :10:52. | |
Why?! Baby's hands, they explore the world with them. Not when they | :10:52. | :10:57. | |
are asleep! I think it's a disgrace. While the idea of being a | :10:57. | :10:59. | |
mischievous granny appeals to me, I'm not very good at biting my | :10:59. | :11:03. | |
tongue. It's time for some advice from my closest friends, POW | :11:03. | :11:09. | |
Mianzhu, who already have nine grandchildren between them. -- POW | :11:09. | :11:18. | |
Is it like this? Chaos every time of grandchildren around? It starts | :11:18. | :11:26. | |
slowly. By the time they go, it's like a tornado has hit. Did you | :11:26. | :11:33. | |
allow your own children to do this? You know the old saying, if you | :11:33. | :11:39. | |
knew how good grandchildren were, you would have started with them. | :11:39. | :11:43. | |
They arrive clean and tidy, they are up for it, they are excited, | :11:43. | :11:48. | |
and when they are tired and revolting, you give them back. | :11:49. | :11:58. | |
had a disagreement. Swaddling. happens is the baby gets out. | :11:58. | :12:02. | |
literally for two weeks, if that. But you cannot interfere. You can | :12:02. | :12:07. | |
give advice. It's very difficult, to be honest, not to say, I would | :12:07. | :12:12. | |
do this. She's right, especially as my daughter has some interesting | :12:12. | :12:15. | |
ideas of her around. When you wanted to be fed, you were fed, no | :12:15. | :12:19. | |
matter what time it was. I was thinking of going by the clock, | :12:19. | :12:27. | |
every three hours. Bloody hell, you're not serious? I will not give | :12:27. | :12:32. | |
you any advice, I will stand by... Bloody hell! What do you mean that | :12:32. | :12:37. | |
you will do that? Right, every three hours. I can always adjust | :12:37. | :12:41. | |
the clock. You are going to be a nightmare, I've got to take your | :12:41. | :12:46. | |
keys away. Don't worry, I have several spare sets. I think he will | :12:46. | :12:50. | |
be the most fun, the most naughty granny that has ever existed. I | :12:51. | :12:55. | |
don't think you will change nappies or help me with the night feeding. | :12:56. | :12:59. | |
I don't think you will be very practical. But I think you will | :12:59. | :13:05. | |
make them very happy. Sounds good to me. I like that deal. I know you | :13:05. | :13:14. | |
So, did she get stuck in and change nappies? Has she swaddled her baby? | :13:14. | :13:20. | |
Was it a boy or girl? We can answer that right now. Joining Paul R S | :13:20. | :13:30. | |
:13:30. | :13:32. | ||
I just offered my services as the new nanny. It's like Billie | :13:32. | :13:42. | |
How many times did you say in the past five weeks, I would not do it | :13:42. | :13:49. | |
like that? I have managed to hold us back, haven't I? Sometimes, my | :13:49. | :13:54. | |
face tells its own story. Company Matra's is telling the story. | :13:54. | :13:58. | |
don't say to do it this way and that way? You do not say it, but it | :13:58. | :14:04. | |
is there. I go, that crying means that he needs feeding. That is what | :14:04. | :14:14. | |
he is trying to do now. She says, no, he needs a cuddle from granny. | :14:14. | :14:20. | |
I think he needs a couple from his nanny! He is just wonderful. This | :14:20. | :14:24. | |
is the problem with new babies, everybody wants a cuddle. Benjamin, | :14:24. | :14:28. | |
it is going to be like this all your life. You are going to be the | :14:28. | :14:33. | |
most lovable, beautiful boy. Remember that I said that when you | :14:33. | :14:43. | |
:14:43. | :14:43. | ||
are 16. When he puts your football through the window! Swaddling, she | :14:43. | :14:48. | |
is so pleased with herself because he absolutely hates it. Some babies | :14:48. | :14:52. | |
really like it. I don't think it is the dramatic torture that she | :14:52. | :14:57. | |
claims it is. What about feeding? When he is hungry or every three | :14:57. | :15:02. | |
hours? When he is hungry. Which averages every three hours. We both | :15:02. | :15:11. | |
win. Fun and games around them! thing that you were concerned about | :15:11. | :15:14. | |
is the whole grandfather thing. It's just the title, grandfather. | :15:14. | :15:21. | |
It's like widow, spinster, it pigeonholes people. Grandfather, I | :15:21. | :15:26. | |
just thought about this old man in the Alps, with a beard, yodelling. | :15:26. | :15:36. | |
:15:36. | :15:47. | ||
I think I am more Catherine Tate's What are you going for? I think he | :15:47. | :15:52. | |
will choose. That's what tends to happen with grandchildren. I keep | :15:52. | :15:56. | |
referring to her as granny and biting it back. I think he will be | :15:56. | :16:01. | |
confused. It will be granny, no Esther, no mum. It's lovely to see | :16:01. | :16:06. | |
you all. Thank you, I consider this your baby. You followed us right | :16:06. | :16:12. | |
the way there. You were nearly there in the labour ward. Is there | :16:12. | :16:18. | |
something you want to tell us? I mean a One Show baby! What are | :16:18. | :16:21. | |
you implying here on live television. Was gone on. You're in | :16:21. | :16:28. | |
trouble when you get home. This is not the Jeremy Kyle show. Let's | :16:28. | :16:36. | |
move on. Like many women becka can last minute nesting. She did retile | :16:36. | :16:40. | |
the kitchen. Miranda Krestovnikoff - I can't speak now - is in | :16:40. | :16:50. | |
:16:50. | :16:50. | ||
Worcester on the trail of a skilled little beagle. | :16:50. | :16:54. | |
The Aspen tree is named because of the way its leaves flutter in the | :16:54. | :17:01. | |
breeze. Despite being admired for their beauty, Aspen trees vai much | :17:01. | :17:05. | |
more important role to play. They form an intriguing relationship | :17:05. | :17:11. | |
with a tiny and colourful beetle called the leaf rolling weavil. | :17:11. | :17:17. | |
It's just four mm long and has an iridescent coppery red and bright | :17:17. | :17:21. | |
green body. They favour the young Aspen, only a couple of metres tall | :17:21. | :17:26. | |
and in direct sunlight. Becoming most active for just a few weeks in | :17:26. | :17:31. | |
early summer, they're responsible for some unusual craftsmanship. I | :17:31. | :17:35. | |
hope that James hitch cock from the Worcester Wildlife Trust can find | :17:35. | :17:39. | |
them in action. That looks like a good candidate. That looks like | :17:39. | :17:46. | |
it's just been done. It does. of these leave rolls is known as a | :17:46. | :17:50. | |
nidus. Delicately crafted to house between one and four of their | :17:50. | :17:55. | |
precious eggs. That was made what a day or two ago, it's still attached. | :17:55. | :17:58. | |
It could have been a day. But they have been out for about ten days | :17:58. | :18:03. | |
now. That is perfect. Beautifully rolled, so neat as well. Now I know | :18:03. | :18:09. | |
what I'm looking for. Let's see if we can find another one. The | :18:09. | :18:15. | |
weavils in the sunshine just glimmer like little jewels. Oh, | :18:15. | :18:21. | |
there's a weavil right here. That is just amazing. These two working | :18:21. | :18:26. | |
together as a team. They obviously like it in the mid. Day when it's | :18:26. | :18:29. | |
sunny. The temperature plays a big part in their activity levels. As | :18:29. | :18:33. | |
it gets warmer the insects are more and more active. That's why they | :18:33. | :18:36. | |
choose these suckers because there's good microclimate here, | :18:36. | :18:42. | |
nice and low down and sheltered and in a good, sunny spots. The weavils | :18:42. | :18:46. | |
choose young, Supple leaves to roll. By biting through the top of the | :18:46. | :18:49. | |
leaf, they cut off supplies from the plant, eventually causing the | :18:49. | :18:56. | |
leaf to dry up and die. Then, using her legs, she pulls the edges in, | :18:56. | :19:02. | |
laying eggs as she goes, sealing with sticky secretions, she rolls | :19:02. | :19:07. | |
the leave until it's fully coiled and her eggs are safe and secure. | :19:07. | :19:09. | |
They're charming. Such beautiful They're charming. Such beautiful | :19:09. | :19:14. | |
insects. They look charismatic. Then they do this amazing thing as | :19:14. | :19:21. | |
well. It's well worth a close look. They are a fantastic little beasty. | :19:21. | :19:25. | |
The males will occasionally assist the fee males in rolling the leaf. | :19:25. | :19:29. | |
Competition is intense and the male will often defend the female from | :19:29. | :19:34. | |
others by engaging in fierce battles, involving violent head-to- | :19:34. | :19:39. | |
head wrestling. A successful roll will fall to the ground where the | :19:39. | :19:42. | |
eggs hatch to become the next generation. Throughout their short | :19:42. | :19:45. | |
lifetime the adults will continue to mate with one another and in | :19:45. | :19:49. | |
turn create up to 30 different rolls. Here it's a real success | :19:49. | :19:54. | |
story. What's the picture around the country? Worcestershire is a | :19:54. | :19:58. | |
hot spot. We have four sites now within the county. But nationwide, | :19:58. | :20:03. | |
there are about 12 sites now. Not doing so good. Over the last ten | :20:03. | :20:10. | |
years, the beetle has declined. It's now to a point where it's | :20:10. | :20:15. | |
considered a conservation priority species. These weavils are | :20:16. | :20:20. | |
indicators of healthy woodlands. Their intripbsic relationship with | :20:20. | :20:26. | |
Aspen is vital to their survival. By committing their lives to | :20:26. | :20:29. | |
rolling these delicate packages, they have become the ultimate | :20:29. | :20:34. | |
masters of their craft. I find it fascinating that such a | :20:34. | :20:40. | |
tiny beetle will go to such lengths to protect her eggs. I hope that by | :20:40. | :20:44. | |
managing these special woodlands our native Aspen will establish new | :20:44. | :20:54. | |
populations of this fascinating Aren't they pretty! Could you love | :20:54. | :20:59. | |
a weavil, Paul? Probably, yeah. course. Overnight I'd develop a | :20:59. | :21:03. | |
very close relationship, I could see it. I'm always putting things | :21:03. | :21:08. | |
out the window you know, spiders. Didn't you get a grasshopper in | :21:08. | :21:14. | |
your bed rl. I have a cricket. At first I would go in the bedroom and | :21:14. | :21:19. | |
it would leap out. I'm used to him now. I'm always at the dogs, "Leave | :21:19. | :21:26. | |
him alone." He's like jimminy cricket. You have a new series that | :21:26. | :21:31. | |
starts tonight over on ITV. For The Love Of Dogs. You are going behind- | :21:31. | :21:35. | |
the-scenes at Battersea dogs and cats home. Let's look at one of the | :21:35. | :21:39. | |
short-term loves of your life that you have while you're there. Roll | :21:39. | :21:44. | |
up and see the beautiful boxer folks. He slobbers, drools, moults, | :21:44. | :21:50. | |
he looks like the back end of a bus and a bit of flatulence. He's just | :21:50. | :21:53. | |
my type. Carmine was brought in because he was too big and | :21:53. | :21:58. | |
boisterous for his old owners. Here's my Carmine, hey. Why haven't | :21:58. | :22:04. | |
you been snapped up a glamour pus like you? Paw. Other paw. High five. | :22:04. | :22:11. | |
Good boy. Do you like other dogs? Do you like company? There would be | :22:11. | :22:15. | |
murder if I turned up with another dog. I know, I know, I shouldn't | :22:15. | :22:19. | |
have favourites, but I can't help it. I'm in love. Aren't you, | :22:19. | :22:22. | |
beautiful boy. Do you think I could sneak him home? | :22:22. | :22:27. | |
APPLAUSE That's the main problem, wanting to | :22:27. | :22:32. | |
take the dogs home. You did break yourself imposed ban in the end. | :22:32. | :22:36. | |
Carmine I would have taken like. That my three, if I bring a big dog | :22:36. | :22:41. | |
in, olga in particular would probably freak and pack her bone | :22:41. | :22:45. | |
and leave home. A puppy they'll accept. I thought I was going on | :22:45. | :22:53. | |
tour, otherwise Carmine, otherwise he would be in the kitchen. That's | :22:53. | :23:00. | |
Eddie. A little chi wow wau what left tied to the gate. She gave | :23:00. | :23:04. | |
birth to this litter. I went back at the end of the series and | :23:04. | :23:09. | |
they've all got homes. He said no, this Rhyl one hasn't. I said oh, go | :23:09. | :23:14. | |
on. He's fabulous, Eddie. How's he settling in? They all love him. | :23:14. | :23:19. | |
Because Olga has a mothering instinct. Look at him! He thinks | :23:19. | :23:24. | |
he's a Rottweiler. He goes up and takes food off the others, bones | :23:24. | :23:30. | |
off them, balls off them and they back off. And he's fiercely loyal. | :23:30. | :23:35. | |
He's probably the loyalest dog after Buster I've ever had. He's a | :23:35. | :23:39. | |
cracking dog. You are busy at the moment. You're doing another series | :23:39. | :23:43. | |
for BBC and is it your third autobiography. Yes the third. It's | :23:43. | :23:48. | |
like Lord of the Rings. I can't stop. What's it's called? Still | :23:48. | :23:53. | |
Standing. After you've read it, you'll think "I'm surprised he is." | :23:53. | :23:58. | |
Is it true Janice long helped you? I wait until everybody has gone to | :23:58. | :24:02. | |
bed. I'm like a vampire. Janice kept me company all the way through. | :24:02. | :24:06. | |
It It's the only time you've got time. This is it. The mind is clear | :24:06. | :24:12. | |
and the phone's not going. With my two fingers on the laptop. Great, | :24:12. | :24:16. | |
well Paul's For The Love Of Dogs starts tonight at 8pm on ITV1. And | :24:16. | :24:21. | |
the book is out on October 11. Everybody loves a wedding. Isn't | :24:21. | :24:25. | |
that right? No, I hate them. I don't mind a good funeral but I | :24:25. | :24:31. | |
can't bear weddings. Enforced joviality and kids in bridesmaids' | :24:31. | :24:35. | |
frocks, posing for photos every ten seconds and buying presents they | :24:35. | :24:41. | |
don't want. You have to trek miles and stay in a Laosy B&B. All right! | :24:41. | :24:46. | |
No I don't. Don't invite me to your wedding. | :24:46. | :24:51. | |
Your funeral you'll turn up. Don't invite Paul. For those of us who do | :24:51. | :24:56. | |
like a wedding, here's how to capture the moment perfectly. | :24:56. | :25:01. | |
Weddings, for those involved having great photos of the big day is | :25:01. | :25:04. | |
vitally important. So, we get professionals in to dot job, but | :25:04. | :25:10. | |
what is it that makes their photos of your big day look more, well | :25:10. | :25:14. | |
professional than uncle Bob's snaps. Sean is one of the best wedding | :25:14. | :25:18. | |
photographers in the business. look for the light and the emotion | :25:18. | :25:22. | |
and interaction between people and we can do it with a smartphone or | :25:22. | :25:25. | |
compact camera. Today I'm riding shot gun to watch him at work. | :25:25. | :25:30. | |
First, Peter, the nervous groom. Sean finds a spot where he can | :25:30. | :25:36. | |
control the light. How come you've closed the curtains? I want just a | :25:36. | :25:39. | |
definition between the light on his face here and shadow on this side. | :25:39. | :25:46. | |
By closing them, I reduce the light ever so slightly. | :25:46. | :25:50. | |
The narrow shaft of light draws the eye to Peter with the background | :25:50. | :25:56. | |
receding into relative darkness. Next, a group shot with Peter's | :25:56. | :25:59. | |
mates. Can you rest like that. That's good. We're trying to break | :25:59. | :26:03. | |
up the lines. We don't want them in a straight line, hands in pockets | :26:03. | :26:08. | |
looking normal. We want to keep a diamond formation. The shot is | :26:08. | :26:11. | |
posed but it appears completely natural. The hall mark of a real | :26:11. | :26:17. | |
pro. It's all go. We have less than an hour to photograph Laura, the | :26:17. | :26:21. | |
bride, getting into her dress. bride into the dress is something | :26:21. | :26:25. | |
that a lot of girls dream of from an early age. It's a key moment to | :26:25. | :26:32. | |
get. It's the details that are important. Like the lacing of the | :26:32. | :26:37. | |
corset. We're going to get really nice portraits of Laura. What I can | :26:37. | :26:42. | |
see now is what Peter will see when he walks down the aisle. I want him | :26:42. | :26:45. | |
to remember that both in his mind and in photograph. Sean controls | :26:45. | :26:51. | |
the light by drawing the curtains. To prove this works just as well on | :26:51. | :26:58. | |
a camera phone... Sean is constantly looking for unusual | :26:58. | :27:03. | |
angles. And using devices like reflections to get something | :27:03. | :27:11. | |
different. In the ceremony itself, Sean makes | :27:11. | :27:21. | |
:27:21. | :27:23. | ||
sure he gets all the important After the service, Sean has the | :27:23. | :27:27. | |
couple to himself. This walk allows for lovely intimate shots in a | :27:27. | :27:35. | |
stunning environment. He's constantly directing the couple. | :27:35. | :27:41. | |
up there, practice your first dance for me. Oh, no. That's perfect. | :27:41. | :27:51. | |
:27:51. | :27:52. | ||
This is an Aprilure in the gate giving lovely framing for nice | :27:52. | :27:58. | |
moments of the two of them. When the conditions take a turn for | :27:58. | :28:02. | |
the worst, he turn it's into an opportunity. It's horrible, it's | :28:02. | :28:05. | |
pouring down, but getting them running through the rain is just | :28:05. | :28:12. | |
fantastic. Formal group shots can be | :28:12. | :28:17. | |
challenging. People tend to line up stiffly and it's hard work getting | :28:17. | :28:23. | |
them relaxed. The boys think it's a free kick. Put your hands behind | :28:23. | :28:29. | |
your backs. Turn in as well. We're going to have everybody turn two | :28:29. | :28:33. | |
thirds in. It's more flattering. It brings everyone together and looks | :28:33. | :28:36. | |
like a family. If you stand people normally, they stand about this far | :28:36. | :28:43. | |
apart, even the two that just got married. In the late evening, when | :28:43. | :28:47. | |
things get more informal, Sean gets the shots that make a wedding a | :28:47. | :28:50. | |
wedding. If there's one thing I've learned about wedding photography | :28:51. | :28:54. | |
today it's that you can't afford to hang around on the outside looking | :28:54. | :28:57. | |
in. You have to be right in the middle of things, in the action, | :28:57. | :29:00. | |
seeing potential photographs and making them happen. Sean did make | :29:00. | :29:05. | |
it happen. This is a set of photographs that will be treasured | :29:05. | :29:09. | |
photographs that will be treasured for a lifetime. | :29:09. | :29:12. | |
That one's lovely. Great film. So many tips. That tip about | :29:12. | :29:16. | |
pretending to dance. And the curtains. Yeah. There you are. Next | :29:16. | :29:21. | |
time you go. It still hasn't moved me though. I just see him as a | :29:21. | :29:24. |