Browse content similar to 05/11/2013. Check below for episodes and series from the same categories and more!
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Hello, welcome to The One Show with Matt Baker... And Alex Jones. See | :00:19. | :00:24. | |
how long it will take you to try to guess who tonight's guest is. | :00:25. | :00:31. | |
Someone a bit cheeky. Not Tony Blair. I know that face. It's Frank | :00:32. | :00:35. | |
Skinner! Good to see you, good to see you. | :00:36. | :00:46. | |
Fabulous. I wish I could do that. You have this whole new art TV show, | :00:47. | :00:54. | |
to look for a portrait artist. That is why I'm on? I was sitting here | :00:55. | :01:00. | |
puzzled! Yes, that's correct. You had a caricatured and of yourself, | :01:01. | :01:05. | |
but you didn't sit down? They use of celebrities, for the sitters, sadly. | :01:06. | :01:12. | |
Tonight we are going to shower you with portraits. You will feel like a | :01:13. | :01:15. | |
North Korean dictator, there will be pictures of you everywhere you look. | :01:16. | :01:21. | |
Will some missiles go past? We decided to go without the missiles. | :01:22. | :01:25. | |
There will be some fireworks, though. Three of the 80 competitors | :01:26. | :01:31. | |
from your show are with us tonight. We have Kevin, Kemi and Pamela. They | :01:32. | :01:35. | |
are here to paint you. It is Kemi's portrait that we saw at the | :01:36. | :01:42. | |
beginning. We are also creating an effigy of you for the bonfire | :01:43. | :01:47. | |
special. That is not so good, is it? I think you will be impressed. Are | :01:48. | :01:54. | |
you going to burn me? We will see how you behave during the show. And | :01:55. | :01:59. | |
we have some new viewers tonight. The nation's animals are under | :02:00. | :02:03. | |
firework curfew. We want to see your pets safe and well and enjoying The | :02:04. | :02:07. | |
One Show. If you have locked the cat flap, close to the kennel or brought | :02:08. | :02:13. | |
in your rabbits, send a picture. It is their lucky night tonight, | :02:14. | :02:15. | |
because later we have a firework display the whole animal kingdom | :02:16. | :02:21. | |
will be talking about. Look at this, Frank. It is The Sheep Show! I grew | :02:22. | :02:31. | |
up on a sheep farm and I've never seen anything like it. Aircraft will | :02:32. | :02:35. | |
be very confused, the landing strip is moving! According to the | :02:36. | :02:40. | |
insurance industry, November is the worst month for break-ins with a | :02:41. | :02:43. | |
home being burgled every two minutes. As Larry Lamb has been | :02:44. | :02:47. | |
finding out, one group is hardest hit of all. | :02:48. | :02:55. | |
At the beginning of each academic year, 70,000 students descend on | :02:56. | :02:59. | |
Manchester. Where there are students, sadly, there are burglars. | :03:00. | :03:05. | |
Students with laptops and mobiles, sometimes with lax attitudes to home | :03:06. | :03:10. | |
security, are twice as likely as other adults to become victims of | :03:11. | :03:16. | |
burglary. Whilst the undergraduates are out enjoying themselves, Greater | :03:17. | :03:19. | |
Manchester Police are out patrolling the student area of Fallowfield. | :03:20. | :03:25. | |
This time of year, when students are returning and we are getting new | :03:26. | :03:28. | |
students coming, we are getting quite a big increase in burglaries. | :03:29. | :03:32. | |
People targeting student properties. They know that students have got | :03:33. | :03:37. | |
maybe six laptops in the address, six iPhones. A house shared by six | :03:38. | :03:44. | |
students became eight crime scene when they went to the supermarket. | :03:45. | :03:48. | |
The lads came back to find their computers, with more than ?4000, had | :03:49. | :03:53. | |
been stolen. Everybody's laptop had been taken, the iMac have been taken | :03:54. | :04:03. | |
and the iPad. I kind of feel we had been targeted. Straight in, straight | :04:04. | :04:08. | |
out, knew what they wanted to get. Feels like an invasion of privacy, | :04:09. | :04:14. | |
they have gone right into your room, there are personal things in each of | :04:15. | :04:17. | |
our rooms. It's just a bit shocking. It's never happened to me before. | :04:18. | :04:25. | |
It is the morning after the night before. The night shift have clocked | :04:26. | :04:33. | |
off. I am out on patrol in an area of Manchester that accounts for | :04:34. | :04:35. | |
almost two thirds of all student burglaries. We are going to a crime | :04:36. | :04:42. | |
scene where a theology student came home and found herself face-to-face | :04:43. | :04:44. | |
with a burglar who had broken into her shared house. Good morning. OK? | :04:45. | :04:53. | |
I came back at four o'clock, the door was wide open. It comes out of | :04:54. | :04:59. | |
my room, and because the light was on and it was dark outside, I could | :05:00. | :05:04. | |
see a clear shot of him. He could not see me. I was making a lot of | :05:05. | :05:07. | |
noise, getting people on the street to come out, help us, we are being | :05:08. | :05:13. | |
burgled. In his rush to escape, he dropped a laptop, leading | :05:14. | :05:15. | |
potentially incriminating forensic evidence. The crime scene | :05:16. | :05:21. | |
investigation team are here to dust down the evidence and see if they | :05:22. | :05:22. | |
can find any fingerprints. We think the laptop was abandoned as | :05:23. | :05:31. | |
he tried to get out of the back door, which was locked. He ran | :05:32. | :05:34. | |
upstairs and jumped out of the first-floor window. The investigator | :05:35. | :05:38. | |
found a fingerprint. But, for the victim, it has been a frightening | :05:39. | :05:42. | |
episode and she is a long way from home. It makes you feel a bit shaky? | :05:43. | :05:48. | |
I haven't been able to sleep in my room yet. The image of the man in my | :05:49. | :05:52. | |
room, I can't get out of my head. I'm going home for a few days, | :05:53. | :05:55. | |
because I don't really feel safe here any more, to be honest. Greater | :05:56. | :06:00. | |
Manchester Police say one in ten students in their city will become a | :06:01. | :06:07. | |
victim of crime. What is so frustrating for the bodies around | :06:08. | :06:10. | |
here is that it is often the simple things like open windows and | :06:11. | :06:13. | |
unlocked doors that make burglaries so easy. To remind students to close | :06:14. | :06:18. | |
windows, the police have come up with a light-hearted solution. This | :06:19. | :06:22. | |
is a gentle reminder that your window has been left open. We will | :06:23. | :06:26. | |
put that through the window, the occupants will have a look at it and | :06:27. | :06:29. | |
it makes them think, how has it got in there? The balloon itself directs | :06:30. | :06:35. | |
them to our student safety Facebook page. You are looking at the basics, | :06:36. | :06:39. | |
making sure the front door is locked, the windows are closed. If | :06:40. | :06:42. | |
you are going out at night, leave some lights on. As long as your | :06:43. | :06:46. | |
address looks more secure than the one next door, potentially you will | :06:47. | :06:51. | |
not become a victim of crime. Let's face it, home security is never | :06:52. | :06:55. | |
going to be a student's top priority. But now, more than ever, | :06:56. | :06:58. | |
it is really something they can't afford to ignore. | :06:59. | :07:03. | |
We were just saying, it brought back some memories for you because you | :07:04. | :07:08. | |
were broken into at university? Yes, we had four traffic cones stolen! | :07:09. | :07:14. | |
No, I lived in a place, they kicked the door in and they stole a VHS | :07:15. | :07:27. | |
recorder, Sony Walkman and two Pogues albums. It was the most 80s | :07:28. | :07:30. | |
crime. My girlfriend was living with me and she was scared to be in on | :07:31. | :07:35. | |
her own afterwards. It is, but we did extensive research, we've got | :07:36. | :07:43. | |
some great news for you. Normally I just lean over the shoulder, but | :07:44. | :07:50. | |
it's too heavy. We found it. You will notice the video is still in. | :07:51. | :07:55. | |
Thank God, that is the video I left in. I thought you were going to give | :07:56. | :08:00. | |
me a shot gun. Can we shoot them now, is that allowed? And you attack | :08:01. | :08:05. | |
them? I don't think so, I don't know. That's a different film, we | :08:06. | :08:14. | |
will get Lowry on the case. I thought David Cameron or Kenneth | :08:15. | :08:17. | |
Clarke said it was OK to defend your property to the death. Don't quote | :08:18. | :08:23. | |
them on that. At eight o'clock tomorrow night, you should set this, | :08:24. | :08:27. | |
because your new show is on. It is an hearty show? It is the Portrait | :08:28. | :08:35. | |
Artist of the Year, and it is to find exactly that. 2000 people | :08:36. | :08:38. | |
sending entries. They sent in portraits, we have three expert | :08:39. | :08:43. | |
judges and they narrowed it down to 80 people. We went to Dublin, | :08:44. | :08:47. | |
Cardiff, Glasgow and London. These people turn up, they painted various | :08:48. | :08:54. | |
celebrities. We are now currently down to the four semifinalists. I | :08:55. | :08:58. | |
can honestly say that it is probably the most enjoyable series I have | :08:59. | :09:04. | |
ever done. Just watching people who turn up with a blank white canvas | :09:05. | :09:07. | |
and turn it into something beautiful in four hours. Also to see how | :09:08. | :09:13. | |
differently people do it. The styles are so... We will look at one of the | :09:14. | :09:16. | |
artists involved. The artists have a chance to size up | :09:17. | :09:22. | |
the competition. A mother of four boys, she works as a children's book | :09:23. | :09:28. | |
illustrator. There is a great Friday year. That is a surprise to me. It | :09:29. | :09:32. | |
was a pleasant surprise seeing the different media Mass, watercolours, | :09:33. | :09:37. | |
acrylics, oil, they are brilliant, all of them. I know my style is | :09:38. | :09:43. | |
different to everybody else, as good a chance as anyone. A lot of it is | :09:44. | :09:51. | |
very detailed, I'm not sure that will fare well in the environment. | :09:52. | :09:55. | |
People with looser styles, that will suit them all. Varying, not just | :09:56. | :10:02. | |
professionals? Some people have never sold a painting, they just | :10:03. | :10:07. | |
paint for love. The age range was 17 to 70. It's amazing how many | :10:08. | :10:14. | |
different approaches there were two creating a portrait of the same | :10:15. | :10:18. | |
person? Not just that, you see people, they have four hours to | :10:19. | :10:22. | |
paint it. You walk around after an hour, you think, that is finished, | :10:23. | :10:27. | |
that's brilliant. Someone has drawn three pencil lines, you'd think they | :10:28. | :10:31. | |
have no chance. Two hours later, the people that were doing well have | :10:32. | :10:36. | |
ruined there is, they have done too much. Then there are five pencil | :10:37. | :10:39. | |
lines. And 20 minutes before the end, that suddenly grows into... All | :10:40. | :10:45. | |
of the different methods and styles, I have found it fascinating. There | :10:46. | :10:50. | |
is a slight elephant in the room. People think about Frank Skinner, | :10:51. | :10:53. | |
comedy, football, we didn't know you have a passion for art? I'm | :10:54. | :11:04. | |
co-hosting with Joan , she is the wind beneath my wings. It's nice to | :11:05. | :11:07. | |
be referred to as the young one for a change. You will like it, you will | :11:08. | :11:11. | |
see your future stretched out ahead of you. We saw Kevin, he is here | :11:12. | :11:16. | |
tonight. Turn your portrait around. This is what you have been doing of | :11:17. | :11:19. | |
Frank. There we go. We pick up on the first episode | :11:20. | :11:30. | |
about his style. I don't know why he did grey hair. We will have to ask. | :11:31. | :11:39. | |
I did no, really. Earlier in the afternoon, this is how you started. | :11:40. | :11:44. | |
You put this grid on first? Then do the outlines to make sure the | :11:45. | :11:48. | |
proportions are right. Apply a bit of colour, start with the light ones | :11:49. | :11:51. | |
first, that establishes the background colour. Start the | :11:52. | :11:56. | |
outlines again, and then the final touches, you know? It's beautiful, | :11:57. | :12:02. | |
honestly. But you don't make a living from painting, you work in a | :12:03. | :12:06. | |
call centre. How much painting did you do in your spare time? Every | :12:07. | :12:10. | |
second I have three, evenings, night times. Boring calls in the call | :12:11. | :12:18. | |
centre? I'm saying nothing. He's just flown in from his job in | :12:19. | :12:23. | |
Bombay! Portrait Artist of the Year starts tonight on Sky Arts 1. | :12:24. | :12:31. | |
Tonight is the biggest night of the year for firemen up and down the | :12:32. | :12:35. | |
country. One thing that has made their life easier is a British | :12:36. | :12:37. | |
invention that is almost 300 years old. | :12:38. | :12:43. | |
A fire can take hold in seconds and spread up a ferocious pace. Overall, | :12:44. | :12:50. | |
today, there are far fewer catastrophic fires, not least | :12:51. | :12:54. | |
because of a British invention with a rather surprising history. The | :12:55. | :13:00. | |
sprinkler. In the 17th and 18th century, Britain's buildings were | :13:01. | :13:04. | |
extremely vulnerable to fire. Methods. In them were limited. Sir | :13:05. | :13:10. | |
George Piggott is a fire sprinkler expert. Everything was done with a | :13:11. | :13:15. | |
naked flame. You cooked with plain, you let your house with flames, | :13:16. | :13:19. | |
there were timber frame buildings with thatched roofs that burned | :13:20. | :13:25. | |
extremely easily. Until one man came off with a solution, Ambrose | :13:26. | :13:29. | |
Godfrey. He was a renowned chemist. In 1723 key part did the first-ever | :13:30. | :13:35. | |
sprinkler system. Key to his invention was a surprise ingredient. | :13:36. | :13:40. | |
Gunpowder. It was used for explosion and suffocation. The idea was that | :13:41. | :13:45. | |
when something caught fire, the flames would ignite a fuse that led | :13:46. | :13:50. | |
to a small vial of gunpowder. That, in turn, was held inside a container | :13:51. | :13:55. | |
of liquid. When the gunpowder exploded, it burst the container and | :13:56. | :13:58. | |
the water would pour out everywhere and, hopefully, put out the fire. | :13:59. | :14:05. | |
Lets see how it worked. Here in Nottingham is one of the UK's fire | :14:06. | :14:13. | |
testing facilities. We are recreating the principles with a | :14:14. | :14:16. | |
gunpowder expert. For the container, we are going to use a balloon filled | :14:17. | :14:21. | |
with water. A vial of gunpowder will be attached to the balloon. This | :14:22. | :14:26. | |
leads to a fuse. Underneath will be the fire. Right, this is it. The | :14:27. | :14:33. | |
moment of truth. Will Godfrey's design work? | :14:34. | :14:40. | |
The water from the exploding balloon should, in theory, extinguish the | :14:41. | :14:43. | |
fire. That's brilliant! The principle was | :14:44. | :14:53. | |
good, but it didn't put out all of the flames. However, reports at the | :14:54. | :15:00. | |
time suggested that the device was successfully implemented in | :15:01. | :15:01. | |
buildings in London. It became so famous that one | :15:02. | :15:10. | |
demonstration of it drew a crowd of 20,000 people. | :15:11. | :15:13. | |
But when Godfrey led, others followed. After a spate of fires at | :15:14. | :15:21. | |
the Drury Lane Theatre, a manual spindle assistant was installed in | :15:22. | :15:29. | |
1812, invented by William Congreve. In 1864, Major Stuart Harrison | :15:30. | :15:34. | |
invented the first ever automatic sprinkler head. Rather than using | :15:35. | :15:41. | |
exploding files to release the water, it featured a perforated | :15:42. | :15:44. | |
brass head with a special rubber valve, held in place by string. If | :15:45. | :15:49. | |
the string burned, it would activate the valve. That became the basis for | :15:50. | :15:54. | |
the design for all modern sprinklers. I've built one to test | :15:55. | :15:59. | |
it. It is holding, just about. No water is coming out. Here comes the | :16:00. | :16:03. | |
fire. It's a blowtorch. We burned through the string. And the | :16:04. | :16:09. | |
sprinkler starts working. It distinguishes the fire. -- extend | :16:10. | :16:15. | |
wishes. But how do sprinklers work now? What are modern sprinter | :16:16. | :16:20. | |
systems like today? Extremely effective and what they do. That is | :16:21. | :16:24. | |
what people will be used to seeing. A bulb, when heated up, it expands | :16:25. | :16:30. | |
and allows water to come out. How effective are these things? | :16:31. | :16:35. | |
Extremely effective. There has not been a fire fatality in a house with | :16:36. | :16:41. | |
domestic spindle is fitted, ever. Nobody has been killed in a house | :16:42. | :16:46. | |
with a fire spreads? That is correct. That is amazing, I am | :16:47. | :16:52. | |
stunned. 100,000 UK homes have a spindle system and this training | :16:53. | :16:56. | |
video shows how effective they are. The sprinkler activates one minute | :16:57. | :17:01. | |
and a half after the fire starts, extinguish flames seconds. | :17:02. | :17:05. | |
We are no longer trying to fight fire with gun powder, but the | :17:06. | :17:13. | |
principles behind Godfrey's design has not changed. It is a life-saver. | :17:14. | :17:19. | |
Thank you and we have some breaking Welsh nows, the Welsh Assembly have | :17:20. | :17:25. | |
announced by 2016 all new homes built in Wales will have a sprinkler | :17:26. | :17:31. | |
fitted. It is the first country in Europe. Tonight we need your help to | :17:32. | :17:41. | |
find a hero. Carrie has been to meet a woman whose daughter was saved by | :17:42. | :17:45. | |
a station. This is Lincolnshire, back on 17th September, it was the | :17:46. | :17:50. | |
scene of a very serious car accident that could have had a tragic ending, | :17:51. | :17:59. | |
had it not been for one man. 21 -year-old Beckie leaves with her two | :18:00. | :18:05. | |
daughters. I was going to college, so I had to drop her off at the | :18:06. | :18:11. | |
nursy and as I turned the corner there was a van coming up on my side | :18:12. | :18:17. | |
and I swerved to miss him. As I hit the side of the bank, I lift off | :18:18. | :18:21. | |
into the air and I rolled back into the dyke and ended up on my roof. So | :18:22. | :18:27. | |
the car started to fill with water. All the windows had smashed and it | :18:28. | :18:32. | |
was just splash and full. What were your thoughts? Once I touched | :18:33. | :18:37. | |
Imogen, I thought she was going to die. Because she wasn't moving. To | :18:38. | :18:42. | |
me, if you're under water, you're going to kick to get out. What | :18:43. | :18:49. | |
happened? I bunged her at the first person I could see. She passed | :18:50. | :18:55. | |
Imogen to the man who gave her CPR. Did you think she had already gone? | :18:56. | :19:01. | |
Yes, I didn't think she was going to wake up and the look on his face, I | :19:02. | :19:06. | |
don't think he did. What did he do? He started giving her breaths to the | :19:07. | :19:11. | |
mouth and giving her chest compressions. This went on for about | :19:12. | :19:16. | |
two minutes until she made a noise. But he kept going until she was | :19:17. | :19:22. | |
screaming, full on screaming. How important was CPR in saving her | :19:23. | :19:28. | |
life. She was unconscious and not breathing, unless somebody acts | :19:29. | :19:33. | |
straightaway, it is a matter of minutes. An ambulance can get there | :19:34. | :19:39. | |
quickly, but by standing first aid is essential. How important is it | :19:40. | :19:42. | |
for members of the pub tloibg do acts like this? -- public to do acts | :19:43. | :19:49. | |
like this? Up to 140 thousand people die from conditions where first aid | :19:50. | :19:53. | |
may have given them the chance to live. Imogen was lucky to survive | :19:54. | :19:57. | |
and possibly wouldn't have without the help of the stranger. Now, | :19:58. | :20:04. | |
Beckie wants to nominate for a St John ambulance every day hero award. | :20:05. | :20:11. | |
But she has to find him first. What are the awards. They're annual | :20:12. | :20:16. | |
awards that we run and what we want is for the public to nominate every | :20:17. | :20:22. | |
day ordinary people who do extraordinary things, by delivering | :20:23. | :20:25. | |
first a id when it is -- aid when it is needed most. He was tall, slim to | :20:26. | :20:31. | |
medium build with blonde hair. He looked eastern European and he was | :20:32. | :20:35. | |
wearing a black jacket. Without him, I wouldn't have her. Do you know | :20:36. | :20:40. | |
what I mean? I owe her life to him. Without him, I would be burying my | :20:41. | :20:48. | |
daughter. It's that simple. Oh, little Imogen, an amazing story. If | :20:49. | :20:52. | |
you have any information to find him, please get in touch at the | :20:53. | :20:58. | |
usual address. Now, speaking of heroes, Team Rickshaw will set off | :20:59. | :21:07. | |
an a 700 mile journey in three days. I love Team rickshaw. If you want to | :21:08. | :21:12. | |
make a donation, head to our web-site and all the details are | :21:13. | :21:17. | |
there. Get your donation in now and get it out of the way. And Frank | :21:18. | :21:22. | |
you're doing a special for Children in Need? We did a Room 101, instead | :21:23. | :21:27. | |
of celebrities, we had three children on. They were much better. | :21:28. | :21:33. | |
Thanks! Well, you were great. They were kids and they said anything. | :21:34. | :21:38. | |
There was one person moaned about her parents trying to be cool. I | :21:39. | :21:42. | |
tried to demonstrate dad dancing. So I did a bit of that. This | :21:43. | :21:49. | |
seven-year-old said, stop that now, or I'll call Childline! They were | :21:50. | :21:54. | |
properly funny and interesting and great. And we have a bone to pick | :21:55. | :22:01. | |
with you. Last year, was it last year, Sheila Hancock put fireworks | :22:02. | :22:09. | |
into Room 101. Do you have a problem with tonight's activities. It is a | :22:10. | :22:14. | |
not a great time for Catholics, it is a celebration for burning | :22:15. | :22:18. | |
Catholics. I actually like, fireworks in general, not connected | :22:19. | :22:25. | |
to tonight, I always laugh at fireworks. I was at a party and | :22:26. | :22:30. | |
Bryan Ferry was there and they had fireworks and he looked at me with | :22:31. | :22:34. | |
distress, because I was laughing each time there was a bang and he | :22:35. | :22:41. | |
looked afraid. So, yes, I have always found them funny. Do they | :22:42. | :22:46. | |
still have penny for the guy? I haven't seen one. They Thorpe m norm | :22:47. | :22:54. | |
-- they normally have one. It has been replaced by trick or treat. I | :22:55. | :22:58. | |
would like to call for the end of trick and treat and the reburn of -- | :22:59. | :23:04. | |
return of penny for the guy. We promised you a firework display for | :23:05. | :23:11. | |
animals at home. Here is Stanley. He is behind that cushion, because he | :23:12. | :23:17. | |
can't bear firework. For Stanley and the others, here is our sheep | :23:18. | :23:26. | |
extravaganza. There is something special about the bornd between -- | :23:27. | :23:31. | |
bond between the shepherd, his flock and his dog. That relationship is at | :23:32. | :23:36. | |
the heart of hill farms like this. I want to see if it is a skill I can | :23:37. | :23:42. | |
turn into something special. Our challenge is to take 60 sheep, two | :23:43. | :23:47. | |
sheepdogs and a shepherd and create a fireworks display. Gerald has been | :23:48. | :23:55. | |
farming this land in Wales for over 20 years and works each day with | :23:56. | :24:01. | |
Flash and his herd of 7 hundred sheep. But he realised with the help | :24:02. | :24:08. | |
of some computer wizardry, he could create something special. Let me | :24:09. | :24:15. | |
explain the idea is this. When darkness falls, we will put fairy | :24:16. | :24:22. | |
light jackets on the sheep and get Gerald and the dogs to herd them | :24:23. | :24:26. | |
into precise formations that we will film and when we piece it together | :24:27. | :24:30. | |
we should have something spectacular. Can you tell me how | :24:31. | :24:36. | |
this came about? This is one of most unusual thing we have done. A local | :24:37. | :24:41. | |
approached me wanting to make an advert and he knew that I was | :24:42. | :24:47. | |
interested in competing and working sheepdogs. He asked me to help. It | :24:48. | :24:52. | |
has gone from there and we have done several programmes for different | :24:53. | :24:57. | |
TVs, German and American. What do you get out of it? It is just the | :24:58. | :25:04. | |
thrill of working on my own with the sheepdog and I don't class them as | :25:05. | :25:08. | |
work, because I class him as a friend. Because he is working for | :25:09. | :25:13. | |
me. Lovely, Flash. Oh, he is beautiful. And so obedient. We will | :25:14. | :25:19. | |
see about that later on! He tends to do his own thing. But he is good. | :25:20. | :25:25. | |
But before we even start lighting up the sheep, Gerald needs to know | :25:26. | :25:29. | |
Flash is on his game. One stray movement from them could ruin the | :25:30. | :25:34. | |
effect. But herding isn't as easy as it looks. That will do! Away to me. | :25:35. | :25:46. | |
Away to me. I can't do it in a Welsh accent! Try a right hand whistle. | :25:47. | :25:58. | |
What was that? There you go. Stand. Stand! Brilliant. It is all a bit | :25:59. | :26:04. | |
random. As the sun goes down in Wales, it is time for us to get | :26:05. | :26:08. | |
ready. Wales, it is time for us to get | :26:09. | :26:33. | |
costume. Around 3,000 light bulbs and 40 jackets later, everything is | :26:34. | :26:38. | |
in place. I have seen some things in my life, but this is just beautiful. | :26:39. | :26:44. | |
Gerald will herd the sheep in specific formation and we will later | :26:45. | :26:49. | |
runs on top of each other to create a final display. And Flash is raring | :26:50. | :26:53. | |
to go. Flash! Flash! You have got people every where | :26:54. | :27:15. | |
herding the sheep. It is all slightly chaotic. | :27:16. | :27:21. | |
Wow. That is like sheep ballet going on. What about that, that was | :27:22. | :27:33. | |
extraordinary. On many levels. It made me feel very sleepy! Brilliant. | :27:34. | :27:40. | |
I shouldn't have started counting. All the animals are glued to it. | :27:41. | :27:50. | |
This is Ebb Nice -- Ebony who is watching. And you have to say they | :27:51. | :27:57. | |
have the same video recorder. Hang on, a is that my PoguesCD? This is | :27:58. | :28:05. | |
Penny. And what about Freddy. Look at Freddy in Birmingham. He is nice | :28:06. | :28:11. | |
and safe and warm. And one more. Here is Pepsi, tucked up and safe in | :28:12. | :28:20. | |
bed. That is a bit weird. Now the final portraits. Pamela has been | :28:21. | :28:25. | |
busy as well. Pamela, reveal your artwork. And look at that, Frank! | :28:26. | :28:33. | |
Let's have a look at see how you did it. Talk us through. You start with | :28:34. | :28:39. | |
a red background. Yes, and then I use that to make the colours more | :28:40. | :28:45. | |
vibrant and then get the pallet knife out and decide, we will work | :28:46. | :28:49. | |
from the outside and work towards the details of the face. The amazing | :28:50. | :28:56. | |
thing, Pamela has only been doing this since May. That incredible. | :28:57. | :29:00. | |
They are all brilliant. We have one more. We said about this effigy. We | :29:01. | :29:07. | |
have been lighting these tea lights and look. We have set up a camera | :29:08. | :29:13. | |
outside. Off you go, Phil. You will see... Burning beautifully... Thanks | :29:14. | :29:24. | |
to everyone for coming on the show. Portrait Artist of the Year starts | :29:25. | :29:27. | |
tonight. I thought they were sheep! We are back tomorrow with David | :29:28. | :29:34. | |
Dimbleby and the Eggheads. See you at 7. Good | :29:35. | :29:35. |