Browse content similar to 04/01/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to our first show of 2016 with me Matt Baker. | :00:13. | :00:18. | |
And because Alex is taking a few days off after getting married, | :00:19. | :00:23. | |
Anita Rani has waltzed her way into the hot seat this evening. | :00:24. | :00:28. | |
Did you have a good Christmas break, Anita? | :00:29. | :00:36. | |
You must be jet lagged because you have had a Christmas holiday? | :00:37. | :00:43. | |
Disappeared to Vietnam, now I'm ready to carry out forensic | :00:44. | :00:52. | |
questioning of our guest for this evening, a woman who is used to | :00:53. | :00:56. | |
working with uncommunicative subjects. She'll be chattier than | :00:57. | :01:08. | |
they usually are. Please welcome to Emilia Fox. How was your break? Very | :01:09. | :01:16. | |
quiet, lots of family things and a lot of ice skating this year. A big | :01:17. | :01:22. | |
family Fox get-together? Yes. My bit of the family, then we were meant to | :01:23. | :01:26. | |
meet with Lawrence and Jack and everyone on Boxing Day for ice | :01:27. | :01:30. | |
skating but they couldn't make it. They turned down the ice skating | :01:31. | :01:34. | |
invitation, is that what happened? Yes. The decorations are down now? | :01:35. | :01:41. | |
Yes. So sad, I want it to carry on. I was taking the icicle lights off | :01:42. | :01:45. | |
the gutter as you do, first thing this morning. | :01:46. | :01:46. | |
At the forefront of everyone's mind this Christmas were those who had | :01:47. | :01:50. | |
homes their and businesses affected by the recent devastating floods. | :01:51. | :01:53. | |
With many flood warnings still in place, particularly | :01:54. | :01:56. | |
in Scotland, the misery is set to continue for many. | :01:57. | :02:00. | |
Lucy spent the weekend with families in one of the worst affected areas, | :02:01. | :02:03. | |
Hebden Bridge, as they tackled a monumental clear up. | :02:04. | :02:09. | |
At the end of 2015, Britain took a battering from Storm Frank as it | :02:10. | :02:15. | |
carved a trail of destruction across the UK. With record levels of | :02:16. | :02:23. | |
rainfall came severe flooding. This is Hebden Bridge near Halifax | :02:24. | :02:27. | |
where almost 600 homes were damaged by the floods. | :02:28. | :02:33. | |
This was Hebden Bridge yesterday. As the floodwater has subsided, things | :02:34. | :02:35. | |
may look like they are getting back to normal. But some residents still | :02:36. | :02:40. | |
can't access their homes while others haven't got power to heat | :02:41. | :02:46. | |
theirs or even cook. Help is coming from some unexpected places. I'm | :02:47. | :02:52. | |
here in Bradford 17 miles away where a group of Sikh volunteers have | :02:53. | :02:56. | |
spent the last week cooking up a heart felt response to the crisis in | :02:57. | :03:01. | |
Hebden Bridge. Ravi is the founder of this | :03:02. | :03:06. | |
humanitarian relief agency that's provided emergency aid around the | :03:07. | :03:10. | |
world. Hebden Bridge is the latest crisis zone to benefit from his | :03:11. | :03:14. | |
charity's work. For my personally, being a British | :03:15. | :03:20. | |
Sikh, this is the greatest honour. As an international charity, we rely | :03:21. | :03:26. | |
on the generosity of the public, so when things like this happen, we | :03:27. | :03:30. | |
should be the first turning up. What is happening today? We are serving | :03:31. | :03:35. | |
chick peas and potato curry. What response have you had about the | :03:36. | :03:40. | |
food? They have asked for more on a daily basis, so that is part of them | :03:41. | :03:46. | |
saying that they appreciate it. How many will this feed? Just over 100. | :03:47. | :03:53. | |
The other 300 or 400 will be done by the Coventry team. The first | :03:54. | :03:57. | |
despatch off to Hebden Bridge. Off we go. Back to one of the worst-hit | :03:58. | :04:05. | |
flood areas and, at the town, hungry locals tuck into Ravi's food. Spent | :04:06. | :04:11. | |
plenty of money on Indian food. To have a hot meal is wonderful. It's | :04:12. | :04:16. | |
the best curry I've ever had. You know, these guys have travelled so | :04:17. | :04:20. | |
far, you know, it's just incredible. It's really welcome at a time when | :04:21. | :04:26. | |
people are really suffering. To get some hot, nutritious food, it makes | :04:27. | :04:30. | |
you feel really supported and like somebody's taking care of you. | :04:31. | :04:34. | |
Having a hot meal pays dividends when there's still work to do. The | :04:35. | :04:38. | |
local infant school was devastated in the floods, but volunteers are | :04:39. | :04:41. | |
working tirelessly to get it up and running for the start of term in a | :04:42. | :04:46. | |
few days' time. People just flooded in from absolutely everywhere and | :04:47. | :04:51. | |
we've seriously, we can't thank people enough and couldn't have got | :04:52. | :04:55. | |
it done without the, I was going to say the army, but it's more like an | :04:56. | :05:01. | |
Armarda of people who came in and just helped us out. When this is all | :05:02. | :05:04. | |
finished and the sun comes out again, we are thinking of holding a | :05:05. | :05:08. | |
giant street party and everybody's welcome, you know, to come and | :05:09. | :05:14. | |
celebrate with us. This is your tractor, Bob? Yes. How many loads | :05:15. | :05:19. | |
have you done? About 25 in three days. So people have given their | :05:20. | :05:25. | |
whole like festive period to this? Yes, yes. Literally everyone is | :05:26. | :05:30. | |
getting involved? Even my grandson. Is it right that you are all | :05:31. | :05:34. | |
expecting to have the kids back at school this week? We may be a day | :05:35. | :05:38. | |
late, but we've got a fully functioning school on the top floor. | :05:39. | :05:42. | |
The school will carry on as normal and the work will get done and | :05:43. | :05:47. | |
hopefully we'll be back to normal within two month, something like | :05:48. | :05:50. | |
that. To be honest, when I first came here | :05:51. | :05:53. | |
and they said they were planning to open the school this week, I | :05:54. | :05:58. | |
thought, really? But, after 20 or 30 volunteers have spent a couple of | :05:59. | :06:01. | |
hours in here, now I think they might actually do it. | :06:02. | :06:07. | |
Gosh, incredible to think what they've gone through, then to see | :06:08. | :06:10. | |
the look on their faces of appreciation and all the effort. | :06:11. | :06:14. | |
Absolutely, and to get carry as well, that is special! | :06:15. | :06:16. | |
If you've been affected by the recent floods | :06:17. | :06:18. | |
and would like to share your flood pictures and stories with us, | :06:19. | :06:22. | |
please get in touch with us via Twitter, Facebook or email. | :06:23. | :06:29. | |
Emilia, you were saying that you have been flooded in the past, | :06:30. | :06:34. | |
nothing like that though? Nothing like that, but when I first started | :06:35. | :06:38. | |
Silent Witness, there were flash floods one summer and I remember | :06:39. | :06:42. | |
going back into the house and, as soon as I walked through the door, | :06:43. | :06:47. | |
the smell was like overwhelming and I was like, something's gone wrong | :06:48. | :06:51. | |
here, I don't know where it is and I went downstairs to the basement | :06:52. | :06:55. | |
where the kitchen and living room is and everything had come up through | :06:56. | :06:58. | |
the floors and the Loos. It was horrible. I really, my goodness, I | :06:59. | :07:04. | |
really empathise with people there. Particularly at this time. Yes. The | :07:05. | :07:08. | |
timing is bad? Any time it must be... Roan douse but at Christmas | :07:09. | :07:17. | |
time you want to be at home, it's absolutely horrid -- must be | :07:18. | :07:19. | |
horrendous. Silent Witness is back | :07:20. | :07:20. | |
on our screens tonight in the first I watched a preview last night | :07:21. | :07:22. | |
and was a bag of nerves by the end. When you read the script, | :07:23. | :07:27. | |
could you feel the tension? Well, I was excited about this one | :07:28. | :07:39. | |
because it's got such a personal element for Nikki and it's a | :07:40. | :07:42. | |
psychological thriller which I really love. It's got lots of twists | :07:43. | :07:46. | |
and turns right up until the very end. Yes, it's an eerie one, it's | :07:47. | :07:55. | |
not just your average one, it delves into her whole personal life which | :07:56. | :07:59. | |
begins to crumble and her professional life. She gets | :08:00. | :08:04. | |
ostracised from the rest of the team and so yes, it was a fun one to | :08:05. | :08:09. | |
play, fun in, you know, it was good to get into it. We have a moment | :08:10. | :08:14. | |
from tonight's episode. Let's see you in a state of paranoia. Remember | :08:15. | :08:20. | |
I told you about the watches at both scenes, you said something like, of | :08:21. | :08:24. | |
course you are going to pursue a link, you are Nikki, you were | :08:25. | :08:27. | |
certain of it because you know me, what happens if the killer also | :08:28. | :08:31. | |
knows me. It was almost certain that I would look for a link. He would | :08:32. | :08:36. | |
have banked on it. They wanted me to make a critical error, a mistake, | :08:37. | :08:40. | |
they succeeded, I missed a murder, maybe that's what this is all about. | :08:41. | :08:46. | |
Gripping stuff. APPLAUSE | :08:47. | :08:48. | |
Really tense and brilliant. What is it like when your character, after | :08:49. | :08:51. | |
12 years of playing the character and you are really at the heart of | :08:52. | :08:54. | |
the story line, particularly because you are so involved, what is it like | :08:55. | :08:58. | |
when you have to get that tense and into it? Well, it was easy to do | :08:59. | :09:05. | |
because the writing was so good on this episode and I think yes, she | :09:06. | :09:11. | |
has a breakdown so every scene that we did, there were high stakes in it | :09:12. | :09:16. | |
and it really helps having worked with David Caves for so long now so | :09:17. | :09:19. | |
you feel that you can push it that far. You feel that he could go with | :09:20. | :09:25. | |
it and that particular scene, I remember doing it, it could be quite | :09:26. | :09:29. | |
dramatic but because you are familiar with the crew as well | :09:30. | :09:33. | |
who're around you, then it's OK to do that. It's hard to believe it's | :09:34. | :09:38. | |
been 12 years. In that time you have come across a lot of bodies. Yes. | :09:39. | :09:42. | |
They are all real people lying there, aren't they, they are not | :09:43. | :09:45. | |
statues or anything like that, so the actual people, do they ever, I | :09:46. | :09:49. | |
mean do they ever start laughing, does it ever get a little awkward? | :09:50. | :09:54. | |
Do you get a corpse in corpse is my question? Yes, you often do. You | :09:55. | :10:00. | |
often get a sleeping corpse because they lie on the mortuary slab all | :10:01. | :10:05. | |
day long. So they fall asleep? A few have fallen asleep on the slab. | :10:06. | :10:12. | |
Actually, they are sensitive situations because it's quite | :10:13. | :10:15. | |
exposing isn't it? Of course. What about this gentleman who is in | :10:16. | :10:20. | |
tonight's episode. He's having his armpit shaved, people are tickling. | :10:21. | :10:24. | |
Once you have introduced yourself, you know, you have to say, I'm | :10:25. | :10:28. | |
Emilia and I'll now be touching you all over and I hope you don't mind | :10:29. | :10:33. | |
if I put things up your nose and take things out of your mouth, so | :10:34. | :10:37. | |
yes, you know, one tries to make them as relaxed as possible in a | :10:38. | :10:44. | |
very odd situation. You've said in the past you were very squealish, | :10:45. | :10:51. | |
are you more relaxed now? No, I'm really squeamish, I'm hopeless with | :10:52. | :10:55. | |
anything, if I had to deal with anything medical, I'm not your go-to | :10:56. | :10:58. | |
person. I've been to two postmortems and I thought I was going to be | :10:59. | :11:03. | |
really squeamish when I was at those but in fact I sort of put myself | :11:04. | :11:09. | |
into the head of Nikki, my character, and it was so riveting | :11:10. | :11:13. | |
seeing the pathologists at work and how you find cause of death through | :11:14. | :11:17. | |
the body, it's a detective process that made me realise that sort of | :11:18. | :11:22. | |
fascination with silent witness, certainly for me. | :11:23. | :11:25. | |
Silent Witness is on tonight at 9 on BBC One, part two is tomorrow | :11:26. | :11:28. | |
Solving the next crime will be easy for you, Emilia. | :11:29. | :11:49. | |
If you were going to steal a priceless painting from a world | :11:50. | :11:53. | |
famous art gallery, the chances are, you wouldn't simply lift it off the | :11:54. | :11:56. | |
wall and brazenly walk out the main entrance and down the front steps. | :11:57. | :12:02. | |
But that's exactly what happened here at the Tate Gallery in London | :12:03. | :12:06. | |
on 12th April, 1956. The heist was captured on the film by a photo | :12:07. | :12:10. | |
journalist who took a snap of the get-away. | :12:11. | :12:15. | |
But it would soon transpire that it was the thieves themselves who'd | :12:16. | :12:19. | |
made sure the press photographer was conveniently nearby. The men who | :12:20. | :12:24. | |
pulled off the heist were 25-year-old Irish art student Paul | :12:25. | :12:30. | |
Hogan and his accomplice Bill Fogarty. It wasn't until 2015, | :12:31. | :12:37. | |
nearly 60 years later, that the files were declassified and made | :12:38. | :12:40. | |
public. They revealed that the case had in fact caused panic at the | :12:41. | :12:44. | |
highest ranks of the British Government. The records show the | :12:45. | :12:52. | |
police now that Hogan and Fograty were the ones who had taken the | :12:53. | :13:01. | |
picture. The authorities were reluctant to prosecute. There was a | :13:02. | :13:03. | |
reason this particular painting was the target and the men wanted to be | :13:04. | :13:07. | |
caught. John Kerr is a criminologist and | :13:08. | :13:11. | |
expert in art theft. They wanted publicity because of the | :13:12. | :13:17. | |
Hugh Lane collection, which was a collection of paintings originally | :13:18. | :13:20. | |
bequeathed to the National Gallery in Britain, but the Irish believed | :13:21. | :13:25. | |
that it was theirs. Irish art dealer Hugh Lane was one of the foremost | :13:26. | :13:31. | |
collectors of impressionist art, only works by Renoir and Monet. He | :13:32. | :13:38. | |
amended his will with an unwitnessed codicil, leaving his art to Dublin. | :13:39. | :13:42. | |
The National Gallery didn't recognise his apparent change of | :13:43. | :13:47. | |
heart and held on to the collection. Steven Hogan is Paul Hogan's nephew | :13:48. | :13:52. | |
and knows the story of how his uncle came to play a pivotal role in the | :13:53. | :13:56. | |
controversy over the ownership of the collection. | :13:57. | :14:02. | |
Paul and his friend Billy Fogarty decided they had to to something, | :14:03. | :14:06. | |
that a Dublin man should go in and claim one of the pictures to try to | :14:07. | :14:11. | |
kick-start the negotiations. He goes to Room 24, sees the picture and | :14:12. | :14:16. | |
takes it off the wall. It was that easy to walk away with a painting | :14:17. | :14:20. | |
today valued at ?7 million. It's only on a chain and a hook. | :14:21. | :14:25. | |
This priceless piece of art. Paul makes his way out the main entrance, | :14:26. | :14:29. | |
he's going down the steps and, at that very moment, the photographer | :14:30. | :14:35. | |
on duty takes this iconic picture of Paul walking down the Tate with the | :14:36. | :14:39. | |
painting under his arm. Billy's task was to jam his foot in the revolving | :14:40. | :14:46. | |
door in the event of a pursuit. Where did they go next? It was | :14:47. | :14:49. | |
decided symbolically if they could get the picture on to Irish | :14:50. | :14:53. | |
territory which in that case was the Irish Embassy in London, that the | :14:54. | :14:57. | |
point would have been made. At this point, huge publicity had been | :14:58. | :15:03. | |
generated. Once deposited, it was immediately returned to the Tate. | :15:04. | :15:08. | |
The secret files reveal why no case was brought against Hogan and | :15:09. | :15:12. | |
Fogarty. If the men were charged, they would be heroes or martyrs, so, | :15:13. | :15:18. | |
did their stunt achieve anything? The publicity they generated and the | :15:19. | :15:23. | |
great triumph of this story is that four years later, an agreement to | :15:24. | :15:27. | |
share the pictures was reached between Dublin and London. | :15:28. | :15:33. | |
Today, eight paintings including the stolen one rotates between the | :15:34. | :15:39. | |
National Gallery in London and what is known as the Hugh Lane Gallery in | :15:40. | :15:46. | |
Dublin. What a heist! Gyles is here with more examples of crimes that | :15:47. | :15:50. | |
not carried out for financial gain, but to a point. A protest. That was | :15:51. | :15:57. | |
an Irish protest but I have a Scottish one. The Stone of Scone, | :15:58. | :16:02. | |
also known as the Scone of -- Stone of Destiny. For hundreds of years it | :16:03. | :16:08. | |
was in Westminster Abbey but it began as the Scottish king's throne | :16:09. | :16:13. | |
and then the hammer of the Scots, Edward the first in 1296 took the | :16:14. | :16:18. | |
Stone of Scone from Scotland as a spoiled of war and he brought it to | :16:19. | :16:21. | |
Westminster Abbey where it remained for hundreds of years until 1950. | :16:22. | :16:27. | |
Christmas Day, four students led by a man called Ian Hamilton, who is in | :16:28. | :16:32. | |
the foreground smoking a cigarette there, he and his friends and a girl | :16:33. | :16:38. | |
called Kay Matheson got into Westminster Abbey in the night in | :16:39. | :16:43. | |
1950 and stole the Stone of Scone for the honour of the Scots. | :16:44. | :16:46. | |
Unfortunately as they were stealing it, the Stone dropped on Kay's toes | :16:47. | :16:56. | |
and broke several of them and broke the stone itself. They got out of | :16:57. | :16:59. | |
the Abbey with the Stone in two parts. They put one of them in the | :17:00. | :17:04. | |
back of her car, a policeman came along, so two of them begun getting, | :17:05. | :17:11. | |
pretending they were trying to find somewhere for bed and breakfast, as | :17:12. | :17:14. | |
they say! They got away with half of the stone and eventually they got it | :17:15. | :17:21. | |
into Scotland, they reunited it, and ousted in whiskey to bring it home | :17:22. | :17:26. | |
and then they left it at Arbroath Abbey on the high altar, where it is | :17:27. | :17:33. | |
found by the police and returned to Westminster Abbey where it remained | :17:34. | :17:40. | |
until 1996. I happened to be in the room when the then Secretary of | :17:41. | :17:43. | |
State for Scotland decided it should be returned to Edinburgh. Now it is | :17:44. | :17:47. | |
in Edinburgh Castle where it will stay until it is required for the | :17:48. | :17:53. | |
next coronation. Can you tell us about the Duke of Wellington one? | :17:54. | :17:59. | |
You have 30 seconds! A painting by Goya, bought for the nation in 1961. | :18:00. | :18:08. | |
Stolen by this man, Kempton Bunton, who was a retired bus driver. He was | :18:09. | :18:14. | |
prosecuted for failing to pay his TV licence and find two pounds. He | :18:15. | :18:20. | |
wouldn't pay, he only watched ITV, never the BBC! They put in in prison | :18:21. | :18:25. | |
and he was outraged, he emerged and said he would steal the painting and | :18:26. | :18:29. | |
hold it for ransom. He stole the painting from the National Gallery, | :18:30. | :18:34. | |
you may have seen it in the 1961 film, Doctor no. It wasn't Doctor | :18:35. | :18:38. | |
no, it was a bus driver who said he is stealing the painting, up for | :18:39. | :18:44. | |
ransom, ?140,000. If the government can spend it on that, they should | :18:45. | :18:49. | |
spend it on TV licences for the poor and elderly. It was his protest. He | :18:50. | :18:54. | |
decided to give it back and he left it in the left luggage office at | :18:55. | :18:58. | |
Birmingham new Street station. Great story, prolific told. You had the | :18:59. | :19:08. | |
best Christmas presents, two -- present, a seventh grandchild. He | :19:09. | :19:13. | |
may be called Gabriel, a Christmas name. | :19:14. | :19:16. | |
Now for an incredible tale of one man's life long search. | :19:17. | :19:19. | |
thank you to the stranger who saved his life 45 years ago. | :19:20. | :19:26. | |
Roy Moorehead has been the local milkman in County Down for 35 years. | :19:27. | :19:33. | |
He's a much loved face in the community but his life story have | :19:34. | :19:39. | |
been very different. When he was a young boy, Roy plucked him from the | :19:40. | :19:44. | |
sea in dramatic rescue, seeing him saved from drowning. Brings back bad | :19:45. | :19:56. | |
memories of that day. The three of us almost drowned. Roy and his two | :19:57. | :20:01. | |
order brothers were on a seaside jaunt here in the town of Whitehead | :20:02. | :20:06. | |
without their mum and dad -- older brothers. That's me on the right and | :20:07. | :20:15. | |
that is true and that is Ben. -- Kampl. We had these toys from a | :20:16. | :20:19. | |
cereal packet and somebody had the idea of floating them at the sea. I | :20:20. | :20:30. | |
fell into the sea. You must have been scared. My brothers were | :20:31. | :20:35. | |
reaching out to me, but I was starting to drift out. In the panic | :20:36. | :20:39. | |
to save him, Roy's brothers ended up in the water as well but as they | :20:40. | :20:44. | |
were close to the shore, a passer-by managed to pull them out. Did you | :20:45. | :20:48. | |
ever think, no one is going to save me? I did, yeah, I really thought | :20:49. | :20:53. | |
that, I thought I would ground. By now, Roy had been in the water for | :20:54. | :21:01. | |
several minutes as was -- and was getting weaker but he saw somebody | :21:02. | :21:05. | |
jump into the sea. A woman appeared and she said, turn around on your | :21:06. | :21:11. | |
back and don't struggle. When they reached the shore, his rescuer | :21:12. | :21:13. | |
disappeared as quickly as she had arrived. But Roy has never forgotten | :21:14. | :21:19. | |
her. What would it mean to you to meet the lady who saved you? I would | :21:20. | :21:23. | |
just like to say thank you so much to her. With Moira not remembering | :21:24. | :21:28. | |
her name or how old he was this was an almost impossible task for our | :21:29. | :21:37. | |
people finding expert, Catherine. He thought it was reported in the | :21:38. | :21:44. | |
newspaper, from 1966 until 1972. I had to go through each of the papers | :21:45. | :21:49. | |
looking for details of the rescue. Despite searching, nothing can I | :21:50. | :21:53. | |
couldn't find anything. I had to do some doorknocking and see what I can | :21:54. | :22:00. | |
find in Whitehead itself. Visited the library, spoke to the local | :22:01. | :22:04. | |
historian, went into a cafe. By this stage everyone was trying to help | :22:05. | :22:08. | |
me. She was still drawing a blank but then she got a lead. Roy's | :22:09. | :22:14. | |
brother said that the only name he could remember was the name live and | :22:15. | :22:19. | |
somebody else remembered that a girl called Olive had moved out of the | :22:20. | :22:25. | |
area and it turned out to be her. We contacted her, she ran with the | :22:26. | :22:28. | |
rescued and still has the certificate she was given for her | :22:29. | :22:34. | |
bravery. Now Olive is going to meet Roy just yards from where she | :22:35. | :22:38. | |
plucked him from the sea. We have some great news for you, we have | :22:39. | :22:43. | |
found a lady who saved you. Her name is Olive and she's coming to join us | :22:44. | :22:44. | |
now. Not going for a swim? Cold today! | :22:45. | :23:04. | |
Thank you, thank you. I'm so honoured that you have thought of me | :23:05. | :23:08. | |
all of these years. To me, it was second nature. All I remember is | :23:09. | :23:13. | |
running towards the water, seeing you in the water, a little boy. When | :23:14. | :23:20. | |
I look back I am quite honoured that you gave me the opportunity to be | :23:21. | :23:26. | |
brave. Thank you. Now, Roy and Olive can compare memories of that fateful | :23:27. | :23:31. | |
day. I didn't see it from your point of view, you were very young and it | :23:32. | :23:36. | |
must have been very true magic. It was. -- very traumatic. I didn't | :23:37. | :23:45. | |
mean to upset you. Very me. It has been an incredible experience, | :23:46. | :23:49. | |
reuniting two people brought together by chance and to give Roy | :23:50. | :23:52. | |
the opportunity to say the thank you he has been waiting 45 years to say. | :23:53. | :24:03. | |
What a statement from Olive, to say thanks to Roy for giving her the | :24:04. | :24:09. | |
opportunity to be brave. Incredible, those stories, reuniting, always so | :24:10. | :24:14. | |
powerful. Kat who does the work finding people deserve say thank you | :24:15. | :24:18. | |
as well because cheap as her heart and soul into it. | :24:19. | :24:23. | |
Now for a project that I reported some months ago, a scheme aiming to | :24:24. | :24:30. | |
put a roof over the heads of those who have done more than their fair | :24:31. | :24:36. | |
share for their country. A year ago we visited this wasteland to see | :24:37. | :24:39. | |
something special under construction, home is not only fit | :24:40. | :24:44. | |
for heroes, but built by heroes too. And there is a need for them because | :24:45. | :24:48. | |
in Bristol as many as one in four better runs were found to be | :24:49. | :24:52. | |
homeless and living on the street, or in hostels, after leaving the | :24:53. | :24:58. | |
Armed Forces. 18 months ago I became homeless. Not eating, just drinking. | :24:59. | :25:06. | |
Thanks to the community's self build charity and a local housing | :25:07. | :25:11. | |
association, these veterans were given the tools and training needed | :25:12. | :25:15. | |
to build their own homes. As the brickwork has gone up and everything | :25:16. | :25:20. | |
else, it's amazing. Actually starting to see where you are going | :25:21. | :25:23. | |
to be living. 11 months later and according to the timetabled flats | :25:24. | :25:28. | |
were due to be completed this month. The question is, have they done it? | :25:29. | :25:36. | |
-- timetable. They have, the homes are finished, it has passed the | :25:37. | :25:39. | |
building inspections, they have received keys and they have invited | :25:40. | :25:45. | |
me to join them for the big move in. The man behind the scheme, ex-Army | :25:46. | :25:50. | |
major, Ken Haynes. 12 months and you have completed the project, how do | :25:51. | :25:56. | |
you feel? Ecstatic! Tired as well. Really pleased, we've made it, all | :25:57. | :26:02. | |
ten builders are in their flats. They gave up their time voluntarily | :26:03. | :26:06. | |
and they are not paid. How do you find something like this? Simple | :26:07. | :26:12. | |
things like bus fares, helping them with their rent, because they are | :26:13. | :26:16. | |
not being paid, and the cost for training, which is the key element | :26:17. | :26:21. | |
of it. Getting them to a place where they can get some qualifications and | :26:22. | :26:26. | |
then move into work. Hello, Anita, nice to meet you. You have got your | :26:27. | :26:33. | |
keys! Yes, I can get in. You must be really excited. Really excited, like | :26:34. | :26:38. | |
a kid in a toy shop. I will show you around. The only woman on the | :26:39. | :26:44. | |
project, Anita Wadkins, found herself with iron on friends for a | :26:45. | :26:48. | |
bed after leaving the Army catering call. Absolutely ecstatic -- | :26:49. | :26:57. | |
catering Corps. Like the address says, it is new hope. Now I'm here I | :26:58. | :27:04. | |
know that everything will be fine. Hang on, two seconds. My furniture | :27:05. | :27:09. | |
has arrived! Your furniture? Excellent. How long since you slept | :27:10. | :27:13. | |
in your own bed. It has been years. This is my home. It hasn't been | :27:14. | :27:19. | |
anybody else's, it is my home and it is going to be for a long time. | :27:20. | :27:24. | |
Anita hopes to work in human resources but has also picked up | :27:25. | :27:29. | |
some handy practical skills. I've never moved blocks, cement, anything | :27:30. | :27:34. | |
like that, but I had a good go. I was good at the insulator, so I know | :27:35. | :27:39. | |
how warm the flat is going to be! I put it in the side walls. Grenadier | :27:40. | :27:45. | |
Guardsman Danny served in Afghanistan and since leaving the | :27:46. | :27:48. | |
Army he has been diagnosed with post-somatic stress disorder. He | :27:49. | :27:52. | |
spent the last few years living in hostels but today he is moving into | :27:53. | :27:57. | |
the home he built. How does it make you feel that you have your own | :27:58. | :28:01. | |
home? I don't think there are any words to describe it. I have come | :28:02. | :28:06. | |
from nothing, sleeping wherever I can most nights. Amazing to be | :28:07. | :28:11. | |
finally home. I have got my sanctuary. There has been more life | :28:12. | :28:15. | |
changing news for Danny and his partner, Nicky to. Not only have you | :28:16. | :28:21. | |
got a new flat, you are expecting a new baby, congratulations! That is a | :28:22. | :28:27. | |
new beginning. It is. He has a roof over his head, somewhere he can grow | :28:28. | :28:33. | |
up. The veterans are moving in with long leases and affordable rent. | :28:34. | :28:37. | |
They haven't just build new homes here, they have built a whole new | :28:38. | :28:41. | |
community too. Nine times out of ten you wouldn't know the person across | :28:42. | :28:47. | |
the hallway, but we know everybody who is moving into these flats, | :28:48. | :28:52. | |
which is a good thing. Yeah, a little family. Thanks to a file and | :28:53. | :29:01. | |
good luck to the community. Thank you for your company, it merely. | :29:02. | :29:03. | |
Silent Witness is on tonight at 9 o'clock on BBC One. | :29:04. | :29:07. | |
Where are you going to watch it? I will be at home! | :29:08. | :29:11. | |
Tomorrow we'll be joined by actor Adrian Lester. | :29:12. | :29:15. | |
There are many ways to pass the time, aren't there? | :29:16. | :29:35. | |
Or you could accidentally knock over a colleague... Miles... | :29:36. | :29:39. |