Browse content similar to 04/11/2013. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Alex Jones. And Matt Baker. In | :00:22. | :00:28. | |
1989 the world was introduced to a perfectionist. His shoes were | :00:29. | :00:33. | |
polished immaculately. Anything in the least untidy tormented him. | :00:34. | :00:42. | |
There wasn't a speck of dust on him. Please welcome the man behind the | :00:43. | :00:49. | |
moustache, David Suchet. Welcome back. How lovely to see you. Have a | :00:50. | :00:59. | |
seat. That scene we saw of the camera, that was 24 years ago. 25 | :01:00. | :01:07. | |
years ago. That was the very first shot I ever did in Twickenham | :01:08. | :01:10. | |
Studios on the very first day of the shoot. How do you feel now, David, | :01:11. | :01:17. | |
Poirot's television career is nearly at an end? I know, everybody is | :01:18. | :01:24. | |
saying you must be feeling sad? Of course I am, I am saying good night | :01:25. | :01:30. | |
to a dear friend. But an unexpected privilege and joy. It was never | :01:31. | :01:36. | |
intended I would do the whole lot when I began. I was signed up for | :01:37. | :01:42. | |
ten short stories. I am elated. So many others have been watching the | :01:43. | :01:46. | |
final episodes. Have you been watching from home? I always do. I | :01:47. | :01:53. | |
always have done. My wife and I sit together and watch what is before. | :01:54. | :01:58. | |
And then I think, will they stay with it? And then we sit and watch | :01:59. | :02:07. | |
it. With chocolates and wine? More on the final episodes later with an | :02:08. | :02:12. | |
exclusive clip thrown in. In David's, we have a couple of murder | :02:13. | :02:16. | |
mysteries are you at home to solve. This is the first one. | :02:17. | :02:25. | |
A man was found murdered on Sunday morning. His wife called the police. | :02:26. | :02:33. | |
The police questioned the wife and staff. The wife said she was | :02:34. | :02:38. | |
sleeping. The cook was cooking breakfast. The butler was getting | :02:39. | :02:45. | |
the post. The gardener was picking vegetables. The police instantly | :02:46. | :02:52. | |
arrested the murderer. Who did it, and how did they know? | :02:53. | :02:57. | |
Have you got it? If you are struggling, Poirot himself will | :02:58. | :03:02. | |
gather us together at the end of the show to reveal all. And we have more | :03:03. | :03:09. | |
music from Classic BRIT winner, Amy Dickson as well. David refers to | :03:10. | :03:19. | |
Poirot's whodunnit as how don't it. Now we have one of our own. | :03:20. | :03:25. | |
Something very big is approaching Britain's shores. It has travelled | :03:26. | :03:31. | |
15,000 miles, been battered by violent storms, but after three | :03:32. | :03:40. | |
months it is finally here. It is a crane! Not just any old crane, it is | :03:41. | :03:47. | |
one of the largest ever to be delivered to the United Kingdom. It | :03:48. | :03:53. | |
has travelled all the way in Shanghai to be installed alongside | :03:54. | :03:56. | |
seven others on the banks of the River Thames in Essex. This area is | :03:57. | :04:00. | |
being transformed into London Gateway, a brand-new port designed | :04:01. | :04:04. | |
to handle the world's biggest container ship 's. These cranes have | :04:05. | :04:13. | |
been engineered to lift containers from ships like this on to the | :04:14. | :04:17. | |
quayside, but today it is the crane itself that needs to be moved from | :04:18. | :04:23. | |
the ship onto the key. And all in one piece. Each crane weighs in at | :04:24. | :04:30. | |
nearly 2000 tonnes and standing at 138 metres high, they are taller | :04:31. | :04:35. | |
than the London eye. I can stretch across 25 rows of containers and | :04:36. | :04:41. | |
pick up 80 tonnes in one go. Normally, when you want to move a | :04:42. | :04:45. | |
crane, you use a bigger crane. But when the crane you are trying to use | :04:46. | :04:50. | |
-- move in the first place is one of the biggest in the world, you have | :04:51. | :04:55. | |
to think differently. Andrew is the head of engineering in charge of | :04:56. | :04:59. | |
this mammoth operation. Andrew, how are you going to get the crane off | :05:00. | :05:05. | |
the ship? The crane is jacked up on temporary rails. We create a bridge | :05:06. | :05:11. | |
between the land and the vessel. We get all the rails connected up and | :05:12. | :05:16. | |
then physically pull the crane off. As if that wasn't enough, the ship | :05:17. | :05:20. | |
is moving up and down with the tide, which can vary by as much as six | :05:21. | :05:26. | |
metres here. We need to make sure the bridge across is as level as | :05:27. | :05:32. | |
possible. We do that at high tide. If it is at high tide, is there a | :05:33. | :05:37. | |
time limit? We have about one hour to do it. And our! Correct. When | :05:38. | :05:45. | |
does it actually start moving? About half an hour until the tide is odd, | :05:46. | :05:50. | |
then off we will go. For such a gargantuan task, Andrew and his team | :05:51. | :05:55. | |
have a genius solution. This is a simple pulley and a bit of rope and | :05:56. | :05:59. | |
I will move this to move that truck. If I put that on there. | :06:00. | :06:04. | |
Before I start, let's see if I can move it on my own. I can barely | :06:05. | :06:09. | |
shift it. Now, I am going to try with the pulley. Actually, all I am | :06:10. | :06:16. | |
doing is changing the direction I need to pull. I am going nowhere. | :06:17. | :06:23. | |
Maybe I have got a pulley in the wrong place? Let's try attaching it | :06:24. | :06:36. | |
to the truck. Easy, one-handed. I haven't magically got stronger, I am | :06:37. | :06:42. | |
affect every pulling with two ropes. And that means I only have two put | :06:43. | :06:46. | |
in half of the effort. Half of the effort, twice as easy. The more | :06:47. | :06:52. | |
pulleys you have, the easier it is. It is these principles that help | :06:53. | :06:57. | |
Andrew shift the crane, but on a larger scale. We have one rope | :06:58. | :07:01. | |
connected to a winch on the vessel, comes round this pulley, back to the | :07:02. | :07:06. | |
other pulley. Nine loops to reduce the force which will enable the | :07:07. | :07:12. | |
crane to be pulled. We are at high tide, less than an hour to get this | :07:13. | :07:18. | |
enormous crane onto dry land. We are off! 2000 tonnes of crane are on the | :07:19. | :07:30. | |
move. Thanks to the police, the crane makes it onto drylands, just | :07:31. | :07:40. | |
in the nick of time. -- dry land. It may be one of the biggest cranes in | :07:41. | :07:44. | |
Britain, but we managed to get it off a bout in under 45 minutes using | :07:45. | :07:52. | |
pulleys and ropes. Not bad, really. I want to go and move a car with a | :07:53. | :07:57. | |
pulley. I really do. I am so intrigued. The first ship will | :07:58. | :08:07. | |
arrive on Thursday all the way from South Africa, carrying fruit. David, | :08:08. | :08:14. | |
we have been saying, the final episode of Poirot is next Wednesday. | :08:15. | :08:18. | |
The penultimate episode this Wednesday. We do not want to spoil | :08:19. | :08:26. | |
it, so you tell everybody. I am not allowed to tell everything, but the | :08:27. | :08:33. | |
book has been out since 1975. So the fans will know what happens. The | :08:34. | :08:38. | |
first time you seep while Roe is the only time in the whole canon where | :08:39. | :08:43. | |
he is a tiny, little old man in a wheelchair riddled with arthritis. | :08:44. | :08:48. | |
He is in a particular house, the first house Agatha Christie wrote in | :08:49. | :08:54. | |
the first book. It goes full circle. There is going to be | :08:55. | :08:58. | |
obviously a murder. He knows who the murderer is, but he cannot prove it. | :08:59. | :09:03. | |
He has to do something unbelievably catastrophic in the story that he | :09:04. | :09:08. | |
has never done before. I have two say, will never do again. Because, I | :09:09. | :09:16. | |
can say it is curtain. There you are. Let's have an exclusive look at | :09:17. | :09:24. | |
a scene where while Rowe always seems to know more than he is | :09:25. | :09:37. | |
letting on. I need you, to be my eyes and my ears, to go to places | :09:38. | :09:42. | |
where I cannot go. To sniff out the snatched conversation, report back | :09:43. | :09:50. | |
to me. There is amongst us, and murderer and that person must be | :09:51. | :10:00. | |
stopped. You just whispered to me that you cannot believe that is you? | :10:01. | :10:06. | |
No, when I see him - I always talk about him. I am at a distance from | :10:07. | :10:12. | |
him when I watch it. It is a strange feeling. He is not looking at his | :10:13. | :10:20. | |
best. 2.5 stone less than I am now because he is a very old man. He is | :10:21. | :10:25. | |
very sick with heart problems. Which is ironic, because for the rest of | :10:26. | :10:30. | |
the Poirot episodes you have always worn a fact suit? Yes, it is the | :10:31. | :10:37. | |
first episode I have ever felt my costume around my chest and my | :10:38. | :10:45. | |
stomach. Very strange. You do have a wonderful little trick. It is in | :10:46. | :10:52. | |
this little bottle. My make-up artist carries this around. Poirot | :10:53. | :10:58. | |
in the box always uses lavender whenever he washes his hands. He | :10:59. | :11:05. | |
carries a little bottle with him. Just before I shoot, if I am very | :11:06. | :11:11. | |
tired, the make-up lady, I will go, can I have a squirt. She comes up to | :11:12. | :11:21. | |
me like that and I smell it. It really invigorates me. It is | :11:22. | :11:36. | |
lavender. It is very nice. That was used in the last episode. And that | :11:37. | :11:42. | |
is what I do. Will you wear it now after Poirot is finished? Not for a | :11:43. | :11:49. | |
bit. It is like a very posh downstairs toilet. It is. I have | :11:50. | :11:59. | |
never heard it described as that. We have to reveal some Poirot secrets, | :12:00. | :12:06. | |
if you don't mind. We read somewhere that to perfect his walk, you walk | :12:07. | :12:12. | |
round and round your garden at home, and I don't know how to say | :12:13. | :12:17. | |
this delicately, but you had something in the cleft of your | :12:18. | :12:22. | |
buttocks? I am so pleased I did not have two say that. Do you mind I | :12:23. | :12:29. | |
said that? It is done, it is out there now. In the cleft of my | :12:30. | :12:33. | |
buttocks, I held very tightly, a penny. Because it made me, | :12:34. | :12:42. | |
seriously, it made me not be able to take long strides. If you take long | :12:43. | :12:48. | |
strides you drop the penny. There was a description of his walk which | :12:49. | :12:53. | |
I could not find for a long time. He crossed the lawn in his usual, | :12:54. | :13:02. | |
rapid, mincing gait. The only way I could do that, remember Laurence | :13:03. | :13:07. | |
Olivier when he played the Lord, he did the same thing. So I pinched his | :13:08. | :13:15. | |
trick. It worked. Is any of his meticulousness rubbed off on you in | :13:16. | :13:20. | |
everyday life? A lot of people do say they could wish -- they wish | :13:21. | :13:27. | |
they could live like Poirot. He is so neat and tidy. He has made me a | :13:28. | :13:35. | |
better listener. He actually says, I listen to what you say, but I hear | :13:36. | :13:42. | |
what you mean. And he really hones in on you when you are talking. He | :13:43. | :13:47. | |
is listening, not to what you are saying, he is trying to find what | :13:48. | :13:53. | |
you mean. He has taught me, not how to do that, but when you listen give | :13:54. | :13:58. | |
100% attention to the person who is talking. That is a lovely trait. The | :13:59. | :14:05. | |
final two episodes are on ITV this Wednesday and next Wednesday at 8pm. | :14:06. | :14:11. | |
Now it is time for our second Murder Riddle on the Orient Express. Do | :14:12. | :14:27. | |
play along at home. The police tell a man of his wife has been murdered | :14:28. | :14:31. | |
and she should return to the crime scene as soon as possible. He drops | :14:32. | :14:33. | |
the phone and returns. And he reaches that, he is arrested for | :14:34. | :14:36. | |
murder. How did the police know he had committed this crime? What do | :14:37. | :14:43. | |
you think? Any clue? My brain has been asleep... But yes! All will be | :14:44. | :14:51. | |
revealed at the end. In the drawing room with the lead pipe! It's common | :14:52. | :14:58. | |
knowledge that The Savoy Hotel in London is a very expensive place to | :14:59. | :15:05. | |
get your head down for the night. But 73 years ago a group of | :15:06. | :15:08. | |
Londoners with no significant shelter from the Blitz had little | :15:09. | :15:12. | |
choice but to invade the hotel, with dramatic results for fellow | :15:13. | :15:15. | |
civilians. September 1940 and London was being pounded. On the first | :15:16. | :15:19. | |
night of the Blitz, 2000 people were killed and by the ape-like, the mood | :15:20. | :15:24. | |
was grim. Amid the air raid sirens, the signs of a protest could be | :15:25. | :15:30. | |
fined. -- air raid. Open up the underground. For the safety of the | :15:31. | :15:39. | |
ordinarily, working people. Access to safe shelter was a major issue at | :15:40. | :15:42. | |
the start of the war. Families had a grim choice. Alex Howard within the | :15:43. | :15:48. | |
confines of their basement or use a shelter in the garden. You have | :15:49. | :15:53. | |
never heard of the invasion of the Savoy but it might have played a | :15:54. | :15:56. | |
crucial part in persuading the parties to open up the underground | :15:57. | :16:00. | |
to Londoners sheltering from the Blitz. 98-year-old Max remembers | :16:01. | :16:06. | |
taking part in the protest, organised by the Communist Party. | :16:07. | :16:13. | |
What were you protesting about? There is a difference between the | :16:14. | :16:18. | |
rich, who were able to get deep shelters in hotels and other places. | :16:19. | :16:27. | |
The part that we played was to ensure that the working people had | :16:28. | :16:36. | |
the same safety as the rich. On a Saturday evening, as the sirens | :16:37. | :16:41. | |
sounded, Max and dozens of others is through the front doors of the Savoy | :16:42. | :16:45. | |
Hotel, one of the glitziest hotels in London. They knew it was illegal | :16:46. | :16:49. | |
to turn people away during an air raid. They were not able to remove | :16:50. | :16:58. | |
us. Even then, because there was an air raid going on. Max and his | :16:59. | :17:04. | |
fellow protesters were led into the basement of the hotel. A cavernous | :17:05. | :17:08. | |
space were guests could shelter. Today, it is a wedding venue. | :17:09. | :17:15. | |
Historian Matthew suite has photographs of what the room looked | :17:16. | :17:20. | |
like back in 1940. Here we are. Yes. Extraordinary photographs. This | :17:21. | :17:27. | |
is a photograph of the ring that we are in and that scaffolding would | :17:28. | :17:30. | |
have been painted in Patriot collars. To make people feel more | :17:31. | :17:36. | |
comfortable. How many people would be accommodated? You could get more | :17:37. | :17:43. | |
than 100. Couldn't you? And here are these rather well-to-do guests and | :17:44. | :17:47. | |
these men have come down from their room. You would be in trouble if you | :17:48. | :17:52. | |
had a busy night! There would be people walking up and down, making | :17:53. | :17:57. | |
sure that you were not snoring too loudly. They would set out the | :17:58. | :18:04. | |
bombing in as much style as could be mustered. If you can drink a | :18:05. | :18:07. | |
cocktail at the Savoy during the war, maybe we will win! The invasion | :18:08. | :18:12. | |
was picked up by the press but not just the British? It was barely | :18:13. | :18:17. | |
reported here but the German press took this up for its proper value. | :18:18. | :18:23. | |
In the Nazi papers, a lot is made of this and there are accounts of | :18:24. | :18:26. | |
desperate Londoners coming here to be forced out by the police. It was | :18:27. | :18:32. | |
useful for propaganda. This by protesting, Max enjoyed the same | :18:33. | :18:37. | |
comfort that night as the hotel guests. How long did you stay? About | :18:38. | :18:45. | |
12 of us stayed overnight. And we had a in the morning and toast. And | :18:46. | :18:52. | |
it was a night when we were free from the noise and the arms. -- | :18:53. | :18:59. | |
bombs. Max and his fellow men might not have been the only people | :19:00. | :19:03. | |
calling for better shelters that he believes the invasion of the Savoy | :19:04. | :19:07. | |
Hotel played an important part in persuading authorities that | :19:08. | :19:13. | |
something had to be done. It forced the government to meet the following | :19:14. | :19:18. | |
day. And this was a victory for the people of London. One week after the | :19:19. | :19:26. | |
invasion of the Savoy Hotel, Aldwych station opened as a shelter. And | :19:27. | :19:31. | |
that access gave the population hope that they could ensure the Blitz and | :19:32. | :19:40. | |
win the war. -- injury. Thank you. Gyles joins us now. After World War | :19:41. | :19:46. | |
II, the Savoy was used to throw a few parties for Agathe Christie? | :19:47. | :19:50. | |
Very lavish. And she hated all of them! She was shy. And was a famous | :19:51. | :19:57. | |
party, the 10th anniversary the Mousetrap, opened in 1952, the party | :19:58. | :20:03. | |
was at the Savoy and there she goes, and she was refused entry. She | :20:04. | :20:08. | |
called it hell at the Savoy. The Porter does not recognise me. He | :20:09. | :20:13. | |
would not let in and she had to fight her own way in. But several | :20:14. | :20:17. | |
other players were put on at the Savoy and when she died, aged 85, | :20:18. | :20:25. | |
they lowered the lights. Murder in the vicarage was the play and | :20:26. | :20:28. | |
honoured her. And at Saint Martin's Theatre, where the Mousetrap was | :20:29. | :20:36. | |
playing. She was the true queen of crime and she sold 300 million books | :20:37. | :20:39. | |
in her lifetime and since then, global sales are to billion. One | :20:40. | :20:46. | |
early on in English and 1,000,000,044 different languages. | :20:47. | :20:54. | |
Helped of course by David Suchet! 700 million people watched Poirot. | :20:55. | :21:00. | |
That is just extraordinary! I was told that recently and I cannot | :21:01. | :21:05. | |
believe that. 700 million. I am a theatre actor. You could not get | :21:06. | :21:11. | |
them in! It is extraordinary. When you think about that. She took her | :21:12. | :21:18. | |
mystery to her grave? She loved mystery and she took her last story | :21:19. | :21:22. | |
to the grave with her. It was not published until years later. She | :21:23. | :21:28. | |
enjoyed creating mysteries around herself. In 2020, we're coming up to | :21:29. | :21:34. | |
the 100th anniversary of the arrival of Miro in 1920. And we are | :21:35. | :21:39. | |
persuading the campaign to start tonight, to bring him out and we | :21:40. | :21:45. | |
shall be in touch with Agatha Christie on the other side! We will | :21:46. | :22:01. | |
leave you chatting! In only four days, Team Rickshaw's children in | :22:02. | :22:06. | |
need challenge begins at the Giant's Causeway. We have visited Bethany | :22:07. | :22:15. | |
and Amanda. And Daniel and Carol. Tonight we're off to get to know | :22:16. | :22:18. | |
Martin who, on top of the Rickshaw Challenge, has an additional | :22:19. | :22:21. | |
challenge all of his own. He's racing with Alex. Poor lad! Your | :22:22. | :22:28. | |
donations are very important and the way to do it will be on the screen | :22:29. | :22:43. | |
during our film. My name is Martin and I am training for the Rickshaw | :22:44. | :22:48. | |
Challenge. I was born without my left arm from the elbow and my right | :22:49. | :22:56. | |
arm from the rest. Also, my left leg stops through my knee and I have | :22:57. | :23:04. | |
always walked with a prostatic. I am his oldest brother and I was always | :23:05. | :23:09. | |
protective of him. He will not ask for help. He will do it first. And | :23:10. | :23:14. | |
if he struggles, he will keep trying, and then he will ask. I feel | :23:15. | :23:20. | |
that because I was born like this, I have simply learned like everybody | :23:21. | :23:24. | |
else. You just have to get on with things. My mother is quite proud of | :23:25. | :23:29. | |
him as well. She is emotional as well. That is my boy. Growing up to | :23:30. | :23:35. | |
do a big challenge like this. There is no stopping him. It is an | :23:36. | :23:41. | |
incredible challenge, 700 miles, that will raise an incredible amount | :23:42. | :23:44. | |
of money for people who really need that. It has made us very focused | :23:45. | :23:52. | |
and determined. Using just one league to propel yourself. It is his | :23:53. | :23:57. | |
determination that means he will do it. I cannot complain that I have | :23:58. | :24:02. | |
been selected to cycle alongside Alex Jones. But she is not committed | :24:03. | :24:07. | |
to the hill work! Or the night shift. She will do her best... I | :24:08. | :24:15. | |
have been given the training programme that myself and everyone | :24:16. | :24:18. | |
on the challenge must follow to ensure that we are physically fit | :24:19. | :24:23. | |
and we can last the full seven days. Due to my lack of arms, we have had | :24:24. | :24:30. | |
to have specialised handlebar is. This means that when it is my turn, | :24:31. | :24:35. | |
we can simply clipped them on and then we're off. -- club. Children | :24:36. | :24:43. | |
have sponsored us in the past so to give back, that is what we are | :24:44. | :24:47. | |
therefore, to raise a great amount of money for those people who | :24:48. | :24:54. | |
needed. I play table tennis and through the help and support my club | :24:55. | :24:59. | |
has given me, I have represented Scotland internationally and have | :25:00. | :25:01. | |
moved into presenting great at an internationally. He was aged | :25:02. | :25:07. | |
children, what did you think of Martin and he says, -- they say, he | :25:08. | :25:14. | |
is ready good. All of my friends and family think I am crazy for | :25:15. | :25:17. | |
undertaking such a massive challenge. 700 miles is an | :25:18. | :25:22. | |
incredible journey for anyone, to be on a bicycle, that is incredible. If | :25:23. | :25:28. | |
you put some self to something, he will do it. -- if he puts himself to | :25:29. | :25:36. | |
something. We need your help, so please donate. He is such A*! Thank | :25:37. | :25:49. | |
you so much to all of you who have donated. We really appreciate that. | :25:50. | :25:55. | |
Amy, would you be able to play some saxophone to accompany David's | :25:56. | :25:57. | |
reading of the Rickshaw Challenge donation terms and conditions? | :25:58. | :26:07. | |
Text messages will cost ?5 plus your standard network charge and ?5 will | :26:08. | :26:12. | |
go to Children in Need For full terms and conditions, visit the | :26:13. | :26:13. | |
website. Wasn't that lovely! Thank you! And | :26:14. | :26:29. | |
please do also let us know via the website or Facebook page if you've | :26:30. | :26:32. | |
got any fundraising events planned of your own. We'll try and stop by. | :26:33. | :26:41. | |
Gather around. We will reveal who the murderer is. The first clue, a | :26:42. | :26:49. | |
man was found murdered on Sunday morning and his wife immediately | :26:50. | :26:51. | |
called the police and they questioned the wife and they got | :26:52. | :26:57. | |
these alibis. The wife said she was sleeping. The cook was cooking | :26:58. | :27:00. | |
breakfast and a gardener was cooking vegetables and the police instantly | :27:01. | :27:09. | |
arrested the murderer... Who was at? It was the Butler because is no mail | :27:10. | :27:17. | |
delivered on a Sunday! And manners told his wife is murdered and he | :27:18. | :27:20. | |
drops the phone, gets there in 20 minutes to the crime scene. When he | :27:21. | :27:23. | |
gets there, they immediately arrest him. How did they know he did it? It | :27:24. | :27:31. | |
is so some. Because the police did not tell the husband where she was | :27:32. | :27:36. | |
murdered! Well done to everybody who got that. And to all of our rulers. | :27:37. | :27:44. | |
They were not even actors! And what is this? On your top lip? This is a | :27:45. | :27:52. | |
little moustache. One purpose. Movember. It will get better! That | :27:53. | :28:06. | |
visit. Thank very much to David. The final episodes of Poirot go out this | :28:07. | :28:10. | |
Wednesday and next Wednesday at 8pm. Tomorrow, Frank Skinner will be | :28:11. | :28:15. | |
here. But, as promised, here's the brilliant Amy Dickson to play us out | :28:16. | :28:18. | |
with Nocturne Number two. This is from her new special edition album, | :28:19. | :28:21. | |
Dusk and Dawn. Goodbye. | :28:22. | :28:30. |