Browse content similar to 03/11/2017. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello. Welcome to the one show with
Amol Rajan. And Alex Jones. Our | 0:00:19 | 0:00:25 | |
guests tonight are... Hang on, they
should be here by now. Ah, there | 0:00:25 | 0:00:30 | |
they are! Please welcome the stars
of the new Star Trek series, Jason | 0:00:30 | 0:00:37 | |
Isaacs and Sonequa Martin-Green!
APPLAUSE | 0:00:37 | 0:00:38 | |
Welcome both. Just like that. Have
you got used to being beamed around? | 0:00:38 | 0:00:44 | |
It's all right. You have to wear
special underwear, we're good. | 0:00:44 | 0:00:48 | |
Steel. I bet you've done that a few
times. We're going to talk | 0:00:48 | 0:00:54 | |
everything Star Trek shortly. First
back to earth, it's fireworks night | 0:00:54 | 0:00:57 | |
on Sunday. Jason, we understand this
was quite a big thing in your | 0:00:57 | 0:01:01 | |
childhood. You did penny for the
guy. I was trying to explain it to | 0:01:01 | 0:01:07 | |
Sonequa. Couldn't make head or tail
about why we celebrate the person | 0:01:07 | 0:01:12 | |
who tried to blow up Parliament. We
celebrate the guy who failed. Got | 0:01:12 | 0:01:17 | |
it! You don't do this in the States
do you? We don't. I was really | 0:01:17 | 0:01:24 | |
excited about it. People used to
make horrible effigies and you give | 0:01:24 | 0:01:31 | |
money. What is the origin of the
tradition. Guy Fawkes, who looks a | 0:01:31 | 0:01:37 | |
lot like Game of Thrones at the
minute on telly. He tried to blow up | 0:01:37 | 0:01:47 | |
Parliament. But he failed. And we
make a bonfire for it. When I was | 0:01:47 | 0:01:57 | |
growing up, it used to be a time
when people were horribly burnt by | 0:01:57 | 0:02:02 | |
fireworks, made it taeshlly
exciting. We start the weekend with | 0:02:02 | 0:02:06 | |
a bang, Bryan Adams is here. He is
going to be performing, proper rock | 0:02:06 | 0:02:10 | |
royalty. He's going to be performing
Run to You at the end of the show. | 0:02:10 | 0:02:18 | |
Now then, do you consider yourself
an honest person? Well, I've been a | 0:02:18 | 0:02:23 | |
journalist for about 12 years so...
No! No. A survey this week has shed | 0:02:23 | 0:02:28 | |
a light on Britain's cheating ways.
Our own straight as a dye champion | 0:02:28 | 0:02:34 | |
of sportsmanship Iwan has been to
investigate. | 0:02:34 | 0:02:37 | |
Last week, American Phil Ivy lost 7.
£7.7 million in winnings after the | 0:02:37 | 0:02:41 | |
UK Supreme Court branded him a
cheat, due to his dishonest poker | 0:02:41 | 0:02:45 | |
playing at a London casino. But it
seems we too are a nation of cheats, | 0:02:45 | 0:02:50 | |
be it puzzles, board games or even
to further our career. Just over | 0:02:50 | 0:02:53 | |
half of Brits surveyed said they
would bend the rules if it | 0:02:53 | 0:02:56 | |
benefitted them. A pumpkin
competition? Really? Basically, | 0:02:56 | 0:03:04 | |
everyone in the village is given
some seeds by one of the locals. I | 0:03:04 | 0:03:09 | |
didn't plant the seeds. Didn't grow
a pumpkin. The day before, went to | 0:03:09 | 0:03:14 | |
the local supermarket, purchased the
biggest pumpkin I could find and it | 0:03:14 | 0:03:18 | |
wasn't until after the judging had
been done, picking it up and looking | 0:03:18 | 0:03:22 | |
at the pumpkins that I realised I'd
left the label on the bottom of it. | 0:03:22 | 0:03:27 | |
So I was collared, red handed. I've
come to newly acclaimed Hastings | 0:03:27 | 0:03:32 | |
peer to find out if we're really
that bad when it comes to cheating. | 0:03:32 | 0:03:36 | |
Cheating in an exam, I remember
having the answers written on my, | 0:03:36 | 0:03:41 | |
written in here, on my wrist. You go
in and do it and look like that. | 0:03:41 | 0:03:45 | |
Yeah, I definitely have done that. I
wouldn't like to cheat you, but if | 0:03:45 | 0:03:49 | |
there was something to be had and if
you were going to win something, I'd | 0:03:49 | 0:03:52 | |
like to win, it I'd do all I could
to win it. If cheating come into it, | 0:03:52 | 0:03:56 | |
I'd do it. It was in a pub quiz. You
open the phone on to someone at | 0:03:56 | 0:04:01 | |
home. They can hear the question and
then that person Googles the answer | 0:04:01 | 0:04:05 | |
and texts you. Why cheat then? I
think we were just having a laugh. | 0:04:05 | 0:04:10 | |
Have you ever cheated? Yes. It was
at a school fair. All the mums given | 0:04:10 | 0:04:15 | |
an empty paper plate. A sign on it
saying "bake something nice and | 0:04:15 | 0:04:19 | |
bring me in tomorrow". Had a couple
of glasses of wine with the girls, I | 0:04:19 | 0:04:23 | |
ran out of time. So bit of an
emergency stop off at the bakery, on | 0:04:23 | 0:04:27 | |
the way into school. Off with the
cling wrap, onto the plate. | 0:04:27 | 0:04:31 | |
Delivered it, as if it were my own.
What would you cheat on? I whiz | 0:04:31 | 0:04:36 | |
through the end of films. You whiz
through films? I've got no patience. | 0:04:36 | 0:04:40 | |
Was there a prize? There was a
prize. Did you win? I did win. This | 0:04:40 | 0:04:44 | |
is a good example you're leading
here. Not at all. Not in any way, | 0:04:44 | 0:04:48 | |
don't do this at home children, it's
very bad. Would you never cheat in | 0:04:48 | 0:04:52 | |
anything, a quiz? I do. Board games?
In a pub quiz. Naughty. I got the | 0:04:52 | 0:04:57 | |
phone out. Due win the quiz? No. You
still didn't win? We came last. Hang | 0:04:57 | 0:05:02 | |
on, you're not a very good cheat are
you? No, I'm not. So there's really | 0:05:02 | 0:05:08 | |
no shortage of confessions, I don't
fully understand what people get out | 0:05:08 | 0:05:11 | |
of cheating. We cheat to avoid a
punishment. We cheat to seek a | 0:05:11 | 0:05:16 | |
reward. I think most people would
lie generally if they feel that | 0:05:16 | 0:05:20 | |
they're not really hurting anyone.
There is an evolutionary element | 0:05:20 | 0:05:25 | |
insofar as animals have always
cheated. For example, they might | 0:05:25 | 0:05:28 | |
make themselves appear bigger to
scare off a predator or they might | 0:05:28 | 0:05:33 | |
make themselves appear more
attractive. That's exactly what | 0:05:33 | 0:05:37 | |
people do on social media. Robert
redford comes along and he asked to | 0:05:37 | 0:05:41 | |
take you to lunch and your husband
didn't hear this? I'd go for lunch. | 0:05:41 | 0:05:48 | |
It's all right. Cindy Crawford round
the corner. We asked you two before | 0:05:48 | 0:05:54 | |
the show whether you were cheaters.
You said, not at all, Sonequa. Never | 0:05:54 | 0:05:58 | |
cheat. Jason! You said you love to
cheat. Oh, my God. First of all, | 0:05:58 | 0:06:04 | |
we're both professional liars,
that's what we do for a living. | 0:06:04 | 0:06:08 | |
She's better than me because you
bought. It I don't think story | 0:06:08 | 0:06:11 | |
telling is lying. Because I'm so
competitive I cannot bring myself to | 0:06:11 | 0:06:15 | |
cheat. Come on.. I want to win.
That's so boring. Playing by the | 0:06:15 | 0:06:19 | |
rules. Cheating means you get to -
that's rubbish. Winning is | 0:06:19 | 0:06:23 | |
everything. Only losers Sehwag it's
the taking -- losers say it's the | 0:06:23 | 0:06:29 | |
taking part that counts. Off screen
she is the Queen Mum of the entire | 0:06:29 | 0:06:38 | |
game playing, except a game called
Mafia. She cannot be trusted at all. | 0:06:38 | 0:06:43 | |
She loses all the faith people have
for her. I'm out. We don't trust him | 0:06:43 | 0:06:48 | |
and we get him out. It's funny you
talk about morally ambiguous | 0:06:48 | 0:06:54 | |
characters, your character - the
captain - Very professional that. | 0:06:54 | 0:06:58 | |
You like that? Your captain in Star
Trek is the first time you have a | 0:06:58 | 0:07:03 | |
captain that is morally ambiguous.
What makes him that? He's trying to | 0:07:03 | 0:07:08 | |
win the war against the Klingons.
He's surrounded by a bunch of | 0:07:08 | 0:07:13 | |
hippies and idiots. In his words. I
need to stock the crew with people | 0:07:13 | 0:07:18 | |
like Sonequa who are prepared to
think outside the box. You play a | 0:07:18 | 0:07:23 | |
scientist called Michael Burnham,
it's not a man, it's a female. Yes. | 0:07:23 | 0:07:27 | |
How does this version relate to the
original Star Trek? Well, we relate, | 0:07:27 | 0:07:32 | |
we have the same connective tissue
that every reiteration has ever had. | 0:07:32 | 0:07:37 | |
They've placed my character in the
institution that is the family of | 0:07:37 | 0:07:44 | |
Spock. Spock is my surrogate
brother. That's a big vain | 0:07:44 | 0:07:49 | |
connecting the two of us. We're ten
years before the original series. We | 0:07:49 | 0:07:54 | |
have a blank slate to tell any story
we like. When we finish in ten | 0:07:54 | 0:07:58 | |
years' time, it's got to match up
with where that thing started in the | 0:07:58 | 0:08:01 | |
60s. You're the adopted sister of
Spock, who never knew he had a | 0:08:01 | 0:08:07 | |
sister. He would have been so happy
to know. Did he sit on the secret? | 0:08:07 | 0:08:12 | |
Definitely knew! There's a fair
amount of tension between your two | 0:08:12 | 0:08:16 | |
characters. This is the moment that
your character tries to persuade | 0:08:16 | 0:08:20 | |
Sonequa to join the crew. I'm not
who you think I am. Before I was a | 0:08:20 | 0:08:28 | |
newt near I was a first -- mute near
I was a first officer in star fleet. | 0:08:28 | 0:08:34 | |
I will never bear that rank or any
other again. But it is who I am. And | 0:08:34 | 0:08:39 | |
who I will always be. I know who you
are, Michael Burnham. I know exactly | 0:08:39 | 0:08:43 | |
who you are. I know you love being
right. I suspect you hate being | 0:08:43 | 0:08:53 | |
wrong even more.
APPLAUSE | 0:08:53 | 0:08:59 | |
I wouldn't trust you in a game at
Mafia after that game. That's | 0:08:59 | 0:09:03 | |
flirtation. You think! Massively. I
did suggest early on that I had a | 0:09:03 | 0:09:08 | |
terrible crush on her. They went,
she's so much younger than you. I | 0:09:08 | 0:09:12 | |
went... What? You're a big fan of
Star Trek as a child. How did it | 0:09:12 | 0:09:17 | |
feel stepping into this world for
you? Initially, when they said do | 0:09:17 | 0:09:21 | |
you want to be captain of star fleet
vessel, I said no, because I grew up | 0:09:21 | 0:09:27 | |
watching William Shatner swagger as
Captain Kirk. I had no interest of | 0:09:27 | 0:09:31 | |
being an echo of any of the great
captains before. But they told me | 0:09:31 | 0:09:34 | |
the story. This story is so of our
time. It's a single story, 15 hours, | 0:09:34 | 0:09:39 | |
serialised. We don't reboot to zero
every week. If somebody dies, you're | 0:09:39 | 0:09:44 | |
still upset the week after, unlike
the original. It felt like something | 0:09:44 | 0:09:47 | |
entirely different. I would never
have wanted to be anywhere near the | 0:09:47 | 0:09:50 | |
foot hills of that glory. Star Trek,
the original production was, if you | 0:09:50 | 0:09:57 | |
excuse the pun, all about pushing
boundaries. There was a character, | 0:09:57 | 0:10:01 | |
Uhura, played by Nichelle Nichols,
one of the first iconic black | 0:10:01 | 0:10:04 | |
actresses. What was it like for you
stepping into that tradition and | 0:10:04 | 0:10:08 | |
playing a lead? It's phenomenal and
overwhelming. I'm very humbled and | 0:10:08 | 0:10:13 | |
honoured by it. Nichelle Nichols
reached out to me after I got the | 0:10:13 | 0:10:17 | |
role. I met her at the premiere. She
told me to enjoy the moment because | 0:10:17 | 0:10:21 | |
it's mine now. Here it is. Wow.
Fantastic. My heart melted. It's a | 0:10:21 | 0:10:26 | |
really big deal. Every I rags of
Star Trek has pushed boundaries and | 0:10:26 | 0:10:30 | |
ours is doing the same. Very much
so. You've both been part of other | 0:10:30 | 0:10:34 | |
fantasy series. Harry Potter,
obviously, and Walking Dead with | 0:10:34 | 0:10:38 | |
you. What are the fans like, Star
Trek fans, in comparison to those | 0:10:38 | 0:10:43 | |
fans? They must be a lot more
extreme, right? They're quite vocal. | 0:10:43 | 0:10:50 | |
Everything that was done on film was
adored by everybody who had read any | 0:10:50 | 0:10:54 | |
of the Harry Potter books. The Star
Trek fans are very protective of | 0:10:54 | 0:10:59 | |
what they have loved. That's a nice
way to put it. Some of them want to | 0:10:59 | 0:11:04 | |
tell us we're getting things wrong
or right. What's fabulous is that | 0:11:04 | 0:11:08 | |
their enthusiasm means that even
when they're furious or outraged, | 0:11:08 | 0:11:12 | |
they go, "I'm never watching again,"
So they say on episode seven, but | 0:11:12 | 0:11:19 | |
most are glued to it. I certainly
will be watching. Star Trek | 0:11:19 | 0:11:23 | |
Discovery is available now on
Netflix. In the original Star Trek | 0:11:23 | 0:11:27 | |
the mission was to explore strange,
new worlds, to seek out new life, | 0:11:27 | 0:11:32 | |
new civilisations, to boldly go
where no man has gone before. You | 0:11:32 | 0:11:36 | |
don't need a starship to find
extraterrestrial life, you can do it | 0:11:36 | 0:11:41 | |
outside a hotel in Hertfordshire.
Here's Lucy. | 0:11:41 | 0:11:43 | |
Are we alone? Do aliens exist? Is
there life on Mars? Scientists have | 0:11:43 | 0:11:51 | |
been unable to answer any of these
questions conclusively and yet, for | 0:11:51 | 0:11:56 | |
a thriving community of UFO spotters
there's little doubt. Where are you | 0:11:56 | 0:12:05 | |
looking? Right there. The last time
I was there we notice aid couple of | 0:12:05 | 0:12:08 | |
things. It went really bright and
shot off really fast all of a | 0:12:08 | 0:12:11 | |
sudden. It's 70 years since the
world's first flying saucer | 0:12:11 | 0:12:15 | |
sighting. To mark the occasion, the
One Show has been invited to join | 0:12:15 | 0:12:21 | |
this sky watch. It takes place at
the UFO acod my conference in -- | 0:12:21 | 0:12:29 | |
academy conference in Hertfordshire.
There is indeed something going | 0:12:29 | 0:12:32 | |
on... Tell me what you do. I'm a UFO
researcher. I believe in, very | 0:12:32 | 0:12:38 | |
strongly that we're in the alone in
the universe. When did this all | 0:12:38 | 0:12:41 | |
start for you? In about '92. Recall
seeing this aircraft, which was | 0:12:41 | 0:12:48 | |
indoed a UFO, something out of close
encounters. It was there for 15 | 0:12:48 | 0:12:51 | |
seconds and then it vanish. What do
we have here? We've got an actual | 0:12:51 | 0:12:56 | |
UFO. It's coming over the estate,
that's illuminating a TV antenna. | 0:12:56 | 0:13:01 | |
What is this proof of? It's an
aircraft under non-human control and | 0:13:01 | 0:13:06 | |
the aircraft is extraterrestrial in
nature. Some people might say this | 0:13:06 | 0:13:08 | |
is not very clear and there's not
enough evidence for your assertions. | 0:13:08 | 0:13:12 | |
When I film something, I have it
analysed. A lot of it is aircraft. A | 0:13:12 | 0:13:17 | |
lot of it is satellites, 5%, 10% is
unidentified flying objects, I | 0:13:17 | 0:13:23 | |
believe under non-human control. Are
UFOs proof of extraterrestrial life? | 0:13:23 | 0:13:28 | |
Not really, no. I want that piece of
footage where somebody like you can | 0:13:28 | 0:13:34 | |
say, wow, that really is something
else. Investigating UFO sightings is | 0:13:34 | 0:13:39 | |
surely only the business of
enthusiasts like Tony or fictional | 0:13:39 | 0:13:44 | |
characters like Mulder and Scully.
For 50 years the Ministry of Defence | 0:13:44 | 0:13:50 | |
faithfully recorded every sighting
via a dedicated hot line. Nick Pope | 0:13:50 | 0:13:57 | |
who lives in LA, investigated the
sightings. In a handful of cases he | 0:13:57 | 0:14:01 | |
couldn't find an explanation. Two
RAF air bases were directly | 0:14:01 | 0:14:07 | |
overflown by a UFO. The witnesses
included the meteorological officer. | 0:14:07 | 0:14:13 | |
He described a huge triangular
shaped craft, firing a narrow beam | 0:14:13 | 0:14:18 | |
of light down at the ground and then
shooting away to the horizon. This | 0:14:18 | 0:14:22 | |
was a man with eight years'
experience in the Air Force. So when | 0:14:22 | 0:14:26 | |
we had a case like that, even us
sceptics at the MoD took notice. We | 0:14:26 | 0:14:32 | |
never got to the bottom of it. How
likely do you think it was that | 0:14:32 | 0:14:37 | |
there were UFOs? Unexplained does
not mean extraterrestrial space | 0:14:37 | 0:14:42 | |
craft, it just meant that we
couldn't find, in that particular | 0:14:42 | 0:14:46 | |
case, an explanation for it. These
things are more likely to be Russian | 0:14:46 | 0:14:51 | |
than martian. If just one of them
was, it would be the ultimate game | 0:14:51 | 0:14:54 | |
changer. The ultimate game changer
is the ultimate goal, what do they | 0:14:54 | 0:15:03 | |
expect from sky watching. Sometimes
it's clear enough to see the shape | 0:15:03 | 0:15:07 | |
and size of the craft, if it's a
typical disc. Sometimes it's just | 0:15:07 | 0:15:12 | |
lights. People just talk about what
they've seen. Whether it's a | 0:15:12 | 0:15:15 | |
sighting in the sky, or like a more,
like intimate experience with like | 0:15:15 | 0:15:21 | |
other beings. There's groups of
people all over Britain for the last | 0:15:21 | 0:15:24 | |
50 years who have done sky watches.
It's just not something in the | 0:15:24 | 0:15:27 | |
public eye. It is quite exciting. It
would be amazing to see something. | 0:15:27 | 0:15:32 | |
All our sky watchers just scanning
the sky. The sky watchers have got | 0:15:32 | 0:15:37 | |
all the gear, but will they spot
something tonight? I think this | 0:15:37 | 0:15:42 | |
one's moving above. All right, which
one? There's a bright one here. Is | 0:15:42 | 0:15:51 | |
that moving? There is commotion,
when a light flashes across the sky. | 0:15:51 | 0:15:56 | |
That was a bit a moment then, wasn't
it? It was a moment, yeah. Whatever | 0:15:56 | 0:16:00 | |
that was, I couldn't clearly
identify. But I'm sure that they | 0:16:00 | 0:16:05 | |
will continue their tireless quest
to prove we are not alone in the | 0:16:05 | 0:16:09 | |
universe. | 0:16:09 | 0:16:13 | |
Thank you. There is other unworldly
stuff in this video - it's Bryan | 0:16:16 | 0:16:25 | |
Adams's new single, it's called
Please Stay. | 0:16:25 | 0:16:28 | |
# I just need a little time
# A little time to find | 0:16:28 | 0:16:33 | |
# All the words to say, Please
Stay... | 0:16:33 | 0:16:38 | |
Please welcome Bryan Adams.
That's a good song. Thank you. You | 0:16:41 | 0:16:51 | |
originally wrote it for the musical
of Pretty Woman which is opening | 0:16:51 | 0:16:54 | |
soon in the US. It is one of the
songs written for it. It's not | 0:16:54 | 0:16:59 | |
coming out until the end of next
year. Is it true you had to pursue | 0:16:59 | 0:17:04 | |
them to get the job of writing the
music for that show? I went after it | 0:17:04 | 0:17:09 | |
about ten years ago and that which
weren't making it. Then a friend of | 0:17:09 | 0:17:14 | |
mine in the broadway world told me
they were. I said, if you are | 0:17:14 | 0:17:17 | |
looking for a songwriter, I might be
available. They said, come on, let's | 0:17:17 | 0:17:20 | |
have a meeting. That is how it
happened. You have a new album out | 0:17:20 | 0:17:25 | |
called Ultimate. Not to be confused
with your greatest hits. It is | 0:17:25 | 0:17:32 | |
greatest hits but also the greatest
set lists. It has a couple of new | 0:17:32 | 0:17:39 | |
songs - future classics.
Ultimate future classics. | 0:17:39 | 0:17:47 | |
So all of these song, the older ones
must take you back to a certain | 0:17:47 | 0:17:50 | |
period in your life. Which is the
most evocative would you say? I | 0:17:50 | 0:17:55 | |
don't know - all of them it is like
a diary of, when I look back I can | 0:17:55 | 0:18:00 | |
think about where I was, what I was
doing. It's like doing a film, you | 0:18:00 | 0:18:05 | |
must know what you were doing at the
time and were you were. When I see | 0:18:05 | 0:18:12 | |
films I remember the place I lived,
whether my kids had been born... It | 0:18:12 | 0:18:18 | |
is like a chronological diary of
your life. Recently you have done | 0:18:18 | 0:18:23 | |
some incredible du wets in your time
- Rod Stuart, Tina Turner. Recently | 0:18:23 | 0:18:35 | |
at the Invictus Games you were with
Bruce Springsteen. An amazing | 0:18:35 | 0:18:38 | |
performance. It was super fun.
We talked about two weeks beforehand | 0:18:38 | 0:18:52 | |
about doing something. The phone
call came in and it was Bruce's | 0:18:52 | 0:18:57 | |
assistant. He wants to talk to you.
I said, tell him whatever it, | 0:18:57 | 0:19:03 | |
"Yeah."
Just yeah! | 0:19:03 | 0:19:09 | |
Can you sing, Sonequa? No. I cannot
sing! That was a real fun gig to do. | 0:19:09 | 0:19:20 | |
And your duet with Mel C is on
Ultimate. Who else would you like to | 0:19:20 | 0:19:26 | |
do it with you? Anybody with large
instagram followings! | 0:19:26 | 0:19:35 | |
Bryan and Beyonce has a wonderful
ring to it. You filmed it in Canada. | 0:19:35 | 0:19:40 | |
Your wife is from Canada? She's from
Toronto. I got a call about a month | 0:19:40 | 0:19:47 | |
ago about actually appearing in Star
Trek, would I like to come to | 0:19:47 | 0:19:52 | |
Toronto to do something and I said,
yeah, I'd love to do that. I'm | 0:19:52 | 0:20:01 | |
naturally looking like a Klingon,
anyway! A very good idea. Then it | 0:20:01 | 0:20:05 | |
went away. Would you like to be in
the next season of Star Trek? | 0:20:05 | 0:20:13 | |
There's room. It's funny... I've got
you! We will sort it out for you, | 0:20:13 | 0:20:22 | |
Bryan, don't worry. You are
obviously here to talk about Star | 0:20:22 | 0:20:25 | |
Trek and Bryan... I am here to talk
about Bryan. I am thrilled. | 0:20:25 | 0:20:30 | |
One of your biggest hits... We
wondered what would happen if we | 0:20:30 | 0:20:35 | |
combined Star Trek and Bryan Adams.
Looking at it right now. We can go | 0:20:35 | 0:20:41 | |
one step better!
This is it. You don't know what's | 0:20:41 | 0:20:45 | |
happening. We are calling it a
Klingalong. Here's Susan. | 0:20:45 | 0:20:56 | |
APPLAUSE | 0:21:13 | 0:21:15 | |
Thank you, Susan!
Well done, Susan. We have had some | 0:21:17 | 0:21:23 | |
bizarre things on the show, but I
think Susan has topped it there! | 0:21:23 | 0:21:28 | |
That is the peak. Everything is
downhill from now. Bryan will sing | 0:21:28 | 0:21:34 | |
run to you, but not in Klingon. Matt
Allwright's tummy has been rumbling. | 0:21:34 | 0:21:39 | |
Watch out Wiltshire.
I'm on my alphabetical tour of the | 0:21:39 | 0:21:45 | |
UK. I have reached L. Where am I
heading? Described as the loviest | 0:21:45 | 0:21:51 | |
town in England, I am in Ludlow,
ladies and gentlemen, with wet feet | 0:21:51 | 0:21:57 | |
now! And Ludlow has a reputation as
being Shropshire's ultimate foodie | 0:21:57 | 0:22:03 | |
haven. Full of independent cafes and
restaurants. We have come at the | 0:22:03 | 0:22:09 | |
right time of year, because once a
year the big guns of the food world | 0:22:09 | 0:22:15 | |
gather for Ludlow Food Festival.
Yes, hosted within the stunning | 0:22:15 | 0:22:19 | |
walls of Ludlow Castle, this food
festival has been going since 1995. | 0:22:19 | 0:22:25 | |
We will do a security check, I think
and see what people have got in | 0:22:25 | 0:22:29 | |
their bags. Wild sage and whole meal
stuffing mix. Flipping heck! What do | 0:22:29 | 0:22:37 | |
you mean? It keeps coming. Garlic
cheese. Is that the garlic one | 0:22:37 | 0:22:42 | |
there? Yes. Oh, my God! Don't tread
on his cheese! | 0:22:42 | 0:22:50 | |
You told on his cheese! But enough
of that. Let's check out the stalls. | 0:22:50 | 0:22:59 | |
First off a Ludlow gourmet based
sweet company. When I was a kid you | 0:22:59 | 0:23:03 | |
would have the big white and pink
nougat bars while should I have | 0:23:03 | 0:23:10 | |
this? It is made to French standard
with 30% honey in it. If you would | 0:23:10 | 0:23:15 | |
like to give it a go. Of course I
would. Thank you very much. | 0:23:15 | 0:23:20 | |
You're not going to leave your teeth
in that. That's good. | 0:23:20 | 0:23:27 | |
Now, this looks exciting. This is
Joel, the black Smith, a former chef | 0:23:27 | 0:23:34 | |
who is making premium steel lights.
I think I might need a bit of help | 0:23:34 | 0:23:41 | |
here. Show us how it is done. I'll
give it a little bash for you. | 0:23:41 | 0:23:49 | |
The difference is you are properly
hitting it! | 0:23:49 | 0:23:56 | |
From black Smithing to bee keeping.
As part of the early '90s rave scene | 0:23:56 | 0:24:04 | |
this would be an amazing outfit. Big
box, little box! I am off to a | 0:24:04 | 0:24:10 | |
cheese show. This cheese shop has
supplied the finest cheeses for over | 0:24:10 | 0:24:15 | |
30 years. This is my personal
favourite. It is a Finn. Triple | 0:24:15 | 0:24:21 | |
cream enriched. So all the good
stuff in it. All cream in it and | 0:24:21 | 0:24:28 | |
nice creamy milk, anyway. Really
mushroomy. Really lovely. The cheese | 0:24:28 | 0:24:34 | |
world of sh romshire is it a--
Shropshire, is it alive? We are | 0:24:34 | 0:24:39 | |
lucky being on the border here, we
can dip into other counties and | 0:24:39 | 0:24:46 | |
Wales. This really is a pretty town.
Hold on... What's this? Well, it | 0:24:46 | 0:24:52 | |
feels to me like we may have reached
the end of the film. And this | 0:24:52 | 0:24:57 | |
library of beers is collated by a
local beer lover, Gary. Local beers | 0:24:57 | 0:25:03 | |
under one roof from different
Brewers within the region. The | 0:25:03 | 0:25:06 | |
stairs behind you and I can hear
voices upstairs. You can, yes. What | 0:25:06 | 0:25:11 | |
is going on up there? Upstairs we
have a little drinking deb. Do you | 0:25:11 | 0:25:16 | |
want to go and -- drinking den. Do
you want to go and have a look. Of | 0:25:16 | 0:25:21 | |
course. Let's go and look. Real ale,
straight from the barrel. Perfect! | 0:25:21 | 0:25:26 | |
What is it that the locals like
about this secret den? Anybody who | 0:25:26 | 0:25:32 | |
comes in here, straightaway they are
into conversation. It's a friendly | 0:25:32 | 0:25:37 | |
pub. A micropub is the perfect place
to end our tour of Ludlow today. It | 0:25:37 | 0:25:43 | |
is kind of Ludlow in miniature - a
jewel of a little place, with loads | 0:25:43 | 0:25:49 | |
packed into it. Next time, well we
are halfway through - we are at M. | 0:25:49 | 0:25:54 | |
Where will we be? I have no idea. | 0:25:54 | 0:25:59 | |
Thank you. | 0:26:01 | 0:26:04 | |
Sounds Like Friday Night is straight
on after us tonight. Performing Run | 0:26:05 | 0:26:11 | |
To You, from his new album,
Ultimate, it's Bryan Adams. Have a | 0:26:11 | 0:26:16 | |
great weekend. | 0:26:16 | 0:26:17 | |
# She says her love
for me could never die | 0:26:23 | 0:26:28 | |
# But that'd change if she ever
found out about you and I | 0:26:28 | 0:26:32 | |
# Oh but her love is cold | 0:26:32 | 0:26:37 | |
# Wouldn't hurt her if she
didn't know, 'cause | 0:26:37 | 0:26:39 | |
# When it gets too much | 0:26:39 | 0:26:42 | |
# I need to feel your touch | 0:26:42 | 0:26:44 | |
# I'm gonna run to you | 0:26:44 | 0:26:47 | |
# I'm gonna run to you | 0:26:47 | 0:26:52 | |
# 'Cause when the feeling's right
I'm gonna run all night | 0:26:52 | 0:26:54 | |
# I'm gonna run to you | 0:26:54 | 0:27:01 | |
# She's got a heart of gold,
she'd never let me down | 0:27:02 | 0:27:12 | |
# But you're the one
that always turns me on | 0:27:12 | 0:27:19 | |
# You keep me coming round | 0:27:19 | 0:27:21 | |
# I know her love is true | 0:27:21 | 0:27:27 | |
# But it's so damn easy
making love to you | 0:27:27 | 0:27:29 | |
# I got my mind made up | 0:27:29 | 0:27:31 | |
# I need to feel your touch | 0:27:31 | 0:27:32 | |
# I'm gonna run to you | 0:27:32 | 0:27:38 | |
# I'm gonna run to you | 0:27:38 | 0:27:45 | |
# 'Cause when the feeling's right
I'm gonna stay all night | 0:27:45 | 0:27:48 | |
# I'm gonna run to you | 0:27:48 | 0:27:50 | |
# Yeah, I'm gonna run to you | 0:27:50 | 0:27:54 | |
# Oh when the feeling's right I'm
gonna run all night | 0:27:54 | 0:27:57 | |
# I'm gonna run to you | 0:27:57 | 0:28:05 | |
# Oh... | 0:28:22 | 0:28:23 | |
I'm gonna run to you | 0:28:23 | 0:28:27 | |
# I'm gonna run to you | 0:28:27 | 0:28:33 | |
# 'Cause when the feeling's right
I'm gonna stay all night | 0:28:33 | 0:28:35 | |
# I'm gonna run to you | 0:28:35 | 0:28:37 | |
# Oh, I'm gonna run to you | 0:28:37 | 0:28:44 | |
# Yeah when the feeling's right I'm
gonna stay all night | 0:28:44 | 0:28:48 | |
# I'm gonna run to you, oh oh | 0:28:48 | 0:28:55 | |
APPLAUSE | 0:28:59 | 0:29:02 |